Blog Tour/Feature Post and Book Review: The Clover Girls by Viola Shipman

Hi, everyone!

Today I am posting on the Harlequin Trade Publishing Beach Reads Summer 2021 Blog Tour. I am very excited to be sharing my Feature Post and Book Review for THE CLOVER GIRLS by Viola Shipman. My mother introduced me to this author and she has become a must read for me!

Below you will find a book summary, my book review, an excerpt from the book and the author’s bio and social media links. Enjoy!

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Book Summary

As comforting and familiar as a favorite sweater, Viola Shipman’s novels never fail to deliver a heartfelt story of friendship and familty, encapsulating summer memories in every page. Fans of Dorthea Benton Frank and Nancy Thayer will love this new story about three childhood friends approaching middle age, determined to rediscover the dreams that made them special as campers in 1985.

Elizabeth, Veronica, Rachel and Emily met at Camp Birchwood as girls in 1985, where they called themselves The Clover Girls (after their cabin name). The years following that magical summer pulled them in very different directions and, now approaching middle age, the women are facing new challenges: the inevitable physical changes that come with aging, feeling invisible to society, disinterested husbands, surley teens, and losing their sense of self.

Then, Elizabeth, Veronica and Rachel each receive a letter from Emily – she has cancer and, knowing it’s terminal, reaches out to the girls who were her best friends once upon a time and implores them to reunite at Camp Birchwood to scatter her ashes. When the three meet at the property for the first time in what feels like a lifetime, another letter from Emily awaits, explaining that she has purchased the abandoned camp, and now it belongs to them – at Emily’s urging, they must spend a week together remembering the dreams they’d put aside, and find a way to become the women they always swore they’d grow up to be. Through flashbacks to their youthful summer, we see the four friends then and now, rebuilding their lives, flipping a middle finger to society’s disdain for aging women, and with a renewed purpose to find themselves again.

Goodreads: https://www.goodreads.com/book/show/55004515-the-clover-girls?ac=1&from_search=true&qid=9d7NvlOb6n&rank=1

THE CLOVER GIRLS

Author: Viola Shipman 

ISBN: 9781525896002

Publication Date:  May 18, 2021

Publisher: Graydon House

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My Book Review

RATING: 5 out of 5 Stars

THE CLOVER GIRLS by Viola Shipman (Wade Rouse) is an emotionally charged inspirational women’s fiction standalone by an author who has become a must read for me. I also must have a box of tissues by my side as I do.

Elizabeth “Liz”, Veronica “V”, Rachel “Rach” and Emily “Em” meet at Camp Birchwood for four summers starting in 1985 where they become known as The Clover Girls. So different and yet inseparable until the last summer when deception drives them apart.

Liz, V and Rach each receive a devastating letter from Emily asking them to reunite at the now closed Camp Birchwood one last time. After marriages, divorce, children, grandchildren and careers, Emily is asking them to revisit their dreams and repair their friendships.

Maybe not all friendships were meant to last forever.

This story has two timelines that intertwine to tell the story of The Clover Girls in the 1980’s while at summer camp and in the present with their careers and/or families in crisis. The friendship, rivalry and betrayal in the 1980’s timeline set up lasting repercussions that follow all the women into their adult lives, their reunion and search for forgiveness in the present. The author gives the reader believable characters and memories from the 1980’s that are spot on. This story reminds us all that life is fleeting and should never be taken for granted.

I highly recommend this story of friendship and forgiveness!

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Excerpt

Chapter 1

SUMMER 2021

VERONICA

Grocery List

Milk (Oat, coconut, soy)

Fizzy water (cherry, lime, watermelon, mixed berry)

Chips (lentil, quinoa, kale, beet)

Cereal (Kashi, steel-cut oats, NO GMOs! VERY IMPORTANT!)

Whatever happened to one kind of milk from a cow, one kind of water from a faucet and one kind of chip from a potato?

My teenage children are seated on opposite ends of the massive, modern, original Milo Baughman circular sofa that David and I ordered for our new midcentury house in Los Angeles. Ashley and Tyler are juggling drinks while pecking at their cells, and it takes every fiber of my soul not to come unglued. This is the most expensive piece of furniture I have ever purchased in my life. More expensive even than my first two years of college tuition plus my first car, a red Reliant K-car that would stall at stoplights.

I still don’t know what the K stood for, I think. Krappy?

That was a time, long ago, when that type of negative thought would never have entered my mind, when the K would have stood only for Konfident, Kool or Kick-Ass. But that was a different world, another time, another life and place.

Another me.

Another V.

I steady my pen at the top of a pad of paper emblazoned with the logo of my husband’s architectural firm, David Berzini & Associates.

Los Angeles is the latest stop for us. My family has hopscotched the world more than a military brat as David’s architectural career has exploded. He is now one of the world’s preeminent architects. David studied under and worked with some of the most famous midcentury modern architects—Albert Frey, William Krisel, Donald Wexler—and has now taken over their mantles, especially as the appreciation for and popularity of midcentury modern architecture has grown. Now he is working on a stunning new public library in LA that will be his legacy.

I glance up from my pad. A selection of magazines—Architectural Digest, Vogue, W—are artfully strewn across a brutalist coffee table. The beautiful models stare back at me.

That was my legacy.

“Mom, can I get something to eat?” 

This is now my legacy.

I glance at my children. Everything old has come back en vogue. Ashley is wearing the same sort of high-waisted jeans that I once wore and modeled in the ’80s, and Tyler’s hair—razored high by a barber and slicked back into a big black pompadour—looks a lot like a style I sported for a Robert Palmer video when every woman wanted to look like a Nagel woman.

Yes, everything has made a comeback.

Except me.

I look at my list.

And carbs.

My kids, like my husband, have never met a Pop-Tart, a box of Cap’n Crunch, a Jeno’s Pizza Roll or a Ding Dong. My entire family resembles long-limbed ponies, ready to race. I grew up when the foundation of a food pyramid was a Twinkie.

I again put pen to paper, and in my own secret code I write the letter L above the first letter of my husband’s name. If someone happened to glance at the paper, they would simply think I had been doodling. But I know what “LD” means, and it will remind me once I get to the store.

Little Debbies.

You know, I actually hide these around our new home, which isn’t easy since the entire space is so sleek and minimal, and hiding space is at a premium. It took a lot of effort, but I, too, used to be as sleek and minimal as this house, as angular and arresting as its architecture. Anything out of place in our butterfly-roofed home located in the Bird Streets high above Sunset Strip—where the streets are named after orioles and nightingales, and Hollywood stars reside—is conspicuous. 

Even now, on yet another perfect day in LA, where the sunshine makes everything look lazily beautiful and dipped in glitter, I can see a layer of dust on the terrazzo floors. Although a maid comes twice a week, the dust, smog and ash from nonstop fires in LA—carried by hot, dry Santa Ana winds—coat everything. And David notices everything.

Swiffers, I write on the pad, before outlining “LD” with my pen.

David hates that I have gained weight. He is embarrassed I have gained weight.

Or is just my imagination? Am I the one who is embarrassed by who I’ve become?

David never says anything to me, but he attends more and more galas alone, saying I need to watch the kids even though they no longer need a babysitter and that it’s better for their stability if one parent is with them. But I know the truth.

What did he expect would happen to my body after two children and endless moves? What did he expect would happen after losing my career, identity and self-esteem? It’s so ironic, because I’m not angry at him or my life. I’m just…

“Why don’t you just put all of that in the notes on your phone?”

“Or just ask the refrigerator to remember?”

“Yeah, Mom,” my kids say at the same time.

I look over at them. They have my beauty and David’s drive. Ash and Ty lift their eyes from their phones just long enough to roll their eyes at me, in that way that teens do, the way teens always have, in that there-couldn’t-be-a-more-lame-uncool-human-in-the-world-than-you-Mom way. And it’s always followed by “the sigh.”

“I like to do it this way,” I say. 

“NO ONE writes anything anymore,” Ashley says.

“NO ONE, Mom!” Tyler echoes.

“Cursive is dead, Mom,” Ashley says. “Get with the times.”

I stare at my children. They are often the sweetest kids in the world, but every so often their evil twins emerge, the ones with forked tongues and acerbic words.

Did they get that from me? Or their father? Or is it just the way kids are today?

The sun shifts, and the reflection of water from the pool dances on the white walls, making it look as if we are living in an aquarium. I glance down the long hallway where the pool is reflecting, the place David has allowed me to have my only “clutter”: a corridor of old photos, a room of heirlooms.

My life flashes before me: our family in front of the Rockefeller Center Christmas tree in New York at the holidays, eating colorful French macarons at a café in Paris, lying out on Barcelona’s beaches, and fishing with my parents at their summer cottage on Lake Michigan. And then, in the ultimate juxtaposition, there is an old photo of me, teenage me, in a bikini at Lake Birchwood hanging directly next to an old Sports Illustrated cover of me. In it, I am posing by the ocean where I met David. I am crouched on the beach like a tiger ready to pounce. That was my signature pose, you know, the one I invented that all the other models stole, the Tiger Pose.

I was one of the one-name girls back then: Madonna, Iman, Cher, V. All I needed was a single letter to identify myself. Now V has Vanished. I have one name.

“Mom!”

“Lunch. Please!”

My eyes wander back to our pool. I would be mortified to wear a bikini today. I am not what most people would deem overweight. But I have a paunch, my thighs are jellied and my chin is starting to have a best friend. It was that photo in all of the gossip magazines a year or so ago that did it to me. Paparazzi shot me downing an ice cream cone while putting gas in my car. I had shuttled the kids around all day in 110-degree heat, and I was wearing a billowy caftan. I looked bigger than my SUV. And the headlines:

Voluminous!

V has Vanished Inside This Woman!

If you saw me in person, you’d likely say I’m a narcissist or being way too hard on myself, but it’s as hard to hide fifteen pounds in LA as it is to hide an extra throw pillow in this house. I get Botox and fillers and do all the things I can to maintain my looks, but I am terrified to go to the gym here. I am mortified to look for a dress in a city where a size two is considered obese. The gossip rags are just waiting for me to move.

My eyes wander back to the photos.

I no longer have an identity.

I no longer have friends.

“Earth to Mom? Can you make me some lunch?” Tyler looks at me. “Then I need to go to Justin’s.”

“And you have to drive me to Lily’s at four, remember?”

I shudder. A two-mile drive in LA takes two hours.

“Mom?”

Ashley looks at me.

There is a way that your children and husband look at you—or rather don’t look at you at a certain point in your life—not to mention kids in the street, young women shopping, men in restaurants, David’s colleagues, happy families in the grocery. 

They look through you. Like you’re a window.

It’s as if women over forty were never young, smart, fashionable, cool…were never like them, never had hopes, dreams and acres of life ahead of them.

What is with American society today?

Why, when women reach a “certain age,” do we become ghosts? Strike that. That’s not an accurate analogy: that would imply that we actually invoke a mood, a scare, a feeling of some sort. That we have a personality. I could once hold up a bag of potato chips, eat one, lick my fingers and sell a million bags of junk food for a company. Now I’m not even memorable enough to be a ghost. This model has become a prop. A piece of furniture. Not like the stylish one my kids are stretched out on, but the reliable, sturdy, ever-present, department store kind, devoid of any depth or substance, one without feeling, attractiveness or sexuality. I am just here. Like the air. Necessary to survive, but something no one sees or notices.

I used to be noticed. I used to be seen. Desired. Admired. Wanted.

I was the ringleader of friends, the one who called the shots. Now, I am Uber driver, Shipt delivery, human Roomba and in-home Grubhub, products I once would have sold rather than used.

I take a deep breath and note a few more grocery items on my antiquated written list and stand to make my kids lunch.

They are teen health nuts, already obsessed with every bite they consume. Does it have GMOs? What is the protein-to-carb differential?

Did I do this to them? I don’t think so.

Even as a model, I ate pizza, but that’s back in the day when a curve was sexy and a bikini needed to be filled out. I pull out some spicy tuna sushi rolls I picked up at Gelson’s and arrange them on a platter. I wash and chop some berries and place them in a bowl. I watch my kids fill their plates. Ashley is a cheerleader and wannabe actress, and Tyler is a skateboarding, creative techy applying to UCLA to study film and directing. Ashley wants to go to Northwestern to major in drama. They will both be going to specialty camps later this summer, Ashley for cheerleading and acting, Tyler for filmmaking and to boost his SAT scores. My eyes drift back to my photo wall, and I smile. They will not, however, spend their days simply having fun, singing camp songs, engaging in color wars, shooting archery, splashing in a cold lake, roasting marshmallows and making friends. A kid’s life today, especially here in LA, is a competition, and the competition starts early.

There is a rustling noise outside, and Ashley tosses her plate onto the sofa and rushes to the door. In LA, even the postal workers are hot, literally and figuratively, and our mailman looks like Zac Efron. She returns a few seconds later, fanning herself dramatically with the mail.

“You’re going to be a great actress,” I say with a laugh. Ashley starts to toss the mail onto the counter, but I stop her. “Leave the mail in the organizer for your dad.”

Yes, even the mail has its own home in our home.

“Hey, you got a letter,” she says.

“Who writes letters anymore?” Tyler asks.

“Old people,” Ashley says. The two laugh.

I take a seat at the original Saarinen tulip table and study the envelope. There is no return address. I feel the envelope. It’s bulky. I open it and begin to read a handwritten letter: 

Dear V:

How are you? I’m sorry it’s been a while since we’ve talked. You’ve been busy, I’ve been busy. Remember when we were just a bunk away? We could lean our heads over the side and share our darkest secrets. Those were the good ol’ days, weren’t they? When we were innocent. When we were as tight as the clover that grew together in the patch that wound to the lake.

How long has it been since you talked to Rach and Liz? Over 30 years? I guess that first four-leaf clover I found wasn’t so lucky after all, was it? Oh, you and Rach have had such success, but are you happy, V? Deep down? Achingly happy? I don’t believe in my heart that you are. I don’t think Rach and Liz are either. How do I know? Friend’s intuition.

I used to hate myself for telling everyone what happened our last summer together. It was like dominoes falling after that, one secret after the next revealed, the facade of our friendship ripped apart, just like tearing the fourth leaf off that clover I still have pressed in my scrapbook. But I hate secrets. They only tear us apart. Keep us from becoming who we need to become. The dark keeps things from growing. The light is what creates the clover.

Out the cabin door went all of our luck, and then—leaf by leaf—our faith in each other, followed by any hope we might have had in our friendship and, finally, any love that remained was replaced by hatred, then a dull ache, and then nothing at all. That’s the worst thing, isn’t it, V? To feel nothing at all?

Much of my life has been filled with regret, and that’s just an awful way to live. I’m trying to make amends for that before it’s too late. I’m trying to be the friend I should have been. I was once the glue that held us all together. Then I was scissors that tore us all apart. Aren’t friends supposed to be there for one another, no matter what? You weren’t just beautiful, V, you were confident, so funny and full of life. More than anything, you radiated light, like the lake at sunset. And that’s how I will always remember you.

I’ve sent similar letters to Rach and Liz. I stayed in touch with Liz…and Rach…well, you know Rach. For some reason, you all forgave me, but not each other. I guess because I was just an innocent bystander to all the hurt. My only remaining hope is that you will all forgive one another at some point, because you changed my life and you changed each other’s lives. And I know that you all need one another now more than ever. We found each other for a reason. We need to find each other again.

Let me get to the point, dear V. Just picture me leaning my head over the bunk and telling you my deepest secret.

By the time you receive this, I’ll be dead…

My hand begins to shake, which releases the contents still remaining in the envelope. A pressed four-leaf clover and a few old Polaroid pictures scatter onto the tabletop. Without warning, I groan.

“Are you okay, Mom?” Tyler asks without looking back.

“Who’s that from?” Ashley asks, still staring at her phone.

“A friend,” I manage to mumble.

“Cool,” Ashley says. “You need friends. You don’t have any except for that one girl from camp.” She stops. “Emily, right?”

The photos lying on the marble tabletop are of the four of us at camp, laughing, singing, holding hands. We are so, so young, and I wonder what happened to the girls we used to be. I stare at a photo of Em and me lying under a camp blanket in the same bunk. That’s when I realize the photo is sitting on top of something. I move the picture and smile. 

A friendship pin stares at me, E-V-E-R shining in a sea of green beads.

I look up, and water is reflecting through the clerestory windows of our home, and suddenly every one of those little openings is like a scrapbook to my life, and I can see it flash—at camp and after—in front of me in bursts of light.

Why did I betray my friends?

Why did I give up my identity so easily?

Why am I richer than I ever dreamed and yet feel so empty and lost?

Oh, Em.

I blink, my eyes blur, and that’s when I realize it’s not the pool reflecting in the windows, it’s my own tears. I’m crying. And I cannot stop.

Suddenly, I stand, throw open the patio doors and jump into the pool, screaming as I sink. I look up, and my children are yelling.

“Mom! Are you okay?”

I wave at them, and their bodies relax.

“I’m fine,” I lie when I come to the surface. “I’m sorry. I didn’t mean to scare you.”

They look at each other and shrug, before heading back inside.

At least, I think, they finally see me.

I take a deep breath and go down once more. Underwater, I can hear my heart drum loudly in my ears. It’s drumming in such perfect rhythm that I know immediately the tune my soul is playing. I can hear it as if it were just yesterday.

Boom, didi, boom, boom… Booooom.


Excerpted from The Clover Girls by Viola Shipman, Copyright © 2021 by Viola Shipman. Published by Graydon House Books.

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Author Bio

Viola Shipman is the pen name for Wade Rouse, a popular, award-winning memoirist. Rouse chose his grandmother’s name, Viola Shipman, to honor the woman whose heirlooms and family stories inspire his writing. Rouse is the author of The Summer Cottage, as well as The Charm Bracelet and The Hope Chest which have been translated into more than a dozen languages and become international bestsellers.

He lives in Saugatuck, Michigan and Palm Springs, California, and has written for PeopleCoastal LivingGood Housekeeping, and Taste of Home, along with other publications, and is a contributor to All Things Considered.

Social Media Links

Author Website: https://www.violashipman.com/

TWITTER: @viola_shipman

FB: @authorviolashipman

Insta: @viola_shipman

Goodreads: https://www.goodreads.com/author/show/14056193.Viola_Shipman

Purchase Links

Harlequin 

Indiebound

Amazon

Barnes & Noble 

Books-A-Million

Target

Walmart

Google

iBooks

Kobo

Book Tour/Feature Post and Book Review: Aftermath by Terri Blackstock

Aftermath

by Terri Blackstock

May 10 – June 4, 2021 Tour

Hi, everyone!

Today I am on the Partners In Crime Virtual Book Tour. I am sharing my Feature Post and Book Review for AFTERMATH by Terri Blackstock.

Below you will find a book description, my book review, an excerpt from the book, the author’s bio and social media links and a Rafflecopter giveaway. Enjoy!

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Book Description

A devastating explosion.

Three best friends are at the venue just to hear their favorite band . . . but only one of them makes it out alive.

A trunk full of planted evidence.

When police stop Dustin with a warrant to search his trunk, he knows it’s just a mistake. He’s former military and owns a security firm. But he’s horrified when they find explosives, and he can’t fathom how they got there.

An attorney who will risk it all for a friend.

Criminal attorney Jamie Powell was Dustin’s best friend growing up. They haven’t spoken since he left for basic training, but she’s the first one he thinks of when he’s arrested. Jamie knows she’s putting her career on the line by defending an accused terrorist, but she’d never abandon him. Someone is framing Dustin to take the fall for shocking acts of violence . . . but why?

Goodreads: https://www.goodreads.com/book/show/54287695-aftermath?ac=1&from_search=true&qid=EFeAeAQdEH&rank=1

Aftermath

Genre:  Christian Suspense
Published by: Thomas Nelson
Publication Date: May 11th 2021
Number of Pages: 320
ISBN: 0310348587 (ISBN13: 9780310348580)
Series: Aftermath is a stand-alone novel

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My Book Review

RATING: 4 out of 5 Stars

AFTERMATH by Terri Blackstock is a standalone Christian romantic suspense with multiple characters that pull you immediately into this fast-paced read.

Taylor Reid and two of her best friends are attending a political rally/rock concert when the stage explodes. Taylor, in fight-or-flight mode, is able to escape, but when she realizes her friends did not, she is immediately filled with not just grief, but also guilt. Taylor already is living with OCD and this tragedy sets her mind spiraling.

Dustin Webb is the co-owner of a security firm with a fellow ex-soldier. He is pulled over and the police on the word of a tipster and find the same type of explosives used in the bombing in his trunk. He is taken into custody and accused while knowing he is innocent. He calls his childhood friend, who is now an attorney for help.

Jamie Powell is shocked when she receives the call for help from her childhood friend. They have not spoken since he left for basic training even though she tried to keep in touch. She is willing to put everything on the line to defend Dustin because she believes in his innocence as they search for the real bombers.

Jamie and Dustin are strong main characters and their reconnection and faith in each other is strong even after years apart. This is a Christian romance with no sex, but strong emotional connections between the couple and their religious faith. Ms. Blackstock was also able to intertwine Taylor’s story and show her devolving and her dangerous ideation yet I always felt empathy for her. The suspense plot eventually led to the real person who set the bombing into motion and was not a surprise which was a little disappointing. It was more of a mystery investigation than there being any actual suspense when you know who did it. There are many serious issues covered, and in my opinion handled well by the author throughout this story such as mental health, cancer, death, grief and forgiveness.

I enjoyed this character driven Christian romantic suspense.

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Excerpt

Aftermath

Chapter One

Taylor Reid’s phone flashed as she snapped the selfie with her two friends, their heads touching and their backs to the stage. The shot from the third row, with the lead singer in the background and the three of them in the foreground, was perfect. No one would believe their seats were so close.

They turned around to face the band, dancing to the beat of the song they’d been listening to in the car on the way to Trudeau Hall.


Taylor quickly posted the pic, typing, “Ed Loran targets nonpoliticals for his rally with band Blue Fire. Worked on us!”

She put her phone on videotape and zoomed onto the stage.

“I don’t want it to end!” Desiree said in her ear.

“Me either!” Taylor yelled over the music.

“Maybe they’ll play again after his speech,” Mara shouted.

The song came to an end, and the crowd went crazy, begging for one more song before the band left the stage.

But an amplified voice filled the auditorium, cutting off the adulation. “Ladies and gentlemen, please welcome the next president of the United States, Ed Loran!”

The crowd sounded less enthusiastic as the band left the stage and Ed Loran, the Libertarian celebrity magnet, made his entrance. Taylor kept cheering and clapping, letting her enthusiasm for the band segue to him.

It happened just as the candidate took the stage. The deafening sound, like some confusing combination of gunshot and lightning bolt, a blast that blacked out the lights and knocked her to the ground. Smoke mushroomed. Screams crescendoed—shrieks of terror, wailing pain, shocking anguish . . . then sudden, gentle silence, as if she were underwater. A loud ringing in her ears filled the void.

She peered under the seats, choking for breath as dimmer lights flickered through the smoke. Even from here, she could see the fallout of whatever had happened. Blood pooling on the ground, people hunkering down as she was, feet running . . . What was happening? An explosion? A crash? She looked around and couldn’t see her friends.

She clawed her way up and looked over the seat. Smoke and fire billowed from the stage into the crowd, and heat wafted over her like some living force invading the room. Muffled, muted sounds competed with the ringing.

Get out! Now! She dropped back down and crawled under two rows of seats until she came to someone limp on the floor. She felt herself scream but couldn’t hear her own voice. Scrambling to her feet, she went to her left to get to the aisle, but her foot slipped on something wet. She grabbed the seat next to her to steady herself, then launched into the frantic crowd in the aisle. The room seemed to spin, people whizzing by, people under her, people above her, people broken and ripped and still . . . She stepped and fell, crawled and ran, tripped and kicked her way to the bottlenecked doorway, then fought her way through it.

The ringing in her ears faded as she tumbled downstairs, almost falling into the lobby below. The sound of crying, coughing, wretching, and the roaring sound of pounding feet turned up as if some divine finger had fiddled with the volume.

She set her sights on the glass doors to the outside and pushed forward, moving through people and past the security stations they’d stopped at on the way in. She made it to the door and burst out into the sunlight.

Fresh, cool air hit her like freedom, but at first her lungs rejected it like some poison meant to stop her. At the bottom of the steps, on the sidewalk, she bent over and coughed until she could breathe.

After a moment, the crowd pushed her along toward the parking garage until she remembered that her car wasn’t there. She had parked on the street, blocks away. She forced her way out of the flow of people and ran a block south. Where was it?

She turned the corner. Her car was here, on this block. Near the Atlanta Trust Bank. Wasn’t it? Or was it the next block?

Sweat slicked her skin until she found her silver Accord. There!

She ran to it and pulled her keys out of her pocket, wishing she hadn’t lost the key fob. Her hands trembled as she stuck the key into the passenger side lock and got the door open. She slipped inside on the driver’s side, locked it behind her. Instinctively, she slid down, her head hidden as if someone were coming after her.

What just happened?

One minute they’d been taking selfies and videotaping the band, and the next they were on the floor . . .

Where were Mara and Desiree? She hadn’t even looked for them! Should she go back for them?

No, that would be insane. She could smell the smoke and fire from here. They would know to come to the car when they got out.

Call the police!

She tried to steady her hands as she swiped her phone on.

“911, what is your—”

“An explosion!” she cut in, her voice hoarse. “At the Ed Loran rally at Trudeau Hall!”

“Where are you now?” the woman asked in a voice that was robotically calm.

“I got out. There’s fire . . . People are still in there. Please send ambulances!”

“Ma’am, did you see what exploded?”

“No . . . the stage area, I think. I don’t know where my friends are. Please . . . hurry!”

“We’ve already dispatched the fire department and police, ma’am.”

She heard sirens from a few blocks away and cut off the call. She raised up, looking over the dashboard for the flashing lights. She couldn’t see any, but the sirens grew louder.

She knelt on the floorboard, her knees on her floormat and her elbows on her seat, and texted Desiree.

I’m at the car. Where are you?

No answer. She switched to a recent thread with Mara and texted again.

Got out. At car waiting. Where are you?

Nothing.

She dictated a group text to both of them.

Are you all right?

They were probably running or deaf, fighting their way out like she had. She tried calling them, but Mara’s phone rang to voicemail. When Desiree’s phone did the same, she yelled, “Call me! I’m waiting at the car and I’m scared. Where are you?” She was sobbing when she ended the call.

***

Author Bio

Terri Blackstock has sold over seven million books worldwide and is a New York Times and USA Today bestselling author. She has had over twenty-five years of success as a novelist. She’s the author of If I RunIf I’m Found, and If I Live, as well as such series as Cape Refuge, Newpointe 911, Moonlighters, and the Restoration series.

Social Media Links

www.TerriBlackstock.com
Goodreads
BookBub
Instagram – #terriblackstock
Twitter – #terriblackstock
Facebook – @tblackstock

Purchase Links

Amazon  

Barnes & Noble  

Christianbook  

Goodreads

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Blog Tour/Feature Post and Book Review: Local Woman Missing by Mary Kubica

Hi, everyone!

Today I am once again posting on the Harlequin Trade Publishing Mystery/Thriller Summer 2021 Blog Tour. I am sharing my Feature Post and Book Review for LOCAL WOMAN MISSING by Mary Kubica.

Below you will find an about the book section, my book review, an excerpt from the book, an about the author section and the author’s social media links. Enjoy!

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About the Book

People don’t just disappear without a trace…

Shelby Tebow is the first to go missing. Not long after, Meredith Dickey and her six-year-old daughter, Delilah, vanish just blocks away from where Shelby was last seen, striking fear into their once-peaceful community. Are these incidents connected? After an elusive search that yields more questions than answers, the case eventually goes cold.

Now, eleven years later, Delilah shockingly returns. Everyone wants to know what happened to her, but no one is prepared for what they’ll find…
In this smart and chilling thriller, master of suspense and New York Times bestselling author Mary Kubica takes domestic secrets to a whole new level, showing that some people will stop at nothing to keep the truth buried.

Goodreads: https://www.goodreads.com/book/show/54737068-local-woman-missing?ac=1&from_search=true&qid=NwGoTuK5c0&rank=1

Local Woman Missing

Mary Kubica

On Sale Date: May 18, 2021

9780778389446, 0778389448

Fiction / Thrillers / Psychological

352 pages

***

My Book Review

RATING: 3 out of 5 Stars

LOCAL WOMAN MISSING by Mary Kubica is a standalone domestic thriller/mystery that for me read more as a mystery than domestic thriller. The story is told by various characters in two interwoven timelines which are eleven years apart.

Eleven years ago a new mother, Shelby Tebow disappears while on a night time jog. Soon after a mother, Meredith Dickey and her six-year-old daughter, Delilah also disappear without a trace.

Now, eleven years later, Delilah returns with everyone trying to find out what happened to her. What is discovered will have repercussions in families throughout the neighborhood.

This story ends up for me being a satisfying mystery story, but I never felt it was what I would call a domestic thriller. The beginning, while intriguing also became more confusing as characters were added and I had to keep checking which timeline I was in until about a third of the way into the book. I liked the mystery and would have liked a few red herrings or clues throughout instead of the sudden resolution out of the blue. Delilah’s story I assume was added for the thriller quality, but it just never was believable to me.

I am in the minority with my opinion and others have loved this book. Ms. Kubica has several other books, but this one was just an OK read for me.

***

Excerpt

MEREDITH

11 YEARS BEFORE

March

The text comes from a number I don’t know. It’s a 630 area code. Local. I’m in the bathroom with Leo as he soaks in the tub. He has his bath toys lined up on the edge of it and they’re taking turns swan diving into the now-lukewarm water. It used to be hot, too hot for Leo to get into. But he’s been in there for thirty minutes now playing with his octopus, his whale, his fish. He’s having a ball.

Meanwhile I’ve lost track of time. I have a client in the early stages of labor. We’re texting. Her husband wants to take her to the hospital. She thinks it’s too soon. Her contractions are six and a half minutes apart. She’s absolutely correct. It’s too soon. The hospital would just send her home, which is frustrating, not to mention a huge inconvenience for women in labor. And anyway, why labor at the hospital when you can labor in the comfort of your own home? First-time fathers always get skittish. It does their wives no good. By the time I get to them, more times than not, the woman in labor is the more calm of the two. I have to focus my attention on pacifying a nervous husband. It’s not what they’re paying me for. 

I tell Leo one more minute until I shampoo his hair, and then fire off a quick text, suggesting my client have a snack to keep her energy up, herself nourished. I recommend a nap, if her body will let her. The night ahead will be long for all of us. Childbirth, especially when it comes to first-time moms, is a marathon, not a sprint. 

Josh is home. He’s in the kitchen cleaning up from dinner while Delilah plays. Delilah’s due up next in the tub. By the time I leave, the bedtime ritual will be done or nearly done. I feel good about that, hating the times I leave Josh alone with so much to do. 

I draw up my text and then hit Send. The reply is immediate, that all too familiar ping that comes to me at all hours of the day or night. 

I glance down at the phone in my hand, expecting it’s my client with some conditioned reply. Thx. 

Instead: I know what you did. I hope you die. 

Beside the text is a picture of a grayish skull with large, black eye sockets and teeth. The symbol of death. 

My muscles tense. My heart quickens. I feel thrown off. The small bathroom feels suddenly, overwhelmingly, oppressive. It’s steamy, moist, hot. I drop down to the toilet and have a seat on the lid. My pulse is loud, audible in my own ears. I stare at the words before me, wondering if I’ve misread. Certainly I’ve misread. Leo is asking, “Is it a minute, Mommy?” I hear his little voice, muff led by the ringing in my ears. But I’m so thrown by the cutthroat text that I can’t speak. 

I glance at the phone again. I haven’t misread. 

The text is not from my client in labor. It’s not from any client of mine whose name and number is stored in my phone. As far as I can tell, it’s not from anyone I know.

A wrong number, then, I think. Someone sent this to me by accident. It has to be. My first thought is to delete it, to pretend this never happened. To make it disappear. Out of sight, out of mind. 

But then I think of whoever sent it just sending it again or sending something worse. I can’t imagine anything worse. 

I decide to reply. I’m careful to keep it to the point, to not sound too judgy or fault-finding because maybe the intended recipient really did do something awful—stole money from a children’s cancer charity—and the text isn’t as egregious as it looks at first glance. 

I text: You have the wrong number. 

The response is quick. 

I hope you rot in hell, Meredith. 

The phone slips from my hand. I yelp. The phone lands on the navy blue bath mat, which absorbs the sound of its fall. 

Meredith. 

Whoever is sending these texts knows my name. The texts are meant for me. 

A second later Josh knocks on the bathroom door. I spring from the toilet seat, and stretch down for the phone. The phone has fallen facedown. I turn it over. The text is still there on the screen, staring back at me. 

Josh doesn’t wait to be let in. He opens the door and steps right inside. I slide the phone into the back pocket of my jeans before Josh has a chance to see. 

“Hey,” he says, “how about you save some water for the fish.” 

Leo complains to Josh that he is cold. “Well, let’s get you out of the bath,” Josh says, stretching down to help him out of the water. 

“I need to wash him still,” I admit. Before me, Leo’s teeth chatter. There are goose bumps on his arm that I hadn’t noticed before. He is cold, and I feel suddenly guilty, though it’s mired in confusion and fear. I hadn’t been paying any attention to Leo. There is bathwater spilled all over the floor, but his hair is still bone-dry. 

“You haven’t washed him?” Josh asks, and I know what he’s thinking: that in the time it took him to clear the kitchen table, wash pots and pans and wipe down the sinks, I did nothing. He isn’t angry or accusatory about it. Josh isn’t the type to get angry. 

“I have a client in labor,” I say by means of explanation. “She keeps texting,” I say, telling Josh that I was just about to wash Leo. I drop to my knees beside the tub. I reach for the shampoo. In the back pocket of my jeans, the phone again pings. This time, I ignore it. I don’t want Josh to know what’s happening, not until I get a handle on it for myself. 

Josh asks, “Aren’t you going to get that?” I say that it can wait. I focus on Leo, on scrubbing the shampoo onto his hair, but I’m anxious. I move too fast so that the shampoo suds get in his eye. I see it happening, but all I can think to do is wipe it from his forehead with my own soapy hands. It doesn’t help. It makes it worse. 

Leo complains. Leo isn’t much of a complainer. He’s an easygoing kid. “Ow,” is all that he says, his tiny wet hands going to his eyes, though shampoo in the eye burns like hell. 

“Does that sting, baby?” I ask, feeling contrite. But I’m bursting with nervous energy. There’s only one thought racing through my mind. I hope you rot in hell, Meredith. 

Who would have sent that, and why? Whoever it is knows me. They know my name. They’re mad at me for something I’ve done. Mad enough to wish me dead. I don’t know anyone like that. I can’t think of anything I’ve done to upset someone enough that they’d want me dead.

I grab the wet washcloth draped over the edge of the tub. I try handing it to Leo, so that he can press it to his own eyes. But my hands shake as I do. I wind up dropping the washcloth into the bath. The tepid water rises up and splashes him in the eyes. This time he cries. 

“Oh, buddy,” I say, “I’m so sorry, it slipped.” 

But as I try again to grab it from the water and hand it to him, I drop the washcloth for a second time. I leave it where it is, letting Leo fish it out of the water and wipe his eyes for himself. Meanwhile Josh stands two feet behind, watching. 

My phone pings again. Josh says, “Someone is really dying to talk to you.” 

Dying. It’s all that I hear. 

My back is to Josh, thank God. He can’t see the look on my face when he says it. 

“What’s that?” I ask. 

“Your client,” Josh says. I turn to him. He motions to my phone jutting out of my back pocket. “She really needs you. You should take it, Mer,” he says softly, accommodatingly, and only then do I think about my client in labor and feel guilty. What if it is her? What if her contractions are coming more quickly now and she does need me? 

Josh says, “I can finish up with Leo while you get ready to go,” and I acquiesce, because I need to get out of here. I need to know if the texts coming to my phone are from my client or if they’re coming from someone else. 

I rise up from the floor. I scoot past Josh in the door, brushing against him. His hand closes around my upper arm as I do, and he draws me in for a hug. “Everything okay?” he asks, and I say yes, fine, sounding too chipper even to my own ears. Everything is not okay. 

“I’m just thinking about my client,” I say. “She’s had a stillbirth before, at thirty-two weeks. She never thought she’d get this far. Can you imagine that? Losing a baby at thirty-two weeks?”

Josh says no. His eyes move to Leo and he looks saddened by it. I feel guilty for the lie. It’s not this client but another who lost a baby at thirty-two weeks. When she told me about it, I was completely torn up. It took everything in me not to cry as she described for me the moment the doctor told her her baby didn’t have a heartbeat. Labor was later induced, and she had to push her dead baby out with only her mother by her side. Her husband was deployed at the time. After, she was snowed under by guilt. Was it her fault the baby died? A thousand times I held her hand and told her no. I’m not sure she ever believed me. 

My lie has the desired effect. Josh stands down, and asks if I need help with anything before I leave. I say no, that I’m just going to change my clothes and go. 

I step out of the bathroom. In the bedroom, I close the door. I grab my scrub bottoms and a long-sleeved T-shirt from my drawer. I lay them on the bed, but before I get dressed, I pull my phone out of my pocket. I take a deep breath and hold it in, summoning the courage to look. I wonder what waits there. More nasty threats? My heart hammers inside me. My knees shake. 

I take a look. There are two messages waiting for me. 

The first: Water broke. Contractions 5 min apart. 

And then: Heading to hospital.—M. 

I release my pent-up breath. The texts are from my client’s husband, sent from her phone. My legs nearly give in relief, and I drop down to the edge of the bed, forcing myself to breathe. I inhale long and deep. I hold it in until my lungs become uncomfortable. When I breathe out, I try and force away the tension. 

But I can’t sit long because my client is advancing quickly. I need to go.

Excerpted from Local Woman Missing @ 2021 by Mary Kyrychenko, used with permission by Park Row Books.

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About the Author

Mary Kubica is the New York Times and USA Today bestselling author of six novels, including THE GOOD GIRL, PRETTY BABY, DON’T YOU CRY, EVERY LAST LIE, WHEN THE LIGHTS GO OUT, and THE OTHER MRS. A former high school history teacher, Mary holds a Bachelor of Arts degree from Miami University in Oxford, Ohio, in History and American Literature. She lives outside of Chicago with her husband and two children. Her last novel THE OTHER MRS. was an instant New York Times bestseller; is coming soon to Netflix; was a LibraryReads pick for February 2020; praised by the New York Times; and highly recommended by Entertainment Weekly, People, The Week, Marie Claire, Bustle, HelloGiggles, Goodreads, PopSugar, BookRiot, HuffingtonPost, First for Women, Woman’s World, and more. Mary’s novels have been translated into over thirty languages and have sold over two million copies worldwide. She’s been described as “a helluva storyteller,” (Kirkus Reviews) and “a writer of vice-like control,” (Chicago Tribune), and her novels have been praised as “hypnotic” (People) and “thrilling and illuminating” (Los Angeles Times).  LOCAL WOMAN MISSING is her seventh novel. 

Social Media Links

Website: https://marykubica.com/ 

Facebook: https://www.facebook.com/MaryKubicaAuthor

Twitter: https://twitter.com/MaryKubica 

Instagram: https://www.instagram.com/marykubica 

Goodreads: https://www.goodreads.com/author/show/7392948.Mary_Kubica 

Purchase Links

Amazon: https://www.amazon.com/Local-Woman-Missing-Mary-Kubica/dp/0778389448/ 

Barnes & Noble: https://www.barnesandnoble.com/w/local-woman-missing-mary-kubica/1137387568  

Bookshop: https://bookshop.org/books/local-woman-missing/9780778389446 

IndieBound: https://www.indiebound.org/book/9780778389446 

Libro.fm: https://libro.fm/audiobooks/9781488211690-local-woman-missing 

Books-A-Million: https://www.booksamillion.com/p/Local-Woman-Missing/Mary-Kubica/9780778389446?id=8051055467945# 

Target: https://www.target.com/p/local-woman-missing-by-mary-kubica-hardcover/-/A-81225904 

Walmart: https://www.walmart.com/ip/Local-Woman-Missing-Original-ed-Hardcover-9780778389446/700252600 

Indigo: https://www.chapters.indigo.ca/en-ca/books/local-woman-missing-a-novel/9780778389446-item.html 

Kobo: https://www.kobo.com/us/en/ebook/local-woman-missing 

AppleBooks: https://books.apple.com/us/book/local-woman-missing/id1524947457 Google Play: https://www.google.com/books/edition/Local_Woman_Missing/sKazzQEACAAJ?hl=en

Blog Tour/Feature Post and Book Review: The Summer Seekers by Sarah Morgan

Hi, everyone!

Today I am posting on the Harlequin Trade Publishing Beach Reads Summer 2021 Blog Tour. I am excited to be sharing my Feature Post and Book Review for THE SUMMER SEEKERS by Sarah Morgan.

Below you will find a book summary, my book review, an excerpt from the the book and the author’s bio and social media links. Enjoy!

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Book Summary

Get swept into a summer of sunshine, soul-searching and shameless matchmaking with this delightfully bighearted road-trip adventure by USA TODAY bestselling author Sarah Morgan!

Kathleen is eighty years old. After she has a run-in with an intruder, her daughter wants her to move into a residential home. But she’s not having any of it. What she craves—what she needs—is adventure.

Liza is drowning in the daily stress of family life. The last thing she needs is her mother jetting off on a wild holiday, making Liza long for a solo summer of her own.

Martha is having a quarter-life crisis. Unemployed, unloved and uninspired, she just can’t get her life together. But she knows something has to change.

When Martha sees Kathleen’s advertisement for a driver and companion to share an epic road trip across America with, she decides this job might be the answer to her prayers. She’s not the world’s best driver, but anything has to be better than living with her parents. And traveling with a stranger? No problem. Anyway, how much trouble can one eighty-year-old woman be?

As these women embark on the journey of a lifetime, they all discover it’s never too late to start over…

Goodreads: https://www.goodreads.com/book/show/54620162-the-summer-seekers?ac=1&from_search=true&qid=DkHX3B7ZmJ&rank=1

THE SUMMER SEEKERS

Author: Sarah Morgan

ISBN: 9781335180926

Publication Date: 5/18/2021

Publisher: HQN Books

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My Book Review

RATING: 5 out of 5 Stars

THE SUMMER SEEKERS by Sarah Morgan is an epic road trip of discovery all wrapped up in this women’s fiction novel for the summer. The adventure, heartbreak, joy and love intertwines between these three protagonists in Ms. Morgan’s enchanting story.

Kathleen is eighty years old and wants one more grand adventure. The original “Summer Seeker” knows she will need help with her planned journey across America on the original Route 66.

Martha is twenty-five, unemployed and living at home with her parents who continually compare her to her successful sister. She is ready for a change and what could be more of a change than crossing the ocean for a road trip driving and being the companion of an octogenarian.

Liza is Kathleen’s daughter and have a personal crisis of her own. Having believed she would be a better wife and mother than her own, she discovers she has become unappreciated and taken for granted. She decides to take her mother’s advice and begin to put herself first.

These three women embark on journeys that will make them all realize it is never too late to start over.

I loved this book so much! The three women, in the three main stages of life are unhappy and this book takes them on a beautiful emotional and enlightening journey of self-discovery. This is a character driven story with a great road trip that is the perfect summer get away read.

I highly recommend The Summer Seekers!

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Excerpt

1

Kathleen

It was the cup of milk that saved her. That and the salty bacon she’d fried for her supper many hours earlier, which had left her mouth dry.

If she hadn’t been thirsty—if she’d still been upstairs, sleeping on the ridiculously expensive mattress that had been her eightieth birthday gift to herself—she wouldn’t have been alerted to danger.

As it was, she’d been standing in front of the fridge, the milk carton in one hand and the cup in the other, when she’d heard a loud thump. The noise was out of place here in the leafy darkness of the English countryside, where the only sounds should have been the hoot of an owl and the occasional bleat of a sheep.

She put the glass down and turned her head, trying to locate the sound. The back door. Had she forgotten to lock it again?

The moon sent a ghostly gleam across the kitchen and she was grateful she hadn’t felt the need to turn the light on. That gave her some advantage, surely?

She put the milk back and closed the fridge door quietly, sure now that she was not alone in the house.

Moments earlier she’d been asleep. Not deeply asleep—that rarely happened these days—but drifting along on a tide of dreams. If someone had told her younger self that she’d still be dreaming and enjoying her adventures when she was eighty she would have been less afraid of aging. And it was impossible to forget that she was aging.

People said she was wonderful for her age, but most of the time she didn’t feel wonderful. The answers to her beloved crosswords floated just out of range. Names and faces refused to align at the right moment. She struggled to remember what she’d done the day before, although if she took herself back twenty years or more her mind was clear. And then there were the physical changes—her eyesight and hearing were still good, thankfully, but her joints hurt and her bones ached. Bending to feed the cat was a challenge. Climbing the stairs required more effort than she would have liked and was always undertaken with one hand on the rail just in case.

She’d never been the sort to live in a just in case sort of way.

Her daughter, Liza, wanted her to wear an alarm. One of those medical alert systems, with a button you could press in an emergency, but Kathleen refused. In her youth she’d traveled the world, before it was remotely fashionable to do so. She’d sacrificed safety for adventure without a second thought. Most days now she felt like a different person.

Losing friends didn’t help. One by one they fell by the wayside, taking with them shared memories of the past. A small part of her vanished with each loss. It had taken decades for her to understand that loneliness wasn’t a lack of people in your life, but a lack of people who knew and understood you.

She fought fiercely to retain some version of her old self—which was why she’d resisted Liza’s pleas that she remove the rug from the living room floor, stop using a step ladder to retrieve books from the highest shelves and leave a light on at night. Each compromise was another layer shaved from her independence, and losing her independence was her biggest fear.

Kathleen had always been the rebel in the family, and she was still the rebel—although she wasn’t sure that rebels were supposed to have shaking hands and a pounding heart.

She heard the sound of heavy footsteps. Someone was searching the house. For what, exactly? What treasures did they hope to find? And why weren’t they trying to at least disguise their presence?

Having resolutely ignored all suggestions that she might be vulnerable, she was now forced to acknowledge the possibility. Perhaps she shouldn’t have been so stubborn. How long would it have taken from pressing the alert button to the cavalry arriving?

In reality, the cavalry was Finn Cool, who lived three fields away. Finn was a musician, and he’d bought the property precisely because there were no immediate neighbors. His antics caused mutterings in the village. He had rowdy parties late into the night, attended by glamorous people from London who terrorized the locals by driving their flashy sports cars too fast down the narrow lanes. Someone had started a petition in the post office to ban the parties. There had been talk of drugs, and half-naked women, and it had all sounded like so much fun that Kathleen had been tempted to invite herself over. Rather that than a dull women’s group, where you were expected to bake and knit and swap recipes for banana bread.

Finn would be of no use to her in this moment of crisis. In all probability he’d either be in his studio, wearing headphones, or he’d be drunk. Either way, he wasn’t going to hear a cry for help.

Calling the police would mean walking through the kitchen and across the hall to the living room, where the phone was kept and she didn’t want to reveal her presence. Her family had bought her a mobile phone, but it was still in its box, unused. Her adventurous spirit didn’t extend to technology. She didn’t like the idea of a nameless faceless person tracking her every move.

There was another thump, louder this time, and Kathleen pressed her hand to her chest. She could feel the rapid pounding of her heart. At least it was still working. She should probably be grateful for that.

When she’d complained about wanting a little more adventure, this wasn’t what she’d had in mind. What could she do? She had no button to press, no phone with which to call for help, so she was going to have to handle this herself.

She could already hear Liza’s voice in her head: Mum, I warned you!

If she survived, she’d never hear the last of it.

Fear was replaced by anger. Because of this intruder she’d be branded Old and Vulnerable and forced to spend the rest of her days in a single room with minders who would cut up her food, speak in overly loud voices and help her to the bathroom. Life as she knew it would be over.

That was not going to happen.

She’d rather die at the hands of an intruder. At least her obituary would be interesting.

Better still, she would stay alive and prove herself capable of independent living.

She glanced quickly around the kitchen for a suitable weapon and spied the heavy black skillet she’d used to fry the bacon earlier.

She lifted it silently, gripping the handle tightly as she walked to the door that led from the kitchen to the hall. The tiles were cool under her feet—which, fortunately, were bare. No sound. Nothing to give her away. She had the advantage.

She could do this. Hadn’t she once fought off a mugger in the backstreets of Paris? True, she’d been a great deal younger then, but this time she had the advantage of surprise.

How many of them were there?

More than one would give her trouble.

Was it a professional job? Surely no professional would be this loud and clumsy. If it was kids hoping to steal her TV, they were in for a disappointment. Her grandchildren had been trying to persuade her to buy a “smart” TV, but why would she need such a thing? She was perfectly happy with the IQ of her current machine, thank you very much. Technology already made her feel foolish most of the time. She didn’t need it to be any smarter than it already was.

Perhaps they wouldn’t come into the kitchen. She could stay hidden away until they’d taken what they wanted and left.

They’d never know she was here.

They’d—

A floorboard squeaked close by. There wasn’t a crack or a creak in this house that she didn’t know. Someone was right outside the door.

Her knees turned liquid.

Oh Kathleen, Kathleen.

She closed both hands tightly round the handle of the skillet.

Why hadn’t she gone to self-defense classes instead of senior yoga? What use was the downward dog when what you needed was a guard dog?

A shadow moved into the room, and without allowing herself to think about what she was about to do she lifted the skillet and brought it down hard, the force of the blow driven by the weight of the object as much as her own strength. There was a thud and a vibration as it connected with his head.

“I’m so sorry—I mean—” Why was she apologizing? Ridiculous!

The man threw up an arm as he fell, a reflex action, and the movement sent the skillet back into Kathleen’s own head. Pain almost blinded her and she prepared herself to end her days right here, thus giving her daughter the opportunity to be right, when there was a loud thump and the man crumpled to the floor. There was a crack as his head hit the tiles.

Kathleen froze. Was that it, or was he suddenly going to spring to his feet and murder her?

No. Against all odds, she was still standing while her prowler lay inert at her feet. The smell of alcohol rose, and Kathleen wrinkled her nose.

Drunk.

Her heart was racing so fast she was worried that any moment now it might trip over itself and give up.

She held tightly to the skillet.

Did he have an accomplice?

She held her breath, braced for someone else to come racing through the door to investigate the noise, but there was only silence.

Gingerly she stepped toward the door and poked her head into the hall. It was empty.

It seemed the man had been alone.

Finally she risked a look at him.

He was lying still at her feet, big, bulky and dressed all in black. The mud on the edges of his trousers suggested he’d come across the fields at the back of the house. She couldn’t make out his features because he’d landed face-first, but blood oozed from a wound on his head and darkened her kitchen floor.

Feeling a little dizzy, Kathleen pressed her hand to her throbbing head.

What now? Was one supposed to administer first aid when one was the cause of the injury? Was that helpful or hypocritical? Or was he past first aid and every other type of aid?

She nudged his body with her bare foot, but there was no movement.

Had she killed him?

The enormity of it shook her.

If he was dead, then she was a murderer.

When Liza had expressed a desire to see her mother safely housed somewhere she could easily visit, presumably she hadn’t been thinking of prison.

Who was he? Did he have family? What had been his intention when he’d forcibly entered her home? Kathleen put the skillet down and forced her shaky limbs to carry her to the living room. Something tickled her cheek. Blood. Hers.

She picked up the phone and for the first time in her life dialed the emergency services.

Underneath the panic and the shock there was something that felt a lot like pride. It was a relief to discover she wasn’t as weak and defenseless as everyone seemed to think.

When a woman answered, Kathleen spoke clearly and without hesitation.

“There’s a body in my kitchen,” she said. “I assume you’ll want to come and remove it.” 


Excerpted from The Summer Seekers by Sarah Morgan. Copyright © 2021 by Sarah Morgan. Published by HQN Books.

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Author Bio

USA Today bestselling author Sarah Morgan writes hot, happy, contemporary romance and women’s fiction, and her trademark humor and sensuality have gained her fans across the globe. Described as “a magician with words” by RT Book Reviews, she has sold more than eleven million copies of her books. She was nominated three years in succession for the prestigious RITA® Award from the Romance Writers of America and won the award three times: once in 2012 for Doukakis’s Apprentice, in 2013 for A Night of No Return and in 2017 for Miracle on 5th Avenue. She also won the RT Reviewers’ Choice Award in 2012 and has made numerous appearances in their Top Pick slot.

As a child, Sarah dreamed of being a writer, and although she took a few interesting detours along the way, she is now living that dream. Sarah lives near London, England, with her husband and children, and when she isn’t reading or writing, she loves being outdoors, preferably on vacation so she can forget the house needs tidying.

Social Media Links

Author Website

Twitter: @SarahMorgan_

Facebook: @AuthorSarahMorgan

Instagram: @SarahMorganWrites

Goodreads

BookBub

Purchase Links

Harlequin 

Indiebound

Amazon

Barnes & Noble 

Books-A-Million

Walmart

Google

iBooks

Kobo

Feature Post and Book Review: Kisses and Croissants by Anne-Sophie Jouhanneau

Hi, everyone!

I am very excited to be sharing my Feature Post and Book Review for this enchanting YA fiction book. Normally I do not review YA books, but I love books revolving around the ballet. KISSES AND CROISSANTS by Anne-Sophie Jouhanneau is well worth any readers time.

Below you will find a book description, my book review, an about the author section and the author’s social media links. Enjoy!

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Book Description

Mia Jenrow has always known she’s destined to be a professional ballerina. In fact, it’s in her blood—according to family legend, her too-many-greats-to-count-grandmother once danced for the Paris Opera and was painted by Degas himself! Her parents say it’s just a fantasy, but to Mia it’s so much more than that. It’s her fate.
 
Mia is planning to spend a magical summer in France pursuing her dream, but as she pirouettes into Paris, she soon realizes it may be a bit more complicated than she hoped. For starters, there’s her rival, Audrey, who will stop at nothing to show her up. There’s her ballet instructor, whose impossibly high standards push her to the breaking point. And then . . . there’s Louis. Devastatingly, distractingly charming Louis. He’s eager to show Mia his city—and Mia is more than happy to hop on his Vespa and wrap her arms around him as they pass the gleaming lights of the Eiffel Tower.
 
Mia’s summer was supposed to be about ballet—but there’s a reason Paris is called the City of Love. . . .

Goodreads: https://www.goodreads.com/book/show/51238609-kisses-and-croissants?ac=1&from_search=true&qid=WIfhWILMZc&rank=1

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My Book Review

RATING: 5 out of 5 Stars

KISSES AND CROISSANTS by Anne-Sophie Jouhanneau is an enchanting and heartwarming standalone YA fiction book about a seventeen-year-old American following her dream of becoming a professional ballerina one summer in Paris. I do not usually read and review YA books, but I love books about the ballet and I gave it a chance and I am so happy I did.

Mia has been accepted into the elite summer ballet program in Paris. She has worked single mindedly for this chance to learn and hopefully be asked to addition at the end of this summer for a position in a major ballet program preferably ABT in New York.

Mia has two challenges to her dream, her “nemesis” throughout her career, Audrey, who has always been perfect in her form and her major competition and a cute French boy, Louis, who makes her heart beat wildly for the first time in her life.

It is summer in Paris and Mia has many decisions to make.

I really loved this book! Ms. Jouhanneau brought the city of Paris in summer to vivid life on the pages with descriptions of the food and locations that make you feel like you are right there. She depicts not only the tourist locals, but also secret hidden gems to be discovered all over the city.

I believe Mia is a realistic depiction of a seventeen-year-old following her dream and some of the obstacles or distractions that can appear. While ballerinas seem so professional and composed, we sometimes forget just how young they are and what the demands are on their bodies and emotions and what they give up for their dreams of a professional life in their craft. I enjoyed the growth of Mia and Audrey’s relationship, both personal and professional. The first love interest, Louis was portrayed in a believable way with its ups and downs. The search for Mia’s family ties to the Paris ballet from the time of Degas added an interesting and inspiring subplot to the story.

I highly recommend this story for any reader!

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About the Author

Anne-Sophie Jouhanneau is a bilingual French author of young adult fiction and nonfiction. Her books have been translated into seven languages. Kisses and Croissants (Delacorte Press, 2021) is her U.S. debut. After graduating university in France, she moved to Amsterdam to begin a career in advertising. She then spent a few years in Melbourne before settling in New York City, where she lives with her Australian husband.

Social Media Links

Website: https://www.asjouhanneau.com/

Twitter: https://twitter.com/asjouhanneau

LinkedIn: https://www.linkedin.com/in/asjouhanneau/

Blog Tour/Feature Post and Book Review: Confessions from the Quilting Circle by Maisey Yates

Hi, everyone!

Today I am excited to be on the Harlequin Trade Publishing Women’s Fiction Summer 2021 Blog Tour. I am sharing my Feature Post and Book Review for CONFESSIONS FROM THE QUILTING CIRCLE by Maisey Yates.

Below you will find a book summary, my book review, an excerpt from the book and the author’s bio and social media links. Enjoy!

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Book Summary


The Ashwood women don’t have much in common…except their ability to keep secrets.

When Lark Ashwood’s beloved grandmother dies, she and her sisters discover an unfinished quilt. Finishing it could be the reason Lark’s been looking for to stop running from the past, but is she ever going to be brave enough to share her biggest secret with the people she ought to be closest to?

Hannah can’t believe she’s back in Bear Creek, the tiny town she sacrificed everything to escape from. The plan? Help her sisters renovate her grandmother’s house and leave as fast as humanly possible. Until she comes face-to-face with a man from her past. But getting close to him again might mean confessing what really drove her away…

Stay-at-home mom Avery has built a perfect life, but at a cost. She’ll need all her family around her, and all her strength, to decide if the price of perfection is one she can afford to keep paying.

This summer, the Ashwood women must lean on each other like never before, if they are to stitch their family back together, one truth at a time…

Goodreads: https://www.goodreads.com/book/show/53288470-confessions-from-the-quilting-circle?ac=1&from_search=true&qid=cEdhll3n63&rank=1

CONFESSIONS FROM THE QUILTING CIRCLE

Author: Maisey Yates

ISBN: 9781335775856

Publication Date: 5/4/2021

Publisher: HQN Books

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My Book Review

RATING: 4 out of 5 Stars

CONFESSIONS FROM THE QUILTING CIRCLE by Maisey Yates is a women’s fiction book with romance subplots featuring a mother, her three daughters and the secrets they keep.

When the Ashwood sisters’ beloved grandmother dies, they all return home to Bear Creek, Oregon for the summer. Lark, the youngest finds an unfinished quilt and convinces her mother and sisters to help her finish it.

As they discover the origin of the quilt’s cloth pieces in old diaries, they also begin to reconnect and lean on each other as they begin to reveal decades old secrets that have kept them apart.

Secrets, so many secrets in this book. Ms. Yates deftly handles difficult topics such as abandonment, spousal abuse, sexual abuse and stillbirth all with empathy. As the women come together and work on the quilt, they reveal their secrets knowing that to move forward, they have to face their pasts. The ancestors in the diaries ultimately share their secrets and help the women in the present.

This is not what I am used to reading from Ms. Yates. It is darker with disturbing topics, but it is not all dark, it does have a few touches of romance and ultimate happiness. This story is well written with characters that you become attached to and cheer for their happiness.

I recommend this emotionally difficult, yet ultimately satisfying story.

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Excerpt

1

March 4th, 1944

The dress is perfect. Candlelight satin and antique lace. I can’t wait for you to see it. I can’t wait to walk down the aisle toward you. If only we could set a date. If only we had some idea of when the war will be over.

Love, Dot

Present day—Lark

Unfinished.

The word whispered through the room like a ghost. Over the faded, floral wallpaper, down to the scarred wooden floor. And to the precariously stacked boxes and bins of fabrics, yarn skeins, canvases and other artistic miscellany.

Lark Ashwood had to wonder if her grandmother had left them this way on purpose. Unfinished business here on earth, in the form of quilts, sweaters and paintings, to keep her spirit hanging around after she was gone.

It would be like her. Adeline Dowell did everything with just a little extra.

From her glossy red hair—which stayed that color till the day she died—to her matching cherry glasses and lipstick. She always had an armful of bangles, a beer in her hand and an ashtray full of cigarettes. She never smelled like smoke. She smelled like spearmint gum, Aqua Net and Avon perfume.

She had taught Lark that it was okay to be a little bit of extra.

A smile curved Lark’s lips as she looked around the attic space again. “Oh, Gram…this is really a mess.”

She had the sense that was intentional too. In death, as in life, her grandmother wouldn’t simply fade away.

Neat attics, well-ordered affairs and pre-death estate sales designed to decrease the clutter a family would have to go through later were for other women. Quieter women who didn’t want to be a bother.

Adeline Dowell lived to be a bother. To expand to fill a space, not shrinking down to accommodate anyone.

Lark might not consistently achieve the level of excess Gram had, but she considered it a goal.

“Lark? Are you up there?”

She heard her mom’s voice carrying up the staircase. “Yes!” She shouted back down. “I’m…trying to make sense of this.”

She heard footsteps behind her and saw her mom standing there, gray hair neat, arms folded in. “You don’t have to. We can get someone to come in and sort it out.” 

“And what? Take it all to a thrift store?” Lark asked.

Her mom’s expression shifted slightly, just enough to convey about six emotions with no wasted effort. Emotional economy was Mary Ashwood’s forte. As contained and practical as Addie had been excessive. “Honey, I think most of this would be bound for the dump.”

“Mom, this is great stuff.”

“I don’t have room in my house for sentiment.”

“It’s not about sentiment. It’s usable stuff.”

“I’m not artsy, you know that. I don’t really…get all this.” The unspoken words in the air settled over Lark like a cloud.

Mary wasn’t artsy because her mother hadn’t been around to teach her to sew. To knit. To paint. To quilt.

Addie had taught her granddaughters. Not her own daughter.

She’d breezed on back into town in a candy apple Corvette when Lark’s oldest sister, Avery, was born, after spending Mary’s entire childhood off on some adventure or another, while Lark’s grandfather had done the raising of the kids.

Grandkids had settled her. And Mary had never withheld her children from Adeline. Whatever Mary thought about her mom was difficult to say. But then, Lark could never really read her mom’s emotions. When she’d been a kid, she hadn’t noticed that. Lark had gone around feeling whatever she did and assuming everyone was tracking right along with her because she’d been an innately self focused kid. Or maybe that was just kids.

Either way, back then badgering her mom into tea parties and talking her ear off without noticing Mary didn’t do much of her own talking had been easy.

It was only when she’d had big things to share with her mom that she’d realized…she couldn’t.

“It’s easy, Mom,” Lark said. “I’ll teach you. No one is asking you to make a living with art, art can be about enjoying the process.”

“I don’t enjoy doing things I’m bad at.”

“Well I don’t want Gram’s stuff going to a thrift store, okay?”

Another shift in Mary’s expression. A single crease on one side of her mouth conveying irritation, reluctance and exhaustion. But when she spoke she was measured. “If that’s what you want. This is as much yours as mine.”

It was a four-way split. The Dowell House and all its contents, and The Miner’s House, formerly her grandmother’s candy shop, to Mary Ashwood, and her three daughters. They’d discovered that at the will reading two months earlier.

It hadn’t caused any issues in the family. They just weren’t like that.

Lark’s uncle Bill had just shaken his head. “She feels guilty.”

And that had been the end of any discussion, before any had really started. They were all like their father that way. Quiet. Reserved. Opinionated and expert at conveying it without saying much.

Big loud shouting matches didn’t have a place in the Dowell family.

But Addie had been there for her boys. They were quite a bit older than Lark’s mother. She’d left when the oldest had been eighteen. The youngest boy sixteen.

Mary had been four.

Lark knew her mom felt more at home in the middle of a group of men than she did with women. She’d been raised in a house of men. With burned dinners and repressed emotions.

Lark had always felt like her mother had never really known what to make of the overwhelmingly female household she’d ended up with.

“It’s what I want. When is Hannah getting in tonight?” 

Hannah, the middle child, had moved to Boston right after college, getting a position in the Boston Symphony Orchestra. She had the summer off of concerts and had decided to come to Bear Creek to finalize the plans for their inherited properties before going back home.

Once Hannah had found out when she could get time away from the symphony, Lark had set her own plans for moving into motion. She wanted to be here the whole time Hannah was here, since for Hannah, this wouldn’t be permanent.

But Lark wasn’t going back home. If her family agreed to her plan, she was staying here.

Which was not something she’d ever imagined she’d do.

Lark had gone to college across the country, in New York, at eighteen and had spent years living everywhere but here. Finding new versions of herself in new towns, new cities, whenever the urge took her.

Unfinished.

“Sometime around five-ish? She said she’d get a car out here from the airport. I reminded her that isn’t the easiest thing to do in this part of the world. She said something about it being in apps now. I didn’t laugh at her.”

Lark laughed, though. “She can rent a car.”

Lark hadn’t lived in Bear Creek since she was eighteen, but she hadn’t been under the impression there was a surplus of ride services around the small, rural community. If you were flying to get to Bear Creek, you had to fly into Medford, which was about eighteen miles from the smaller town. Even if you could find a car, she doubted the driver would want to haul anyone out of town.

But her sister wouldn’t be told anything. Hannah made her own way, something Lark could relate to. But while she imagined herself drifting along like a tumbleweed, she imagined Hannah slicing through the water like a shark. With intent, purpose, and no small amount of sharpness.

“Maybe I should arrange something.”

“Mom. She’s a professional symphony musician who’s been living on her own for fourteen years. I’m pretty sure she can cope.”

“Isn’t the point of coming home not having to cope for a while? Shouldn’t your mom handle things?” Mary was a doer. She had never been the one to sit and chat. She’d loved for Lark to come out to the garden with her and work alongside her in the flower beds, or bake together. “You’re not in New Mexico anymore. I can make you cookies without worrying they’ll get eaten by rats in the mail.”

Lark snorted. “I don’t think there are rats in the mail.”

“It doesn’t have to be real for me to worry about it.”

And there was something Lark had inherited directly from her mother. “That’s true.”

That and her love of chocolate chip cookies, which her mom made the very best. She could remember long afternoons at home with her mom when she’d been little, and her sisters had been in school. They’d made cookies and had iced tea, just the two of them.

Cooking had been a self-taught skill her mother had always been proud of. Her recipes were hers. And after growing up eating “chicken with blood” and beanie weenies cooked by her dad, she’d been pretty determined her kids would eat better than that.

Something Lark had been grateful for.

And Mom hadn’t minded if she’d turned the music up loud and danced in some “dress up clothes”—an oversized prom dress from the ’80s and a pair of high heels that were far too big, purchased from a thrift store. Which Hannah and Avery both declared “annoying” when they were home. 

Her mom hadn’t understood her, Lark knew that. But Lark had felt close to her back then in spite of it.

The sound of the door opening and closing came from downstairs. “Homework is done, dinner is in the Crock-Pot. I think even David can manage that.”

The sound of her oldest sister Avery’s voice was clear, even from a distance. Lark owed that to Avery’s years of motherhood, coupled with the fact that she—by choice—fulfilled the role of parent liaison at her kids’ exclusive private school, and often wrangled children in large groups. Again, by choice.

Lark looked around the room one last time and walked over to the stack of crafts. There was an old journal on top of several boxes that look like they might be overflowing with fabric, along with some old Christmas tree ornaments, and a sewing kit. She grabbed hold of them all before walking to the stairs, turning the ornaments over and letting the silver stars catch the light that filtered in through the stained glass window.

Her mother was already ahead of her, halfway down the stairs by the time Lark got to the top of them. She hadn’t seen Avery yet since she’d arrived. She loved her older sister. She loved her niece and nephew. She liked her brother-in-law, who did his best not to be dismissive of the fact that she made a living drawing pictures. Okay, he kind of annoyed her. But still, he was fine. Just… A doctor. A surgeon, in fact, and bearing all of the arrogance that stereotypically implied.

One of the saddest things about living away for as long as she had was that she’d missed her niece’s and nephew’s childhoods. She saw them at least once a year, but it never felt like enough. And now they were teenagers, and a lot less cute.

And then there was Avery, who had always been somewhat untouchable. Four years older than Lark, Avery was a classic oldest child. A people pleasing perfectionist. She was organized and she was always neat and orderly.  And even though the gap between thirty-four and thirty-eight was a lot narrower than twelve and sixteen, sometimes Lark still felt like the gawky adolescent to Avery’s sweet sixteen.

But maybe if they shared in a little bit of each other’s day-to-day it would close some of that gap she felt between them.


Excerpted from Confessions From the Quilting Circle by Maisey Yates, Copyright © 2021 by Maisey Yates. Published by HQN Books.

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Author Bio

New York Times Bestselling author Maisey Yates lives in rural Oregon with her three children and her husband, whose chiseled jaw and arresting features continue to make her swoon. She feels the epic trek she takes several times a day from her office to her coffee maker is a true example of her pioneer spirit. 

Social Media Links

Author Website

Twitter: @maiseyyates

Facebook:@MaiseyYates.Author 

Instagram: @maiseyyates

Goodreads

Purchase Links

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