Today I am excited to be posting my Feature Post and Book Review on the Book Tour for B.R. Stateham’s WWI historical mystery DEATH OF A YOUNGLIEUTENANT.
Below you will find a book blurb, my book review and the author’s bio. This book has a charismatic main character, a mystery plot that keeps you guessing and it is set in France at the beginning of WWI and the dawn of aviation warfare. Enjoy!
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Book Blurb:
Meet Captain Jake Reynolds – pilot, adventurer, art thief, spy.
In the opening weeks of World War One, and as a member of the newly formed British Royal Flying Corps, Captain Jake Reynolds is shipped off to Belgium.
Roped in by his squadron commander to prove the innocence of a young lieutenant accused of murder, Jake also wants to steal a 14th Century Jan van Eck painting.
The problem is both the evidence and the painting are behind enemy lines.
How do you prove a man’s innocence and steal a masterpiece while an entire German army is breathing down your neck?
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My Book Review:
RATING: 5 out of 5 Stars
Death of a Young Lieutenant by B.R. Stateham is a WWI
historical mystery that is distinctive in period, setting and protagonist,
entertaining and an engrossing mystery read from start to finish.
Jake Reynolds is an American who loves to fly the new aeroplanes.
He volunteers to become a pilot in the newly formed British Royal Flying Corps.
Captain Reynolds is handsome, charismatic, an adventurer, a talented artist and
master thief.
The son of a client, a young lieutenant in Jake’s squadron is
found unconscious holding a smoking gun by the dead body of a sergeant in their
unit. When Jake is asked to prove the lieutenant’s innocence, he is more than
willing to assist even though he must travel behind enemy lines because he also
has his eyes on a van Eck three panel masterpiece of the Madonna and Child
behind those lines.
Can Jake find proof of the lieutenant’s innocence even as
the killer strikes again? And will Jake be able to beat the German army to the
van Eck?
This is such a wonderful historical mystery. The main character
is charismatic and I so hope this is just the beginning of his adventures. The
WWI European setting and the birth of aviation in war are a unique backdrop.
Mr. Stateham’s mystery plot kept me guessing until the end and it entwines with
the art theft subplot effortlessly. Everything works for a great read.
I highly recommend this mystery!
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Author Bio:
B.R. Stateham is a
fourteen-year-old boy trapped in a seventy-year-old body. But his
enthusiasm and boyish delight in anything mysterious and/or unknown continue.
Writing novels, especially detectives, is just the avenue of
escape which keeps the author’s mind sharp and inquisitive. He’s
published a ton of short stories in online magazines like Crooked,
Darkest Before the Dawn, Abandoned Towers, Pulp Metal Magazine, Suspense
Magazine, Spinetingler Magazine, Near to The Knuckle, A Twist of Noir, Angie’s
Diary, Power Burn Flash, and Eastern Standard Crime.
He writes both detective/mysteries, as well as science-fiction and fantasy.
In 2008 the first book in the series featuring homicide detectives
Turner Hahn and Frank Morales came out, called Murderous Passions.
Also, in 2008 he self-published a fantasy novel entitled, Roland
of the High Crags: Evil Arises.
In 2009 he created a character named Smitty. So far
twenty-eight short stories and two novellas have been written about this dark
eyed, unusually complex hit man.
In 2012 Untreed Reads published book two of the Turner Hahn/Frank
Morales series A Taste of Old Revenge.
In 2015 NumberThirteen Press published a Smitty novella
entitled, A Killing Kiss.
In 2017 a British indie publisher, Endeavour Media,
re-issued A Taste of Old Revenge, and soon followed by a
second Turner Hahn/Frank Morales novel entitled, There Are No
Innocents.
In 2018 Endeavour Media published a third novel of mine, the first
in a 1st Century Roman detective series, entitled While
the Emperor Slept.
Also in 2018, NumberThirteen Press merged with another famous
British indie, Fahrenheit Press. Soon afterwards, Fahrenheit Press re-issued an
old novel of mine entitled, Death of a Young Lieutenant.
Now, after all of this apparent success, you would think Fame and
Fortune would have sailed into my harbor, making me the delight of the
hard-core genre world. Ah but contraire, mon ami! Fame and Fortune are two
devious little wraths who pick and chooses the poor souls they wish to bedevil.
I remain in complete anonymity and am just as bereft of fortune as I have
always been. And apparently will continue to be for a long time to come.
NO MAN’S LAND (An FBI K-9 Book #4) by Sara Driscoll is the
latest in this thrilling and fast-paced series featuring Special Agent Meg
Jennings, her K-9 companion, Hawk and the FBI’s Human Scent Evidence Team. While
each book can be read as a standalone, the characters continue to evolve and
become more intertwined.
Meg and Hawk are out learning about “Urbexing” with her
boyfriend and his coworker. The sites are run-down relics, creepy and sometimes
dangerous, but interesting and extra training for Hawk. While exploring an
abandoned asylum, Hawk finds the body of an elderly woman in an area that would
have been impossible for her to reach on her own. After Meg reports the victim,
she soon learns that there have been other elderly corpses found in urbex
sites.
At first the team can find no evidence linking the victims
and no evidence of the killer other than his method of killing. With the help
of her team at the FBI and reporter Clay McCord, they are able to save one of
the targeted victims, but they still have no motive.
As Meg gets closer to the elusive killer, she may take one
too many risks to bring this killer to justice.
I love this series of books and this is another great
addition. The plot was interesting as it intertwined the urbex information and
culture with the surprising motive for the murders. The colleagues, friends and
family are all fully fleshed and real to me, so I love catching up with their
interpersonal relationships in each book. All the dogs also add to my love of
these stories. I felt Meg was harder on herself than usual and took extreme
risks in this story that surprised me, but I am hoping it was only because it
was such a frustrating case. The team aspect of the FBI unit and the help of
family, friends and dogs is what shines for me in these stories.
Today I am very excited to be included once again on the Harlequin Mystery/Thriller Blog Tour for Winter 2020! This Feature Post and Book Review is for FIRST CUT by Judy Melinek & T.J. Mitchell.
Below you will find an author Q&A with Judy Melinek & T.J. Mitchell, an excerpt from the book, my book review, a book summary and the authors’ biographies and social media links.
I love all of the behind the scenes gritty medical examiner info and tech mixed with the mystery that took several unexpected twists. You are going to want to start this series now on book 1. I am anxiously waiting for the next book in this new series!
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Author Q&A with Judy Melinek & T.J. Mitchell
Q: Do you plan your books in advance or let them develop as you write?
A:The idea for First Cut was prompted by some of Judy’s actual cases when she worked as a San Francisco medical examiner. She has real experience performing autopsy death investigation, and she also has the imagination to apply that experience to a fictional framework for our forensic detective, Dr. Jessie Teska. Judy invented the story, and together we worked it up as an outline. Then T.J. sat in a room wrestling with words all day—which he loves to do—to produce the first complete manuscript. That’s our inspiration plus perspiration dynamic as co-authors.
Q: What does the act of writing mean to you?
A: It is, and has always been, something we can do together, an important part of our marriage. We’ve collaborated as a creative team since we were in college together many years ago, producing and directing student theater. We’ve also spent twenty years raising our four children, and have always approached parenting as a partnership. We find it easy to work together because we write like we parent: relying on one another, each of us playing to our strengths. It helps that, in our writing process, we have no overlapping skill set!
Q: Have you ever had a character take over a story, and if so, who was it and why?
A: Oh, yes! That’s our heroine, Dr. Jessie Teska. She has elements of Judy in her, and elements of T.J., but Jessie is a distinct individual and a strong-willed one. We’re often surprised and even shocked by the ways she reacts to the situations we put her in. There are times we’ll be writing what we thought was a carefully laid-out scene, and Jessie will take us sideways. She’s coming off T.J.’s fingertips on the the keyboard, both of us watching with mouths agape, saying, “What the hell is she up to?”
Q: Which one of First Cut’s characters was the hardest to write and why?
A: Tommy Teska, Jessie’s brother. He’s a minor character to the book’s plot, but the most important person in Jessie’s life, and he’s a reticent man, downright miserly with his dialogue. Tommy carries such great emotional weight, but it was hard to draw it out of him, especially because so much of his bond to our heroine is in the backstory of First Cut, not in the immediate narrative that lands on the page. We’re now working on the sequel, Cross Cut, and finding that Tommy has more occasion to open up in that story.
Q: Which character in any of your books (First Cut or otherwise) is dearest to you and why?
A: The late Dr. Charles Sidney Hirsch, from our first book, the memoir Working Stiff: Two Years, 262 Bodies, and the Making of a Medical Examiner. Dr. Hirsch is not just a character: He was a real person, Judy’s mentor and a towering figure in the world of forensic pathology. Dr. Hirsch trained Dr. Melinek in her specific field of medicine and imbued in her his passion for it. He was a remarkable man, a great teacher and physician and public servant—a person of uncompromising integrity coupled with great emotional intelligence.
Q: What did you want to be as a child? Was it an author?
A: Judy’s father was a physician, and though she never wanted to follow in his immediate footsteps—he was a psychiatrist—she has always wanted to be another Dr. Melinek. T.J. has always been a writer, but also has theater training and worked in the film industry. As much as we enjoyed authoring the memoir Working Stiff, and as happy as we have been with its success, we are even more thrilled to be detective novelists.
Q: What does a day in the life of Judy Melinek and T.J. Mitchell look like?
A: Judy is a morning person and T.J.’s a night owl, so we split parenting responsibilities. Judy gets the kids off to school and then heads to the morgue, where she performs autopsies in the morning and works with police, district attorneys, and defense lawyers in the afternoon. T.J. takes care of the household and after-school duties. If we work together during the day, it’s usually by email in the late afternoon. T.J. cooks dinner, Judy goes to bed early, and he’s up late—at his most productive writing from nine to midnight or later.
Q: What do you use to inspire you when you get Writer’s Block?
A: We go for a long walk together. Our far corner of San Francisco overlooks the Pacific Ocean, bracketed by cypress trees and blown over with fog, and serves as an inspiring landscape. We explore the edge of the continent and talk out where our characters have been and where they need to get, tossing ideas back and forth until a solution, what to do next on the page, emerges. Getting away for a stroll with our imaginary friends is always a fruitful exercise!
Q: What book would you take with you to a desert island?
A: T.J. would take the Riverside Shakespeare, and Judy would take Poisonous Plants: A Handbook for Doctors, Pharmacists, Toxicologists, Biologists and Veterinarians, Illustrated.
Q: Do you have stories on the back burner that are just waiting to be written?
A: Always! We are inspired by Dr. Melinek’s real-life work, both in the morgue and at crime scenes, in police interrogation rooms, and in courtrooms. Our stories are fiction—genre fiction structured in the noir-detective tradition—but the forensic methods our detective employs and the scientific findings she comes to are drawn from real death investigations.
Q: What has been the hardest thing about publishing? What has been the most fun?
A: The hardest thing is juggling our work schedules to find uninterrupted time together to write. The most fun is meeting and talking to our readers at book events, especially those who have been inspired to go into the field of forensic pathology after reading our work.
Q: What advice would you give budding authors about publishing?
A: It’s all about connectivity. Linking up with other writers, readers, editors, and research experts is a crucial way to get your work accomplished, and to get it out to your audience. Yes, ultimately it’s just you and the keyboard, but in the course of writing your story, you can and should tap into the hive mind, online and in person, for inspiration and help.
Q: What was the last thing you read?
A: Judy last read The Cadaver King and the Country Dentist by Radley Balko and Tucker Carrington, and T.J. last read The Witch Elm by Tana French.
Q: Your top five authors?
A: Judy’s are Atul Gawande, Henry James, Kathy Reichs, Mary Roach, and Oliver Sacks. T.J.’s are Margaret Atwood, Joseph Heller, Ed McBain, Ross Macdonald, and Kurt Vonnegut.
Q: Tell us about what you’re working on now.
A: First Cut is the debut novel in a detective series, and we’ve recently finished the rough draft of Cross Cut, its sequel. We are in the revision phase now, killing our darlings and tightening our tale, working to get the further adventures of Dr. Jessie Teska onto bookshelves next year!
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Excerpt
PROLOGUE
Los Angeles May
The dead woman on my table had pale blue eyes, long lashes, no mascara. She wore a thin rim of black liner on her lower lids but none on the upper. I inserted the twelve gauge needle just far enough that I could see its beveled tip through the pupil, then pulled the syringe plunger to aspirate a sample of vitreous fluid. That was the first intrusion I made on her corpse during Mary Catherine Walsh’s perfectly ordinary autopsy.
The external examination had been unremarkable. The decedent appeared to be in her midthirties, blond hair with dun roots, five foot four, 144 pounds. After checking her over and noting identifying marks (monochromatic professional tattoo of a Celtic knot on lower left flank, appendectomy scar on abdomen, well-healed stellate scar on right knee), I picked up a scalpel and sliced from each shoulder to the breastbone, and then all the way down her belly. I peeled back the layers of skin and fat on her torso—an ordinary amount, maybe a little on the chubby side—and opened the woman’s chest like a book.
I had made similar Y-incisions on 256 other bodies during my ten months as a forensic pathologist at the Los Angeles County Medical Examiner-Coroner’s Office, and this one was easy. No sign of trauma. Normal liver. Healthy lungs. There was nothing wrong with her heart. The only significant finding was the white, granular material of the gastric contents. In her stomach was a mass of semidigested pills.
When I opened her uterus, I found she’d been pregnant. I measured the fetus’s foot length and estimated its age at twelve weeks. The fetus appeared to have been viable. It was too young to determine sex.
I deposited the organs one by one at the end of the stainless-steel table. I had just cut into her scalp to start on the skull when Matt, the forensic investigator who had collected the body the day before, came in.
“Clean scene,” he reported, depositing the paperwork on my station. “Suicide.”
I asked him where he was going for lunch. Yogurt and a damn salad at his desk, he told me: bad cholesterol and a worried wife. I extended my condolences as he headed back out of the autopsy suite.
I scanned through Matt’s handwriting on the intake sheet and learned that the body had been found, stiff and cold, in a locked and secure room at the Los Angeles Omni hotel. The cleaning staff called the police. The ID came from the name on the credit card used to pay for the room, and was confirmed by fingerprint comparison with her driver’s license thumbprint. A handwritten note lay on the bed stand, a pill bottle in the trash. Nothing else. Matt was right: There was no mystery to the way Mary Walsh had died.
I hit the dictaphone’s toe trigger and pointed my mouth toward the microphone dangling over the table. “The body is identified by a Los Angeles County Medical Examiner’s tag attached to the right great toe, inscribed LACD-03226, Walsh, Mary Catherine…”
I broke the seal on the plastic evidence bag and pulled out the pill bottle. It was labeled OxyContin, a powerful painkiller, and it was empty.
“Accompanying the body is a sealed plastic bag with an empty prescription medication bottle. The name on the prescription label…”
I read the name but didn’t speak it. The hair started standing up on my neck. I looked down at my morning’s work—the splayed body, flecked with gore, the dissected womb tossed on a heap of other organs.
That can’t be, I told myself. It can’t.
On the clipboard underneath the case intake sheet I found a piece of hotel stationery sealed in another evidence bag. It was the suicide note, written in blue ink with a steady feminine hand. I skimmed it—then stopped, and went back.
I read it again.
I heard the clipboard land at my feet. I gripped the raised lip of my autopsy table. I held tight while the floor fell away.
***
My Book Review
RATING: 5 out of 5 Stars
FIRST CUT by Judy Melinek & T.J. Mitchell is a
medical thriller/mystery that is the start of a new series featuring San
Francisco’s newest medical examiner, Dr. Jessica Teska.
Dr. Jessica Teska is hoping for a new start in San Francisco
after leaving Los Angeles wondering if she would ever work as a medical
examiner again. She is determined to do her best and prove she is worth this
second chance.
When a suspected overdose case of a young woman leaves
Jessie feeling as though there is something more sinister involved than a
simple overdose, she digs deeper. This case leads to questions that tie it to several
other murder cases. Even as more connections and questions arise, Jessie is
surprised by her superiors’ pushback to close the case as an accident.
As more bodies land in the morgue, Jessie begins to see a web
of connections between drug traffickers, bitcoin, and tech start-ups that may somehow
tie into a RICO trial of a major criminal in federal court. But will her
digging lead to her own body ending up on a slab?
I am so excited to have found a great new series to follow!
I thought I had everything figured out, but I was only partially correct and
the authors were able to throw me with an unexpected surprise twist. I love
when that happens. I also love books that feature medical examiners or CSIs
that get into the nitty-gritty and are knowledgeable enough to teach me new and
unique ways to detect a murder. I had trouble putting this book down because of
the intrigue of learning new things and because of the intricate mystery that
tied everything together in the end. Even as the authors gave Jessie’s past in Los
Angeles to me a bit at a time and gave Jessie love interests and new friends it
never overpowered the mystery plot.
I highly recommend you read First Cut! I am anxiously
awaiting more books in this series!
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FIRST CUT
Author: Judy Melinek & T.J. Mitchell
ISBN:9781335008305
Publication Date: January 7, 2020
Publisher: Hanover Square Press
Book Summary
Wife and husband duo Dr. Judy Melinek and T.J. Mitchell first enthralled the book world with their runaway bestselling memoir Working Stiff—a fearless account of a young forensic pathologist’s “rookie season” as a NYC medical examiner. This winter, Dr. Melinek, now a prominent forensic pathologist in the Bay Area, once again joins forces with writer T.J. Mitchell to take their first stab at fiction.
The result: FIRST CUT (Hanover Square Press; Hardcover; January 7, 2020; $26.99)—a gritty and compelling crime debut about a hard-nosed San Francisco medical examiner who uncovers a dangerous conspiracy connecting the seedy underbelly of the city’s nefarious opioid traffickers and its ever-shifting terrain of tech startups.
Dr. Jessie Teska has made a chilling discovery. A suspected overdose case contains hints of something more sinister: a drug lord’s attempt at a murderous cover up. As more bodies land on her autopsy table, Jessie uncovers a constellation of deaths that point to an elaborate network of powerful criminals—on both sides of the law—that will do anything to keep things buried. But autopsy means “see for yourself,” and Jessie Teska won’t stop until she’s seen it all—even if it means the next corpse on the slab could be her own.
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Author Biographies
Judy Melinek was an assistant medical examiner in San Francisco for nine years, and today works as a forensic pathologist in Oakland and as CEO of PathologyExpert Inc. She and T.J. Mitchell met as undergraduates at Harvard, after which she studied medicine and practiced pathology at UCLA. Her training in forensics at the New York City Office of Chief Medical Examiner is the subject of their first book, the memoir Working Stiff: Two Years, 262 Bodies, and the Making of a Medical Examiner.
T.J. Mitchell is a writer with an English degree from Harvard, and worked in the film industry before becoming a full-time stay-at-home dad. He is the New York Times bestselling co-author of Working Stiff: Two Years, 262 Bodies, and the Making of a Medical Examiner with his wife, Judy Melinek.
Today is my turn on the Feather and Claw Blog Tour. I am happy to share my Feature Post and Book Review for Susan Handley’s new mystery FEATHER AND CLAW (DC Cat McKenzie Mystery #2).
Below you will find a book blurb, my book review and the author’s bio and social media links. Enjoy!
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Book Blurb
They say choice not chance determines human destiny, but on foreign shores not everyone is what they seem and choices can be ill informed.
Mentally and physically exhausted after her last case, Cat McKenzie heads to the sunny shores of Southern Cyprus. When a fellow guest, an American business man, suddenly dies, Cat’s instincts scream foul play. Unable to step out of her skin as a detective, she can’t help but start to dig.
Drawn into a dark world inhabited by arsonists, bird-trappers and a cold-hearted killer, Cat is soon playing a dangerous game; one that has tragic consequences.
To get closer to the truth, Cat must get closer to the killer and allow the killer to get closer to her. But surrounded by strangers, each appearing to be as respectable as the other, she first needs to figure out which of them are feather and which of them are claw.
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My Book Review
RATING: 4 out of 5 Stars
FEATHER AND CLAW (DC Cat McKenzie Mystery #2) by
Susan Handley is the second book in this series and it can easily be read as a
standalone. The first in the series is your classic British police procedural, while
this book is written as a mystery with Cat on vacation. She has no jurisdiction,
but she can’t leave the case alone.
DC Cat McKenzie is on vacation on an island of Cypress with
her friend Amy. She is supposed to be relaxing, but they witness the death of an
American guest at their resort. At first it is thought to be a case of
hypoglycemia leading to the gentleman’s death, but something does not feel
right to Cat and being Cat, she cannot let it go. It may look like a natural
death, but Cat believes it was murder.
As Cat learns more about the other guests and searches for
clues, she also learns about the illegal bird pickling trade and a serial
arsonist. She may be out of her jurisdiction, but she will not stop until she
finds the killer, but at what cost?
I enjoyed this straight mystery plot. Cat’s character is
always inquisitive and pulling on any loose thread. She just does not know how
to relax. The plot was well written and kept my interest with several twists
and red herrings that kept me on my toes and guessing. I also enjoyed reading
about the island sun, heat and sand during my current winter weather.
Overall, an enjoyable mystery read.
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Author Bio
Susan Handley grew up in the Midlands and
despite a love of literature, and crime fiction in particular, she never dreamt
of being able to carve out a career as a published writer. But the desire to
write never left her and after years of writing by night she has at last been
able to share the results of her efforts.
Susan now lives in a small village in rural Kent
with her husband and three cats. When she’s not indulging in her love of
writing crime fiction she loves walking (the hillier the better), bike riding
(the flatter the better) and tending her veggie patch.
Susan has published two novels. A Confusion of
Crows is the first to feature DC Cat McKenzie, a one-time marine biologist
turned detective. In the second in the series, Feather and Claw, the death of a
fellow guest sees Cat put her holiday on hold and turn detective, only with no
team to rely on and outside of her jurisdiction, she learns the hard way that
trying to outwit a murderer is no game. A third Cat McKenzie mystery is due out
in 2020.
Susan has also produced a collection of short
stories, called Crime Bites Volume 1. Full of bite-size crime stories there’s
bound to be something to suit all tastes. A second volume is due to be
published later in 2019.
Today I am very excited to share my Feature Post and Book Review for Loreth Anne White’s IN THE DARK. This is a fantastic mystery with a romantic suspense subplot that I hope will turn into many more books with the two main characters. Save a block of time to read this one because I just could not put it down!
Below you will find a Q&A with the author, an excerpt from the book, my book review, a book summary, the author’s bio and social media links and a Rafflecopter giveaway. You have to read this book! As always, good luck on the Rafflecopter giveaway.
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Q&A: Author Loreth Anne White
1. You are very well known for your romantic suspense tales,
but your new title, IN THE DARK, is all about mystery — a real whodunit! Tell
us a bit about the story.
I like to think there is still a strong echo of my earlier romantic suspense
books that ripples through IN THE DARK. Yes, it’s a locked-room
mystery/thriller — wilderness style, but the mystery narrative is
wrapped inside a romantic suspense-style narrative that follows a budding
friendship between Detective Mason Deniaud and Search & Rescue manager
Callie Sutton who must not only piece together what happened as they hunt for
survivors, but also must race against time to save who might be left. The story
leaves off with a promise of more ahead in the relationship between Callie and
Mason, so my roots are still showing, I hope.
2. Your story definitely has shades of Agatha Christie as well as a nod or
two to Stephen King. Did these authors act as inspirations for this book?
IN THE DARK is not only a homage to Agatha Christie’s AND THEN THERE WERE NONE,
but Christie’s story becomes a plot device, a psychological tool that the
villain uses to instill fear in the victims trapped in the lodge because the
victims know what transpired in the book, and they anticipate the same will
happen to them.
And yes, a teensy nod to master of atmosphere and horror,
Stephen King’s THE SHINING where characters are trapped in a remote and
snowbound hotel and become mercy to the psychological horror that descends on
them.
3. A rural, isolated lodge is always a great place to start a suspenseful
novel. How exactly did your characters all come to be at Forest Shadow Lodge?
The characters are invited for an all-expenses stay at the brand new, high-end,
fly-in wilderness lodge and spa. They are lured by an offer to enjoy a ‘soft
opening’, so to speak, where they can assess the accommodation and potentially
negotiate lucrative contracts with the new lodge owners. Each guest runs a
business that would be suitable for such an establishment. Each is excited by a
possible lucrative contract. But not all is quite what meets the eye, of
course.
4. Your story is told from multiple points-of-view as you take deep dives
into the characters’ lives and histories. Does everyone have something to hide?
Don’t we all have something to hide? My characters in this book certainly do.
Some of their secrets are more powerful than others.
5. Mason and Callie are two of the law enforcement responders that are
trying to piece together exactly what happened at The Lodge. Tell us more about
these characters and what makes them so good at what they do.
Mason Deniaud was a top homicide detective before relocating to the remote
north for personal reasons. He lost a young son and a wife and he’s searching
for a way to live, or exist, if not heal. Callie Sutton is a young mother who
is single, but also isn’t because her husband lies in hospital and is brain
dead. Her husband is there, but he also isn’t there for Callie and her young
son. Like Mason, she’s in limbo, a place where she can’t move forward, or back.
It’s through this they find a bond. And the search for the missing lodge party
pushes them together.
6. IN THE DARK is a pivotal novel in your career. What does it have in
common with your previous writing and how is it different? How does this inform
your next steps as a writer?
Pivotal sounds cool. I’ll take it! Thank you. But yes IN THE DARK is a bit of a
departure from my previous romantic suspense books. If readers enjoy it,
however, and if my publisher remains happy, I’d like to keep growing in this
direction. But I do think my crime stories will always revolve around strong
women, or women who might be victims to start with, but who find agency and
take back their lives and become strong and survive through the arc of a story.
(As with my forthcoming work IN THE DEEP). I do love to include a relationship
element in my crime novels, but bonding with a potential love interest comes
out of the personal growth of the protagonist. I like to tell—and read—stories
of women who find ways to rescue themselves.
***
Excerpt:
“The
gas stove and the gas water heaters work,” Nathan said. “And there’s plumbing.”
He turned his back on them and busied himself taking mugs out of the cupboard
in an exaggerated fashion. His heart hammered in his chest. Sweat prickled
across his lip.
“And there’s tea, coffee, tins of tuna, and
soup,” Steven said as he hurriedly opened more cupboards.
Bart frowned. “Well, at least we won’t go
hungry.” He made for the living area, paused. “I found a path. It looks like it
leads around to the other bay, but it was getting too dark to follow without a
flashlight.”
“Do you think it might lead to the real lodge?”
Steven asked.
Nathan blinked. It was like the doctor was
reaching for straws by asking—as if hoping, still, that their pilot had just
made some terrible screwup with the GPS coordinates.
Bart said, “We can check again in the morning
to see if—”
“There is no real lodge.” Jackie appeared in the doorway that led from the
great room into the kitchen.
They all turned to look at the solid woman with
intense eyes.
“This is no mistake,” she said curtly. “This is
a con, some sick game.”
“What do you mean?” Bart asked.
“Did you guys not see the plaque outside, next
to the front door? This place is called Forest Shadow Lodge. As in Forest Shadow Wilderness Resort
& Spa. Here, look at this.” She pulled a brochure from her pocket and
smoothed it out on the kitchen island.
“I printed it off the website before I left
home.” She jabbed a photo of the luxury lodge. “It’s fake. It’s photoshopped,
because it’s using the same location. See this bay here? And the shape of this
one here? This mountain? This is how the terrain looked from the air. It’s this spot, but someone has photoshopped the spa into the
location. They’ve erased parts of the forest, added cabins and trails, plus
interior shots from some other spa and lodges.” She met their gazes. “This
whole thing was faked from the get-go. We were lured here. All of us. And now
we’re trapped.”
A sinister cold seemed to enter the kitchen. A
shutter banged upstairs, and wind whistled. Mist, cloying and wet, pressed up
against the windows. It grew darker inside.
“Why?” Bart asked, still holding his wood.
“God knows.” Jackie dragged her hand over her
hair. “But right now, we’re stuck. We’ve been baited and lured into some weird
kind of wilderness prison.”
“We are not trapped.” Stella entered the
kitchen. “We have a plane. And you guys have a pilot—me. We have fuel. We—”
“We have no bloody radio!” Jackie snapped,
whirling round to face Stella, her eyes furious.
“What?” said Steven.
“That’s right,” Jackie said. “Go on, tell them,
Stella.”
Stella’s gray eyes flashed, shooting daggers at
Jackie.
“Go on. Tell them. The radio is broken.
Sabotaged, wires cut.”
“But I heard you speaking to your dispatch on
the radio,” Nathan said.
“But it wasn’t working, was it, Stella?” Jackie
said. “Your dispatch couldn’t hear you, could they? No one even knows where we
are, do they?”
Stella’s features went tight.
“So when were you going to tell us this,
Stella?” Steven asked.
“I didn’t want to say right away. Fear, worry,
is not a good thing when—”
“When what? Jesus. Who are you to decide what’s right and wrong for us to know?” Steven barked.
“You’re just the pilot, not the boss of our lives, for Chrissakes.”
“There’s a chance I could fix it in the morning.
If I can—if it’s an easy fix—you’d never have to have known about it.”
“So you thought you’d play God?” Steven
snapped. “Because we would all panic.” He wagged jazz hands at the sides of his face.
“And you’re not panicking?” she said.
Silence swelled in the kitchen. It felt for a
bizarre moment as though the house was listening. Alive. Hostile. Nathan felt
hairs rise along his arms. He was sensitive to these things. He could feel
trees in the forest watching and listening to him.
***
My Book Review:
RATING: 5 out of 5 Stars
IN THE DARK by Loreth Anne White is her new book
which is a mystery with a romantic suspense subplot that is now one of my favorite
mystery books of 2019. You should set aside time to read this one because you
will not want to put it down.
The promise of a luxury spa vacation and the chance to
secure a lucrative contract for their companies has eight lucky guests coming
together for two weeks in a remote location in British Columbia.
What they don’t realize is each is tied together by one tragic
incident. They all have secrets to hide.
As they fly into the remote location, it is not what they
were expecting. A storm keeps them trapped at the old hunting lodge and as they
inspect the inside, they realize it is not a vacation, but a trap. Suddenly,
everyone is suspect and no one can be trusted. They are all pawns in a game
that must be played out until there is “one”.
When a seaplane is discovered by hunters, RCMP officer Mason
Deniaud and SAR expert Callie Sutton come together to retrieve it and discover
a dead body strapped inside. They learn of the other missing people and set out
to find them.
The clock is ticking. Will Mason and Callie be able to find
the missing people before there are none?
This is a GREAT read! It is a fast-paced page turner that
grabs you by the throat, pulls you into the perfectly paced plot and surprises
you at the end. The mystery is a cross between Agatha Christie’s “And Then There
Were None” and the game show “Survivor”. The malicious and deadly wilderness is
a whole other dark and gritty character in this story which adds to the
atmosphere of dread. While this is a standalone, I am hoping Ms. White will
continue writing more stories featuring Mason and Callie. They are wonderfully
flawed characters that fit together well.
I highly recommend this book! I have loved all of Ms. White’s
books to date, but this one is very special.
***
About the Book:
Title: In The Dark
Author: Loreth Anne White
Release Date: December 1, 2019
Publisher: Montlake
Summary:
The promise of a luxury vacation at a secluded wilderness
spa has brought together eight lucky guests. But nothing is what they were led
to believe. As a fierce storm barrels down and all contact with the outside is
cut off, the guests fear that it’s not a getaway. It’s a trap.
Each one has a secret. Each one has something to hide. And now, as darkness
closes in, they all have something to fear—including one another.
Alerted to the vanished party of strangers, homicide cop Mason Deniaud and search and rescue expert Callie Sutton must brave the brutal elements of the mountains to find them. But even Mason and Callie have no idea how precious time is. Because the clock is ticking, and one by one, the guests of Forest Shadow Lodge are being hunted. For them, surviving becomes part of a diabolical game.
***
Author Biography:
Loreth Anne White is a bestselling author of thrillers,
mysteries, and romantic suspense. A three-time RITA finalist, she is also the
recipient of the Overall 2017 Daphne du Maurier Award, the Romantic Times
Reviewers’ Choice Award, the National Readers’ Choice Award, and the Romantic
Crown for Best Romantic Suspense and Best Book Overall. In addition, she’s a
Booksellers’ Best finalist and a multiple CataRomance Reviewers’ Choice Award
winner. A former journalist who has worked in both South Africa and Canada, she
now resides in the Pacific Northwest with her family. When Loreth isn’t
writing, you will find her skiing, biking, or hiking the trails with her dog
(a.k.a. the Black Beast) or open-water swimming. She calls this work, because
that’s when the best ideas come. Visit her at www.lorethannewhite.com.
I am sharing my Feature Post and Book Review today on the release of Isobel Blackthorn’s A PRISON IN THE SUN (Canary Islands Mysteries Book 3).
Below you will find a message from the author, a book blurb, my book review and the author’s bio and social media links. Enjoy!
***
A Message from the Author:
I wrote A Prison in the Sun to honour and remember all those men imprisoned under General Franco’s regime because they were gay. On Fuerteventura, where this story is set, prison conditions were brutal and likened to a concentration camp. To the best of my knowledge, nothing substantial about this prison has been written in English. All of my research I conducted in Spanish. In 2008 the story of the prison broke after professor Miguel Ángel Sosa Machín interviewed prison survivor, Octavia Garcia. I have known of the prison’s existence since 1989, when I lived in Lanzarote and my close friends from the island told me what went on there.
I have purposefully juxtaposed life in the prison with that of the present day, counterpointing the gravity of the prisoners’ situation with a touch of bathos in the main narrative, striving not only for balance, but also to entice reflection on who we were, who we are, and where we want to be.
A Prison in the Sun is my fourth Canary Islands’ novel and was written in keeping with that narrative style.
I offer the following story in all sincerity.
***
Book Blurb:
After millennial ghostwriter Trevor Moore rents an old farmhouse in Fuerteventura, he moves in to find his muse.
Instead, he discovers a rucksack filled with cash. Who does it belong to – and should he hand it in… or keep it?
Struggling to make up his mind, Trevor unravels the harrowing true story of a little-known concentration camp that incarcerated gay men in the 1950s and 60s.
***
My Book Review:
RATING: 4 out of 5 Stars
A PRISON IN THE SUN (Canary Islands Mysteries Book 3) by Isobel Blackthorn is a literary book with two mystery subplots; one past and one present featuring a millennial ghostwriter questioning his sexuality. This book is easily read as a standalone. I have not read the previous books and I believe the series is based more on the location than the characters.
Trevor Moore has made a decent living as a freelance
ghostwriter, but after a difficult divorce two years ago he has been personally
stagnant. He has lost his identity as a househusband and full-time father. Now
his bi-sexual ex-wife is remarrying her girlfriend and he is struggling with
his own sexuality.
Trevor decides to rent a farmhouse on Fuerteventura an
island in the Canary Islands chain to work on his own novel. He is tired of
producing for others and receiving no credit. The farmhouse is next door to a
hostel that he learns was once a labor camp for gay men during the Franco
regime. While it seems like an interesting bit of history to base a story on;
it also seems too depressing.
On a trip into seaside caves, Trevor finds a backpack. No
one on the beach claims it. When he gets it home and opens it, it is full of a
large amount of cash and a packet of old handwritten pages. While he struggles
with his conscious on whether to turn in the money or not, a body washes up on
the beach a few days later. He also discovers the packet of pages is a personal
account from a prisoner from the labor camp.
Can Trevor use the personal account to bring the story of
the labor camp to life in his own words? And what of the dead body and the decision
to be made about the backpack?
This was a very different type of book for me because it was more literary than genre mystery. The author intertwined the past and present mystery subplots equally throughout. Both were interesting and intriguing. There is a lot of emphasis on Trevor questioning his sexuality which I can understand with the tie into the labor camp, but I did not feel it was necessary as many times as it appeared throughout the book. The ending is abrupt and leaves you with many questions which was frustrating for this genre lover who wants everything tied up at the end, but it is what you would expect in a literary work.
This book is a bit out of my comfort zone, but it is well written
and worth the read.
***
Author Bio:
Isobel Blackthorn is an award-winning author of unique and engaging fiction. She writes dark psychological thrillers, mysteries, and contemporary and literary fiction. On the dark side are Twerk,The Cabin Sessions and The Legacy of Old Gran Parks. Her Canary Islands’ collection begins with The Drago Tree and includes A Matter of Latitude and Clarissa’s Warning. Her interest in the occult is explored in The Unlikely Occultist: A biographical novel of Alice A. Bailey and the dark mystery A Perfect Square. Even her first novel, Asylum, contains a touch of the magical. Isobel is at work on her fourth Canary Islands’ novel, a sweeping historical work based on her own family history. Her short story, ‘Lacquer’, appears in the esteemed A Time for Violence anthology. Isobel is currently at work on a full non fiction biography of Alice A. Bailey.
Isobel was shortlisted for the Ada Cambridge Prose Prize 2019, for her biographical short story, ‘Nothing to Declare’. The Legacy of Old Gran Parks is the winner of the Raven Awards 2019.
Isobel writes non fiction too. Her writing appears in journals and websites around the world, including New Dawn Magazine, Paranoia, Mused Literary Review, Backhand Stories, Fictive Dream and On Line Opinion.
Isobel’s interests are many and varied. A humanitarian and campaigner for social justice, in 1999 Isobel founded the internationally acclaimed Ghana Link, uniting two high schools, one a relatively privileged state school located in the heart of England, the other a materially impoverished school in a remote part of the Upper Volta region of Ghana, West Africa.
Isobel has a background in Western Esotericism and she’s a qualified Astrologer. She holds a PhD from the University of Western Sydney, for her ground-breaking research on the works of Theosophist Alice A. Bailey, the ‘Mother of the New Age.’ After working as a teacher, market trader, and PA to a literary agent, she arrived at writing in her forties, and her stories are as diverse and intriguing as her life has been.
Isobel performs her literary works at events in a range of settings, gives workshops in creative writing, and writes book reviews. Her reviews have appeared in Shiny New Books, Sisters in Crime, Australian Women Writers, Trip Fiction and Newtown Review of Books. She talks regularly about books and writing on radio, in Australia, and on occasion in the UK and USA and Canary Islands.
British by birth, Isobel entered this world in Farnborough, Kent, as Yvonne Margaret Grimble. She has since been Yvonne Rodgers, before changing her name completely in 1996 to Isobel Schofield. After a number of years as Isobel Wightman, she is now very happily and permanently Isobel Blackthorn. Isobel has lived in England, Australia, Spain and the Canary Islands. She now lives on Australia’s southern coast with her cat, Psyche. You can find out more about her other achievements here.
