Today is my turn on the Books n All Promotions Blog Tour and I am sharing my Feature Post and Book Review for THE SILENT LISTENER by Lyn Yeowart.
Below you will find a book description, my book review and the author’s bio and social media links. Enjoy!
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Book Description
AN UNFORGETTABLE PSYCHOLOGICAL THRILLER SET IN THE DARK, GOTHIC HEART OF RURAL AUSTRALIA
The moment he dies, the room explodes with life.
Joy Henderson returns to the family farm to nurse her dying father. To the outside world, George is a pillar of the community, but to Joy and her siblings, he’s a monster. As children, they lived in constant fear of the punishments he dished out to his “dirty, filthy sinners who are going to rot in Hell”. Then, the day after George finally confesses to a horrific crime, Joy finds him dead — with a belt pulled tight around his neck . . .
Senior Constable Alex Shepherd, summoned to the scene by George’s doctor, is suspicious: did Joy murder her father? If so, why?
The more Shepherd digs the more questions he raises. Will the truth finally be revealed?
Effortlessly propelling the reader back and forth between three timelines, Lyn Yeowart’s unforgettable debut richly rewards the reader with its explosive, pitiless conclusion.
THE SILENT LISTENER by Lyn Yeowart is an intense, dark atmospheric family drama suspense. This debut author follows a family over several decades by intertwining three timelines. This is a slow burn suspense and it does take a while to sort out, but it is so well written it is difficult to put down even with the difficult subject matter and well worth your time.
Set in rural Australia, one timeline is set in the 1940’s when George Henderson meets his future wife Gwen and after a whirlwind romance marries her. George is not the man he pretends to be and Gwen does not realize the direction her marriage will take. They have three children, Mark, Ruth and Joy. The second timeline is told in Joy’s perspective. Joy in the 1960’s when she is age 11 and her neighbor’s 9-year-old daughter, Wendy disappears. Joy returns home in 1983 to take care of her dying father and Senior Constable Shepard investigation is the focus.
When George Henderson dies, it is under suspicious circumstances and Senior Constable Shepard is called to the home. He was part of the search for the missing Wendy all those years ago and now as he investigates George’s death and learns more about the Henderson family, nothing is as it seems.
This is a story that is difficult to read and yet difficult to put down. Even with the slow set-up, there are so many things that you question and that you are intrigued by. The plotting has subtle red herrings in the first part of the book and then as secrets begin to unravel and be revealed the pacing picks up to a conclusion that was very surprising and satisfying. Trigger warnings for readers: Domestic violence and child abuse.
I can recommend this dark family domestic suspense for an intense read by this debut author.
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Author Bio
Lyn Yeowart is a professional writer and editor with more than 25 years of experience in writing and editing everything from captions for artworks to speeches for executives. Her debut novel, The Silent Listener, is loosely based on events from her childhood in rural Australia. She is now happily ensconced in Melbourne, where there is very little mud, but lots of books.
Today is my turn on the Books n All Promotions Blog Tour and I am sharing my Feature Post and Book Review for DEAD SORRY (Calladine & Bayliss Mystery Book #11) by Helen H. Durrant.
Below you will find a book description, my book review and the author’s bio and social media links. Enjoy!
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Book Description
THE PAST COMES BACK TO HAUNT THEM
Twenty-five years ago a schoolgirl was attacked by three bullies in her home where she lived with her grandmother.
Now, the mother of one of those bullies is found murdered on the Hobfield housing estate. Written on the wall in the victim’s blood is the word, “sorry.”
There is a link to the discovery of bones at an old house up in the hills — the home of the teenage girl who was attacked.
Detective Tom Calladine and his partner DS Ruth Bayliss have more than this puzzling case on their hands. Arch-villain Lazarov is threatening Calladine’s granddaughter and a valuable hoard of Celtic gold is coming to a local museum.
The pressure is on, and this time Calladine is cracking . . .
THE DETECTIVES
Tom Calladine is a detective inspector who is devoted to his job. His personal life, however, is not so successful. Having been married and divorced before the age of twenty-one has set a pattern that he finds difficult to escape.
Ruth Bayliss is in her mid-thirties, plain-speaking but loyal. She is balancing her professional life with looking after a small child.
THE SETTING
The fictional village of Leesdon is on the outskirts of an industrial northern English city. There is little work and a lot of crime. The bane of Calladine’s life is the Hobfield housing estate, breeding ground to all that is wrong with the area that he calls home.
DEAD SORRY (Calladine & Bayliss Mystery Book #11) by Helen H. Durrant is a smartly plotted mystery/British police procedural in an ongoing series that I cannot believe I have not read before now. This book can be read as a standalone because the author fills the reader in on the characters’ backstories that are relevant to interactions in previous books.
DI Tom Calladine and DS Ruth Bayliss are called to a brutal murder scene at the crime ridden Hobfield housing estate. When the victim is identified, Ruth realizes it has similarities and family ties to an old case from her school days. As they begin the investigation, Calladine receives a call from an old nemesis who threatens the lives of his daughter and new granddaughter if he interferes in his return to the area.
Calladine and Bayliss need to find out which suspects are tied to which case as more people end up dead or are the two cases somehow tied together?
The author does a great job of mixing in red herrings and twists that continued to surprise me. When I was two thirds of the way through the book, I thought I had it all figured out. NO, I did not. The two main detectives and their whole team make this an enjoyable character read and the two plot lines are expertly paced with a balanced amount of intrigue and surprises. Also, make sure you read to the very last page. (That is all I can say about that.) Time for me to go back and catch up with Calladine and Bayliss from the very beginning.
I can highly recommend this mystery/British police procedural and author!
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Author Bio
Helen is one of the ‘baby boomer’ generation and began writing when she retired from her job at a local college. Born in Edinburgh to an English father and Scottish mother the family settled in a Pennine village between the counties of Lancashire and Yorkshire. It is an environment which has shaped her stories. Writing is a second career and, despite having a bus pass, keeps her busy, and tuned in.
Helen’s children are all grown-up and she has five grandchildren.
Today I am sharing my Feature Post and Book Review on the Partners In Crime Virtual Book Tours for DEAD TREE TALES by Rush Leaming.
Below you will find a book description, my book review, an excerpt from the book, the author’s bio and social media links and a Rafflecopter giveaway. Enjoy!
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Book Description
Set in Charleston, SC, and the surrounding islands, police are called to investigate the poisoning of a much-loved 1000-year-old tree, only to find evidence of a more brutal crime. From there, the story explodes into a fast-paced, multi-character thriller unlike any you’ve ever read.
Not for the faint of heart…“Dead Tree Tales by Rush Leaming is about a lot more than a dead tree. It’s a mystery. It’s a crime story. It’s a thriller. It’s a powerful comment on today’s society and politics… fast-paced, full of action and intrigue… It’s a real page-turner and just a fantastic read.” – Lorraine Cobcroft, Reader’s Favorite
Genre: Crime Thriller Published by: Bridgewood Publication Date: June 8th 2021 Number of Pages: 488 ISBN: 0999745654 (ISBN13: 9780999745656)
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My Book Review
RATING: 5 out of 5 Stars
DEAD TREE TALES by Rush Leaming is a fantastic new mystery/crime thriller that is impossible to put down. Mr. Leaming ties together several crimes which include the arboricide of a 1000-year-old legendary tree with the murder of an unknown young female all with acute observations of today’s political and societal unrest and corruption.
Detectives Charlie Harper and Elena Vasquez of the Charlestown PD are called out to Johns Island to investigate the poisoning of Addison’s Oak nicknamed “The Tree” which has survived for 1000 years. As they survey the area, they also notice blood on the grass and the severed tip of a finger.
As the investigation progresses, it becomes more complex, twisted and leads to a startling climax.
I cannot say enough about how much I enjoyed this book. The author’s observations through the eyes of his two main characters brings Charlestown and the coastal islands to life. Each of the two main detectives are having personal family problems which the author handles with honesty and empathy. The secondary characters are also fully fleshed and add to the depth and realism of the story. All the characters could walk right off the page. The politics and racial tensions are woven throughout and based on current events.
I feel this is one of the most perfectly crafted mix of characterization and plotted mystery/crime thrillers that I have read. I loved it!
I highly recommend this story.
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Excerpt
CHAPTER ONE
It was known simply as The Tree; that is what the locals on Johns Island, South Carolina, called it. A Southern live oak born a thousand years ago (some even said fifteen hundred), its gargantuan limbs swirled and stretched as much as two hundred feet in all directions. The lower arms, heavy with age, sometimes sank into the earth only to reemerge. Other branches flailed recklessly in the sky, like some sort of once-screaming kraken turned to wood by an ancient curse.
Generation after generation had protected it. Rising from the center of a former indigo plantation, and now officially known as Addison’s Oak, The Tree had long been a source of pride, even fear, in the surrounding community, as well as James Island, Wadmalaw Island, and the nearby city of Charleston.
But now, The Tree was dying. It was not from natural causes either, not from time, nor gravity, nor the weather.
Someone had killed it.
“Is that a thing?” Detective Charlie Harper asked as he turned his head to look at his partner, Detective Elena Vasquez.
“I think so.” Elena squinted her eyes toward the top of the canopy, the leafy summit shadowed and backlit by the noon sun.
“Arborcide? That’s a thing?” Charlie asked again.
An Asian-American man in his mid-twenties wearing wraparound sunglasses stood next to the two detectives. “Yep. You remember that incident a few years ago in Auburn? Toomer’s Corner. Crazy Alabama fan poisoned the tree there.”
“Yeah,” Charlie said. “But I mean legally. Is it legally a crime to do this?”
“Cops were involved there,” the man said. “The guy went to jail. Has to be something. Why don’t you call them? See what they did.” He pulled a pack of spearmint gum from the front pocket of his jeans and stuffed five pieces in his mouth, noticing Charlie watching him. “Quitting smoking. Nicotine gum makes me dizzy.”
Charlie nodded. “Been there.” Six feet tall, with a closely trimmed beard under bright-blue eyes, he walked around the perimeter of the field.
Salt air swirled around him—they were only a couple of miles from the beach—and Charlie realized it was the first time he had been away from the city and out on the islands in months, maybe even over a year.
Elena Vasquez, an athletic five-ten with shoulder-length black hair bobby-pinned over her ears, stood in front of the young man and opened a new page in the Notes app on her iPhone. “So, you’re the one who called about this?”
“Yes. It took some digging to figure out who to contact. I didn’t know there weren’t any police stations out here.”
“That’s correct.” She typed the date 5/19/2015 at the top of the page. “Closest station is the Island Sheriff’s Patrol on James Island, but they don’t handle things like this. That’s why you got us from the city. And who are you again?”
“Daniel Lee.”
She looked up from her iPhone. “Daniel is a nice name. It’s my son’s name, though we call him Danny. Where are you from, Mr. Lee?”
“I’m originally from Maryland—Chesapeake Bay area—but now I live in Charleston. West Ashley. I’m a Ph.D. candidate at the college.”
“College of Charleston?” Elena asked and continued typing.
“Yes. Environmental science. Teach a couple of undergrad classes as well. And I’m president of the local Sierra Club chapter. Our service project for this year has been public park maintenance and cleanup. I came here a week ago and saw that broken limb—”
“This one?” Charlie pointed at a fat twisted branch about the length of a Greyhound bus lying near the base of the tree.
“Yes.”
“Well . . .” Charlie said. “How do you know it wasn’t lightning or something?”
Daniel went over to Charlie and squatted next to the fallen limb. “There are no burn marks. Lightning would leave those.”
“Maybe it’s just old age. Isn’t this thing like a thousand years old or something?”
“Possibly more. It is rotting,” Daniel said. “But not from old age. See this discoloration? The rust-colored saturation of the stump where it broke?”
Charlie leaned in a little closer. “Yes.”
“That’s from poison, from a lot of poison. And you can see spots like this forming and spreading all around the trunk and on other branches.”
Elena stood beneath The Tree, placing her hand on a dark-orange splotch on the trunk. The gray bark surrounding the stain felt tough and firm, but inside the color spot, it was soft and crumbling. “I see it.”
“It’s like cancer,” Daniel said. “The Tree is not dead yet, but it will be soon. I had the soil tested as well as samples from the broken limb. They came back positive for massive levels of DS190.”
“And that is?” Charlie said.
“A variant of tebuthiuron. A very powerful herbicide. Similar to what was used at Toomer’s Corner. Somebody has been injecting the tree as well as dumping it into the ground. Probably for a few months to reach these levels.”
“Injecting the tree?” Elena said.
Daniel pulled them over to the base of the trunk where a ring of jagged holes stretched just above the ground. “Yes. See these gashes? Somebody has been boring into the trunk, then filling it with DS190.”
Charlie took out a pair of latex gloves and put them on before touching the holes in the trunk. “You’re sure this is intentional?”
“Has to be. This stuff doesn’t just appear on its own. It’s man-made. Someone has been doing this.”
“But why?” Charlie asked.
Daniel held out a hand, palm up. “Thus, the reason the two of you are here.”
Charlie shook his head. “I don’t know about this. We usually work homicide.”
Daniel gestured towards the gashes in the trunk. “You have a murder victim. Or soon will. Right in front of you.”
“But it’s a tree!” Charlie said.
Elena looked up from her phone. “Okay, Mr. Harper. Easy.”
Daniel motioned for them to follow as he walked to the backside of the trunk. “There’s something else.” He came to a stop in a patch of grass ringed with dandelion sprouts and pointed to dark-red streaks spread across the blades. “That’s blood, isn’t it?”
Charlie bent down and touched his gloved hand to one of the blades. “Maybe.” He took out a plastic bag and a Leatherman multitool from his jacket. He pulled apart the hinged scissors, then clipped away about a dozen pieces of grass and dropped them into the bag.
“And another thing,” Daniel said and led Elena to a spot about ten feet away. He pointed to a white card lying in the grass. “I didn’t touch any of this, by the way. I didn’t want to disturb the crime scene . . . I watch a lot of cop shows. I know how that goes.”
“Doesn’t everyone.” Elena squatted down, taking a plastic bag from her jacket. She used tweezers to pick up the card, muddy and frayed at the edges and turned it over to reveal a yellow cat emoji, just the head, whiskers, and a faint smile, printed on the opposite side. There were no words, just the image.
A strong breeze moved through the leaves of the great tree, a sound like rain showers mixed with groaning as the heavy limbs bent in the wind.
Charlie Harper removed his glove and rubbed the edge of his dark-brown beard. Looking at the massive branches, which did seem like the arms of giants, he began to understand why The Tree was such a big deal. “Have to say, it is beautiful here. Can’t believe I’ve been in Charleston four years and never been here. I should bring Amy. She’d love it.”
Daniel looked at Elena for an explanation.
“His daughter,” she said, then turned to Charlie. “You should. My dad brought me here a few times when I was a kid.”
“Well, you better hurry,” Daniel said.
“There’s nothing to stop it?” Elena asked.
“Probably not. I contacted a team of forestry researchers I know from Virginia Tech. They are going to send a team down to look at it, see if anything can be done. I sent a request to the Parks Department to pay for it. If they don’t, Sierra Club will hold a fundraiser.”
Charlie sighed. “Okay. While we decide what to do about this, I’ll call and have some signs and barriers put up to keep the tourists away.”
Elena turned to Daniel. “Thank you for meeting us here. Could you come to our station in the city today or tomorrow to give a formal statement?”
“Sure.”
“Bring copies of the lab work. We gonna find anything when we do a background check on you?”
Daniel shook his head. “No. Just some parking tickets . . . a lot of tickets actually. Parking at the college is a bitch.”
“That it is,” Elena said. “Here is my card if you think of anything else.”
“Thanks,” Daniel said. He stopped a moment as if to say something, then continued toward a white Chevy Volt parked near the road.
Elena looked at Charlie and raised her eyebrows. “So, Mr. Harper, what do you think?”
“Ehh . . . I mean I understand it’s old and rare and special and all that, but it’s a fucking tree. I don’t know anything about trees, do you?”
“No, but . . .”
“But what?”
“I don’t know,” Elena said and looked around the field. “My Spidey-sense tells me there’s more to it than just some weird vandalism.” She took a step forward and winced.
“Back acting up?” Charlie asked.
“A bit,” she said.
“Lunchtime anyway. Let’s take a break. I’m starving. June and I got into it again this morning. Skipped breakfast.”
“Sorry to hear that.” Elena swept a strand of black hair behind her ear. She pointed with her chin down a two-lane road to a crooked sign with a faded image of a pagoda: The Formosa Grill. “Chinese?”
“Sure,” Charlie said.
The two of them began to walk toward their gray Ford Explorer when Charlie saw a flash of white out of the corner of his eye. He stopped and knelt in the grass. He used his Leatherman tool to again pry away several blades.
“What is it?” Elena asked.
Charlie’s head bolted upright, his blue eyes narrowing. “Mr. Lee!” he shouted. He pulled another latex glove from his pocket.
In the parking lot, Daniel climbed out of his car and made his way back to the field. “Yes?”
“Mr. Lee, when was the last time you were here before meeting us today?”
“Yesterday morning,” Daniel said.
Elena knelt next to Charlie, looked into the grass, and let a low whistle escape her lips. She used her phone to take a photo.
Charlie used tweezers to pick up a severed finger. Sliced just below the knuckle, the stump crusted in blood, the flesh covered with red ants, it ended with a sharp green fingernail. He looked at Daniel. “Did you happen to notice this?”
Daniel swallowed hard, turning his face to the side. “No. I did not.”
Charlie put the finger in a plastic bag.
Elena looked at him, her wide brown eyes giving him a knowing shimmer. “You interested in this case now, Mr. Harper?”
Charlie didn’t flinch. He stared at The Tree.
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Author Bio
RUSH LEAMING has done many things including spending 15+ years in film/video production working on such projects as The Lord of the Rings films. His first novel, Don’t Go, Ramanya, a political thriller set in Thailand, was self-published in the fall of 2016 and reached number one on Amazon. His equally successful second novel, entitled The Whole of the Moon, a coming-of-age tale set in the Congo at the end of the Cold War, was published in 2018. His short stories have appeared in Notations, 67 Press, Lightwave, Green Apple, 5k Fiction, and The Electric Eclectic. He has lived in New York City, Los Angeles, Atlanta, Zaire, Thailand, Spain, Greece, England, and Kenya. He currently lives in South Carolina.
I am very excited to be sharing my Feature Post and Book Review on the Harlequin Trade Publishing May Blog Tour for YOU WILL REMEMBER ME by Hannah Mary McKinnon.
Below you will find an author Q&A, a book summary, my book review, an excerpt from the book, the author bio and social media links. Enjoy!
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Author Q&A
Describe YOU WILL REMEMBER ME in three words or fewer?
Twisted, dark, surprising.
· How would you describe your latest book in one (or maybe two) killer sentences?
A twisty tale where the fates of three people intertwine: a man who wakes up on a beach but doesn’t know who or where he is. Lily, who’s searching for her boyfriend, Jack, who went missing after going for a swim, and Maya, who’s also looking for someone–her stepbrother, Ash, who abandoned her and his entire life two years prior. But is the man from the beach Jack, Ash, neither…or both?
· What’s “the story behind the story.” The inspiration for YOU WILL REMEMBER ME. Where were you when the spark came to you?
A few years ago, a man from Toronto vanished from a ski hill in Lake Placid while there on vacation and showed up six days later in Sacramento. He had amnesia and couldn’t remember much, including the cross-country trip he’d made as he’d hitchhiked across the US. Everything worked out for the man in the end and he found his way home, but it made me wonder—what could have gone wrong? That was the genesis for YOU WILL REMEMBER ME.
A while later I had a vivid image in my head—a man waking up on a deserted beach without any recollection of who he was, or what he was doing there. I kept coming back to his story, how he’d arrived on that beach, what he’d do, and how much danger he was in. As I noodled the plot around, I wondered what might happen if he found his way home but had no idea he’d actually left the town years before, and unknowingly walked back into the dragon’s den. That was it. I needed to know what happened next, who was looking for him, and if he’d survive.
· What did you have the most fun with, character or plot?
Hmm…both were tricky. Having multiple point-of-view characters (there are three) is always more complex than having one protagonist as you have to develop the character more quickly. I’d also completely underestimated writing a point-of-view character with amnesia. You can’t give them any backstory or memories, nor can you have scene after scene of somebody telling them about their past. YOU WILL REMEMBER ME was a tricky book to write, but it stretched me as an author.
· Did the story end the way you’d initially thought?
I had three endings in mind, and when I pitched the book to my editor, I asked her, “How dark can I go?” She said, “As dark as you want.” And I did J
· Five facts readers don’t know about the book
1. I set the book in Maine because we visited family in New Brunswick and stayed in Portland on our drive there. It’s a beautiful city and I can’t wait to go back. Newdale and Brookmount (the towns in the book) are fictional – I need to be able to take creative liberties.
2. One of the characters finds a library book, Creep by Jennifer Hillier. Creep propelled me to the dark side of writing suspense, and Jenny and I have become great friends. It’s an homage to her work, and her friendship.
3. One of the characters is originally from Portsmouth—so was my lovely mum.
4. While writing this book, I had a conversation about “could you kill someone using a…” with my husband. He still sleeps with one eye open.
5. I mention Meg White from the White Stripes in the book, and I think she’s a phenomenal drummer!
· Do you have a favorite chapter or scene?
Probably the ending because it’s twisted and hopefully unexpected. My books generally don’t tie up with a cherry on top because that’s the kind of book I like to read (except if I’m reading romance, then it HAS to work out or I’m disappointed)!
· Do you have a favorite character?
They were all interesting to write for many different reasons, predominantly because they’re flawed. Maya was probably the most complex, certainly one of the darkest point-of-view characters I’ve ever written. Although Lily is a sunshine girl, she has her secrets, too, which were fun to explore. As for “the man from the beach,” unearthing him was a longer process, and I kept remining myself that because I knew his history, it didn’t mean he could because of the amnesia.
· What do you hope readers will take away from You Will Remember Me?
I hope I manage to surprise readers, and they keep thinking about the book long after they’ve finished the final page. My main goal is to entertain, to provide people a form of escape and to leave readers satisfied thinking, “I enjoyed that. It was time well spent!”
· How did publishing your first book change your process of writing, if at all?
My novels have definitely become darker–in that sense I’m taking more risks because I’m more confident in my ability to pull it off. With each book my process has also become more streamlined, and, six books in, I feel more in control.
Having said that, self-doubt always, always creeps in, particularly when I’m writing my first “skeleton draft,” which is a first, very loose version nobody will ever see. However, I’ve learned to trust my writing process. If I can get the bones of the story on paper, I’ll add layers and complexity as I go over the novel again and again in preparation for my editor’s eyes. I accept the finer details will come as I work through the story. I’ll figure out plot-holes if I allow myself time to work through them. Just like most people who draw, paint, or write music or books, the first draft will never be my best work. I’m glad I’ve accepted that because it stops me from being overly self-critical when I start a project. I also set myself deadlines and work hard to beat them.
· What’s your favorite part about writing/being an author? What do you find challenging?
I love the camaraderie of the writing community, it’s like nothing I’ve experienced elsewhere. Authors, readers, agents, publishers—we all love books and it’s truly wonderful. In terms of writing, I love the initial anticipation of starting a new book where everything is open, and the only limit is my imagination. I also adore when I get to the editing part and think, “Yeah, I believe I’ve got something here” — that’s always such a rush.
· All of your books are filled with many plot twists and turns. How much of the stories have you mapped out in advance, or does your writing style, take, well, twists and turns as you go along?
I love twists and turns, and the more books I write, the more I plot them. Detailed outlines make me more productive and efficient because I know where I’m headed. That doesn’t necessarily mean I’ll end up at the destination I mapped out though. In The Neighbors, for example, the ending changed quite dramatically as I got closer to finishing my first draft. In Her Secret Son, the final chapters were different because I wasn’t happy with whom I’d planned to kill off. Sister Dear’s and You Will Remember Me’s endings are close to how I’d imagined but more sinister. Having said that, as I write, more twists and turns come up, and that’s another fun part of writing, discovering what your characters will do when you let them loose.
I admire authors who don’t plot or outline at all in advance, but jump right in. If I did that, I think I’d spend an awful lot of time meandering about not getting anywhere, and then fret about my deadlines.
· What is your writing process like?
Very structured, and the more I write, the more I plan. My novels start with an idea—something that pops into my head such as the news story for You Will Remember Me, or a radio segment for Sister Dear—maybe a discussion I overheard. I noodle the thoughts around for a while as the main characters take shape. The next step is to write an outline. I start by jotting down the big picture plot points, which I then use as stepping-stones to build and write the rest of the outline. I fill out personality questionnaires for my main characters to understand them better, and search for photos on the internet to build a gallery I stick on my pin-board. By this point I’m raring to go.
At first, I write a basic manuscript that’s a little over two-thirds of the final word count, then layer and develop until I’m happy calling it a first draft, and send it to my wonderful editor, Emily. That’s when the real editing work begins, which is incredibly exciting because I know the story will become a thousand times better with her expert input.
· What kind of research do you do, and how long do you spend researching before beginning a book?
It depends on the novel. For Time After Time (my debut, a rom com) there were geographical considerations, and, as the novel took place from the 1980s to the 2010s, I had to ensure my references to pop culture were accurate. In The Neighbors, Her Secret Son and Sister Dear, and You Will Remember Me (suspense / psychological thrillers) there were similar geographical issues to consider, but I also had to research legal details. I sought the help from an advisor from child services, a lawyer, a medical examiner, and a police detective, to name but a few. For You Will Remember Me I also had phenomenal input from a paramedic and an ER doctor.
I’m continually amazed how people are so incredibly generous with their time, knowledge and expertise when I call and say, “I’m an author, honest, and I have a few weird questions.” For example, fellow author Bruce Robert Coffin is a retired police detective, and he’s helped me get away with fictional murder multiple times. His input is incredible!
I don’t do a lot of research before I start writing but tend to put placeholders for areas that need fleshing out and go back to them after I’ve finished my first draft. That way I’m not spending hours on facts that don’t make the cut, or getting sidetracked by facts which are interesting, but potentially irrelevant to the story.
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Book Summary
He wakes up on a deserted beach in Maryland, wearing only swim trunks and a gash on his head. He can’t remember who he is. Everything—his identity, his life, his loved ones—has been replaced by a dizzying fog of uncertainty. But returning to his Maine hometown in search of the truth raises more questions than answers.
Lily Reid thinks she knows her boyfriend, Jack. Until he goes missing one night, and her frantic search reveals that he’s been lying to her since they met, desperate to escape a dark past he’d purposely left behind.
Maya Scott has been trying to find her estranged stepbrother, Asher, since he disappeared without a trace. Having him back, missing memory and all, feels like a miracle. But with a mutual history full of devastating secrets, how far will Maya go to ensure she alone takes them to the grave?
YOU WILL REMEMBER ME by Hannah Mary McKinnon is a dark and twisted psychological suspense/thriller that kept me turning the pages well into the night. Having read Sister DearI knew I was in for an exciting read, but this book managed to exceed those expectations.
A man wakes up freezing on a beach in Maryland only wearing swim trunks with no memory. The only thing he does remember is a phone number in Maine which leads him to his hometown and more questions than answers.
Lily Reid is frantic when her boyfriend, Jack goes missing. His truck is found on the beach, but there is no body.
Maya Scott has been trying to find her stepbrother, Asher who has been missing for two years. He disappeared without a trace, but he is now back with no memories. Maya is determined to keep Ash and their mutual secrets at home.
WOW! Each time I would believe I have everything figured out, Ms. McKinnon would reveal another twist that would leave me shocked and wondering where else this plot could go and how much darker it would get. The three main characters kept me constantly on my toes as their secrets were revealed which left me on an emotional pendulum. This is a page turner that does not disappoint and I will definitely be thinking about these characters for quite some time.
I highly recommend this psychological suspense/thriller and this author!
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Excerpt
Chapter 1—The Man from the Beach
Cold. Cold was the first word that came to mind. The first thing I noticed when I woke up. Not a slight, uncomfortable chill to give me the shivers, but a cramp-inducing, iced-to-the-bone kind of frozen. I lay flat on my stomach, my left ear and cheek pressed into the rough, grainy wet ground beneath me, my entire body shaking. As my thoughts attempted to assemble themselves into some form of understandable order, a wave of icy water nipped at my bare toes and ankles, my instincts pulling my feet out of reach.
I had a sudden urge to get up, a primal need to take in my surroundings and assess the danger—was I in danger?—but the throbbing pain deep in my head made the slightest effort to shift anything seem impossible. Lifting a finger would be too much effort, and I acquiesced, allowing myself to lie still for another few freezing seconds as the frigid water crept over the balls of my feet again. When I blinked my eyes open, I was met by a thick, fuzzy darkness enveloping me like a cloak. Where the hell was I? And wherever it was, what was I doing here?
When I lifted my head a fraction of an inch, I could barely make out anything in front of me. There was hardly a noise either, nothing but a gentle, steady rumble in the background, and the cry of a bird somewhere in the distance. I made my brain work its way backward—bird, rumble, sand, water—and the quartet formed the vaguely cohesive image of a beach.
Searching for confirmation, I inhaled the salty, humid air deep into my lungs as another slosh of water took aim at my calves. This time the discomfort was enough to push me to my feet, and I wrapped my arms around my naked torso, my sopping board shorts clinging to my goose-bump-covered thighs. An explosion of pain in my head threatened to send me back to my knees, and I swayed gently, wishing I had something to steady myself with, willing my body to stay upright. As I pressed a hand to the side of my skull, I let out a quiet yelp, and felt along a two-inch gash in my scalp. My eyes had adjusted somewhat to the lack of light, and my fingertips were covered in something dark that smelled of rust. Blood. How had I…?
Another low rumble made me turn around, shuffling slowly in a semicircle. The behemoth effort was rewarded by the sight of a thousand glistening waves dancing under the moonlight like diamonds, the water stretching out and disappearing into the darkness beyond. As my ears tuned in to the rhythmic whoosh of the waves, my mind worked hard to process each scrap of information it took in.
I’m definitely on a beach. It’s nighttime. I’m alone. What am I doing here?
Before I could answer the single question, a thousand others crowded my brain, an incessant string of chatter I couldn’t stop or get away from.
Where is everyone? Never mind them, where am I? Have I been here long? How did I get here? Where was I before? Where are my clothes? What day is it?
My legs buckled. Not because of the unfamiliar surroundings, the cold burrowing its way deeper into my core, or the pain in my head, which had increased tenfold. No. My knees hit the sand with a dull crunch when I realized I couldn’t answer any of the questions because I couldn’t recall anything. Nothing. Not the tiniest of details.
Including my name.
Chapter 2—Lily
A frown settled over my face as I put my phone on the table, pushed the bowl of unfinished berry oatmeal away and stretched out my legs. It was Saturday morning, and I’d been up for ages, too eager—too hopeful—to spend a day at the beach with Jack, but those plans had been a literal wash-out. The start to the summer felt capricious, with this second storm in the last week of June poised to be much worse than the first. I’d convinced myself the weatherwoman had exaggerated or got her forecast completely wrong, but clouds had rolled in overnight anyway. As a result, I’d been unceremoniously woken up at two thirty by a trio of bright lightning, deafening thunderclaps and heavy raindrops pelting against my bedroom window.
At first, I’d pulled my pillow over my head to deafen the noise, and when that didn’t work, I rolled over and stretched out an arm. The spot next to me was empty and cold, and I groaned. Jack hadn’t come over to my place as I’d hoped he would, slipping into bed and pressing his naked body against mine. I’d buried my face back into my pillow and tried to ignore the tinge of disappointment. We hadn’t seen much of each other this past week, both of us too busy with our jobs to spend more than a night together, and I missed him. Jack had called the day before to tell me he’d be working late, finishing the stain on the cabinets he’d labored on for weeks before his boss had to let him go. Apparently expensive custom kitchens weren’t in as high demand in Brookmount, Maryland as originally thought.
“But you got laid off,” I’d said. “It’s your last day. Why do you care?”
“Because I made a commitment. Besides, it’ll help when I need a reference.”
Typical Jack, always keeping his word. He’d bought a lottery ticket once, and the clerk had jokingly asked if he’d give him half of any winnings. Jack had laughed and shaken the man’s hand, and when he won ten bucks on the ticket, had promptly returned to the store, and paid over the share as promised. His loyalty was one of the many things I loved about Jack, although part of me wished he weren’t quite as dedicated to his soon-to-be ex-boss.
“You could come over to my place when you’re done,” I said, smiling slowly. “I’ll leave the key under the umbrella stand. I don’t mind you waking me up gently in the middle of the night…or not so gently.”
Jack laughed softly. The sound was something I’d fallen in love with eighteen months ago after our eyes had met across a crowded bar, the mother of all uninspired first-encounter clichés, except in this case I’d been forced to admit clichés weren’t always a bad thing.
“It’ll be really late, Lily,” he said, his voice deep. His English accent was something of a rarity in our small coastal town, and still capable of making my legs wobble in anticipation of his next words. “I’ll go for a quick swim now, then finish up work. How about I come over in the morning? Around nine? I’ll bring you breakfast in bed.”
“Blueberry pancakes from Patti’s? With extra maple syrup?”
“This time I’ll order three stacks to make sure I get some.”
“Pancakes or sex?” I said, before telling him how much I loved him, and whispering exactly how I’d thank him for waking me with sweet weekend treats. I’d hoped it might change his mind and he’d come over earlier, except it was ten now, and he still hadn’t showed. It was odd. Jack detested being late as much as he loved being early. He often joked they set Greenwich Mean Time by his father’s old watch, which Jack had worn since his dad passed a little over a decade before we’d met, when Jack was only twenty.
I checked my phone again. Jack hadn’t answered either of my calls, another anomaly, but I tried to talk myself into believing he’d worked late into the night to make the final good impression he wanted, and overslept. Maybe there was a line at Patti’s—the restaurant was slammed every weekend—and perhaps his phone was set to silent.
I picked up my bowl and wandered to the kitchen. My place was the smallest of six apartments, a tiny but well-maintained one-bedroom in a building a few miles from the beach, farther than I’d planned, but the closest I could afford. I’d lived there for almost five years, had furnished it with an eclectic assortment of third-hand furniture, my favorite piece a royal blue microfiber sofa I’d bought for fifty bucks, and which Jack swore was the most comfortable thing he’d ever sat on. Whenever he sank down into it and pulled me on top of him with a contented sigh, I’d tease him about what made him happier; the squishy, well-worn cushions, or me.
Hannah Mary McKinnon was born in the UK, grew up in Switzerland and moved to Canada in 2010. After a successful career in recruitment, she quit the corporate world in favor of writing, and is now the author of The Neighbors, Her Secret Son, and Sister Dear. She lives in Oakville, Ontario, with her husband and three sons, and is delighted by her twenty-second commute.
Today I am on the Partners In Crime Virtual Book Tour. I am sharing my Feature Post and Book Review for AFTERMATH by Terri Blackstock.
Below you will find a book description, my book review, an excerpt from the book, the author’s bio and social media links and a Rafflecopter giveaway. Enjoy!
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Book Description
A devastating explosion.
Three best friends are at the venue just to hear their favorite band . . . but only one of them makes it out alive.
A trunk full of planted evidence.
When police stop Dustin with a warrant to search his trunk, he knows it’s just a mistake. He’s former military and owns a security firm. But he’s horrified when they find explosives, and he can’t fathom how they got there.
An attorney who will risk it all for a friend.
Criminal attorney Jamie Powell was Dustin’s best friend growing up. They haven’t spoken since he left for basic training, but she’s the first one he thinks of when he’s arrested. Jamie knows she’s putting her career on the line by defending an accused terrorist, but she’d never abandon him. Someone is framing Dustin to take the fall for shocking acts of violence . . . but why?
Genre: Christian Suspense Published by: Thomas Nelson Publication Date: May 11th 2021 Number of Pages: 320 ISBN: 0310348587 (ISBN13: 9780310348580) Series:Aftermath is a stand-alone novel
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My Book Review
RATING: 4 out of 5 Stars
AFTERMATH by Terri Blackstock is a standalone Christian romantic suspense with multiple characters that pull you immediately into this fast-paced read.
Taylor Reid and two of her best friends are attending a political rally/rock concert when the stage explodes. Taylor, in fight-or-flight mode, is able to escape, but when she realizes her friends did not, she is immediately filled with not just grief, but also guilt. Taylor already is living with OCD and this tragedy sets her mind spiraling.
Dustin Webb is the co-owner of a security firm with a fellow ex-soldier. He is pulled over and the police on the word of a tipster and find the same type of explosives used in the bombing in his trunk. He is taken into custody and accused while knowing he is innocent. He calls his childhood friend, who is now an attorney for help.
Jamie Powell is shocked when she receives the call for help from her childhood friend. They have not spoken since he left for basic training even though she tried to keep in touch. She is willing to put everything on the line to defend Dustin because she believes in his innocence as they search for the real bombers.
Jamie and Dustin are strong main characters and their reconnection and faith in each other is strong even after years apart. This is a Christian romance with no sex, but strong emotional connections between the couple and their religious faith. Ms. Blackstock was also able to intertwine Taylor’s story and show her devolving and her dangerous ideation yet I always felt empathy for her. The suspense plot eventually led to the real person who set the bombing into motion and was not a surprise which was a little disappointing. It was more of a mystery investigation than there being any actual suspense when you know who did it. There are many serious issues covered, and in my opinion handled well by the author throughout this story such as mental health, cancer, death, grief and forgiveness.
I enjoyed this character driven Christian romantic suspense.
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Excerpt
Aftermath
Chapter One
Taylor Reid’s phone flashed as she snapped the selfie with her two friends, their heads touching and their backs to the stage. The shot from the third row, with the lead singer in the background and the three of them in the foreground, was perfect. No one would believe their seats were so close.
They turned around to face the band, dancing to the beat of the song they’d been listening to in the car on the way to Trudeau Hall.
Taylor quickly posted the pic, typing, “Ed Loran targets nonpoliticals for his rally with band Blue Fire. Worked on us!”
She put her phone on videotape and zoomed onto the stage.
“I don’t want it to end!” Desiree said in her ear.
“Me either!” Taylor yelled over the music.
“Maybe they’ll play again after his speech,” Mara shouted.
The song came to an end, and the crowd went crazy, begging for one more song before the band left the stage.
But an amplified voice filled the auditorium, cutting off the adulation. “Ladies and gentlemen, please welcome the next president of the United States, Ed Loran!”
The crowd sounded less enthusiastic as the band left the stage and Ed Loran, the Libertarian celebrity magnet, made his entrance. Taylor kept cheering and clapping, letting her enthusiasm for the band segue to him.
It happened just as the candidate took the stage. The deafening sound, like some confusing combination of gunshot and lightning bolt, a blast that blacked out the lights and knocked her to the ground. Smoke mushroomed. Screams crescendoed—shrieks of terror, wailing pain, shocking anguish . . . then sudden, gentle silence, as if she were underwater. A loud ringing in her ears filled the void.
She peered under the seats, choking for breath as dimmer lights flickered through the smoke. Even from here, she could see the fallout of whatever had happened. Blood pooling on the ground, people hunkering down as she was, feet running . . . What was happening? An explosion? A crash? She looked around and couldn’t see her friends.
She clawed her way up and looked over the seat. Smoke and fire billowed from the stage into the crowd, and heat wafted over her like some living force invading the room. Muffled, muted sounds competed with the ringing.
Get out! Now! She dropped back down and crawled under two rows of seats until she came to someone limp on the floor. She felt herself scream but couldn’t hear her own voice. Scrambling to her feet, she went to her left to get to the aisle, but her foot slipped on something wet. She grabbed the seat next to her to steady herself, then launched into the frantic crowd in the aisle. The room seemed to spin, people whizzing by, people under her, people above her, people broken and ripped and still . . . She stepped and fell, crawled and ran, tripped and kicked her way to the bottlenecked doorway, then fought her way through it.
The ringing in her ears faded as she tumbled downstairs, almost falling into the lobby below. The sound of crying, coughing, wretching, and the roaring sound of pounding feet turned up as if some divine finger had fiddled with the volume.
She set her sights on the glass doors to the outside and pushed forward, moving through people and past the security stations they’d stopped at on the way in. She made it to the door and burst out into the sunlight.
Fresh, cool air hit her like freedom, but at first her lungs rejected it like some poison meant to stop her. At the bottom of the steps, on the sidewalk, she bent over and coughed until she could breathe.
After a moment, the crowd pushed her along toward the parking garage until she remembered that her car wasn’t there. She had parked on the street, blocks away. She forced her way out of the flow of people and ran a block south. Where was it?
She turned the corner. Her car was here, on this block. Near the Atlanta Trust Bank. Wasn’t it? Or was it the next block?
Sweat slicked her skin until she found her silver Accord. There!
She ran to it and pulled her keys out of her pocket, wishing she hadn’t lost the key fob. Her hands trembled as she stuck the key into the passenger side lock and got the door open. She slipped inside on the driver’s side, locked it behind her. Instinctively, she slid down, her head hidden as if someone were coming after her.
What just happened?
One minute they’d been taking selfies and videotaping the band, and the next they were on the floor . . .
Where were Mara and Desiree? She hadn’t even looked for them! Should she go back for them?
No, that would be insane. She could smell the smoke and fire from here. They would know to come to the car when they got out.
Call the police!
She tried to steady her hands as she swiped her phone on.
“911, what is your—”
“An explosion!” she cut in, her voice hoarse. “At the Ed Loran rally at Trudeau Hall!”
“Where are you now?” the woman asked in a voice that was robotically calm.
“I got out. There’s fire . . . People are still in there. Please send ambulances!”
“Ma’am, did you see what exploded?”
“No . . . the stage area, I think. I don’t know where my friends are. Please . . . hurry!”
“We’ve already dispatched the fire department and police, ma’am.”
She heard sirens from a few blocks away and cut off the call. She raised up, looking over the dashboard for the flashing lights. She couldn’t see any, but the sirens grew louder.
She knelt on the floorboard, her knees on her floormat and her elbows on her seat, and texted Desiree.
I’m at the car. Where are you?
No answer. She switched to a recent thread with Mara and texted again.
Got out. At car waiting. Where are you?
Nothing.
She dictated a group text to both of them.
Are you all right?
They were probably running or deaf, fighting their way out like she had. She tried calling them, but Mara’s phone rang to voicemail. When Desiree’s phone did the same, she yelled, “Call me! I’m waiting at the car and I’m scared. Where are you?” She was sobbing when she ended the call.
***
Author Bio
Terri Blackstock has sold over seven million books worldwide and is a New York Times and USA Today bestselling author. She has had over twenty-five years of success as a novelist. She’s the author of If I Run, If I’m Found, and If I Live, as well as such series as Cape Refuge, Newpointe 911, Moonlighters, and the Restoration series.
Today I am once again posting on the Harlequin Trade Publishing Mystery/Thriller Summer 2021 Blog Tour. I am sharing my Feature Post and Book Review for LOCAL WOMAN MISSING by Mary Kubica.
Below you will find an about the book section, my book review, an excerpt from the book, an about the author section and the author’s social media links. Enjoy!
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About the Book
People don’t just disappear without a trace…
Shelby Tebow is the first to go missing. Not long after, Meredith Dickey and her six-year-old daughter, Delilah, vanish just blocks away from where Shelby was last seen, striking fear into their once-peaceful community. Are these incidents connected? After an elusive search that yields more questions than answers, the case eventually goes cold.
Now, eleven years later, Delilah shockingly returns. Everyone wants to know what happened to her, but no one is prepared for what they’ll find… In this smart and chilling thriller, master of suspense and New York Times bestselling author Mary Kubica takes domestic secrets to a whole new level, showing that some people will stop at nothing to keep the truth buried.
LOCAL WOMAN MISSING by Mary Kubica is a standalone domestic thriller/mystery that for me read more as a mystery than domestic thriller. The story is told by various characters in two interwoven timelines which are eleven years apart.
Eleven years ago a new mother, Shelby Tebow disappears while on a night time jog. Soon after a mother, Meredith Dickey and her six-year-old daughter, Delilah also disappear without a trace.
Now, eleven years later, Delilah returns with everyone trying to find out what happened to her. What is discovered will have repercussions in families throughout the neighborhood.
This story ends up for me being a satisfying mystery story, but I never felt it was what I would call a domestic thriller. The beginning, while intriguing also became more confusing as characters were added and I had to keep checking which timeline I was in until about a third of the way into the book. I liked the mystery and would have liked a few red herrings or clues throughout instead of the sudden resolution out of the blue. Delilah’s story I assume was added for the thriller quality, but it just never was believable to me.
I am in the minority with my opinion and others have loved this book. Ms. Kubica has several other books, but this one was just an OK read for me.
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Excerpt
MEREDITH
11 YEARS BEFORE
March
The text comes from a number I don’t know. It’s a 630 area code. Local. I’m in the bathroom with Leo as he soaks in the tub. He has his bath toys lined up on the edge of it and they’re taking turns swan diving into the now-lukewarm water. It used to be hot, too hot for Leo to get into. But he’s been in there for thirty minutes now playing with his octopus, his whale, his fish. He’s having a ball.
Meanwhile I’ve lost track of time. I have a client in the early stages of labor. We’re texting. Her husband wants to take her to the hospital. She thinks it’s too soon. Her contractions are six and a half minutes apart. She’s absolutely correct. It’s too soon. The hospital would just send her home, which is frustrating, not to mention a huge inconvenience for women in labor. And anyway, why labor at the hospital when you can labor in the comfort of your own home? First-time fathers always get skittish. It does their wives no good. By the time I get to them, more times than not, the woman in labor is the more calm of the two. I have to focus my attention on pacifying a nervous husband. It’s not what they’re paying me for.
I tell Leo one more minute until I shampoo his hair, and then fire off a quick text, suggesting my client have a snack to keep her energy up, herself nourished. I recommend a nap, if her body will let her. The night ahead will be long for all of us. Childbirth, especially when it comes to first-time moms, is a marathon, not a sprint.
Josh is home. He’s in the kitchen cleaning up from dinner while Delilah plays. Delilah’s due up next in the tub. By the time I leave, the bedtime ritual will be done or nearly done. I feel good about that, hating the times I leave Josh alone with so much to do.
I draw up my text and then hit Send. The reply is immediate, that all too familiar ping that comes to me at all hours of the day or night.
I glance down at the phone in my hand, expecting it’s my client with some conditioned reply. Thx.
Instead: I know what you did. I hope you die.
Beside the text is a picture of a grayish skull with large, black eye sockets and teeth. The symbol of death.
My muscles tense. My heart quickens. I feel thrown off. The small bathroom feels suddenly, overwhelmingly, oppressive. It’s steamy, moist, hot. I drop down to the toilet and have a seat on the lid. My pulse is loud, audible in my own ears. I stare at the words before me, wondering if I’ve misread. Certainly I’ve misread. Leo is asking, “Is it a minute, Mommy?” I hear his little voice, muff led by the ringing in my ears. But I’m so thrown by the cutthroat text that I can’t speak.
I glance at the phone again. I haven’t misread.
The text is not from my client in labor. It’s not from any client of mine whose name and number is stored in my phone. As far as I can tell, it’s not from anyone I know.
A wrong number, then, I think. Someone sent this to me by accident. It has to be. My first thought is to delete it, to pretend this never happened. To make it disappear. Out of sight, out of mind.
But then I think of whoever sent it just sending it again or sending something worse. I can’t imagine anything worse.
I decide to reply. I’m careful to keep it to the point, to not sound too judgy or fault-finding because maybe the intended recipient really did do something awful—stole money from a children’s cancer charity—and the text isn’t as egregious as it looks at first glance.
I text: You have the wrong number.
The response is quick.
I hope you rot in hell, Meredith.
The phone slips from my hand. I yelp. The phone lands on the navy blue bath mat, which absorbs the sound of its fall.
Meredith.
Whoever is sending these texts knows my name. The texts are meant for me.
A second later Josh knocks on the bathroom door. I spring from the toilet seat, and stretch down for the phone. The phone has fallen facedown. I turn it over. The text is still there on the screen, staring back at me.
Josh doesn’t wait to be let in. He opens the door and steps right inside. I slide the phone into the back pocket of my jeans before Josh has a chance to see.
“Hey,” he says, “how about you save some water for the fish.”
Leo complains to Josh that he is cold. “Well, let’s get you out of the bath,” Josh says, stretching down to help him out of the water.
“I need to wash him still,” I admit. Before me, Leo’s teeth chatter. There are goose bumps on his arm that I hadn’t noticed before. He is cold, and I feel suddenly guilty, though it’s mired in confusion and fear. I hadn’t been paying any attention to Leo. There is bathwater spilled all over the floor, but his hair is still bone-dry.
“You haven’t washed him?” Josh asks, and I know what he’s thinking: that in the time it took him to clear the kitchen table, wash pots and pans and wipe down the sinks, I did nothing. He isn’t angry or accusatory about it. Josh isn’t the type to get angry.
“I have a client in labor,” I say by means of explanation. “She keeps texting,” I say, telling Josh that I was just about to wash Leo. I drop to my knees beside the tub. I reach for the shampoo. In the back pocket of my jeans, the phone again pings. This time, I ignore it. I don’t want Josh to know what’s happening, not until I get a handle on it for myself.
Josh asks, “Aren’t you going to get that?” I say that it can wait. I focus on Leo, on scrubbing the shampoo onto his hair, but I’m anxious. I move too fast so that the shampoo suds get in his eye. I see it happening, but all I can think to do is wipe it from his forehead with my own soapy hands. It doesn’t help. It makes it worse.
Leo complains. Leo isn’t much of a complainer. He’s an easygoing kid. “Ow,” is all that he says, his tiny wet hands going to his eyes, though shampoo in the eye burns like hell.
“Does that sting, baby?” I ask, feeling contrite. But I’m bursting with nervous energy. There’s only one thought racing through my mind. I hope you rot in hell, Meredith.
Who would have sent that, and why? Whoever it is knows me. They know my name. They’re mad at me for something I’ve done. Mad enough to wish me dead. I don’t know anyone like that. I can’t think of anything I’ve done to upset someone enough that they’d want me dead.
I grab the wet washcloth draped over the edge of the tub. I try handing it to Leo, so that he can press it to his own eyes. But my hands shake as I do. I wind up dropping the washcloth into the bath. The tepid water rises up and splashes him in the eyes. This time he cries.
“Oh, buddy,” I say, “I’m so sorry, it slipped.”
But as I try again to grab it from the water and hand it to him, I drop the washcloth for a second time. I leave it where it is, letting Leo fish it out of the water and wipe his eyes for himself. Meanwhile Josh stands two feet behind, watching.
My phone pings again. Josh says, “Someone is really dying to talk to you.”
Dying. It’s all that I hear.
My back is to Josh, thank God. He can’t see the look on my face when he says it.
“What’s that?” I ask.
“Your client,” Josh says. I turn to him. He motions to my phone jutting out of my back pocket. “She really needs you. You should take it, Mer,” he says softly, accommodatingly, and only then do I think about my client in labor and feel guilty. What if it is her? What if her contractions are coming more quickly now and she does need me?
Josh says, “I can finish up with Leo while you get ready to go,” and I acquiesce, because I need to get out of here. I need to know if the texts coming to my phone are from my client or if they’re coming from someone else.
I rise up from the floor. I scoot past Josh in the door, brushing against him. His hand closes around my upper arm as I do, and he draws me in for a hug. “Everything okay?” he asks, and I say yes, fine, sounding too chipper even to my own ears. Everything is not okay.
“I’m just thinking about my client,” I say. “She’s had a stillbirth before, at thirty-two weeks. She never thought she’d get this far. Can you imagine that? Losing a baby at thirty-two weeks?”
Josh says no. His eyes move to Leo and he looks saddened by it. I feel guilty for the lie. It’s not this client but another who lost a baby at thirty-two weeks. When she told me about it, I was completely torn up. It took everything in me not to cry as she described for me the moment the doctor told her her baby didn’t have a heartbeat. Labor was later induced, and she had to push her dead baby out with only her mother by her side. Her husband was deployed at the time. After, she was snowed under by guilt. Was it her fault the baby died? A thousand times I held her hand and told her no. I’m not sure she ever believed me.
My lie has the desired effect. Josh stands down, and asks if I need help with anything before I leave. I say no, that I’m just going to change my clothes and go.
I step out of the bathroom. In the bedroom, I close the door. I grab my scrub bottoms and a long-sleeved T-shirt from my drawer. I lay them on the bed, but before I get dressed, I pull my phone out of my pocket. I take a deep breath and hold it in, summoning the courage to look. I wonder what waits there. More nasty threats? My heart hammers inside me. My knees shake.
I take a look. There are two messages waiting for me.
The first: Water broke. Contractions 5 min apart.
And then: Heading to hospital.—M.
I release my pent-up breath. The texts are from my client’s husband, sent from her phone. My legs nearly give in relief, and I drop down to the edge of the bed, forcing myself to breathe. I inhale long and deep. I hold it in until my lungs become uncomfortable. When I breathe out, I try and force away the tension.
But I can’t sit long because my client is advancing quickly. I need to go.
Excerpted from Local Woman Missing @ 2021 by Mary Kyrychenko, used with permission by Park Row Books.
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About the Author
Mary Kubica is the New York Times and USA Today bestselling author of six novels, including THE GOOD GIRL, PRETTY BABY, DON’T YOU CRY, EVERY LAST LIE, WHEN THE LIGHTS GO OUT, and THE OTHER MRS. A former high school history teacher, Mary holds a Bachelor of Arts degree from Miami University in Oxford, Ohio, in History and American Literature. She lives outside of Chicago with her husband and two children. Her last novel THE OTHER MRS. was an instant New York Times bestseller; is coming soon to Netflix; was a LibraryReads pick for February 2020; praised by the New York Times; and highly recommended by Entertainment Weekly, People, The Week,Marie Claire, Bustle, HelloGiggles,Goodreads, PopSugar, BookRiot, HuffingtonPost, First for Women, Woman’s World, and more.Mary’s novels have been translated into over thirty languages and have sold over two million copies worldwide. She’s been described as “a helluva storyteller,” (Kirkus Reviews) and “a writer of vice-like control,” (Chicago Tribune), and her novels have been praised as “hypnotic” (People) and “thrilling and illuminating” (Los Angeles Times). LOCAL WOMAN MISSING is her seventh novel.
