Today I am sharing my Feature Post and Book Review on the Virtual Author Book Tours for CITY OF DEADLY DREAMS by Elyse Douglas.
Below you will find a book description, my book review, an excerpt from the book, an about the author section and the author’s social media links. Enjoy!
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Book Description
Dane Cooper, an NYC Hell’s Kitchen private detective, is hired by a Tennessee man to find his handsome, 20-year-old son named Elvis, who has been missing for several months. Though hesitant at first, Dane takes the case because he needs the money. Dane soon learns that the case centers around a beautiful, mysterious blonde, named Darcy. Against his better judgment, he falls for her, believing she might lead him to Elvis. Her dangerous secrets trouble him, and he realizes he can’t trust her.
Dane’s investigation turns deadly when he learns that Elvis has left a trail of pregnant young girls, unhappy husbands, and vengeful women. Dane becomes a target as he struggles to find Elvis and save him from the killers who are closing in. Can Dane save Elvis and himself, or will Darcy’s secrets get them all killed?
Publisher: Broadback (May 1, 2021) Category: Hard-Boiled Mystery, Private Investigator Mystery Tour dates: May 31-June 30, 2021 ISBN: B08Y86X4B3 Available in ebook, 250 pages
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My Book Review
RATING: 5 out of 5 Stars
CITY OF DEADLY DREAMS by Elyse Douglas is a noir style private investigator mystery. The story has the atmosphere of an old style gritty P.I. mystery, but it is set in present day New York City.
Private Investigator Dane Cooper is hired to find Elvis. Elvis is a twenty-year old spitting image of THE Elvis and he has not been in contact with his father and mother in Tennessee for several months. Dane is hesitant to take the case, but he is offered too much money to turn the case down.
As the investigation progresses, Dane begins to believe Elvis has been a victim of foul play. He meets Elvis’ ex-high school music teacher, Darcy who is rumored to have been having an affair with her student. Darcy is a beautiful blonde and Dane falls for her even as he believes she is not telling him the whole truth about Elvis’ where abouts.
As Dane follows the trail to find Elvis, he runs into a vengeful, jealous ex-husband, a madame of a male escort service and a connected Vegas assistant casino manager with a missing underage daughter. Will Dane find and save not only Elvis, but himself before they end up dead?
This is a fast-paced mystery plot with several well placed red-herrings and plot twists. The ending is a big twist that I was not expecting. Dane is the tough, single POV investigator and all the characters are classic noir character archetypes set in the present and that makes for a unique and fun read.
I recommend this noir style P.I. mystery set in the present.
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Excerpt
“I can’t go back,” she muttered.
“Back to where, Darcy?”
“I can’t be alone in that apartment. Not now. I won’t make it through another night.”
“Do you have a friend or relative you can stay with? Maybe a therapist you can call?”
She twisted away, grimacing. “God, no. I can’t be with them—with anyone who knows me. I can’t talk to them anymore. Don’t you understand? I can’t.”
I softened my voice. “Darcy… Is there anyone at work you can…?”
“… No…Well, Carol. Carol Hemmings. Sweet Carol. Silly Carol. We went to high school together. She’s a good friend, and she’s the one who got me the bookkeeping job, but…”
“But what?”
“Carol’s married to a guy who took Rod’s side. Carol is a good friend, but she still thinks Rod and I can make it, if we’d just go to a marriage counselor or something.” Darcy lifted a weak hand and let it drop. “She’s a hopeless romantic…”
She began twisting her hands. Her face fell into agony. “I’ve just been such a fool.”
I leaned in toward her. “Darcy, all you did was fall in love. That’s all. That’s nothing to beat yourself up about.”
“Don’t you see? I’ve ruined everything. Everything I stood for and believed in.”
I searched for the right response. “Just give it time… a little time to get your balance back.”
She shook that away, gathered herself up, then gave me a strange and hopeful look. “I know this is going to sound crazy, but… can I come to New York with you?”
That jarred me. I had never even considered the possibility. I scanned her, up and down. She appeared sickened by the gravity of the moment. Seeing her moist eyes and brittle state, I was left with few options. And, no, I’m not a saint. Having her with me couldn’t hurt: she was my best hope for contacting Elvis. Her question had changed the quality of the conversation. We sat in a guarded silence. She turned to face the open window, staring out into the gray face of winter.
“Look, Darcy, you can come with me—if that’s what you really want—but maybe making contact with an old friend or close relative—going to see them and forgetting about everything for a while—might be better for you.”
She shrank, and I could see the dark remoteness return. She was silently screaming for help, and I wasn’t qualified to administer the kind of help she needed. What could I do? Leave her? Say no? Then what?
I decided not to abandon her. I decided to listen and let her unload her mountain of guilt and anger. I hoped that after a good night’s sleep, she’d change her mind. And I was sure that by morning, she would change her mind.
“Darcy, you can come to New York with me if you want. You can stay the night at the hotel with me, if you want. I have two double beds, or, you can take a separate room. That’s fine too. I’ll call the airline and get you on my flight leaving for New York in the morning.”
She looked at me, her eyes pleading. “I know I sound a little crazy. I know you’ve just met me and I hear my own crazy words, but I can’t help it. I can’t go back to that lonely apartment and I can’t be alone. I hate being alone. I’m not a person who can be alone.”
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About the Author
Elyse Douglas is the pen name for the married writing team Elyse Parmentier and Douglas Pennington. Elyse grew up near the sea, roaming the beaches, reading and writing stories and poetry, receiving a master’s degree in English Literature. She has enjoyed careers as an English teacher, an actress and a speech-language pathologist.
Douglas has worked as a graphic designer, a corporate manager and an equities trader. He attended the Cincinnati College Conservatory of Music and played the piano professionally for many years.
A stunning, hilarious memoir displaying Koy’s “wide-ranging comedic talent and abundant wells of perseverance” (Kirkus Reviews, starred). Mixed Plate illuminates the burning drive and unique humor that make Jo Koy one of today’s most successful comedians.
Well guys, here it is – my story. A funny, sad, at times pathetic but also kick-ass tale of how a half-Filipino, half-white kid whose mom thought (and still thinks) his career goal was to become a clown became a success. Not an overnight success, because that would have made for a really short listen, but an All-American success who could give my immigrant mom the kind of life she hoped for when she came to this country, and my son the kind of life I wished I’d had as a kid. With all the details of what it felt like to get the doors closed in my face, to grind it out on the road with my arsenal of dick jokes, and how my career finally took off once I embraced the craziness of my family, which I always thought was uniquely Filipino but turns out, is as universal as it gets.
In this book, I’ll take you behind the mic, behind the curtain – okay, way behind it. From growing up with a mom who made me dance like Michael Jackson at the Knights of Columbus, to some real dark stuff, the stuff we don’t talk about often enough as immigrants. Mental health, poverty, drinking. And show you the path to my American Dream. Which was paved with a lot of failure, department store raffle tickets to win free color televisions, bad jokes, old VHS tapes, a motorcycle my mom probably still hates, the only college final I aced (wasn’t math), and getting my first laugh on stage.
In this book, I get serious about my funny. And I want to make you laugh a little while I do it. I’m like Hawaii’s favorite lunch – the mixed plate. Little bit of this, a little bit of that. My book Mixed Plate is, too.
MIXED PLATE: Chronicles of an All-American Combo by Jo Koy is the comedian’s autobiography and is written and narrated by himself. I knew the minute this came out, I had to listen to it on Audible. I normally prefer to read rather than listen to a book, but Jo Koy is such a fantastic storyteller so I really believe this is the best way to get all the nuances of the autobiography. (And besides, I love hearing him imitate his mother!)
I knew the basics of his life from watching his stand-up, but in this autobiography he shares deeper and more intimate memories and stories. His stories are emotionally raw and starkly give you the picture of his family’s early disfunction and poverty. His willingness to hustle and work hard to make his dream of being a stand-up comedian come true was inspiring, especially with all the racism in the system as he was trying to break in.
If you are not familiar with this “mixed plate”, half Filipino/half white comedian, you need to read this book, listen to this Audible and/or watch his Netflix specials. His is truly a story of the immigrant dream of “making it” in America and not only making it himself but also sharing and raising his whole family up with him.
I am so glad I listened to this great autobiography on Audible and I highly recommend it!
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About the Author
Jo Koy is a comedian, actor, writer, and podcast host who sells out arenas around the world by telling real stories about his life, his family, and finding his way in the entertainment industry. He has multiple hit comedy specials on Netflix, and his unique brand of humor has been featured on Comedy Central, The Tonight Show, and Chelsea Lately. In 2018, Jo received the “Stand-Up Comedian of the Year” award at the legendary Just for Laughs Comedy Festival in Montreal, and the previous year he reached number-one on the Billboard Charts for his standup album, “Live from Seattle.” In 2019 in Honolulu, Jo broke the record for the most tickets sold by a single artist at 23,000 with his eleven sold-out shows at the Neal S. Blaisdell Concert Hall, inspiring the mayor to proclaim November 24 “Jo Koy Day.” Jo currently lives in Los Angeles with his son, Joe Jr., who inspires him to be a better performer, father, and man every single day.
Today I am posting on the Harlequin Trade Publishing Summer 2021 Historical Fiction Blog Tour. I am excited to be sharing my Feature Post and Book Review for THE WARSAW ORPHAN by Kelly Rimmer.
Below you will find an author Q&A, an about the book section, my book review, an excerpt from the book, an about the author section and the author’s social media links. Enjoy!
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Author Q&A
Q: Tell us about The Warsaw Orphan in your own words.
A: The Warsaw Orphan is a novel about two teenagers living in Warsaw during the occupation. Elzbieta Rabinek lives a sheltered life with her adoptive parents in an apartment a few blocks from the Warsaw Ghetto. After she stumbles upon her neighbor’s resistance activities, Elzbieta becomes involved in a scheme to smuggle children out of the Ghetto to be placed with Catholic foster families on the other side of the wall. Through this work, she meets a young Jewish boy, Roman Gorka, who is trapped in the Ghetto with his family.
Q: What do you think drives authors to continue to find stories to tell set around WWII?
A: Authors keep returning to the era for the same reason readers do — these periods where the whole world was in chaos have so much to teach us about human nature. I feel like I could research and write a thousand books set during this period and still be shocked by the depths humanity sank to during that time, and amazed by the stories of resistance and courage.
Q: How are you hoping readers will relate to this story?
A: For me, the wonder of historical fiction is that it gives us the chance to experience history ourselves as we journey through a story. I hope the readers find Elzbieta and Roman relatable characters, even if the circumstances they live through are very different to ours.
Q: What’s something that you connected with personally as you researched and wrote this story?
A: I was particularly inspired by the story of the city of Warsaw as I researched and wrote this book. Warsaw was left in ruins by the end of the war, with 85-90% of the city reduced to rubble. Today, Warsaw is a vibrant, thriving metropolis. The Polish people rallied and rebuilt the city, just as they rebuilt their lives, and ultimately their nation. This is a story of resilience that I found particularly inspiring, and a timely reminder of the strength of the human spirit, as we live through chaotic times ourselves.
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About the Book
With the thrilling pace and historical drama of Pam Jenoff and Kristin Hannah, New York Times bestselling author Kelly Rimmer’s newest novel is an epic WWII saga and love story, based on the real-life efforts of two young people taking extraordinary risks to save their countrymen, as they try to find their way back to each other and the life they once knew.
Following on the success of The Things We Cannot Say, this is Kelly Rimmer’s return to the WWII category with a brand new novel inspired by Irena Sendler, the real-life Polish nurse who used her access to the Warsaw ghetto to smuggle Jewish children and babies to safety.
Spanning the tumultuous years between 1942 and 1945 in Poland, The Warsaw Orphan follows Emilia over the course of the war, her involvement with the Resistance, and her love for Sergiusz, a young man imprisoned in the Jewish ghetto who’s passion leads him to fight in the Warsaw Uprising. From the Warsaw ghetto to the Ravensbruck concentration camp, through Nazi occupation to the threat of a communist regime, Kelly Rimmer has penned her most meticulously researched and emotionally compelling novel to date.
THE WARSAW ORPHAN by Kelly Rimmer is an emotional historical fiction story featuring a young Polish girl and her family and friend’s struggles to survive set in occupied Warsaw during WWII.
Elizbieta Rabinek is living with her mother and father just outside the ghetto walls in Warsaw, Poland. She has a secret. Her mother and father have adopted her and are keeping her safe after the murder of her father and brother by the German’s for helping Jews. She befriends a nurse named Sara who lives in the apartment across the hall and discovers that Sara is doing more than just public health rounds in the ghetto.
Sara and fellow public health workers are smuggling children out of the ghetto and Elizbieta is determined to help. Sara is trying to help the Gorka family and this is when Elizbieta meets their son, Roman. Roman is at the youth center when his family is rounded up and sent on the train to the camp. All Roman feels is hate and he is set on the path of revenge.
From the German occupation through the Russian invasion Elizbieta and Roman fight to survive and reclaim the life they once knew.
This is a well written story of family, survival, hope and love in a time of atrocities, starvation and war. Elizabieta has such courage throughout this story to face what she sees and experiences during the several years covered in this book. All of the characters in this book are diverse, fully developed and believable. The author’s research is evident in the plot and storyline.
I recommend this historical fiction novel and the author.
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Excerpt
1
Roman
28 March, 1942
The human spirit is a miraculous thing. It is the strongest part of us—crushed under pressure, but rarely broken. Trapped within our weak and fallible bodies, but never contained. I pondered this as my brother and I walked to a street vendor on Zamenhofa Street in the Warsaw Ghetto, late in the afternoon on a blessedly warm spring day.
“There was one right there,” he said, pointing to a rare gap in the crowd on the sidewalk. I nodded but did not reply. Dawidek sometimes needed to talk me through his workday but he did not need me to comment, which was fortunate, because even after months of this ritual, I still had no idea what to say.
“Down that alleyway, there was one on the steps of a building. Not even on the sidewalk, just right there on the steps.”
I fumbled in my pocket, making sure I still had the sliver of soap my stepfather had given me. Soap was in desperate demand
in the ghetto, a place where overcrowding and lack of running water had created a perfect storm for illness. My stepfather ran a tiny dentistry practice in the front room of our apartment and needed the soap as much as anyone—maybe even more so. But as desperate as Samuel’s need for soap was, my mother’s need for food eclipsed it, and so there Dawidek and I were. It was generally considered a woman’s job to go to the market, but Mother needed to conserve every bit of strength she could, and the street vendor Samuel wanted me to speak to was blocks away from our home.
“…and Roman, one was behind a big dumpster,” he hesitated, then grimaced. “Except I think we missed that one yesterday.”
I didn’t ask how he’d come to that conclusion. I knew that the answer was liable to make my heart race and my vision darken, the way it did sometimes. Sometimes, it felt as if my anger was simmering just below the surface: at my nine-year-old brother and the rest of my family. Although, none of this was their fault. At Sala, my boss at the factory on Nowolipki Street, even though he was a good man and he’d gone out of his way to help me and my family more than once. At every damned German I laid eyes on. Always them. Especially them. A sharp, uncompromising anger tinged every interaction those days, and although that anger started and ended with the Germans who had changed our world, it cycled through everyone else I knew before it made its way back where it belonged.
“There was one here yesterday. In the middle of the road at the entrance to the market.”
Dawidek had already told me all about that one, but I let him talk anyway. I hoped this running commentary would spare him from the noxious interior that I was currently grappling with. I envied the ease with which he could talk about his day, even if hearing the details filled me with guilt. Guilt I could handle, I probably deserved it. It was the anger that scared me. I felt like my grip on control was caught between my sweaty hands and, at any given moment, all it would take was for someone to startle me, and I’d lose control.
The street stall came into view through the crowd. There was always a crush of people on the street until the last second before seven o’clock curfew. This was especially the case in summer, when the oppressive heat inside the ghetto apartments could bring people to faint, besides which, the overcrowding inside was no better than the overcrowding outside. I had no idea how many people were inside those ghetto walls—Samuel guessed a million, Mrs. Kuklin´ski in the bedroom beside ours said it was much more, Mother was quite confident that it was maybe only a hundred thousand. All I knew was that ours was not the only apartment in the ghetto designed for one family that was currently housing four—in fact, there were many living in even worse conditions. While the population was a hot topic of conversation on a regular basis, it didn’t actually matter all that much to me. I could see with my own eyes and smell with my own nose that however many people were trapped within the ghetto walls, it was far, far too many.
When the vendor’s table came into view, my heart sank: she was already packing up for the day and there was no produce left. I was disappointed but not surprised: there had been no chance of us finding food so late in the day, let alone food that someone would barter for a simple slip of soap. Dawidek and I had passed a store that was selling eggs, but they’d want zloty for the eggs, not a tiny scrap of soap.
“Wait here a minute,” I murmured to my brother, who shrugged as he sank to sit on an apartment stoop. I might have let him follow me, but even after the depths our family had sunk to over the years of occupation, I still hated for him to see me beg. I glanced at him, recording his location to memory, and then pushed through the last few feet of people mingling on the sidewalk until I reached the street vendor. She shook her head before I’d spoken a word.
“I am sorry young man; I have nothing to offer you.”
“I am Samuel Gorka’s son,” I told her. It was an oversimplification of a complicated truth, but it was the best way I could help her place me. “He fixed your tooth for you, remember? A few months ago? His practice is on Miła Street.”
Recognition dawned in her gaze, but she still regarded me warily.
“I remember Samuel and I’m grateful to him, but that doesn’t change anything. I have no food left today.”
“My brother and I…we work during the day. And Samuel too. You know how busy he is, helping people like yourself. But the thing is, we have a sick family member who hasn’t—”
“Kid, I respect your father. He’s a good man, and a good dentist. I wish I could help, but I have nothing to give you.” She waved to the table, to the empty wooden box she had packed up behind her, and then opened her palms towards me as if to prove the truth of her words.
“There is nowhere else for me to go. I can’t take no for an answer. I’m going to bed hungry tonight, but I can’t let…” I trailed off, the hopelessness hitting me right in the chest. I knew I would be going home without food for my mother that night, and the implications made me want to curl up in a ball, right there in the gutter. But hopelessness was dangerous, at least in part because it was always followed by an evil cousin. Hopelessness was a passive emotion, but its natural successor drove action, and that action rarely resulted in anything positive. I clenched my fists, and my fingers curled around the soap. I pulled it from my pocket and extended it towards the vendor. She looked from my palm to my face, then sighed impatiently and leaned close to me to hiss,
“I told you. I have nothing left to trade today. If you want food, you need to come earlier in the day.”
“That’s impossible for us. Don’t you understand?”
To get to the market early in the day one of us would have to miss work. Samuel couldn’t miss work; he could barely keep up as it was—he performed extractions from sunup to curfew most days. Rarely was this work paid now that money was in such short supply among ordinary families like his patients, but the work was important—not just because it afforded some small measure of comfort for a people group who were, in every other way, suffering immensely. But every now and again Samuel did a favor for one of the Jewish police officers or even a passing German soldier. He had a theory that one day soon, those favors were going to come in handy. I was less optimistic, but I understood that he couldn’t just close his practice. The moment Samuel stopped working would be the moment he had to perform an honest reckoning with our situation, and if he did that, he would come closer to the despair I felt every waking moment of every day.
“Do you have anything else? Or is it just the soap?” the woman asked me suddenly.
“That’s all.”
“Tomorrow. Come back this time tomorrow. I’ll keep something for you, but for that much soap?” She shook her head then pursed her lips. “It’s not going to be much. See if you can find something else to barter.”
“There is nothing else,” I said, my throat tight. But the woman’s gaze was at least sympathetic, and so I nodded at her. “I’ll do my best. I’ll see you tomorrow.”
As I turned away, I wondered if it was worth calling into that store to ask about the eggs, even though I knew that the soap wasn’t nearly enough for a whole egg. It wasn’t enough for even half an egg here on the market, and the stores were always more expensive than the street vendors. Maybe they would give me a shell? We could grind it up and Mother could drink it in a little water. We’d done that once before for her. It wasn’t as good as real food, but it might help a little overnight. It surely couldn’t hurt.
As I spun back towards our apartment, a burst of adrenaline nearly knocked me sideways. Dawidek hadn’t moved, but two Jewish police officers were now standing in front of him. Like me, my brother was tall for his age—an inheritance from our maternal grandfather that made us look bizarre when we stood with Samuel and Mother, who were both more diminutive. Even so, he looked far too small to be crowded into the doorway of an apartment by two Jewish Police officers. That situation could turn to bloodshed in a heartbeat. The Kapo operated on a spectrum from well-meaning and kindly to murderously violent, and I had no way of knowing what kind of Kapo were currently accosting Dawidek. My heart thundered against the wall of my chest as I pushed my way back to them, knowing even as I approached that intervening could well get me shot.
For everything I had been through and for everything I had seen, the only thing that kept me going was my family, especially Dawidek. He was my favorite person in the world, a burst of purity in an environment of pure evil. Some days, the only time I felt still inside was when he and I were playing or talking in the evenings—and that stillness was the only rest I got. I could not live without him, in fact—I had already decided that if it came to that, I wouldn’t even try.
“Dawidek?” I called as I neared. Both Kapo turned toward me. The one on the left, the taller one, sized me up as if an emaciated, unarmed 16-year-old was any kind of threat. I knew from bitter experience that the smart thing to do would have been to let Dawidek try to talk his own way out of this. He was nine years old but used to defending himself in the bizarrely toxic environment of the Ghetto. All day long, he was at his job alone, and I was at mine. He needed his wits about him to survive even an hour of that, and I needed to trust that he could handle himself.
But I couldn’t convince myself to be smart, even when I knew that what I was about to do was likely to earn me, at best, a severe beating. I couldn’t even stop myself when the Kapo gave me a second chance to walk away. They ignored me and kept their attention on my brother. “Hey!” I shouted, loud enough that my voice echoed up and down the street, and dozens of people turned to stare. “He’s just a kid. He hasn’t done anything wrong!”
I was mentally planning my next move. I’d make a scene, maybe push one of the Kapo, and when they turned to beat me, Dawidek could run. Pain was never pleasant, but physical pain could also be an effective distraction from mental anguish, which was the worst kind. Maybe I could even land a punch, and that might feel good. But my brother stepped forward, held his hands up to me and said fiercely, “These are my supervisors, Roman. Just supervisors on the crew. We were just talking.”
My stomach dropped. My heartbeat pounded in my ears and my hands were hot.—I knew my face was flushed raspberry, both with embarrassment and from the adrenaline. After a terse pause that seemed to stretch forever, the Kapo exchanged an amused glance, one patted Dawidek on the back, and they continued down the street, both laughing at me. Dawidek shook his head in frustration.
“Why did you do that? What would you do, even if I was in trouble?”
“I’m sorry,” I admitted, scraping my hand through my hair. “I lost my head.”
“You’re always losing your head,” Dawidek muttered, falling into step beside me, as we began to follow the Kapo back towards our own apartment. “You need to listen to Father. Keep your head down, work hard and hope for the best. You are too smart to keep making such dumb decisions.”
Hearing my little brother echoing his father’s wisdom in the same tone and with the same impatience was always jarring, but in this case, I was dizzy with relief, and so I messed up his hair, and let out a weak laugh.
“For a nine-year-old, you are awfully wise.”
“Wise enough to know that you didn’t get any food for mother.”
“We were too late,” I said, and then I swallowed the lump in my throat. “But she said that we should come back tomorrow. She will set something aside for us.”
“Let’s walk the long way home. The trashcans on Smocza Street are sometimes good.”
We were far from the only family in the ghetto who had run out of resources. We were all starving and any morsel of food was quickly found, even if it was from a trashcan. Still, I was not at all keen to return to our crowded apartment, to face the disappointment in my stepfather’s gaze or to see the starvation in my mother’s. I let Dawidek lead the way, and we walked in silence, broken by his periodic bursts of commentary.
“We picked one up here… Another over there… Mordechai helped me with one there.”
As we turned down a quiet street, I realized that Dawidek’s Kapo supervisors were right in front of us, walking a few dozen feet ahead.
“We should turn around, I don’t want any trouble with those guys,” I muttered. Dawidek shook his head.
“They like me. I work hard and don’t give them any trouble. Now that you have stopped trying to get yourself killed, they won’t bother us, even if they do notice us.”
Just then, the shorter policeman glanced towards the sidewalk on his right, and then he paused. He waved his companion ahead, then withdrew something from his pocket as he crouched low to the ground. —I was far too far away to hear the words he spoke, but I saw the sadness in his gaze. The Kapo then rose and jogged ahead to catch up with his partner. Dawidek and I continued along the street, but only when we drew near where he had stopped did I realize why.
We had been in the ghetto for almost two years. Conditions were bad to begin with, and every new day seemed to bring new trials. I learned to wear blinders—to block out the public pain and suffering of my fellow prisoners. I had walked every block of the ghetto, both the Little Ghetto with its nicer apartments where the elite and artists appeared to live in relative comport, and through the Big Ghetto, where poor families like my own were crammed in, trying to survive at a much higher density. The footbridge on Chłodna Street connected the two and elevated the Ghetto residents above the “Aryan” Poles, and even the Germans, who passed beneath it. The irony of this never failed to amuse me when I crossed. Sometimes, I crossed it just to cheer myself up.
I knew the Ghetto inside and out, and I noticed every detail, even if I had taught myself to ignore what I saw as much as I could. I learned not to react when an elderly man or woman caught my hand as I passed, clawing in the hopes that I could spare them a morsel of food. I learned not to so much as startle if someone was shot in front of my eyes. And most of all, I learned to never look at the face of any unfortunate soul who was prone on the sidewalk. The only way to survive was to remain alert so I had to see it all, but I also had to learn to look right through it. The only way to manage my own broiling fury was to bury it.
But the policeman had drawn my attention to a scene of utter carnage outside of what used to be a clothing store. The store had long ago run out of stock and had been re-purposed as accommodation for several families. The wide front window was now taped over with Hessian sacks for privacy; outside of that window, on the paved sidewalk, a child was lying on her stomach. Alive, but barely.
The Ghetto was teeming with street children. The orphanages were full to bursting which meant that those who weren’t under the care of relatives or kindly strangers were left to their own devices. I saw abandoned children, but I didn’t see them.
I’d have passed right by this child on any other day. I couldn’t even manage to keep my own family safe and well, so it was better to keep walking and spare myself the pain of powerlessness. But I was curious about what the policeman had given the child, and so even as we approached her, I was scanning—looking to see what had caught his attention and to try to figure out what he’d put down on the ground.
Starvation confused the normal growth and development of children, but even so, I guessed she was two or three. She wore the same vacant expression I saw in most children by that stage. Patches of her hair had fallen out, and her naked stomach and legs were swollen. Someone had taken her clothing except for a tattered pair of underwear, and I understood why.
This child would not be alive by morning. Once they became too weak to beg for help, it didn’t take long, and this child was long past that point. Her dull brown eyes were liquid pools of defeat and agony.
My eyes drifted to her hands. One was lying open and empty on the sidewalk beside her, her palm facing upward, as if opening her hands to God. The other was also open, slumped against the sidewalk on the other side of her, but this palm was not empty. Bread. The policeman had pressed a chunk of bread beneath the child’s hand. I stared at the food and even though it was never going to find its way to my lips, my mouth began to water. I was torturing myself, but it was much easier to look at the bread than at the girl’s dull eyes.
Dawidek stood silently beside me. I thought of my mother, and then crouched beside the little girl.
“Hello,” I said, stiff and awkward. The child did not react. I cast my gaze all over her face, taking it in. The sharp cheekbones. The way her eyes seemed too big for her face. The matted hair. Someone had once brushed this little girl’s hair, and probably pulled it into pretty braids. Someone had once bathed this child, and tucked her into bed at night, bending down to whisper in her ear that she was loved and special and wanted.
Now, her lips were dry and cracked, and blood dried into a dirty black scab in the corner of her mouth. My eyes burned, and it took me a moment to realize that I was struggling to hold back tears.
“You should eat the bread,” I urged softly. Her eyes moved, and then she blinked, but then her eyelids fluttered and fell closed. She drew in a breath, but her whole chest rattled, the sound I knew people made just before they died—when they were far too ill to even cough. A tear rolled down my cheek. I closed my eyes, but now, instead of blackness, I saw the little girl’s face.
This was why I learned to wear blinders, because if you got too close to the suffering, it would burn itself into your soul. This little girl was now a part of me, and her pain was part of mine.
Even so, I knew that she could not eat the bread. The policeman’s gesture had been well-meaning, but it had come far too late. If I didn’t take the bread, the next person who passed would. If my time in the ghetto had taught me anything, it was that life might deliver blessings, but each one would have a sting in its tail. God might deliver us fortune, but never without a cost. I would take the bread, and the child would die overnight. But that wouldn’t be the end of the tragedy. In some ways, it was only the beginning.
I wiped my cheeks roughly with the back of my hand, and then before I could allow my conscience to stop me, I reached down and plucked the bread from under the child’s hand, to swiftly hide it my pocket. Then I stood, and forced myself to not look at her again. Dawidek and I began to walk.
“The little ones should be easier. I don’t have to ask the big kids for help lifting them, and they don’t weigh anything at all. They should be easier, shouldn’t they?” Dawidek said, almost philosophically. He sighed heavily, and then added in a voice thick with confusion and pain. “I’ll be able to lift her by myself tomorrow morning, but that won’t make it easier.”
Fortune gave me a job with one of the few factories in the ghetto that was owned by a kindly Jew, rather than some German businessman only wanting to take advantage of slave labor. But this meant that when the Kapo came looking for me at home, to help collect the bodies from the streets before sunrise each day, the only other viable person in our household was my brother.
When Dawidek was first recruited to this hideous role, I wanted to quit my job so that I could relieve him of it. But corpse-collection was unpaid work and my factory job paid me in food—every single day, I sat down to a hot lunch, which meant other members of my family could share my portion of rations. This girl would die overnight, and by dawn, my little brother would have lifted her into the back of a wagon. He and a team of children and teenagers, under the supervision of the Kapo, would drag the wagon to the cemetery, where they would tip the corpses into a pit with dozens of others.
Rage, black and red and violent in its intensity, clouded the edges of my vision and I felt the thunder of the injustice in my blood. But then Dawidek drew a deep breath, and he leaned forward to catch my gaze. He gave me a smile, a brave smile, one that tilted the axis of my world until I felt it chase the rage away.
I had to maintain control. I couldn’t allow my fury to destroy me, because my family was relying on me. Dawidek was relying on me.
“Mother is going to be so excited to have bread,” he said, his big brown eyes lighting up at the thought of pleasing her. “And that means Eleonora will get better milk tomorrow, won’t she?”
“Yes,” I said, my tone as empty as the words themselves. “This bread is a real blessing.”
Kelly Rimmer is the worldwide, New York Times and USA Today bestselling author of Before I Let You Go, The Things We Cannot Say, and Truths I Never Told You. She lives in rural Australia with her husband, two children and fantastically naughty dogs, Sully and Basil. Her novels have been translated into more than twenty languages. Please visit her at https://www.kellyrimmer.com/
THE BODY IN THE GARDEN (Lily Adler Mystery Book #1) by Katharine Schellman is the debut book in a new amateur sleuth historical mystery series set in Regency England. The intelligent and determined heroine of the series, the vivid secondary characters and the intricate plot had me hooked from the start.
Lily Adler is a young widow returning to London and society after her first stage of mourning. The first ball she attends is given by her oldest friend Lady Walter. As she is getting away from the crush in her host’s garden, she overhears but cannot see a man attempting blackmail. A shot is fired.
Long-time friend of her late husband and current Navy Captain, Jack Hartley returns with Lily to find the dead body. They soon learn Miss Oswald, a debutante from the West Indies knew the dead man and they join forces to uncover a killer. The three conceal their investigation within the whirl of London’s social season. Lily and her friends must uncover the secrets and identity of the killer before she becomes the next target.
I enjoyed meeting amateur sleuth, Lily Adler and her accomplices. Ms. Schellman brings to life intelligent Regency era characters, who remain true to the norms of their time period and also use it to their advantage. The addition of the West Indies characters and plot connection added diversity and interest to the story. The plot is clever and full of red herrings and misdirection which make it difficult to put down and the ending was a surprise which always makes it more enjoyable for me.
I highly recommend this new amateur sleuth, historical mystery and author. I am looking forward to reading the next book in the series.
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About the Author
Katharine Schellman studied theatre and history at the College of William & Mary, after which she went on to dance professionally, work in political consulting, and collect addresses up and down the east coast of the United States. Her nonfiction and essays have been published on The Huffington Post, Mother Magazine, A Practical Wedding, and more.
Katharine’s debut historical mystery, The Body in the Garden, was published in April 2020 and led to her being named one of BookPage’s 16 Women to Watch in 2020. Katharine currently lives and writes in the mountains of Virginia with her husband, preschooler, and the many houseplants she keeps accidentally murdering.
Today is my turn on the Fig Tree Books Blog Tour for JACOBO’S RAINBOW by David Hirshberg. This is a wonderful literary historical fiction that reads as a historical memoir.
Below you will find a book synopsis, my book review, an about the author section and the author’s social media link. Enjoy!
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Book Synopsis
JACOBO’S RAINBOW is set primarily in the nineteen sixties during the convulsive period of the student protest movements and the Vietnam War. It focuses on the issue of being an outsider, an altogether common circumstance that resonates with readers in today’s America. Written from a Jewish perspective, it speaks to universal truths that affect us all.
On the occasion of the 15th anniversary of a transformative event in Jacobo’s life – the day he is sent to jail – he writes about what happened behind the scenes of the Free Speech Movement, which provides the backdrop for a riveting story centered on his emergence into a world he never could have imagined. His recording of those earlier events is the proximate cause of his being arrested. Jacobo is allowed to leave jail under the condition of being drafted, engages in gruesome fighting in Vietnam, and returns to continue his work of chronicling America in the throes of significant societal changes.
Nothing is what it seems to be at first glance, as we watch Jacobo navigate through the agonies of divisive transformations that are altering the character of the country. Coming to grips with his own imperfections as well as revelations about the people around him, he begins to understand more about himself and how he can have an impact on the world around him … and how it, in turn, will have an effect on him.
The novel can be read on three levels: 1) as a coming of age story; 2) as a metaphor for what is happening on college campuses today, in terms of the shutting down of speech and the rise of anti-Semitism; 3) as a novel about Jewish identity and what life is like for the outsider.
by David Hirshberg Fig Tree Books LLC; May 4, 2021 ISBN hardcover: 9781941493281, $19.95; e-book: 9781941493-298, $9.99 Audiobook Retail: 9781705281567; Library: 9781705281574
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My Book Review
RATING: 5 out of 5 Stars
JACOBO’S RAINBOW by David Hirshberg is a wonderful literary historical fiction novel that reads as a historical memoir set primarily during the tumultuous nineteen sixties.
Jacobo Toledano is the protagonist and the unique main character who chronicles his life in this memoir style tale. Jacobo comes from an isolated small community in New Mexico which leaves him with an unbiased view of the world and as an outsider he is the perfect storyteller for this tale.
On the fifteenth anniversary of the day Jacobo is sent to jail, he begins to write his story. He arrives at university only to be swept up by a charismatic leader of the Free Speech Movement and the protests of the Vietnam war. All the characters he writes about comes to life on the page with perceptive insights and sensitivity. His recording of these events is the cause of his being arrested.
Jacobo is given a choice, stay in jail or be drafted to fight in Vietnam. The gruesome fighting comes alive on the page and I remember watching it nightly on the news. (This was the first war to come into American homes nightly on the national news programs.) When he returns, he continues to chronicle a changing America.
This is a coming-of-age story set against the social upheaval of the nineteen sixties. It is also a tale of triumph over adversity, prejudice, lies and loss. This story and the past few years demonstrate that history can and will repeat itself if we are not ever observant and caretakers of everyone’s rights and freedom.
I highly recommend this novel and author!
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About the Author
David Hirshberg is the pseudonym for an entrepreneur who prefers to keep his business activities separate from his writing endeavors. As an author, he adopted the first name of his father-in-law and the last name of his maternal grandfather, as a tribute to their impact on his life. His first novel, My Mother’s Son was published in 2018 and won nine awards. Reviewers have compared Hirshberg’s writing to Michael Chabon’s and Saul Bellow’s, among others.
Today I am once again posting on the Harlequin Trade Publishing Mystery/Thriller Summer 2021 Blog Tour. I am sharing my Feature Post and Book Review for LOCAL WOMAN MISSING by Mary Kubica.
Below you will find an about the book section, my book review, an excerpt from the book, an about the author section and the author’s social media links. Enjoy!
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About the Book
People don’t just disappear without a trace…
Shelby Tebow is the first to go missing. Not long after, Meredith Dickey and her six-year-old daughter, Delilah, vanish just blocks away from where Shelby was last seen, striking fear into their once-peaceful community. Are these incidents connected? After an elusive search that yields more questions than answers, the case eventually goes cold.
Now, eleven years later, Delilah shockingly returns. Everyone wants to know what happened to her, but no one is prepared for what they’ll find… In this smart and chilling thriller, master of suspense and New York Times bestselling author Mary Kubica takes domestic secrets to a whole new level, showing that some people will stop at nothing to keep the truth buried.
LOCAL WOMAN MISSING by Mary Kubica is a standalone domestic thriller/mystery that for me read more as a mystery than domestic thriller. The story is told by various characters in two interwoven timelines which are eleven years apart.
Eleven years ago a new mother, Shelby Tebow disappears while on a night time jog. Soon after a mother, Meredith Dickey and her six-year-old daughter, Delilah also disappear without a trace.
Now, eleven years later, Delilah returns with everyone trying to find out what happened to her. What is discovered will have repercussions in families throughout the neighborhood.
This story ends up for me being a satisfying mystery story, but I never felt it was what I would call a domestic thriller. The beginning, while intriguing also became more confusing as characters were added and I had to keep checking which timeline I was in until about a third of the way into the book. I liked the mystery and would have liked a few red herrings or clues throughout instead of the sudden resolution out of the blue. Delilah’s story I assume was added for the thriller quality, but it just never was believable to me.
I am in the minority with my opinion and others have loved this book. Ms. Kubica has several other books, but this one was just an OK read for me.
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Excerpt
MEREDITH
11 YEARS BEFORE
March
The text comes from a number I don’t know. It’s a 630 area code. Local. I’m in the bathroom with Leo as he soaks in the tub. He has his bath toys lined up on the edge of it and they’re taking turns swan diving into the now-lukewarm water. It used to be hot, too hot for Leo to get into. But he’s been in there for thirty minutes now playing with his octopus, his whale, his fish. He’s having a ball.
Meanwhile I’ve lost track of time. I have a client in the early stages of labor. We’re texting. Her husband wants to take her to the hospital. She thinks it’s too soon. Her contractions are six and a half minutes apart. She’s absolutely correct. It’s too soon. The hospital would just send her home, which is frustrating, not to mention a huge inconvenience for women in labor. And anyway, why labor at the hospital when you can labor in the comfort of your own home? First-time fathers always get skittish. It does their wives no good. By the time I get to them, more times than not, the woman in labor is the more calm of the two. I have to focus my attention on pacifying a nervous husband. It’s not what they’re paying me for.
I tell Leo one more minute until I shampoo his hair, and then fire off a quick text, suggesting my client have a snack to keep her energy up, herself nourished. I recommend a nap, if her body will let her. The night ahead will be long for all of us. Childbirth, especially when it comes to first-time moms, is a marathon, not a sprint.
Josh is home. He’s in the kitchen cleaning up from dinner while Delilah plays. Delilah’s due up next in the tub. By the time I leave, the bedtime ritual will be done or nearly done. I feel good about that, hating the times I leave Josh alone with so much to do.
I draw up my text and then hit Send. The reply is immediate, that all too familiar ping that comes to me at all hours of the day or night.
I glance down at the phone in my hand, expecting it’s my client with some conditioned reply. Thx.
Instead: I know what you did. I hope you die.
Beside the text is a picture of a grayish skull with large, black eye sockets and teeth. The symbol of death.
My muscles tense. My heart quickens. I feel thrown off. The small bathroom feels suddenly, overwhelmingly, oppressive. It’s steamy, moist, hot. I drop down to the toilet and have a seat on the lid. My pulse is loud, audible in my own ears. I stare at the words before me, wondering if I’ve misread. Certainly I’ve misread. Leo is asking, “Is it a minute, Mommy?” I hear his little voice, muff led by the ringing in my ears. But I’m so thrown by the cutthroat text that I can’t speak.
I glance at the phone again. I haven’t misread.
The text is not from my client in labor. It’s not from any client of mine whose name and number is stored in my phone. As far as I can tell, it’s not from anyone I know.
A wrong number, then, I think. Someone sent this to me by accident. It has to be. My first thought is to delete it, to pretend this never happened. To make it disappear. Out of sight, out of mind.
But then I think of whoever sent it just sending it again or sending something worse. I can’t imagine anything worse.
I decide to reply. I’m careful to keep it to the point, to not sound too judgy or fault-finding because maybe the intended recipient really did do something awful—stole money from a children’s cancer charity—and the text isn’t as egregious as it looks at first glance.
I text: You have the wrong number.
The response is quick.
I hope you rot in hell, Meredith.
The phone slips from my hand. I yelp. The phone lands on the navy blue bath mat, which absorbs the sound of its fall.
Meredith.
Whoever is sending these texts knows my name. The texts are meant for me.
A second later Josh knocks on the bathroom door. I spring from the toilet seat, and stretch down for the phone. The phone has fallen facedown. I turn it over. The text is still there on the screen, staring back at me.
Josh doesn’t wait to be let in. He opens the door and steps right inside. I slide the phone into the back pocket of my jeans before Josh has a chance to see.
“Hey,” he says, “how about you save some water for the fish.”
Leo complains to Josh that he is cold. “Well, let’s get you out of the bath,” Josh says, stretching down to help him out of the water.
“I need to wash him still,” I admit. Before me, Leo’s teeth chatter. There are goose bumps on his arm that I hadn’t noticed before. He is cold, and I feel suddenly guilty, though it’s mired in confusion and fear. I hadn’t been paying any attention to Leo. There is bathwater spilled all over the floor, but his hair is still bone-dry.
“You haven’t washed him?” Josh asks, and I know what he’s thinking: that in the time it took him to clear the kitchen table, wash pots and pans and wipe down the sinks, I did nothing. He isn’t angry or accusatory about it. Josh isn’t the type to get angry.
“I have a client in labor,” I say by means of explanation. “She keeps texting,” I say, telling Josh that I was just about to wash Leo. I drop to my knees beside the tub. I reach for the shampoo. In the back pocket of my jeans, the phone again pings. This time, I ignore it. I don’t want Josh to know what’s happening, not until I get a handle on it for myself.
Josh asks, “Aren’t you going to get that?” I say that it can wait. I focus on Leo, on scrubbing the shampoo onto his hair, but I’m anxious. I move too fast so that the shampoo suds get in his eye. I see it happening, but all I can think to do is wipe it from his forehead with my own soapy hands. It doesn’t help. It makes it worse.
Leo complains. Leo isn’t much of a complainer. He’s an easygoing kid. “Ow,” is all that he says, his tiny wet hands going to his eyes, though shampoo in the eye burns like hell.
“Does that sting, baby?” I ask, feeling contrite. But I’m bursting with nervous energy. There’s only one thought racing through my mind. I hope you rot in hell, Meredith.
Who would have sent that, and why? Whoever it is knows me. They know my name. They’re mad at me for something I’ve done. Mad enough to wish me dead. I don’t know anyone like that. I can’t think of anything I’ve done to upset someone enough that they’d want me dead.
I grab the wet washcloth draped over the edge of the tub. I try handing it to Leo, so that he can press it to his own eyes. But my hands shake as I do. I wind up dropping the washcloth into the bath. The tepid water rises up and splashes him in the eyes. This time he cries.
“Oh, buddy,” I say, “I’m so sorry, it slipped.”
But as I try again to grab it from the water and hand it to him, I drop the washcloth for a second time. I leave it where it is, letting Leo fish it out of the water and wipe his eyes for himself. Meanwhile Josh stands two feet behind, watching.
My phone pings again. Josh says, “Someone is really dying to talk to you.”
Dying. It’s all that I hear.
My back is to Josh, thank God. He can’t see the look on my face when he says it.
“What’s that?” I ask.
“Your client,” Josh says. I turn to him. He motions to my phone jutting out of my back pocket. “She really needs you. You should take it, Mer,” he says softly, accommodatingly, and only then do I think about my client in labor and feel guilty. What if it is her? What if her contractions are coming more quickly now and she does need me?
Josh says, “I can finish up with Leo while you get ready to go,” and I acquiesce, because I need to get out of here. I need to know if the texts coming to my phone are from my client or if they’re coming from someone else.
I rise up from the floor. I scoot past Josh in the door, brushing against him. His hand closes around my upper arm as I do, and he draws me in for a hug. “Everything okay?” he asks, and I say yes, fine, sounding too chipper even to my own ears. Everything is not okay.
“I’m just thinking about my client,” I say. “She’s had a stillbirth before, at thirty-two weeks. She never thought she’d get this far. Can you imagine that? Losing a baby at thirty-two weeks?”
Josh says no. His eyes move to Leo and he looks saddened by it. I feel guilty for the lie. It’s not this client but another who lost a baby at thirty-two weeks. When she told me about it, I was completely torn up. It took everything in me not to cry as she described for me the moment the doctor told her her baby didn’t have a heartbeat. Labor was later induced, and she had to push her dead baby out with only her mother by her side. Her husband was deployed at the time. After, she was snowed under by guilt. Was it her fault the baby died? A thousand times I held her hand and told her no. I’m not sure she ever believed me.
My lie has the desired effect. Josh stands down, and asks if I need help with anything before I leave. I say no, that I’m just going to change my clothes and go.
I step out of the bathroom. In the bedroom, I close the door. I grab my scrub bottoms and a long-sleeved T-shirt from my drawer. I lay them on the bed, but before I get dressed, I pull my phone out of my pocket. I take a deep breath and hold it in, summoning the courage to look. I wonder what waits there. More nasty threats? My heart hammers inside me. My knees shake.
I take a look. There are two messages waiting for me.
The first: Water broke. Contractions 5 min apart.
And then: Heading to hospital.—M.
I release my pent-up breath. The texts are from my client’s husband, sent from her phone. My legs nearly give in relief, and I drop down to the edge of the bed, forcing myself to breathe. I inhale long and deep. I hold it in until my lungs become uncomfortable. When I breathe out, I try and force away the tension.
But I can’t sit long because my client is advancing quickly. I need to go.
Excerpted from Local Woman Missing @ 2021 by Mary Kyrychenko, used with permission by Park Row Books.
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About the Author
Mary Kubica is the New York Times and USA Today bestselling author of six novels, including THE GOOD GIRL, PRETTY BABY, DON’T YOU CRY, EVERY LAST LIE, WHEN THE LIGHTS GO OUT, and THE OTHER MRS. A former high school history teacher, Mary holds a Bachelor of Arts degree from Miami University in Oxford, Ohio, in History and American Literature. She lives outside of Chicago with her husband and two children. Her last novel THE OTHER MRS. was an instant New York Times bestseller; is coming soon to Netflix; was a LibraryReads pick for February 2020; praised by the New York Times; and highly recommended by Entertainment Weekly, People, The Week,Marie Claire, Bustle, HelloGiggles,Goodreads, PopSugar, BookRiot, HuffingtonPost, First for Women, Woman’s World, and more.Mary’s novels have been translated into over thirty languages and have sold over two million copies worldwide. She’s been described as “a helluva storyteller,” (Kirkus Reviews) and “a writer of vice-like control,” (Chicago Tribune), and her novels have been praised as “hypnotic” (People) and “thrilling and illuminating” (Los Angeles Times). LOCAL WOMAN MISSING is her seventh novel.
