Friday Feature Author Interview with Elise Cooper: A Christmas Guide to Family and Murder by Dianne Freeman

Book Description

Frances and George are looking forward to a Christmas season enlivened by all the diversions London can provide. But family comes first, and George’s sister Fiona and her husband persuade everyone to gather at their Norfolk estate for the holiday. The weather will be chilly, but the prospect of snow delights the youngsters. And with blazing fires and invigorating country walks in store, Frances envisions a peaceful, jolly Christmas.

Instead of a picturesque snowfall, however, Norfolk is hit by pounding rainfall and high winds. In the aftermath of the storm, Frances, Fiona, and the children make an unpleasant discovery in a nearby field—the body of their neighbor, dead in suspicious circumstances. Joshua Penhollow was the local doctor, though not a well-respected one. Indeed, most viewed him as a quack, and even his own stepdaughter held a grudge against him.

With the menfolk gone to help clear a blocked road, the investigation falls to Frances and Fiona, who must also curb the young people’s excitement at encountering a real-life murder. Combing through a village full of colorful characters and more than a few suspects, Frances feels any hope of a quiet Christmas slipping away. But more pressing is the need to stop a killer whose heart is as cold as the season . . .

***

Elise’s Thoughts

A Christmas Guide to Family and Murder by Dianne Freeman is an entertaining story about a murder investigated by the main character Frances, her sister-in-law, Fiona and their three children.

The story begins with George’s sister Fiona and her husband, Robert, persuading the Hazelton clan to gather at their Norfolk estate for the holiday. The weather will be chilly, but the prospect of snow delights the youngsters.

Instead of a picturesque snowfall, however, Norfolk is hit by pounding rainfall and high winds. In the aftermath of the storm, Frances, Fiona, and the children make an unpleasant discovery in a nearby field: the body of their neighbor, dead in suspicious circumstances. The victim, Joshua Penhollow was the local doctor, though not well-respected or liked.

All the men of the family are called out of town to help with villages damaged by the storm. This leaves the investigation falling to Frances and Fiona, who must also curb the young children’s excitement at encountering a real-life murder.

The children, Rose, nine years old and her cousins, Grace and Gregory, nine and ten were assigned to write a Christmas story based on Dicken’s A Christmas Carol. The children were resolute in writing a murder mystery. In their story, Scrooge is the victim and the two detectives assigned to the case, named Frank and Georgianna, obviously inspired by George and Frances, solve the crime. They title it “A Christmas Murder” and are excited about the presence of the body in the house realizing they can help with the murder investigation. Frances is dismayed by the children’s enthusiasm for crime-solving at first, but realizes they have some good insight, especially since the village is full of an overabundance of suspects. 

Intertwining the children’s writing of the story with the actual investigation makes for entertaining interludes. This Christmas story has plenty of family, secrets, and investigation. Readers wanting A Christmas Carol turned on its head involving a murder mystery will like this read.

***

Author Interview

Elise Cooper: Idea for the story?

Diane Freeman: It was kind of a roundabout way. This was the third book in the series. I’d known for a couple of years that I was going to be writing a Christmas story. And in my mind, I had an image of George and Frances, my main characters, out looking for Christmas greenery and stumbling over a body buried in the snow. But when it came down to writing it, I kind of ran into a problem with weather. 

EC: What was the problem?

DF: At that point, we were in December of 1900, and it was the warmest December on record for the UK. And it was snowing, nowhere. Sometimes, it’s little facts like that that just trip you up. And hopefully you find them while you’re still in the planning phase, like I did. I just kept reading the weather reports and found on New Year’s Eve that year, there was a gale that hit the east coast of England and did a lot of damage. They ended up going out to the countryside in the county of Norfolk, and they were hit by the gale. And everything kind of followed from there. I just moved the gale up by ten days.

EC:  How would you describe Frances?

DF: I think Frances is kind of an amalgam of all the heiresses, because I feel like they really had to be. She’s an American, and her family was new money. They came into money when Frances was about 10 years old. And they moved to New York, where she was raised not really learning how to do any practical things. Her mother raised her to eventually become a countess or a duchess or something of that nature, so she had art, music, and languages, and she knew the events of the day, and could carry on a good conversation. But she didn’t know how to make a cup of tea, or boil an egg or anything of that nature. So, when she became a widow, she was thrust into a whole new situation, especially since her husband has spent all the money. She is gutsy, adventurous, willing to give it a try, with her biggest character trait courage.

EC:  George, her second husband, was hardly in it?

DF: The men were called away because streets were blocked by trees that were felled from the storm, gas works were broken, houses were flooded with the Norfolk coast itself kind of notorious for erosion. It’s been kind of weaning away, and houses do occasionally have to be moved back, because the coastline recedes. It made sense, that the men would have to leave, and I wanted a case where Frances would have to be on her own, because even the police were gone. Frances is my sleuth. And though she and George work together, I occasionally want readers to see that she’s grown. And I thought this was a good situation for that, even though the family and the kids helped her.

EC:  The children did play a role in solving the mystery?

DF: The children wrote the Scrooge story centered around the murder. Only because if Scrooge had been murdered, really, would anybody miss him? And that was kind of the case with Dr. Penhallow. Nobody really liked him. Nobody. But nobody was crying over him. Nobody was really missing him. His wife, to some degree.

Frances would not have wanted them completely involved in the murder, and that was another reason. I had George and her brother-in-law Robert had to leave, because I didn’t want them taking the place of what things that the kids could be doing. They would be really excited to see what happened in a real investigation. So that was really the kind of reason for having them write that story, to get them involved. My initial first draft, I just kept pushing the kids aside, making them do something else. And I thought, ‘This isn’t working. This is a Christmas guide to family and murder. They must be involved in this.’ So, I scrapped that and started over. And the idea of having them write their own story and wanting to do some research worked well.

EC: How would you describe the children?

DF: I have no children, so they’re kind of how I remember being as a kid. Christmas is certainly exciting, but once they had a project that they are involved in, I think that kind of takes over everything. They’re inquisitive, they’re fun, and in the case of Gregory, kind of a little smart aleck. I just think they’re typical 9- and 10-year-olds from my past. In the book there is a quote, “Children think everything is a negotiation and a democracy.” I am pretty sure this is relevant to any parent. 

EC:  What was the role of Christmas?

DH: I wanted this to feel like a family book. To me, holidays are all about family, so even though there are some of them called away, and even though there’s a murder dropped in the middle of it, they kind of carry on.

EC: Is this a cozy mystery?

DF: I always think of it as a traditional mystery, but I think it follows some of the cozy rules. Most of anything gruesome is off the page. There’s no sex, no violence, nothing of that nature. And that tends to be a thing with cozies, which kind of puts a whole other definition to the word cozy, that the victim and the killer usually know each other. Sometimes it can be too cozy.

EC: Why the Victorian era?

DF: I read a book called To Mary a British Lord, and then I saw “Downton Abbey,” and I thought of Cora Crowley. I just thought it was fiction. And then when I realized this really happened. There was a quarterly publication called “Titled Americans,” that you could buy at a newsstand, kind of like online dating, but it would say, what titled gentlemen were available, what titles they held, what land they held, and if they had any money. So that the American family could figure out how to fill this Lord’s need, and then make a deal. Basically, trading money for titles was a big deal. The real heiress Consuelo Yznaga, The Duchess of Manchester, made money, helping other heiresses find their feet once they got into England. This just fascinated me, and I thought to myself, what would this be like 10 years after the wedding? She was quite an amazing woman. 

EC: How would you describe Frances’ sister-in-law, Fiona?

DF: Fiona is the perfect best friend. I wish she were my best friend. She’s fun loving. If you saw her from the outside, you would think she was frivolous. But she really is clever, and she somehow manages to be the person people confide in. So, she tends to know people’s secrets, but she doesn’t tend to divulge them. She’s a very loyal, good friend, and like I said, I wish she was mine.

EC: Next book?

DF: It takes place in March 1901 right after Queen Victoria’s death. The title is A Royal Guide to Secrets and Murder. It’s going to be a fall book of 2027.

THANK YOU!!

***

BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.

Friday Feature Author Interview with Elise Cooper: Murder at Rosecliff by Alyssa Maxwell

Book Description

August 1903. Emma and her husband Derrick are among the men in white tie and tails and the women wearing white gowns from the House of Worth at Tessie Oelrichs’s Bal Blanc, or White Ball, at Rosecliff, her grand cottage on Bellevue Avenue. There to cover the event of the season is young Ethan Merriman, society reporter for the Newport Messenger, the newspaper owned by Emma and Derrick.

It’s an utterly charming affair until a stranger intrudes flaunting a green-striped necktie and matching vest in defiance of their hostess’s theme. But his fashion crime is a mere misdemeanor compared to his intention to blackmail Mrs. Oelrichs by producing a compromising document supposedly signed by Tessie over a decade ago.

Insisting it’s a forgery but terrified of scandal, she agrees to his terms, but the blackmailer will not live to see payday. His body is found face down in a fountain before the party’s end. Beside him stands a very wet Ethan, who was seen being confronted by the man earlier in the evening. Coming to the aid of their luckless cub reporter, Emma and Derrick must sort through the white lies and blackened reputations to discover the identity of the true killer.

***

Elise’s Thoughts

Murder At Rosecliff by Alyssa Maxwell does not disappoint per her other novels. 

In August 1903, Emma and her husband Derrick are among the men in white tie and tails and the women wearing white gowns from the House of Worth at Tessie Oelrichs’s Bal Blanc, or White Ball, at Rosecliff, her grand cottage on Bellevue Avenue. There to cover the event of the season is young Ethan Merriman, society reporter for the Newport Messenger, the newspaper owned by Emma and Derrick.

It’s an utterly charming affair until a stranger intrudes, flaunting a green-striped necktie and matching vest in defiance of their hostess’s theme. But his fashion crime is a mere misdemeanor compared to his intention to blackmail Mrs. Oelrichs by producing a compromising document supposedly signed by Tessie over a decade ago.

Insisting it’s a forgery, but terrified of scandal, she agrees to his terms, but the blackmailer will not live to see payday. His body is found face down in a fountain before the party’s end. Beside him stands a very wet Ethan, who was seen being confronted by the man earlier in the evening. Coming to the aid of their luckless cub reporter, Emma and Derrick must sort through the white lies and blackened reputations to discover the identity of the true killer.

The story is riveting from beginning to end with plenty of twists, turns, and red herrings. A bonus is the vivid depictions of Newport’s focus on class and gender division with real-life historical figures.

***

Author Interview

Elise Cooper: The idea for the story?

AM: As with each book in my “Gilded Newport Mysteries,” to develop story ideas I research the family who owned each house. In this case, Theresa Fair Oelrichs, or Tessie, who owned Rosecliff, was the daughter of one of the wealthiest mine-owners in the country. But before he became a millionaire, the Fairs lived in the mining camps of Virginia City, Nevada—as far away from the elegance and beauty of Newport, RI, as can be imagined. It was in these camps that Tessie spent her earliest years, until James Fair moved the family to one of the most fashionable areas of San Francisco. That meant that when she moved to the east coast, there was a lot people in society who didn’t know about her. In my mind, that meant there could be secrets in her past someone could use to blackmail her. And because mining was a rough industry run by ruthless men, it was easy to envision just the sort of scoundrel who might use her past against her.  

EC: Was the White Ball true?

AM: Yes! Tessie Oelrichs’s White Ball, or Bal Blanc, occurred in 1904, but I moved it up a year to fit my series timeline. The details I describe were taken mostly from newspaper articles written at the time—written by people with the same occupation as my main suspect, Ethan Merriman, who writes the society page for the Newport Messenger, owned and operated by Emma and her husband, Derrick. The expense for the multitude of white flowers, the white ships anchored just offshore, the food, the swans, etc. could have fed numerous poor families for a year. The female guests spent thousands on pure white gowns from Houses of Worth, Doucet, Lucille, and other famous designers of the times. It all would have created a breathtaking scene, especially with Rosecliff’s huge, airy ballroom with its cloudy sky mural painted on the ceiling, and the many doors on two sides that, when open, brought both the breezes from the ocean on one side and the floral scents from the Italian garden on the other to sweep through the room.

EC: How would you describe Solomon Wheeler? 

AM: He is emboldened, insolvent, boorish, rude, unscrupulous, dangerous, no scruples, ruthless, likes to destroy others by using their secrets against them. He is as low an individual as it’s possible to be. He uses people and throws them away without a second thought. He is also a slacker, looking for the easy way to make a buck, along with having a sense of entitlement to a lifestyle he hasn’t earned. He uses his father’s ousting from the Bonanza Kings (made up of James Fair and his three partners who owned the Comstock Lode, the silver mine that propelled them to unimagined wealth), to justify blackmailing Tessie, without ever admitting his father might have deserved what happened.

EC: How would you describe Tessie?

AM: Tessie Oelrichs was very real. She was a renowned beauty and possessed a confidence that paved her way into New York Society. She was a woman who knew what she wanted and how to get it. Although a good twenty years younger than Alva Vanderbilt Belmont and Mamie Fish, she joined those ladies to form society’s “Triumvirate.” As Caroline Astor aged and became less of a leading force in society, the Triumvirate stepped in to take her place. These ladies changed the rules to make society more inclusive (divorcees and people with New Money were more accepted), while at the same time establishing new rules about who would be included and who would be given the cold shoulder. We see examples of that in Murder at Rosecliff where a woman who tries too hard to be accepted is essentially rebuffed.  

EC: What about the mansion, Rosecliff?

AM: Like Alva Belmont did with the building of Marble House, Tessie was involved in the design and construction of Rosecliff from start to finish. She spent many a day at the house supervising the work, often changing her mind and ordering the carpenters to rip out what they’d done and start fresh. On one of those days, a carpenter’s tack went flying and hit Tessie in the eye. As a result, she was blind in that eye for the rest of her life. Despite this, she continued to be involved in the building of her summer cottage and remained a formidable figure among society’s Four Hundred. It’s worth noting that Tessie had married Hermann Oelrichs, a shipping magnate, but after the birth of their only child, a son, they lived basically separate lives. They never divorced, however, remaining married in name only until Hermann died in 1906.

EC: How would you describe Ethan and what was his role?

AM: Unlike Emma, who early in her journalism career chafed at being relegated to the society pages (she wanted to report on hard news), Ethan loves recording the details of Newport’s grand affairs. He is a gentle soul who loves beauty and sees it as being as important to life as the more serious matters covered in newspapers. He attends the White Ball as a reporter. His job is to circulate through the crush, document the details of what people were wearing and such, and interview those guests who wished to be interviewed, describing their latest travels, engagements, and soirees for the reading public. On one hand the Four Hundred wanted their privacy, but on the other they enjoyed displaying their wealth, and society columns were one way to do that. When Ethan is accused of murdering Solomon Wheeler based on rather incriminating but circumstantial evidence, Emma refuses to believe he’s capable of such an act. At times she seems to be the only person whose faith is unwavering, but she remains a fierce friend trying to prove Ethan’s innocence.

EC: Once again, this book goes into societal roles:  how does it fit with Detective Myers appearing to have a chip on his shoulder towards the wealthy?

AM: Like many year-round Newporters, Detective Myers sees the wealthy summer set as frivolous and wasteful. As I mentioned, the amount of money spent on the White Ball could have fed entire families over an extended period. Of course, the wealthy did support many charities and were involved in philanthropic projects to better the lives of the poor, but they also created impoverished populations due to how they treated their workers. The Four Hundred controlled all major industry in America at that time, and by general agreement chose to pay their workers poverty-level wages with none of the benefits we enjoy today. This unfairness was seen as the right of business owners, and employees who if they didn’t like it could work elsewhere. The problem was, the situation would be similar wherever they tried to find employment. 

EC: What about Detective Myers?

AM: I portray Detective Myers as grouchy, arrogant, condescending, and downright mean at times, but part of his attitude is somewhat justifiable. After all, the wealthy came to Newport each summer to party and have fun, and treated Newport as a kind of private country club, expecting the ordinary Newporters to either serve them or stay out of the way. And they weren’t always held accountable for their actions. In this, some things haven’t changed. Newport is like a small town during the winter months, but come summer there is a population explosion of tourists and summer residents who come purely to enjoy – often without much thought for the people who live there year-round.

EC: Did you also want to point out that the Upper Class appears arrogant to those that have a lower-class status, and deems them unfit, not rich enough, not fashionable, and not clever?

AM: It was easy to fall short of the expectations of others—as it still is today. Let’s face it, people constantly judge each other, finding in others the shortcomings they themselves don’t want to admit to having. It creates an “us and them” mentality in which a group will allow itself to feel superior to others. Especially among the women of the Four Hundred, creating social boundaries was like structuring a business, with upper management lording it over everyone else – much like how their husbands ran their businesses. In a world where women didn’t hold positions of power in the business or political spheres, these social structures allowed them to feel empowered and in control of their lives. Unfortunately, as certain individuals rose to positions of social prominence, those lower down on the ladder were made to feel not as good, second best, and of little importance. It wasn’t until the Suffrage movement truly got going during the second decade of the twentieth century that women managed to see past class boundaries and work for a common cause.

EC: Why were people against Emma building a school for girls?

AM: Schools for girls were not uncommon, but most of them were finishing schools where young ladies were taught deportment and etiquette along with “feminine” subjects such as language, art, and music. Such schools were generally approved of. What Emma has in mind is a high school where all subjects are taught, including higher mathematics and the sciences, where a girl can get the same education as a boy. Coed public high schools did exist, and Newport’s Rogers High School was coed at the time (and integrated), but Emma believes the coed environment puts pressure on girls to take home economics classes while the boys take chemistry. Unfortunately, many people take issue with the idea of a completely non-gender-biased curriculum. They don’t see the sense in educating a girl to such standards when she’ll only marry and have children. They don’t appreciate that the young ladies at Emma’s school will have choices in life that don’t necessarily lead to being wives and mothers. 

EC: Is Elizabeth Carter Brooks a real person?

AM: Yes, Elizabeth Carter Brooks was a real person. She was born in New Bedford, MA (not far from Newport) in 1867 to former slaves, and attained degrees in architecture and teaching. She became the first African American woman to teach at a public school in New Bedford, and was involved in local and national organizations to better the lives of African American women and girls, including helping to found the local chapter of the NAACP in New Bedford. In 1897 she helped establish the New Bedford Home for the Aged, the first of its kind in the city, and in 1908 designed its permanent building. 

EC: What role does Elizabeth Carter Brooks play in the story?

AM: As Emma became caught up in the dilemma of male architects being unwilling to work with her, I decided to search for whether there were any female architects at that time. I was delighted to discover Elizabeth Carter Brooks and couldn’t imagine a better architect for Emma to work with on the design for her unconventional school. 

EC: Next book?

AM: The next “Gilded Newport Mystery” will be Murder at Malbone, a July 2027 release. Although the present house dates to 1848, the property goes back to the mid-1700s, to an original house that burned down. It was owned by a Colonel Godfrey Malbone, a wealthy shipping merchant and slave trader. Because of this history, I explore themes of slavery and its consequences, as well as the notion that unsettled spirits might be haunting Malbone, perhaps even responsible for the death of a young man. The back cover blurb:

A fatal Fourth of July fireworks mishap in Newport, Rhode Island, proves to be no accident, and newspaper editor Emma Cross Andrews must sort out who turned a celebration into an incendiary act of cold-blooded murder.

THANK YOU!!

***

BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.

Feature Post and Book Review: A Traitor in Whitehall by Julia Kelly

Book Description

1940, England: Evelyne Redfern, known as “The Parisian Orphan” as a child, is working on the line at a munitions factory in wartime London. When Mr. Fletcher, one of her father’s old friends, spots Evelyne on a night out, Evelyne finds herself plunged into the world of Prime Minister Winston Churchill’s cabinet war rooms.

However, shortly after she settles into her new role as a secretary, one of the girls at work is murdered, and Evelyne must use all of her amateur sleuthing expertise to find the killer. But doing so puts her right in the path of David Poole, a cagey minister’s aide who seems determined to thwart her investigations. That is, until Evelyne finds out David’s real mission is to root out a mole selling government secrets to Britain’s enemies, and the pair begrudgingly team up.

With her quick wit, sharp eyes, and determination, will Evelyne be able to find out who’s been selling England’s secrets and catch a killer, all while battling her growing attraction to David?

Goodreads: https://www.goodreads.com/book/show/65214072-a-traitor-in-whitehall?ac=1&from_search=true&qid=SXYBqa9zET&rank=1

***

My Book Review

RATING: 5 out of 5 Stars

A TRAITOR IN WHITEHALL (Evelyn Redfern Book #1) by Julia Kelly is the engaging first book in a new historical mystery series featuring two new protagonists that I am very excited to follow into future books. Set in Winston Churchill’s underground war rooms during the beginning of the blitz, the murder mystery is full of twists, intrigue, and historical facts.

Evelyn Redfern loves nothing more than staying in and reading her favorite British authors’ mysteries after having grown up in the center of her parent’s society divorce and scandal. After graduating from school, she is living as normally as possible in London with her best friend and working at a munitions factory until she runs into an old family friend on a night out. Mr. Fletcher has plans for Evelyn if she is willing to accept them.

Evelyn ends up working in the typing pool in Winston Churchill’s war rooms under Whitehall. As she gets used to her new position and the other girls, she discovers one of her co-workers murdered. Evelyn is determined to use her amateur sleuthing skills even as the two detectives warn her off. She crosses path with a Minister’s aide, David Poole, who she soon learns is working to discover the murderer and a leaker of military secrets.

They pool their resources and skills to work at discovering if it is one person or more responsible for selling England’s secrets and if the murderer is a part of the conspiracy.

I am interested in WWII history and love mysteries and this book delivers both; interesting facts with a murder mystery which makes me a happy reader. Evelyn is a wonderful protagonist who is intelligent, mature, and not willing to take any prejudice against her sex. David is a good partner in the investigation and is necessary since there are still many places in 1940s England women are not allowed. The mystery plot is intricately woven and moves at an ever-increasing rate with many suspects, red herrings, and twists interspersed throughout. I am really looking forward to future book in this series.

I highly recommend this first mystery book in the Evelyn Redfern series and look forward to many more.

***

About the Author

Julia Kelly is the international bestselling author of historical fiction and historical mystery novels about the extraordinary stories of the past. Her books have been translated into 13 languages. In addition to writing, she’s been an Emmy-nominated producer, journalist, marketing professional, and (for one summer) a tea waitress. Julia has called Los Angeles, Iowa, and New York City home. She now lives in London with her husband.

Social Media Links

Website: https://www.juliakellywrites.com/

Facebook: https://www.facebook.com/juliakellywrites

Instagram: https://www.instagram.com/juliakellywrites/?hl=en

Bluesky: https://bsky.app/profile/juliakellywrites.bsky.social

BookBub: https://www.bookbub.com/books/a-traitor-in-whitehall-by-julia-kelly

Book Tour/Feature Post and Book Review: The Last Fatal Hour by Jan Matthews

THE LAST FATAL HOUR

by Jan Matthews

May 4 – 29, 2026 Virtual Book Tour

Hi, everyone!

Today I am sharing my Feature Post and Book Review for THE LAST FATAL HOUR by Jan Matthews on this Partners In Crime Virtual Book Tour.

Below you will find book description, my book review, an excerpt from the book, the author’s bio and social media links, and a PICT giveaway. Enjoy!

***

Book Description

For Leona Gladney, former woman soldier of the Union Army, life goes on despite the echoes of the battlefield in her heart. Now a suffragist and budding socialite in Brooklyn Heights, she yearns for a literary life and family. But her husband’s business partner embezzles their money and disappears.

The society matrons of Brooklyn Heights turn a gimlet eye on Leona after the suspicious death of a wealthy friend. Leona will do anything to find justice for her friend and clear her own name, but she finds only secrets, seances and murder.

Goodreads: https://www.goodreads.com/book/show/246335662-the-last-fatal-hour?ac=1&from_search=true&qid=qBbDWbM73z&rank=1

The Last Fatal Hour

Genre: Historical Mystery
Published by: Coffee&ink Press
Publication Date: April 7, 2026
Number of Pages: 320
ISBN: 9798232470982

***

My Book Review

RATING: 5 out of 5 Stars

THE LAST FATAL HOUR by Jan Matthews is an intriguing historical murder mystery and domestic suspense mash-up set post-Civil War in Brooklyn Heights, New York. This book features a female main character attempting to be an amateur sleuth to clear her name and due to blackmail. She was previously a fighting female soldier in disguise during the Civil War who is now struggling with severe PTSD. This is a standalone fictional historical story that is authentic to the era and society it portrays.

Socialite Leona Gladney has attempted to put her past as a soldier in the Union Army and death of her first husband behind her. Remarried and working on personal literary pursuits, she still has dreams and moments of anxiety over her time in the service. Her anxiety is exacerbated by her husband’s business partner disappearing with their company’s funds.

When the robbery and suspicious death of a wealthy friend and matriarch leaves Leona a suspect, she is determined to uncover the real culprit. What she is not prepared for is a tangled web of seances, lies, deception, and murder.

This is an enlightening as well as maddening story of the legal and political struggles women faced in the 19th century intertwined with the intricately plotted chase of a killer. Leona is a strong character that is more than just her heritage and social status, but even as she tries to fulfill her feminine societal duties, she has an entire previous life she has kept from everyone but her grandfather. While her time as a soldier makes her an unusual protagonist, her life is historically possible. The many uses of laudanum especially involving females throughout this story is not only historically accurate, but also sad. While I suspected the outcome, it is still satisfying and once again brings society’s treatment of women to the forefront.

I highly recommend this intriguing historical mystery and domestic suspense mash-up.

***

Excerpt

CHAPTER ONE

The blot of ink stuck to her finger, tacky like drying blood. Leona scrubbed at it with her handkerchief as the clock chimed two hours after midnight. She capped the inkwell, and while the ink dried on her most recent entry, she organized the copies with ribbons. Blue for Daphne and red for Ruth. With shaking hands, she slipped the copies into stiff cardboard folios and tied them closed. Sighing, she set them on the desk in front of her.

The flames in the hearth beckoned. This wasn’t the first night she’d yearned for obliteration. It wouldn’t come if she gave in to the urge to throw her labor into the fire. Only paper and ink would vanish, leaving the memories behind.

Pen and ink or back to the laudanum.

A grim thought, the grimmest of all.

The words had clawed their way out tonight. She’d begun the memoir of her time as a Union soldier months ago with the hope her drowning spirits would revive once the words dropped to the page. Yet the foreboding crept through her and tightened around her throat as the little study filled with familiar shadows. This old terror had become a second skin, like the tattered and dirty uniform she’d once worn.

Over the monotonous chatter of the rain, the clock ticked away the seconds until her husband came home. Leona moved to the window, pushed aside the heavy velvet curtains, and looked out at night-shrouded Cranberry Street. A lamp glowed in a window across the street. Homesickness for Boston, for life before the war, for herself before the war, settled on her. The wind threw a heavy splash of rain against the window, and she jumped back, letting go of the curtain.

Pacing the study, her restless thoughts rushed on without fatigue. To keep the memories inside only fed the persistent mental return to the battlefield, and the outpouring of words somewhat tamed her tormented soul. She stopped and touched the folio. Work would save her: work, family, friendship, and love. Maybe she’d write a story about two clocks. A natural clock which kept good time and a mad clock that twisted time out of true.

The street door below opened and closed. At last Gil, home safe. She couldn’t even bring herself to scold him for being so late. Leona listened for his footsteps as she crossed the room to tuck the folios into her desk drawer and locked it. She closed the gaslight apertures in the study and turned up the flame on the wall sconces in the drafty hallway so he could find his way. In the bedroom, she shed her dressing gown, stepped out of her slippers, and kicked them under the bed. Gil made his clumsy climb up the stairs. When he stumbled into the room, she pulled the covers back. He fell into bed fully clothed beside her, mumbling and fretful, the sharp ripe scent of whiskey lacing his breath.

She laid her hand on his shoulder. Beneath the cloth of his shirt, his skin was cold and damp. “Rest now, go to sleep,” she whispered.

***

At first light, Leona had dressed in a blue and cream day gown and made her way downstairs for breakfast. The creeping dread of the night before had waned. She rubbed her gritty eyes and yawned again. Mrs. McCarthy poured coffee from the silver pot, the familiar, civilized table a welcome sight. The scent of bacon made her stomach growl.

“Are you well, m’um?”

Leona glanced into the broad face of their cook and housekeeper, a sturdy and mature woman with a comforting Irish burr. She wore her fading blonde hair in a crown around her head.

“I didn’t sleep much.” Leona yawned again behind her fingers.

Gil’s heavy tread on the stairs made them both jump, and Mrs. McCarthy squeaked.

“I’ll bring more breakfast in a jiffy.” She fled through the side door to the kitchen just as Gil ducked through the hall entrance.

Leona rose and smiled at her husband. He’d made a great effort to come down early after returning so late. She accepted his peck on the cheek, poured him coffee and set it between them, wifely mask in place. He glared with bloodshot eyes at the letter in his hand, and her stomach clenched.

“It’s not all bad news, Gil.” She’d read the contents of the letter before leaving it on his desk in his study, as Grandfather had addressed it to both.

He raised his hazel eyes to her. “You recall Henry has absconded with all our funds?” he asked in a sarcastic tone, squinting at the letter, then back at her.

She no longer knew what to say about Gil’s former business partner, Henry Caldwell-Jones. The police were still looking for him. It put the devil in Gil’s eyes to speak of it, so she tried to let it be, not wanting to distress him even more.

“Of course, I remember, Gil. I—”

“And now your grandfather won’t give me a second loan. I’ll have to go back to the bank and ask them again.”

“He only wants to speak with you face to face about our situation,” she said, in her grandfather’s defense. “He’ll help us, Gil. He did offer to speak at the lyceum on his return from Ohio, to help raise funds. It isn’t as if—” Or was it? “We won’t lose the house, will we?”

The muscles in his lean face twitched as Gil fought to hide his disappointment, and her heart broke a little more to witness it. “Your grandfather does not bring in the interest he once did.”

It was true Leona’s grandfather, poet, abolitionist, and Transcendentalist, didn’t bring in the money he used to at readings in New York and Brooklyn, but he didn’t suffer for it.

Gil raked his fingers through his thick, brown hair and opened his mouth. Mrs. McCarthy entered with his breakfast, apparently stopping what he meant to say next. He reached inside the pocket of his trousers and pulled out a small notebook and pencil. Laying them on the table, his frown deepened.

Once Mrs. McCarthy had bustled out again, Leona said, “I could write to Aunt Louisa.” Who was not truly an aunt, but a friend of her mother’s.

He opened the notebook and touched the tip of his tongue to the pencil. “We cannot afford to feed and house a man of Bronson Alcott’s caliber,” he replied with heaviness. He bent his head to the columns of numbers on the pages.

His confidence and spirits were usually high, and it hurt to see him laid so low. She did mean Louisa Alcott herself, not her father Bronson Alcott, as the speaker for the lyceum to draw a crowd. Her novel, Little Women, published two years before, had become hugely popular.

“I’ll sell the lyceum, that should help,” Gil murmured, eyes downcast.

Leona winced. It was where they’d met nearly a year before. At a loss again, she glanced down at her lapel watch—9 o’clock already. She stood and set cups and plates on the tray.

“Let Mrs. McCarthy do that.” His pencil went on calculating their precarious position.

“I don’t mind. I’m off to see Daphne this morning. I won’t be home until the late afternoon.” Taking a deep breath, she dared to ask, not expecting an answer. “How much do we owe?” She blew out her held breath, apprehension biting at her. “Why won’t you tell me how much Henry has stolen?”

“He’s made me a laughingstock.” His handsome lips formed a tight smile, but he didn’t look at her. “Don’t you worry, Leona, leave it to me. This will all be over by Christmas.”

***

On the street, she began to walk, then turned to observe the window where Gil labored, smoke curling from the chimney. The image stayed with her as she made her way to the newsstand around the corner and waited patiently for her turn to buy a paper. The sunny day, though cold, had driven people outdoors, well wrapped in fur-collared coats and wool scarves. Woodsmoke and the sharp tang of the river mingling with the scent of baking bread drifted on the breeze. She chewed on the frustration that he wouldn’t share their financial details with her. It made her more fearful not to know. Though she kept the memoir and chapter stories a secret from him, this was hardly the same.

Passing the newsstand, an article about the new bridge caught her eye so she bought the latest Brooklyn Eagle. The previous summer, the four of them, Henry, his wife Helen, herself, and Gil, had stood at the end of Noble Street to watch the construction of the giant caissons in the naval yard. Though approval of the bridge was a long-foregone conclusion, the article was typical of the Eagle’s awful anti-consolidation fear mongering. The article repeated the claim linking the boroughs would only bring the dregs of Manhattan’s Lower East Side into Brooklyn’s pure white Heights. The wrongness of such an attitude churned her stomach.

Leona folded the paper and tucked it under her arm with the folio, sighing. Who would save the poor of this world from the hatred of the rich? Her spirits drooped lower.

She breathed deep the November air on familiar, tree-lined Remsen Street, where she’d lived for two years before marrying Gil in August. The red door of the brownstone opened, welcoming her in. Timothy, the butler, took her hat and coat. Before he disappeared with them, his eyes met hers with a familiar blue twinkle.

“I’ll tell her you’re here,” he said.

“Thank you.” She inhaled the sweet smell of hothouse roses set in vases along the long hallway and waited for word of her arrival to reach Daphne and her nurse Audrey.

Audrey approached from the depths of the house. Her eyes, though hooded, were a pure delphinium blue, blonde hair pinned tight to her head. She wore a plain uniform of dark gray with long cuffed sleeves and a white apron.

“Mrs. Van Wyn is in the Lavender Room.” With a curt nod, she turned away.

When they first met, Leona and Audrey had often shared tea and conversation, but of late Leona felt nothing but a wall of smothered animosity between them. They hadn’t argued, as such, though she had an idea where the strained relations came from.

“Is she well?” Leona asked.

For a moment, she didn’t think Audrey would answer, but the woman turned toward her again. “She passed a quiet night. The laudanum helps.”

Leona frowned. Audrey flicked a dismissive hand and went on her way.

The introduction of laudanum in Daphne’s life began not long after Leona moved to Cranberry Street with Gil that summer. The spas and cures Daphne’s grandson Benedict and his wife arranged didn’t seem to help anymore. The family hired Audrey, who administered the laudanum, a common enough panacea. Laudanum’s presence always disturbed Leona, and she had protested to the family, but no one listened. Audrey had become cold after this discussion. Leona believed some of Daphne’s pain came from her daily battle with grief. Leona often feared her own grief and the overuse of laudanum, prescribed by a respected doctor in Boston, had killed the child from her previous marriage to Jack Davenport. Poor dead Jack.

***

Author Bio

Jan Matthews is an American expat living in the sunshine in Portugal.

She is (finally) retired from HIM and writes historical mysteries from the Middle Ages to World War I. When not writing or drinking coffee and wine in nearby cafes, she knits and crochets for charity and reviews books on her blog.

Social Media Links

coffeeandinkbooks.wordpress.com
Amazon Author Profile
Goodreads – @coffeeink
BookBub – @coffeeandink1
Instagram – @coffeeandink197
BlueSky – @coffeeandink2.bsky.social

Purchase Links

Amazon – https://pictbooks.tours/54WPvubH

BN – https://pictbooks.tours/3AOgpGPn

BookShop.org – https://pictbooks.tours/34sUBx6S

Goodreads – https://pictbooks.tours/pFVXjbRQ

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PICT GIVEAWAY

https://pictbooks.tours/NAUIwZ7q

Book Tour/Feature Post and Book Review: Cat & Mouse: A Parker City Mystery by Justin M. Kiska

CAT & MOUSE

by Justin M. Kiska

March 30 – May 1, 2026

Virtual Book Tour

Hi, everyone!

Today I am sharing my Feature Post and Book Review for CAT & MOUSE: A Parker City Mystery by Justin M. Kiska on this Partners In Crime Virtual Book Tour.

Below you will find a book description, my book review, an excerpt from the book, the author’s bio and social media links, and a PICT giveaway. Enjoy!

***

Book Description

Twenty years ago, Elizabeth Blakely was the target of a relentless stalker—someone who sent threatening letters, invaded her life, and left her living in fear. The case made headlines. The threats were chilling. And then… it all stopped.

Now, in the summer of 1985, Elizabeth’s past has come roaring back. A new letter appears—eerily familiar and signed just like the ones before. Then her husband is stabbed in their home.

Parker City Police Detectives Ben Winters and Tommy Mason are handed the case and quickly find themselves trapped in a decades-old maze of obsession, secrets, and psychological scars. As they peel back the layers of the original investigation, they begin to suspect the truth was never what it seemed—and the stalker may have never left.

With pressure mounting, the detectives must solve a mystery rooted in the past to prevent another tragedy in the present. But what they uncover will challenge everything they thought they knew about guilt, innocence, and what it means to be a victim.

Goodreads: https://www.goodreads.com/book/show/249061798-cat-mouse?ac=1&from_search=true&qid=cLAC9MOban&rank=1

Cat & Mouse: A Parker City Mystery

Genre: Traditional Police Procedural with a Dual Timeline element
Published by: Level Best Books
Publication Date: March 31, 2026
Number of Pages: 320
ISBN: 979-8898202118
Series: A Parker City Mystery, Book 6

***

My Book Review

RATING: 5 out of 5 Stars

CAT & MOUSE: A Parker City Mystery (Book #6) by Justin M. Kiska is another intricately plotted and intriguing dual timeline classic detective mystery. The Parker City Mysteries feature two recurring main detective protagonists in the mid 1980’s and two historic crime fighters in the past, but also always in Parker City. Despite spanning various decades or centuries, these crimes consistently exhibit a common theme, clue, or character. You get two exciting well plotted mysteries in one book which can easily be read as a standalone, but I have enjoyed reading all the books in the series.

Parker City 1965. Elizabeth Blakely is one of many women in Parker City receiving menacing letters from an unknown stalker, but her letters are handwritten and very personal. While the women of the town are all terrified only Elizabeth is singled out with escalating crimes. The police in 1965 have little to go on and no clues that help them find Elizabeth’s stalker.

Parker City 1985. After twenty years, Elizabeth and her husband returned to Parker City. She gets another chilling letter which is identical to the threatening letters from before. She and her husband bring the letter to the current police department, and Detectives Ben Winters and Tommy Mason are on the case now. With alternating decade narratives, can Winters and Mason solve this twenty-year mystery?

I always enjoy getting into a new book in the Parker City mystery series. The recurring detective protagonists in 1985, Ben and Tommy, are a smart, memorable, and enjoyable duo that I enjoy returning to in each book. The second past mystery in this book was interesting with the same cast of characters and continuation of the crime in 1965 and 1985. This story pulls you in with the police procedurals in both timelines and the differences in the handling of the case. I was engrossed in both and while not surprised at the conclusion, it was plotted well throughout both timelines. I always find it entertaining that 1985 is classified as historical, but it makes me think about the clues more, which the author is always fair on, because you do not have all the scientific expertise of present-day crime fighting.

I highly recommend this dual timeline historical traditional detective mystery in the Parker City series. I also recommend the entire series which are all worth reading.

***

Excerpt

June 1985 . . .

“All I’m saying,” Detective Tommy Mason said to his partner as they walked down the sidewalk, “is that this was the craziest thing I’ve ever seen. And I’ve seen crazy. You know I’ve seen crazy. But this…this was crazy.”

“I don’t see why a trip to the vet has gotten you so worked up,” Ben Winters, Tommy’s partner, friend, and commanding officer of the Parker City Police Department’s Detective Squad said, shaking his head.

“I’m getting to it. I’m trying to set the mood. Let me tell it, will you?”

Ben rolled his eyes and chuckled but let him continue. He should have known. This was just how Tommy was. The two men had known each other since they were kids. They’d grown up together, gone to school together, joined the academy together, and put on the uniform together. They weren’t just friends; they were more like brothers. Which is why Ben was well aware of Tommy’s penchant for storytelling. The trick was to only believe about half of what he said. Tommy had a flair for the dramatic.

“Just hear me out,” Tommy pleaded, stopping under an awning to get out of the warm sun for a moment. “So, I’m spending the day with Christine, right? And she tells me her cat has a vet appointment. Okay, I mean, I’m not a fan of her cat. Truth is, I hate the thing. It’s pure evil wrapped in fur. But, as the good boyfriend that I am, I said I’d tag along. You know, trying to be sensitive and show an interest in things she cares about blah, blah, blah.”

“You’re terrible,” Ben interrupted.

“Hey! That cat cornered me one morning and tried to kill me.”

“Is this the time you hid in the bathroom like a five-year-old?”

“Really? You’re going to take the cat’s side when I’ve saved your life how many times now?”

“You’re a trained police officer. You shouldn’t be afraid of a little cat. And don’t even try to say you’ve saved my life more than I’ve saved yours.”  

Anyone who spent any amount of time around the two detectives, whether on duty or off, knew this is how they talked to one another. They were like an old married couple. Constantly taking shots at each other and making wisecracks. It was their friendly jibes that helped to keep them grounded. Especially when they were working a particularly difficult case. And after only four years as detectives, they’d already seen more than their fair share of tough cases. 

“Anyway,” Tommy said. “We take Satan’s pussy cat to this little townhouse out there on 9th. I swear, the sign in the window was written on cardboard, which made me start to question this vet’s credentials. Turns out, she’s some sort of all natural astrological pet healer. I didn’t even know that was a thing. But this vet—and I use that term loosely because she looked more like a gypsy fortune teller—comes out and takes the demon cat—”

“Satan’s pussy cat,” Ben reminded with a smirk.

“Satan’s pussy cat—and puts it on this card table to examine it.”

“Is the cat male or female?”

“I don’t know.”

“What’s its name?”

“Hellraiser…it doesn’t matter.”

“I’m just trying to get all the facts,” Ben said, knowing he was getting under Tommy’s skin. “It’s kind of what we do.”

Ignoring him, Tommy continued. “So, Lucifur is on the table, doing everything possible to get away and this voodoo priestess pulls out a tuning fork. She puts her hand on the cat’s back, then she whacks the back of her own hand with the tuning fork and listens. She does it a second time and turns to Christine and says the cat hasn’t been eating because it’s unhappy with where she moved the food bowl.”

Ben stared at him. “You’re kidding me.”

“I shit-you-not. And the worst part is, Christine then paid this hippie. Paid her!”

“I’m really not sure what to say. But I do have a question. Did Christine move the bowl back to wherever it was before?”

“Yes.”

“And?” Ben found himself surprisingly eager to hear the answer.

Tommy looked away, clearly annoyed. “Damn cat ate the whole bowl of food.”

Ben burst out laughing. He couldn’t help it. The whole story was so ridiculous. Absolutely absurd yet fitting somehow. Leave it to Tommy to find himself in a situation like that. But he was happy to see his friend getting so serious with someone. He and Christine weren’t just going out on wild dates anymore. They were doing the more mundane things couples did together. This was the longest relationship Ben could remember Tommy ever being in. Long enough that Christine was going to be Tommy’s date at his and Natalie’s wedding. Nat was thrilled. Not just because she liked Chistine, but she didn’t have to worry about Tommy sleeping with one of the bridesmaids now. And with the wedding only a matter of weeks away, it was nice to have one less thing to fret about.

Taking a final sip of the soda he was carrying, Ben tossed the empty cup in the trashcan next to the curb as the two continued walking down Commerce Street.

Today was a special day in Parker City. Six blocks of downtown had been shut down for the Summer in the Streets festival. Shops and restaurants had set up booths, offering local goods, special menus, and giveaways. The sidewalks were packed with residents and visitors. As music from local bands and church choirs echoed through the air.

An event like this would have been unthinkable just a few years ago. In 1978, Parker was devastated by a terrible flood that destroyed the city’s business district, leaving the once thriving commercial corridor in ruins. The damage had been so extensive, most business owners simply boarded up the windows and walked away, leaving empty, derelict buildings sitting for years. Right in the heart of the city.

The economics of the ‘70s had already taken its toll on Parker City to begin with, so the flood was the final nail in the coffin. A once bustling city practically turned into a ghost town in the span of three days as the rain fell and the murky waters surged through the streets. Once it was all over, the destruction was so severe, no one could see a clear path to restore the area. No one except the city’s young, energetic mayor. He made it his mission to return the downtown to its former glory. And though it had been slow going, the fruits of his labor were beginning to show. The abandoned buildings were being cleaned up, renovated, and leased, welcoming new shops and restaurants, and even a small art gallery. There was still a long way to go, but this outdoor market was a chance to show that the city was coming back to life.

As Ben looked around at the crowded festival, he figured at least half the city had shown up, not to mention the out-of-town visitors. Ben wasn’t sure who’d be happier with the turnout, the president of the Chamber of Commerce or the mayor. Regardless, it looked like the first Summer in the Streets was a huge success. 

As members of the Parker City Police Department’s Detective Squad—albeit the only members of the Parker City Police Department’s Detective Squad—Ben and Tommy would not usually be on the street like this. But with an event of this nature, they’d been asked to lend a helping hand. Both were happy to do so, though Tommy made it very clear he would not be putting on his old uniform. Not on a hot June day in Maryland. Instead, the detectives were comfortably patrolling while wearing simple white polo shirts with the word POLICE emblazoned on the back and their badges hanging around their necks on silver chains.    

If it were up to Tommy, that’s how they’d dress every day. But Ben insisted that they wear full suits and that only the police detectives on television and in the movies wore T-shirts, leather jackets, and jeans. Though he grumbled about it every chance he got, Tommy begrudgingly listened to his supervisor, Detective Sergeant Winters, and put on a suit in the mornings. 

As they reached the corner of Commerce and 1st, Tommy glanced up the block. With wooden barricades set up at every intersection, there was no vehicular traffic, leaving cross streets virtually empty. Halfway up that particular block, next to a sandwich shop Tommy frequented, was a Maryland United Bank branch. Looking at his watch, seeing that it was one o’clock, he was just about to suggest they grab a bite to eat when something caught his eye.

A flash of red.

Doing a double take to make sure his eyes weren’t playing tricks on him, he turned to Ben and asked, “It’s still June, right?”

Ben gave him a puzzled look. “Yeah. Still June. Why?”

“And it’s pretty warm out here today? About eighty-five degrees or so?”

“Right…” Ben nodded.

“Then seeing a guy dressed as Santa Claus would be considered suspicious,” Tommy said pointing up the street toward the bank.

Following his finger, sure enough, Ben saw a man in full Santa gear pacing around outside the bank, shifting his weight nervously, swinging a sack from shoulder to shoulder.

Unhooking the walkie-talkie from his belt, Ben keyed the button on the side and said, “Dispatch, this is PC-12. Come in.”

“Hey, Ben. How’s it goin’ out there, sugar,” the voice crackled over the radio.

“It’s a beautiful day and there’s a big crowd,” Ben answered. “So, Shirley, Tommy and I are looking at a suspicious person outside the Maryland United Bank on 1st. We’re going to check him out.”

There was a momentary pause before she came back with, “I show Spurrier on patrol in that area. I’ll send him your way. Do you have a description for me?”

Ben hesitated. “Um…yeah. It’s Santa Claus.”

“Come again?” she asked, her surprise coming over the radio loud and clear. “I don’t think I heard you right, puddin.’”

“No. You heard me. The guy’s dressed as Santa Claus. Full suit. Sack and all.”

“Well, ho, ho, ho,” Shirley said before sighing off.

Tommy looked at Ben. “So…think we’re looking at a robbery, or just a nutjob?”

Ben shrugged. “Either way, it’s going to be interesting.”

***

Author Bio

Justin is a theatre producer, director, and mystery writer who can usually be found sitting in his library devising new and clever ways to kill people (for his mysteries). In addition to writing the Parker City Mysteries Series, which includes Now & Then, Vice & Virtue, Fact & Fiction, Black & White, and Cops & Robbers, he is also the mastermind behind Marquee Mysteries, a series of interactive mystery events he has been writing and producing for nearly twenty years. Justin and his wife, Jessica, live along Lake Linganore outside of Frederick, Maryland with their pups Brownie and Cocoa.

Social Media Links

JustinKiska.com
Amazon Author Profile
Goodreads – @JustinKiska
BookBub – @JMKiska
Instagram – @JMKiska
Facebook – @JMKiska

Purchase Links

Amazon – https://pictbooks.tours/0TX1Laq3

Kindle – https://pictbooks.tours/RX5nvBBy

Goodreads – https://pictbooks.tours/uZXhOaoO

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PICT GIVEAWAY

https://pictbooks.tours/fDCUcN8A

ARC Feature Post and Book Review: In the Spirit of French Murder by Colleen Cambridge

Book Description

Tabitha has enjoyed an entertaining afternoon in Julia’s kitchen, but her return home is a bit jarring. As she arrives at her grandfather’s rue de l’Université mansion, a woman bursts out the door babbling about messages from spirits and a warning Grand-père must heed. Oncle Rafe angrily sends the woman on her way, and neither man will answer Tabitha’s questions.

It’s not the last she sees of the mysterious visitor. While she’s on a date that evening, she’s accosted by her again—and learns that Madame Vierca is a medium who claims to have visions of a dark fate that awaits Grand-père and Oncle Rafe. The very next night, Tabitha’s messieurs host a soiree at their new restaurant, inviting fellow Resistance fighters from the war known as the Nine Bluets. To commemorate the work of the Resistance network, the vase on the dinner table sports nine of the pretty blue flowers.

But shortly after the revelers leave the restaurant, one of Grand-père’s old friends is found dead on the street . . . and one of the nine flowers is missing from the vase. When a second member of the Nine Bluets is found poisoned the next day, and a bluet flower is left with the body, Tabitha cannot ignore Madame Vierca’s frightening predictions about her dear messieurs. She has no choice but to share her suspicions and fears with the enigmatic and unruffled Inspecteur Merveille.

Tabitha soon finds herself caught up in an investigation that takes her and Merveille to the seediest, most dangerous parts of the Left Bank—home of strange, fantastical legends, disquieting events, and unusual people. As she and Merveille desperately try to find a killer, they know they don’t have much time before the rest of the Nine Bluets are targeted . . . including Grand-père and Oncle Rafe.

***

My Book Review

RATING: 5 out of 5 Stars

IN THE SPIRIT OF FRENCH MURDER (An American in Paris Book #4) by Colleen Cambridge is another wonderful addition to this entertaining, intriguing, and informative historical mystery series featuring Tabitha Knight, an American in Paris and her best friend and fellow ex-pat, Julia Child. While the main cast of characters continue to evolve in their relationships, each book contains a complete mystery, so these books can be read as standalone books. I have read them all in order and loved every single one.

Tabitha is excited about the opening night party of her Grand-pere and Oncle Rafe’s new restaurant. While she still has questions regarding an old medium, Madame Vierca, who visited the pair yesterday and warned her of danger as she left, she is fascinated by the Resistance group that her Grand-pere and Oncle reunited. Called the Nine Bluets, Tabitha is told tales of the group as they worked against the Nazis.

As the revelers depart the restaurant, one of the group of fighters is found dead on the street with his throat slit. Another is found the next day poisoned in an old home previously used as a safe house by the group. Tabitha is extremely worried about her messieurs as the predictions from the old medium appear to be coming true with a wilted bluet found by each dead body. Once again, she is caught up in a murder investigation with Inspecteur Merveille.

As Tabitha and Merveille investigate the murders, Tabitha is especially frantic when her Grand-pere and Oncle are kidnapped. Can she follow to clues to discover the killer in time to save those she loves?

I always look forward to getting a new book in this series. Tabitha is a wonderful protagonist who just seems to have dead people fall at her feet to the eternal consternation of Inspecteur Merveille. These two follow the clues with plenty of twists and surprises along the way to an always satisfactory resolution. Having Julia Child as Tabitha’s best friend sets the stage for wonderful, mouthwatering descriptions of recipes and cooking, as well as a sounding board for Tabitha’s adventures. The descriptions of Paris and its inhabitants in 1950 demonstrate the author’s obvious research and add to the richness of the story. This time period and location is especially intriguing because while Paris is free and rebuilding, it has only been five years since the war and the atrocities of the Nazi occupation.

I highly recommend this engaging historical mystery and encourage you to try all the books in this series.

***

About the Author

Colleen Cambridge is the pen name for an award-winning, New York Times and USA Today bestselling author. From a young age, Colleen has loved reading mysteries and now she couldn’t be happier that she is able to write them.

Under several pseudonyms, she has written more than 36 books in a variety of genres and is always plotting her next murder—er, book.

Social Media Links

Website: https://www.colleengleason.com/colleen-cambridge/

Facebook: https://www.facebook.com/ColleenGleason.Author

Bluesky: https://bsky.app/profile/colleengleason.bsky.social

BookBub: https://www.bookbub.com/books/in-the-spirit-of-french-murder-an-american-in-paris-mystery-book-4-by-colleen-cambridge