Tag: #domesticsuspense

Friday Feature Author Interview with Elise Cooper: Where the Truth Lies by Katherine Greene

Book Description

Childhood sweethearts Rhett and Lucinda seem to have the perfect marriage, the child they always wanted, and even the white picket fence. But fifteen years ago, the couple came very close to losing everything. When outsider Jennifer Moore arrived in their tight-knit Kentucky town, a brief but explosive affair between the newcomer and the soon-to-be-married Rhett stirred up a violent storm of betrayal that ended with a dead body and a mystery riddled with corruption and deception.

Now, new evidence has surfaced—including an eyewitness who places Rhett at the scene of the brutal crime. Soon the carefully constructed life Rhett and Lucinda built starts to crumble—and the truth waiting beneath the surface could destroy them both.

In a town steeped in deadly Southern charm, secrets don’t fade—they fester.

***

Elise’s Thoughts

Where The Truth Lies by Katherine Greene, the pen name of bestselling authors A. Meredith Walters and Claire C. Riley, is a domestic suspense story. The small-town setting enhances the secrets, affairs, and deception made by each character, along with the alternating timelines and multiple POVs.

High school sweethearts Rhett Clark and Lucinda Herbaugh seem to have nothing in common. She is from a very powerful and rich family while he is being raised by a single mom who works very hard at her job. Yet, they appear to love each other and to be the picture-perfect couple with the perfect marriage.

But fifteen years ago, the couple came very close to losing everything, when outsider Jennifer Moore arrived in their tight-knit Kentucky town and had a brief but explosive affair with soon-to-be-married Rhett. Fast-forward to the present where new evidence has surfaced, including an eyewitness who places Rhett at the scene of the brutal murder of Jennifer.

Now the betrayal once again comes to the surface, and the mystery of Jenn’s death is riddled with corruption and deception. Everything Rhett and Lucinda strove for is crumbling as the “truth” begins to come out. Abuse plays a role in the story whether emotional, physical, or both. Lucinda’s father made sure everyone in the family and town sided with him. Jenn’s brother believes women should be dominated and intimidated, influencing Rhett in a bad way. With Jenn’s death at the center of the story each of the other character’s will have to answer to their own demons.

Other than Jenn, all the other characters are not likeable and very complex. This story has readers only rooting for Jenn to get justice as they turn the pages to find out the truth.

***

Author Interview

Elise Cooper: Idea for the story?

Abbi Meredith Walters: It is inspired by true events, a cold case, that happened in Virigina involving people in my family. I had this old scrapbook that was my grandmothers. I sent this to Claire, and we decided to write a book based on the information. There are personality traits like the people the characters were modeled after. We did make changes.

EC: How did you both decide to write together?

Claire C. Riley: Abbi and I have been friends for ten plus years. We met on Facebook in a writer’s group. We had both been writing separately for a very long time. During Covid Abbi had a bit of a writer’s block and I suggested we should write a book together. We both really, really liked doing it.

EC: Why the pen name Katherine Green?

CCR: My middle name is Catherine with a “C”, so I changed it to Katherine with a “K” and Abbi was stuck for a surname. She liked green and so did I, so we chose that as the last name.

EC: What was the role of Jenn in the story?

AMW: Claire and I agreed that the victim, Jenn, needed a voice. We wanted the reader to remember she was at the heart of the story and did not want her to get lost in it. She was meant to be the most likeable character in the story.

CCR: After writing about half the book, Abbi realized Jenn needed her own chapters. In the news the victim tends to be lost so we wanted to make her the forefront. We thought it was much more important for her to tell her story, more than anyone else. It helped to build the story around her.

EC: How would you describe Jenn?

Katherine Greene: She started innocent and finished innocent. She is vulnerable, fearful, a teaser, vulnerable, timid, and ran away from her life. Jenn was a prisoner in her family’s home. In some ways she is the other woman but unwillingly because she did not know.

EC: What was the relationship between Jenn and Rhett like?

AMW: He got something for this relationship that was lacking in his life. He was able to control her and felt he was in charge. I do not think he was capable of truly loving her and betrayed her. His entire relationship with her was what she could do to fill his needs.

EC: What about Rhett?

Katherine Greene: He was bullied into submission by this strong-willed family. He enters this dark world and is led astray by the other male character. We wanted to show how he was led down this different path that he meant not to go down. He started off as a lovely person who wants to please all the women in his life. We hope readers like him at first, and then at the end do not like him with the slow descent. At first, he is seen as trustworthy, honest, dependable, quiet, and charming. But then becomes obstinate, lacks common sense, and has rage.

EC: What do you want to say about Lucinda?

CCR: She just wants her parents’ approval and to be loved but must deal with overbearing parents. She has a slow descent into becoming an unlikeable person because of her striving for perfectionism. She is at times out of control, confident, from a privileged family, lonely, manipulator, and strong-willed.

EC: What about Lucinda and Rhett’s relationship?

Katherine Greene: They had secrets. She had old-fashioned values where she wants to get married and have children. He felt trapped in their relationship and felt emasculated by her and her family. She felt betrayed, deceived, and humiliated by him. They were bitter and combative toward each other. She stays with him out of spite because her parents never liked him. He creates a prison for her as much as she does for him. She was trapped by hoping he would love her.

EC: Do you think control plays an important role in the book?

Katherine Greene: The men in this book are all quite toxic in wanting control, while all the women felt they did not have control of their own lives. The continuity is that the characters felt all out of control over their own lives. The main characters each had to deal with overbearing people. Lucinda felt out of control because of her overbearing parents, Rhett felt overbearing by Lucinda, and Jenn ran away from home. No one was in control of their lives or actions. All were led astray by someone else’s actions.

EC: Do you agree that Marty, Jenn’s brother, was a character who did have toxic masculinity?

Katherine Greene: He passed it on to Rhett who latched on to him and had dark thoughts put in his head because he did not start out that way. He is domineering, wants things his way, unethical, intimidating, powerful, sadistic, arrogant, and wants to control the family dynamic. He has this book quote, “Women want to be tamed. They want to be controlled. They want to be put in their place.”

EC: How would you describe Bailey, Lucinda’s sister?

Katherine Greene: She is vulnerable, malleable, and family is most important to her. She has layers. She is also an attention-seeker, angry, possessive, and naïve.

EC: Next book?

Katherine Greene: We are writing two books. One is the sequel to The Lake of Lost Girls. The other book is Here We Lay Our Bones that has four simultaneous storylines, a mystery/thriller. The plot is based around the discovery of some bones.

THANK YOU!!

***

BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.

Book Tour/Feature Post and Book Review: The Last Fatal Hour by Jan Matthews

THE LAST FATAL HOUR

by Jan Matthews

May 4 – 29, 2026 Virtual Book Tour

Hi, everyone!

Today I am sharing my Feature Post and Book Review for THE LAST FATAL HOUR by Jan Matthews on this Partners In Crime Virtual Book Tour.

Below you will find book description, my book review, an excerpt from the book, the author’s bio and social media links, and a PICT giveaway. Enjoy!

***

Book Description

For Leona Gladney, former woman soldier of the Union Army, life goes on despite the echoes of the battlefield in her heart. Now a suffragist and budding socialite in Brooklyn Heights, she yearns for a literary life and family. But her husband’s business partner embezzles their money and disappears.

The society matrons of Brooklyn Heights turn a gimlet eye on Leona after the suspicious death of a wealthy friend. Leona will do anything to find justice for her friend and clear her own name, but she finds only secrets, seances and murder.

Goodreads: https://www.goodreads.com/book/show/246335662-the-last-fatal-hour?ac=1&from_search=true&qid=qBbDWbM73z&rank=1

The Last Fatal Hour

Genre: Historical Mystery
Published by: Coffee&ink Press
Publication Date: April 7, 2026
Number of Pages: 320
ISBN: 9798232470982

***

My Book Review

RATING: 5 out of 5 Stars

THE LAST FATAL HOUR by Jan Matthews is an intriguing historical murder mystery and domestic suspense mash-up set post-Civil War in Brooklyn Heights, New York. This book features a female main character attempting to be an amateur sleuth to clear her name and due to blackmail. She was previously a fighting female soldier in disguise during the Civil War who is now struggling with severe PTSD. This is a standalone fictional historical story that is authentic to the era and society it portrays.

Socialite Leona Gladney has attempted to put her past as a soldier in the Union Army and death of her first husband behind her. Remarried and working on personal literary pursuits, she still has dreams and moments of anxiety over her time in the service. Her anxiety is exacerbated by her husband’s business partner disappearing with their company’s funds.

When the robbery and suspicious death of a wealthy friend and matriarch leaves Leona a suspect, she is determined to uncover the real culprit. What she is not prepared for is a tangled web of seances, lies, deception, and murder.

This is an enlightening as well as maddening story of the legal and political struggles women faced in the 19th century intertwined with the intricately plotted chase of a killer. Leona is a strong character that is more than just her heritage and social status, but even as she tries to fulfill her feminine societal duties, she has an entire previous life she has kept from everyone but her grandfather. While her time as a soldier makes her an unusual protagonist, her life is historically possible. The many uses of laudanum especially involving females throughout this story is not only historically accurate, but also sad. While I suspected the outcome, it is still satisfying and once again brings society’s treatment of women to the forefront.

I highly recommend this intriguing historical mystery and domestic suspense mash-up.

***

Excerpt

CHAPTER ONE

The blot of ink stuck to her finger, tacky like drying blood. Leona scrubbed at it with her handkerchief as the clock chimed two hours after midnight. She capped the inkwell, and while the ink dried on her most recent entry, she organized the copies with ribbons. Blue for Daphne and red for Ruth. With shaking hands, she slipped the copies into stiff cardboard folios and tied them closed. Sighing, she set them on the desk in front of her.

The flames in the hearth beckoned. This wasn’t the first night she’d yearned for obliteration. It wouldn’t come if she gave in to the urge to throw her labor into the fire. Only paper and ink would vanish, leaving the memories behind.

Pen and ink or back to the laudanum.

A grim thought, the grimmest of all.

The words had clawed their way out tonight. She’d begun the memoir of her time as a Union soldier months ago with the hope her drowning spirits would revive once the words dropped to the page. Yet the foreboding crept through her and tightened around her throat as the little study filled with familiar shadows. This old terror had become a second skin, like the tattered and dirty uniform she’d once worn.

Over the monotonous chatter of the rain, the clock ticked away the seconds until her husband came home. Leona moved to the window, pushed aside the heavy velvet curtains, and looked out at night-shrouded Cranberry Street. A lamp glowed in a window across the street. Homesickness for Boston, for life before the war, for herself before the war, settled on her. The wind threw a heavy splash of rain against the window, and she jumped back, letting go of the curtain.

Pacing the study, her restless thoughts rushed on without fatigue. To keep the memories inside only fed the persistent mental return to the battlefield, and the outpouring of words somewhat tamed her tormented soul. She stopped and touched the folio. Work would save her: work, family, friendship, and love. Maybe she’d write a story about two clocks. A natural clock which kept good time and a mad clock that twisted time out of true.

The street door below opened and closed. At last Gil, home safe. She couldn’t even bring herself to scold him for being so late. Leona listened for his footsteps as she crossed the room to tuck the folios into her desk drawer and locked it. She closed the gaslight apertures in the study and turned up the flame on the wall sconces in the drafty hallway so he could find his way. In the bedroom, she shed her dressing gown, stepped out of her slippers, and kicked them under the bed. Gil made his clumsy climb up the stairs. When he stumbled into the room, she pulled the covers back. He fell into bed fully clothed beside her, mumbling and fretful, the sharp ripe scent of whiskey lacing his breath.

She laid her hand on his shoulder. Beneath the cloth of his shirt, his skin was cold and damp. “Rest now, go to sleep,” she whispered.

***

At first light, Leona had dressed in a blue and cream day gown and made her way downstairs for breakfast. The creeping dread of the night before had waned. She rubbed her gritty eyes and yawned again. Mrs. McCarthy poured coffee from the silver pot, the familiar, civilized table a welcome sight. The scent of bacon made her stomach growl.

“Are you well, m’um?”

Leona glanced into the broad face of their cook and housekeeper, a sturdy and mature woman with a comforting Irish burr. She wore her fading blonde hair in a crown around her head.

“I didn’t sleep much.” Leona yawned again behind her fingers.

Gil’s heavy tread on the stairs made them both jump, and Mrs. McCarthy squeaked.

“I’ll bring more breakfast in a jiffy.” She fled through the side door to the kitchen just as Gil ducked through the hall entrance.

Leona rose and smiled at her husband. He’d made a great effort to come down early after returning so late. She accepted his peck on the cheek, poured him coffee and set it between them, wifely mask in place. He glared with bloodshot eyes at the letter in his hand, and her stomach clenched.

“It’s not all bad news, Gil.” She’d read the contents of the letter before leaving it on his desk in his study, as Grandfather had addressed it to both.

He raised his hazel eyes to her. “You recall Henry has absconded with all our funds?” he asked in a sarcastic tone, squinting at the letter, then back at her.

She no longer knew what to say about Gil’s former business partner, Henry Caldwell-Jones. The police were still looking for him. It put the devil in Gil’s eyes to speak of it, so she tried to let it be, not wanting to distress him even more.

“Of course, I remember, Gil. I—”

“And now your grandfather won’t give me a second loan. I’ll have to go back to the bank and ask them again.”

“He only wants to speak with you face to face about our situation,” she said, in her grandfather’s defense. “He’ll help us, Gil. He did offer to speak at the lyceum on his return from Ohio, to help raise funds. It isn’t as if—” Or was it? “We won’t lose the house, will we?”

The muscles in his lean face twitched as Gil fought to hide his disappointment, and her heart broke a little more to witness it. “Your grandfather does not bring in the interest he once did.”

It was true Leona’s grandfather, poet, abolitionist, and Transcendentalist, didn’t bring in the money he used to at readings in New York and Brooklyn, but he didn’t suffer for it.

Gil raked his fingers through his thick, brown hair and opened his mouth. Mrs. McCarthy entered with his breakfast, apparently stopping what he meant to say next. He reached inside the pocket of his trousers and pulled out a small notebook and pencil. Laying them on the table, his frown deepened.

Once Mrs. McCarthy had bustled out again, Leona said, “I could write to Aunt Louisa.” Who was not truly an aunt, but a friend of her mother’s.

He opened the notebook and touched the tip of his tongue to the pencil. “We cannot afford to feed and house a man of Bronson Alcott’s caliber,” he replied with heaviness. He bent his head to the columns of numbers on the pages.

His confidence and spirits were usually high, and it hurt to see him laid so low. She did mean Louisa Alcott herself, not her father Bronson Alcott, as the speaker for the lyceum to draw a crowd. Her novel, Little Women, published two years before, had become hugely popular.

“I’ll sell the lyceum, that should help,” Gil murmured, eyes downcast.

Leona winced. It was where they’d met nearly a year before. At a loss again, she glanced down at her lapel watch—9 o’clock already. She stood and set cups and plates on the tray.

“Let Mrs. McCarthy do that.” His pencil went on calculating their precarious position.

“I don’t mind. I’m off to see Daphne this morning. I won’t be home until the late afternoon.” Taking a deep breath, she dared to ask, not expecting an answer. “How much do we owe?” She blew out her held breath, apprehension biting at her. “Why won’t you tell me how much Henry has stolen?”

“He’s made me a laughingstock.” His handsome lips formed a tight smile, but he didn’t look at her. “Don’t you worry, Leona, leave it to me. This will all be over by Christmas.”

***

On the street, she began to walk, then turned to observe the window where Gil labored, smoke curling from the chimney. The image stayed with her as she made her way to the newsstand around the corner and waited patiently for her turn to buy a paper. The sunny day, though cold, had driven people outdoors, well wrapped in fur-collared coats and wool scarves. Woodsmoke and the sharp tang of the river mingling with the scent of baking bread drifted on the breeze. She chewed on the frustration that he wouldn’t share their financial details with her. It made her more fearful not to know. Though she kept the memoir and chapter stories a secret from him, this was hardly the same.

Passing the newsstand, an article about the new bridge caught her eye so she bought the latest Brooklyn Eagle. The previous summer, the four of them, Henry, his wife Helen, herself, and Gil, had stood at the end of Noble Street to watch the construction of the giant caissons in the naval yard. Though approval of the bridge was a long-foregone conclusion, the article was typical of the Eagle’s awful anti-consolidation fear mongering. The article repeated the claim linking the boroughs would only bring the dregs of Manhattan’s Lower East Side into Brooklyn’s pure white Heights. The wrongness of such an attitude churned her stomach.

Leona folded the paper and tucked it under her arm with the folio, sighing. Who would save the poor of this world from the hatred of the rich? Her spirits drooped lower.

She breathed deep the November air on familiar, tree-lined Remsen Street, where she’d lived for two years before marrying Gil in August. The red door of the brownstone opened, welcoming her in. Timothy, the butler, took her hat and coat. Before he disappeared with them, his eyes met hers with a familiar blue twinkle.

“I’ll tell her you’re here,” he said.

“Thank you.” She inhaled the sweet smell of hothouse roses set in vases along the long hallway and waited for word of her arrival to reach Daphne and her nurse Audrey.

Audrey approached from the depths of the house. Her eyes, though hooded, were a pure delphinium blue, blonde hair pinned tight to her head. She wore a plain uniform of dark gray with long cuffed sleeves and a white apron.

“Mrs. Van Wyn is in the Lavender Room.” With a curt nod, she turned away.

When they first met, Leona and Audrey had often shared tea and conversation, but of late Leona felt nothing but a wall of smothered animosity between them. They hadn’t argued, as such, though she had an idea where the strained relations came from.

“Is she well?” Leona asked.

For a moment, she didn’t think Audrey would answer, but the woman turned toward her again. “She passed a quiet night. The laudanum helps.”

Leona frowned. Audrey flicked a dismissive hand and went on her way.

The introduction of laudanum in Daphne’s life began not long after Leona moved to Cranberry Street with Gil that summer. The spas and cures Daphne’s grandson Benedict and his wife arranged didn’t seem to help anymore. The family hired Audrey, who administered the laudanum, a common enough panacea. Laudanum’s presence always disturbed Leona, and she had protested to the family, but no one listened. Audrey had become cold after this discussion. Leona believed some of Daphne’s pain came from her daily battle with grief. Leona often feared her own grief and the overuse of laudanum, prescribed by a respected doctor in Boston, had killed the child from her previous marriage to Jack Davenport. Poor dead Jack.

***

Author Bio

Jan Matthews is an American expat living in the sunshine in Portugal.

She is (finally) retired from HIM and writes historical mysteries from the Middle Ages to World War I. When not writing or drinking coffee and wine in nearby cafes, she knits and crochets for charity and reviews books on her blog.

Social Media Links

coffeeandinkbooks.wordpress.com
Amazon Author Profile
Goodreads – @coffeeink
BookBub – @coffeeandink1
Instagram – @coffeeandink197
BlueSky – @coffeeandink2.bsky.social

Purchase Links

Amazon – https://pictbooks.tours/54WPvubH

BN – https://pictbooks.tours/3AOgpGPn

BookShop.org – https://pictbooks.tours/34sUBx6S

Goodreads – https://pictbooks.tours/pFVXjbRQ

###

PICT GIVEAWAY

https://pictbooks.tours/NAUIwZ7q

Friday Feature Author Interview with Elise Cooper: Believe Me Now by S.M. Govett

Book Description

Natalie Campbell loses time. She’ll wake up in different places with no memory of how she got there. The blackouts are a symptom of her PTSD, which began after she was sexually assaulted by her boss, who was found not guilty. But she found ways to cope by setting up routines and relying on her supportive husband, Ryan. Then one day, her husband is accused of committing the same crime that ruined her life.

Natalie desperately wants to believe he is innocent, but when Alice Lytton, the young woman who accused him, is found murdered in the woods near their house, she begins to doubt the man she married.

DI Helen Stratton is also healing from old wounds. Her older sister disappeared when she was 16, and the police didn’t bother to investigate. Vowing to help other lost and vulnerable girls, she joined the force. Stratton is ready to do whatever it takes to catch the killer and bring justice to her sister and Alice.

***

Elise’s Thoughts

Believe Me Now by S. M. Govett is a gripping thriller with a very puzzling case. The dual narration between a victim and a detective help to make the story more suspenseful.

The victim is Natalie Campbell, who ten years ago was sexually assaulted by her boss who was found not guilty.  One day later, he died of a heart attack and ever since Natalie has been receiving threatening letters.  She has blackouts, a symptom of PTSD. Now ten years later she has found ways to cope by setting up routines and relying on her supportive husband, Ryan. But that comes to an end when Ryan is accused of committing the same crime of sexual assault. To make matters worse, Ryan’s accuser is found dead in the woods.

Investigating the crime, DI Helen Stratton thinks Ryan is guilty.  She, like Natalie, is suffering from a backstory of the disappearance of her sister Karen.  She joined the police to help other lost and vulnerable girls and to do whatever it takes to catch the preparators.

This story is fast paced and riveting. Readers will be on the edge of their seats as they try to figure out who can be believed and who cannot. It appears most of the characters are suspects and are guilty including Natalie and her husband Ryan. The twists add to the suspense and will throw people a curveball.

***

Author Interview

Elise Cooper: Does this book have two stories about bosses making advances?

Sarah (S. M.) Govett: I wanted to write how there are power imbalances that come into play and how power can be abused. There was a mutual one and one without consent. Detective Helen Stratton had a mutual one but did face additional challenges. Yet, her boss still had some power over her.

EC: How did you get the idea for the story?

SMG: I wanted to write a thriller with belief systems.  For example, there is such a thing as rule of law, innocent people will walk free, guilty people will go to jail, or if someone works hard, they will succeed. I wanted to take them away from my protagonist, Natalie, one by one, so her whole world crumbles.

EC:  How would you relate both characters, Detective Stratton and Natalie?

SMG: I wanted them to seem like chalk and cheese characters.  They both had traumatic events in their life.  Natalie responded by cocooning her life where her home is her only safe place, and she does not want to step outside of it. Whereas Stratton has overcome her trauma by developing a tough as nails exterior with a softer underbelly that very few people see. I like the idea that “home” represents safety and a prison.  These are two women whose life and personalities have changed because something happened in their past and they were not believed. Stratton and her mom were not believed by the police when they said Karen, the sister/daughter, had not runaway. Both Natalie and Stratton coped in completely different ways.

EC: How would you describe Natalie’s PTSD?

SMG: She has an inner strength and is stronger than she thinks she is, which she discovers at the end. She has a form of PTSD. Hers has come about because she was sexually assaulted by her boss and then she is not believed in court. This has fractured her memory system giving her blackouts during stressful triggering situations and has her carry out tasks she will not remember.  There are three strikes for her: she was assaulted by her boss, she was not believed, and had a stalker, her attacker’s wife.

EC: How would you describe Natalie?

SMG: She feels powerless. She runs from trauma, insecure, anxious, and paranoid. In the book she thinks she is existing rather than living.

EC: How would you describe Ryan?

SMG: Protective, calm, controlled, and gets frustrated.

EC: How would you describe the relationship between Ryan and Natalie?

SMG: He wants her to push herself, engaging more with the outside world other than with her best friend, Rachel. He is very supportive.  He agreed to move and not be around families with young children since she could no longer become pregnant after the rape. She considers him her soulmate who represents her home, rock, and stability. Yet, she chased Ryan away and does not take any responsibility that in some ways the marriage is faltering.  She still really loves him, but his touch can be triggering.

EC: How would you describe Detective Stratton?

SMG:  Untrusting, sarcastic, can be seen as caring, and wants answers. She has a fire in her to get cases having to do with young women who have disappeared.  For her, these women always represent her sister.

EC: What about the role of Alice?

SMG: She accuses Ryan of rape.  Now Natalie has her trauma played all over again. She wants to make something of herself and is considered charming, a people person.  Ryan became intimate with her once. I think Ryan’s actions are flawed but understandable but there are a lot of readers who think he is an absolute baddie for what he has done. Natalie at first believed her because besides Ryan no one believed her.  She is very wary of doubting the testimony of women when it comes to sexual assault.

EC: How would you describe Stratton’s boss who had the affair with her, Parker?

SMG: He is a jerk, wants power over her.  He is gutless. I want all my characters to be flawed instead of incredibly bad.  He is a weak flawed man. He is attracted to Stratton, wants sex with her, but also wants to be married. He is weak.  He wants to have what he wants.  When it becomes difficult for him, he wants to walk away unscathed. She sees him as a weak man.  She could destroy his life by making the affair public and she knows he is a little bit scared of her. But she will not do it. Because he knows this is the anniversary of her sister’s disappearance, he is mistakenly trying to protect her by sheltering her from work. Whereas what she really needs to do is to drown herself in work.

EC: Next books?

SMG: There will be more Stratton, but I’m also excited about a sci-fi thriller that I’ve recently completed.

THANK YOU!!

***

BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.

Book Tour/Feature Post and Book Review: Twice on Christmas by McGarvey Black

Hi, everyone!

Today I am sharing my Feature Post and Book Review for TWICE ON CHRISTMAS by McGarvey Black on this Book ‘n’ All Promotions.

Below you will find a book description, my book review, and the author’s bio and social media links. Enjoy!

***

Book Description

After choir practice for midnight mass, college sophomore Rose Grandon takes a short-cut through Harbor Park. Grabbed from behind, she is violently assaulted, beaten and left for dead. The last thing she hears is a tenor voice singing Silent Night.

Several hours later, the police find Rose lying in a ditch. Badly beaten — but alive. As she recovers in hospital, Rose is told she’s pregnant. She has a terrible choice to make. She decides to keep the baby. Nine months later, she gives birth to a beautiful baby girl. She names her Mary.

Rose lives quietly in her small Connecticut hometown raising her daughter — the one good thing to come out of her horrible ordeal. She begins to get her old self back, but her evil attacker has never been caught. He strikes twice a year. Once on Christmas Eve, once on Christmas Day. Until he’s behind bars, Rose and her baby can never be safe.

But now he’s found out he has a daughter. And that changes everything . . .

Goodreads: https://www.goodreads.com/book/show/197785670-twice-on-christmas?ac=1&from_search=true&qid=5L0GP13mEC&rank=1

BOOKS BY MCGARVEY BLACK

STANDALONES

***

Book Review

RATING: 3.5 out of 5 Stars

TWICE ON CHRISTMAS by McGarvey Black is a serial killer crime thriller/domestic suspense that features a young woman who survives a horrific attack on Christmas Eve and must deal with the trauma and ramifications every year following for over a decade. This is a standalone suspense/thriller by an author who is new to me.

Rose Grandon is a college sophomore at UConn and home for Christmas break. After choir practice for midnight mass, Rose wants to get home quicker by cutting through Harbor Park and is attacked from behind. Assaulted and left for dead, the last thing she hears is a beautiful tenor voice singing “Silent Night” as she loses consciousness by a creek in a ravine.

Her attacker is never found as she deals with several months of rehab and a pregnancy from her attack. Rose works hard to get her life back and make a home for baby, Mary, but every year her attacker remains on the loose and brutally attacking one woman every Christmas Eve and killing on every Christmas Day.

What Rose does not realize is that her attacker discovers he has a daughter, and that changes all his plans.

This is a thriller that immediately grabs you with a terrible crime and then follows the protagonist, Rose, through the next years of her life and everything she must deal with. As the reader follows Rose’s life, there are several male characters introduced into her life that could be the serial killer. I felt it was evident very early even with all the misdirection. Rose also is dealing with her daughter’s behavioral issues which highlighted how much parents do not want to acknowledge about their own children. As in any domestic suspense there are times you want to yell at the main character for not realizing some key bit of inconsistency and this story had many. The law enforcement officers, both local and federal, are not very efficient either. No background checks?

Overall,  I feel this is an average suspense/thriller that is entertaining, but with a few too many holes in the plot and a protagonist that does not question things she should.

***

Author Bio

McGarvey studied voice at Manhattan School of Music and was later a theatre major in college. She pursued an acting career but later moved into a magazine and digital media career. During that time, she sold advertising and managed sales teams for companies like Conde Nast, WebMD and worked for brands including GQ, Travel + Leisure, and Allure.

In between, she took a year off and backpacked alone around the world. Later, after having two children, she left media and became an executive recruiter for internet companies. In 2017, she began writing full time and has since published six novels.

Social Media Links

AUTHOR WEBSITE
TWITTER
INSTAGRAM

Friday Feature Author Interview with Elise Cooper: Cowboy Wild by Maisey Yates and One Little Spark by Ellie Banks (Maisey Yates)

Book Descriptions and Elise’s Thoughts

Cowboy Wild and One Little Spark are recently published books by Maisey Yates.  Because One Little Spark is domestic suspense, she has written the book under the anonymous name Ellie Banks. Two books, each a different genre.  Besides writing her wonderful cowboy romance stories she has also ventured into writing stories that have women relationships, almost a “sisterly bond.”

One Little Spark has a fire destroying a small town, throwing the lives of three women into turmoil. These women must pick up the pieces and survive the secrets. The narrative jumps back and forth in three time periods: the day of the fire, a year before the fire, and a year after the fire.

Cowboy Wild shows why Maisey Yates is one of the best romantic authors around. She takes readers on an emotional roller coaster ride along with the characters. This is also a book about fire, but not in the literal sense.  Both the hero and heroine are playing with fire emotionally. This story is about a brother’s best friend falling for the sister.  Elsie Garret is the youngest of three siblings and has known Hunter McCloud her entire life. It seemed Hunter was a big brother to her as he taught her how to do ranch work and horseback riding. She easily turns to Hunter for relationship advice considering he is well known as a playboy. They decide to take an overnight trip to check on horses and to buy Elsie the right type of clothes to flirt. But having to share a hotel room and being in such close proximity changes things between them. Now they must navigate their feelings and determine if they want a happily ever after together.

***

Author Interview

Elise Cooper: What genre would One Little Spark fall into?

Maisey Yates: It is not a thriller or mystery, but domestic suspense like Big Little Lies by Liane Moriarty. Both my book and Liane’s have secrets unfold through the relationships, basically everything is linked through the relationships.  This is a little bit darker than the romance novels I write.

EC:  Which genre do you enjoy writing more?

MY: I do not have a favorite but do like mixing things up with getting into a different head space.  In some ways I would say suspense is easier because there are plot points rather than unfolding through emotions. It can be very challenging to drive a story through emotions. The hard part is coming up with the concept for the suspense.  I do plot these types of books where my romance books have everything character and emotion driven.

EC:  How would you describe Jenna?

MY:  She is kind and not necessarily nice.  Women always get “she is difficult, and not nice,” which you do not hear a lot about men. But in examining her actions she shows up for people. I related to her because I am also outspoken. There are people who can be very sweet and do not rub someone the wrong way but are not effective. Whereas Jenna is constantly advocating for people. She is results driven, confident, and self-reliant.

EC:  How would you describe Alex?

MY:  She is more of a people pleaser than Jenna. She is process oriented, does not like to make waves, and is a perfectionist, but not as confident as Jenna. People would say Alex is nice.

EC:  How would you describe Chelsea?

MY:  She is more of a misfit. She is the type of person that took the back seat, not the over-achiever. She enjoys the spotlight not being on her. She is a bit of a people pleaser. 

EC:  What was the role of the fire in the book?

MY: It made people change through a disruption of life. Everybody lost something forcing people to rebuild their life in a critical way. The fire was a reset that forced the characters to re-evaluate their life.  The suspense comes with the fire because people need to find out how it started.

EC:  Can you explain this book quote, “The unfortunate thing about city councils and all the assorted types of boards was that they tended to be populated with the mean and the petty.”

MY:  This is every group run by volunteers the world over. The power does not appeal to me. I like to make changes that help people. The hierarchy has people who enjoy putting stamps on things and enjoying the people surrounding them. This attitude could be found in school boards, city councils, the upper class of the small town, in academia, in writing organizations, in Churches. Every place there is a group of people these dynamics can be found.

EC:  The other book recently published is your romance book Cowboy Wild.  Can you talk a little about it?

MY:  I reader favorite has been Bad News Cowboy, about the Garrett family. This current book was intentionally done as a revisit with Elsie Garrett who is cousins to the heroine in the previous book. It has been eight years since I wrote it. It was fun to write again an older brother’s best friend falling for a tomboy heroine.

EC:  How would you describe Elsie?

MY: She is a confident tomboy who thinks she knows more than she really does. She is hotheaded, guarded, a little bit impatient, and direct. Her parents abandoned the siblings.

EC:  How would you describe Hunter?

MY: He is a playboy.  He is protective, charming, and has emotions bottled up.  He had an abusive father.

EC:  How about the relationship?

MY:  Elsie likes to get a rise out of him and is pretty much the only person who can. He feels guilty about his feelings for her. He cannot charm her even though he does it with others.  She is meaner to him than with other people. He cannot default to his regular ways with her, he must be honest.  She knows him so well and is not taken by his looks. In the beginning they both did not know how to deal with their feelings, sometimes annoyed, sometimes jealous.  Hunter describes her as a “loose cannon, hurricane, and a loaded pistol.” He admires these things about her even when he is being disparaging. Thus, she fascinates him.  He realizes that what they have is special and different before she does.   

EC:  What about the role of Alaina and Travis?

MY: He is a ranch hand, and she is Elsie’s best friend. They are not a love triangle. Alaina had a crush on Hunter, but Elsie was in love him. She knows that Travis is just someone who is a handsome cowboy.

EC: Next book?

MY:  The next cowboy romance is The Rough Rider, coming out in July. This is Alaina and Gus’s story.  Gus is the older brother of Hunter who stood up to their abusive father. I have not written this type of story before. She is pregnant with Travis’s baby.  Travis leaves but to help her Gus claims the baby as his. He does not want her to experience the blowback of being a single mom. The story was a slow falling in love.

THANK YOU!!

***

BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.

Feature Post and Book Review: The Soulmate by Sally Hepworth

Book Description

Picture a lovely cottage on a cliff, with sloping lawns, walking paths, and beautiful flowers. It’s Gabe and Pippa Gerard’s dream home in a sleepy coastal town. But their perfect house hides something sinister. The tall cliffs have become a popular spot for people to end their lives. Over the past several months, Gabe comes to their rescue, literally talking them off the ledge.

Until one day, he doesn’t.

When Pippa discovers Gabe knew the victim, the questions spiral. . . .Did the victim jump? Was she pushed? And would Gabe, the love of Pippa’s life, her soulmate . . . lie? As the perfect façade of their marriage begins to crack, the deepest and darkest secrets begin to unravel. Because sometimes, the most convincing lies are the ones we tell ourselves.

Goodreads: https://www.goodreads.com/book/show/60784540-the-soulmate?ac=1&from_search=true&qid=IJvfDx5Mbn&rank=2

***

My Book Review

RATING: 4 out of 5 Stars

THE SOULMATE by Sally Hepworth is a twisted domestic psychological suspense/thriller that continually surprised me. I have been avoiding this genre because I felt they all read alike and began to bore me, but this story is anything but cookie cutter and boring. This is a standalone book that you will want to make time to read.

Gabe and Pippa and their two small daughters have moved to their dream cottage in a small coastal Australian town. The only problem is the cottage has a cliff behind their home called “The Drop” at the end of the street that people use to end their lives. Since their move, Gabe has been very successful at talking people away from the ledge, until Pippa watching through the kitchen window, sees a woman Gabe is talking to go over the cliff.

Did she jump or was she pushed?

When Pippa discovers the identity of the woman, questions and doubts begin to tear their seemingly perfect marriage apart.

While the protagonists of this story are Gabe and Pippa, another couple Max and Amanda play a pivotal role throughout this always surprising plot. The story itself is narrated by Pippa in the now and in the then, while intertwining with Amanda telling her narration in the before and the after. It may sound confusing, but it is surprisingly easy to follow as they tell the reader about their marriages. This story focuses on how each couple looked at their own marriage, fidelity and partnership with the suspense occurring whenever their lives intersected. There are many secrets that I cannot reveal, but I will say that every time I felt I knew where the plot was headed, I was wrong. The author did an excellent job of showing Gabe’s mental illness through his actions and the codependence Pippa displayed. This is an exciting read that showed me there are still some domestic suspense stories worth reading even though I am not sure I liked the climax.

I recommend this domestic psychological suspense/thriller.

***

About the Author

Sally Hepworth is the bestselling author of The Secrets of Midwives (2015), The Things We Keep (2016) The Mother’s Promise (2017), The Family Next Door (2018), The Mother In Law (April 2019), The Good Sister (April 2021) and The Younger Wife (April 2022). Hollywood actress and producer, Amy Poehler, has optioned The Mother In Law for a TV series.

Sally’s books have been labelled “enchanting” by The Herald Sun, “smart and engaging” by Publisher’s Weekly, and New York Times bestselling authors Liane Moriarty and Emily Giffin have praised Sally’s novels as “women’s fiction at its finest” and “totally absorbing”. Sally’s novels are available worldwide in English and have been translated into 10+ languages.

​Sally lives in Melbourne, Australia with her husband and three children.

Social Media Links

Website: https://www.sallyhepworthauthor.com/

Facebook: https://www.facebook.com/sallyhepworthauthor

Twitter: https://twitter.com/SallyHepworth

BookBub: https://www.bookbub.com/authors/sally-hepworth