Everyone has secrets, but not everyone has remorse…
A terrible accident.
Meghan Michaels is trying to find balance between being a single mom and working full time as an ICU nurse, when a patient named Caitlin arrives in her ward with a traumatic brain injury. They say she jumped from a bridge and plunged over twenty feet to the train tracks below.
A shocking revelation.
When a witness comes forward with new details about Caitlin’s fall, it calls everything they know into question. Was a crime committed? Did someone actually push Caitlin, and if so, who… and why?
No one is safe.
Meghan lets herself get close to Caitlin until she’s deeply entangled in the mystery surrounding her. Only when it’s too late, does she realize that she and her daughter could be the next victims…
***
Elise’s Thoughts
She’s Not Sorry by Mary Kubica is a suspenseful thriller with a compelling twist. The characters are gripping although unreliable.
The main character is Meghan Michaels who is like any single mom, trying to find balance between working full time as an ICU nurse and being a doting mother. Now one of her patients, Caitlin Beckett, is in a coma with traumatic brain injury. As the story goes on authorities begin to question if she suicidally jumped from a bridge or was pushed.
Then there is Natalie (Nat) Cohen who Meghan runs into on the street. Nat was a high school classmate. After noticing a huge bruise on Nat’s face and having experience with abuse Meghan is worried and invites Nat to stay with her and her daughter Sienna.
Also wanting to make sure her teenage daughter is safe Meghan becomes a formidable character. Although thoughtful and caring she can become a “mama bear” if someone in her family is threatened.
As the story unveils readers see Meghan as strong but someone who has secrets that need to be kept. This is what compels readers to not want to put the book down.
***
Author Interview
Elise Cooper: Did you have the idea for the ending or the plot first?
Mary Kubica: I started with the twist first, which is unusual for me. I have a starting point and no idea where I am going with it. With this one the twist came first and then I stepped backwards and created the characters to go with it, building up to it.
EC: Comas played a role in the book?
MK: I did not know anyone who has been in a coma, but I did quite a bit of research. This book has a medical setting and there was a patient in a coma. I am also very fortunate to have several friends who are nurses, some ICU nurses. There is nothing like speaking to someone who knows the information and lives in that world. I asked them some very specific questions including the day-to-day experience of being a nurse. I wanted a couple of nurses to read the book after it was finished for accuracy.
EC: How would you describe the daughter Sienna?
MK: A typical sixteen-year-old girl. My daughter would have been the same age at the time I started writing this book. She is a little sassy, defiant, and likes to push the boundaries. She and her mother Meghan have a great relationship. They are close. She is obviously not shy and speaks her mind.
EC: How would you describe Meghan?
MK: I think characters will find her relatable. As a mother she puts her daughter first: Sienna’s happiness and safety. She has recently gone through a divorce and is trying to find her footing. Being a nurse and having to work she is trying to find the right balance between being a solo parent and working mom. She is very empathetic. But will do anything to protect those she loves. She is compassionate, guarded, and tough.
EC: What role did Nat play in the story?
MK: Meghan remembers her as a high school friend. She thought she knew her more than she did. She felt safe with her because Nat was someone she grew up with. Because she went through this divorce, she feels isolated, desperate, and alone so she confides in her a deep secret.
EC: How did you come up with the prologue scene at the beginning of the book?
MK: This was not the first thing I wrote. I knew I wanted to start something out with a bang that would grip the readers. As a parent the idea of someone taking their child is every parent’s worst nightmare.
EC: I never heard of virtual kidnapping, is it true?
MK: Sadly, this is prevalent these days. It is a way to get money even though there was never a kidnapping. They do not have that person.
EC: Would you have paid the money straight out?
MK: I do not know. This is one of the things I would bring up in my books. What would the reader do? Thankfully, most of us have never been in this situation. But if I thought someone had my child and had a short time to pay this ransom, I might have done it.
EC: Role of Caitlin?
MK: She is the patient in the ICU and unconscious. Because she cannot speak the readers get information from her parents, the Becketts. They reveal more and more about her over time. The more we learn about her, the less we like her. In the beginning Meghan bonds with Mrs. Beckett because they are both mothers who care so much about their daughters.
EC: Next book?
MK: I just started it so no title and no release date. It is another suspense novel. This has a new setting, the North Woods of Wisconsin. Two families go on vacation together and bad things start to happen.
THANK YOU!!
***
BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.
The dangers of Alaska aren’t limited to storms, starvation, and grizzly bears. Sometimes the most dangerous thing is the person you love.
It’s summer in Alaska and the light surrounding the shipping-container-turned-storage shed where Liv Russo is being held prisoner is fuzzy and gray. Around her is thick forest and jagged mountains. In front of her, across a clearing, is a low-slung cabin with a single window that spills a wash of yellow light onto bare ground. Illuminated in that light is the father of her child, a man she once loved. A man who is now her jailor. Liv vows to do anything to escape.
Carrying her own secrets and a fierce need to protect her young son, Liv must navigate a new world where extreme weather, starvation, and dangerous wildlife are not the only threats she faces. With winter’s arrival imminent, she knows she must reckon with her past and the choices that brought her to the unforgiving Alaskan landscape if she is ever going to make it out alive.
A story of survival in the wilds of Alaska, The Beautiful and the Wild explores the question of whether we can ever truly know the person we love—or ourselves.
***
Elise’s Thoughts
The Beautiful and the Wild by Peggy Townsend is a riveting suspenseful mystery. There are secrets, the haunting terrain of Alaska, as well as hope. It is a fight for survival by a mother who dearly loves her son.
Liv Russo thought she was happily married until one day she became a hero. This opened knowledge of her past where she was shunned by all. Then her husband leaves to supposedly go on an outing and never returns. A detective informs Liv that her husband committed suicide. But this was also not true when she finds clues that he was alive and living in Alaska. She travels to a compound there with her developmentally disabled seven-year-old son Xander.
But her return is not a happy reunion. Mark has been shacking up with a young woman, Angela, and another woman, Diana who had a son with him, Rudy, ten years ago. Liv feels betrayed and angry and threatens to leave and go to the police to tell them he faked his death. Mark, her husband, locks her in a shipping container for weeks until she appears to acquiesce and agree to his lifestyle of an open relationship. But in truth she is biding her time until she can escape with her son. She must learn how to survive and navigate the Alaskan wilderness of extreme weather, possible starvation, and dangerous wildlife.
This is an exciting book that might remind readers of a “lock room” story that takes place in the Alaskan wild. There are some twists and turns with each character having secrets revealed as the story progresses.
Author Interview
Elise Cooper: How did you get the idea for the story?
Peggy Townsend: I am a journalist and have written about secrets: those who tried to conceal and those who tried to reveal. I was in our cabin and listening to a podcast about a guy who was a former Marine who stopped the assassination of Gerald Ford, someone in the “closet.” He was outted by the media with the result that his family shunned him. I thought how secrets can be so damaging. It spurred me to think what if someone did something heroic and it caused the darkest secrets to be revealed.
EC: Why the Alaska setting?
PT: I love Alaska. My husband and I spent seven weeks in our van traveling in Alaska. I was thinking how Alaska is the perfect place because it is so remote. If someone was to hide secrets that is where they would go. Having spent a lot of time in the wilderness and the back country. What I learned it to be in tune with nature and be aware of the surroundings. As the main character, Liv, develops she became more attuned with nature.
EC: How would you describe Liv?
PT: She is wounded and flawed. Liv is determined, resourceful, and gritty. All of this comes from her tough childhood. At times she felt humiliated, trapped, isolated, anxious, and yet was able to find her strength. Hardship was good for her because she discovered her true self. I was like that.
EC: How would you describe Mark?
PT: He is based on someone I once met. Someone I did not like very much. He was super handsome, charismatic, but had a hubris that brought him down. Mark is very manipulative and has the women bend to his will. He is aggressive, dark, obsessed, a loner, selfish, uncaring, chauvinistic, cocky, paranoid, and conceited. Yet, he was such a good dad and very creative.
EC: How would you describe the relationship between Liv and Mark?
PT: She felt betrayal, anger, and thought of him as a liar and cheater. He berated her. He liked to make her jealous. When they were first married, she was a follower. She did love him. Although he was flawed, he did have some good qualities. She made excuses for him at first. Later she saw how wrong she was.
EC: Role of the fox?
PT: I liked the idea that a vixen is used to describe a woman in unflattering terms, hard to manage. A fox is a beautiful creature. After Liv sees this fox, it gives her hope and inspiration.
EC: Role of the prison?
PT: I wanted her to have been in prison because of what happened to her mom, inspired by a true story. I wanted her to be able to survive being imprisoned in a container. Having been in prison she learned the terrible lesson, but this enabled her to find ways to cope, make a routine, avoid confrontations, and to figure out how to escape.
EC: Diana versus Angela?
PT: These two women and Liv are very different in how they approached the world. Angela is naïve, needy, young, and insecure. Diana is very independent. Liv is a caring mom. These women never became a sisterhood. I did a lot of research regarding open relationships. There was always a tension and jealousy underneath because of the open relationship. Diana did not care, Liv felt betrayal and would not go along, and Angela would do anything to get Mark’s approval and love.
EC: What about the book Mind, Self, Love by Kai Huang?
PT: I made this book up but did do research and reading on self-help books. Mark manipulated the women to seek his pleasure. He enjoyed having the power.
EC: Next book?
PT: It is also set in the wilderness. A young runaway meets a female recluse in the woods. Both are being hunted for different reasons. They are both trying to survive. My working title is Nobody is Missing. It will be released next year some time.
THANK YOU!!
***
BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.
She met him through a dating app. An intriguing picture on a screen, a date at a downtown bar. What she thought might be just a quick hookup quickly became much more. She fell for him—hard. It happens sometimes, a powerful connection with a perfect stranger takes you by surprise. Could it be love?
But then, just as things were getting real, he stood her up. Then he disappeared—profiles deleted, phone disconnected. She was ghosted.
Maybe it was her fault. She shared too much, too fast. But isn’t that always what women think—that they’re the ones to blame? Soon she learns there were others. Girls who thought they were in love. Girls who later went missing. She had been looking for a connection, but now she’s looking for answers. Chasing a digital trail into his dark past—and hers—she finds herself on a dangerous hunt. And she’s not sure whether she’s the predator—or the prey.
***
Elise’s Thoughts
Last Girl Ghosted by Lisa Unger is a gripping psychological thriller. Anyone who wants to be taken on a roller coaster ride should read a Lisa Unger book. This one explores secrets, obsession, vengeance, and social media. The storyline is dark, disturbing yet believable and realistic. It delves into fake identities, ghosting, stealing funds, and the troubling aspects of technology use.
The main character, Wren Greenwood, writes the advice column “Dear Birdie.” Because she has no social life, her best friend Jax talks her into trying the dating app Torch. After a few misses Wren meets Adam Harper, an IT executive, and there is an immediate connection between the two. Things heat up and are getting more intimate until three months into the relationship he stands her up. Then he disappears: profiles deleted, phone disconnected, and no evidence he ever existed. Adam ghosted her.
Wren isn’t one to let things go so she starts digging, realizing she was not the only one who fell for his lines. After being contacted by Bailey, a private detective who is looking for Adam, she discovers that three other girls went missing. Agreeing to join forces, she, and Bailey search for Adam and the three missing girls, both wondering if they are the predator or the prey.
There are so many twists and revelations that the readers’ heads are spinning. The story shows the value of friends.
***
Elise’s Author Interview
Elise Cooper: You expose dating apps?
Lisa Unger: I talked with a young friend of mine who uses dating apps. She said there are several choices and wondered how to tell if the choice was correct. I was saddened by that question because I thought people are not shopping for a toaster. Love is not an algorithm.
EC: The story delves into ghosting?
LU: If they were not the right choice, it is easy to ghost them. They were a stranger before and become a stranger afterwards. Technology is rewriting the primal struggle of searching for a mate. Once upon the dating pool was small, but now it is global.
EC: Technology also has its faults?
LU: It can be one of the worst things. Our brains are being re-wired by technology. I put strict limits on my children. I did not want them to disappear into the technology world. I want them to be able to use it only as a tool, and not lose their creativity.
EC: Social media is not the greatest way to communicate?
LU: Yes, we get information now through texts, emails, social media, and notifications via phone. It affects how we relate and communicate with each other and can be very frustrating like when someone is ghosted. For example, I called my brother and he texted me back. I don’t answer him until he responds through a phone call. There is micro ghosting which is getting a response but on their terms. The other type of ghosting is where someone takes on the identity of someone who dies and lives their life.
EC: The world of dating can be frustrating?
LU: I explored this with the short story, House of Crows. It is an exploration of trauma and how it can inform our choices. This is a theme that I’ve explored again and again in my work. The interaction can be fantastical. Someone has a right to say I don’t want to be with you and the other person cannot say anything. They do not have a vote. Then there is the person who can choose to ghost someone making it seem the relationship was imaginary even though there was a real person.
EC: How would you describe Adam who ghosted Wren?
LU: He decided to go off the grid, acting as a survivalist in the woods. He slipped in and out of the shadows. The reader only sees him through Wren’s eyes. He is smart, a loner, obsessed, mysterious, and well read. He can be considerate, kind, and funny, but there is another side to him where he appears as a predator, dangerous, and a destroyer of lives.
EC: How would you describe Wren?
LU: Struggling from her dark past, but a survivor. She has found her way going forward with a super successful career and a community of friends. Through her work as a columnist with “Dear Birdie” she can help people go from the darkness into the light. She left her dad’s world of being a Doomsday Prepper and thinking humanity has ended. She does not think that the world failed her, but her father failed her. She did take skills away from him that helps her to survive. She is very kind, loyal, smart, and caring.
EC: What about the victims?
LU: They are mostly wealthy with a troubled past, have PTSD, and had a childhood trauma. Some have an addiction and prefer to take a break from the world. They fall for the predator fast and heavy. He is like the person who comes to the door with roses not a knife, very unassuming: LOL
EC: What about the relationship?
LU: It was imaginary, created by Wren. A fantasy of him because she does not know him well enough since they only dated for three months. She is obsessed with finding him to see who Adam really is. He is mostly a figment of her imagination. This story struck a chord with a lot of readers who understood what Wren was going through.
EC: How would you describe Bailey?
LU: I was not expecting him, but he evolved. He is the complete foil to Adam. He came to the light because he lacks trauma in his past. Bailey is a puzzle solver, someone who cannot let things go. He believes something lost can be found. Basically, a good person. I do not usually have a traditional hero because it is not how I think of the world. But he is probably as close to a heroic figure I have ever had.
EC: What about Jones Cooper?
LU: He has an analog view of the world. He has been a character in several my books along with his wife Maggie. They first appeared in the book, Fragile. He is a fixer.
EC: Isn’t Wren a bit too old to have an imaginary figure?
LU: Deeply traumatized children can manifest imaginary friends, like a splinter psyche. Eventually as the child heals, they say goodbye to that comforting figure and integrate the imaginary figure into themselves. Robin connects Wren to the land, the natural world. She represents the place where Wren retreats to something she loved. In some sense she took the persona of Wren’s dad’s good qualities where he taught her skills. She put these in Robin because she could not forgive her dad.
EC: Jax is the exact opposite of Robin?
LU: She is a real person that connects Wren to the modern world. She is Wren’s best friend and has helped to ground her.
EC: Next book?
LU: It will be my 20th Novel. I do not talk about my stories until they are published. I will say it will be a psychological thriller with bad things happening. It comes out in October 2022.
THANK YOU!!
BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.
Today I am once again posting on the Harlequin Trade Publishing Mystery/Thriller Summer 2021 Blog Tour. I am sharing my Feature Post and Book Review for LOCAL WOMAN MISSING by Mary Kubica.
Below you will find an about the book section, my book review, an excerpt from the book, an about the author section and the author’s social media links. Enjoy!
***
About the Book
People don’t just disappear without a trace…
Shelby Tebow is the first to go missing. Not long after, Meredith Dickey and her six-year-old daughter, Delilah, vanish just blocks away from where Shelby was last seen, striking fear into their once-peaceful community. Are these incidents connected? After an elusive search that yields more questions than answers, the case eventually goes cold.
Now, eleven years later, Delilah shockingly returns. Everyone wants to know what happened to her, but no one is prepared for what they’ll find… In this smart and chilling thriller, master of suspense and New York Times bestselling author Mary Kubica takes domestic secrets to a whole new level, showing that some people will stop at nothing to keep the truth buried.
LOCAL WOMAN MISSING by Mary Kubica is a standalone domestic thriller/mystery that for me read more as a mystery than domestic thriller. The story is told by various characters in two interwoven timelines which are eleven years apart.
Eleven years ago a new mother, Shelby Tebow disappears while on a night time jog. Soon after a mother, Meredith Dickey and her six-year-old daughter, Delilah also disappear without a trace.
Now, eleven years later, Delilah returns with everyone trying to find out what happened to her. What is discovered will have repercussions in families throughout the neighborhood.
This story ends up for me being a satisfying mystery story, but I never felt it was what I would call a domestic thriller. The beginning, while intriguing also became more confusing as characters were added and I had to keep checking which timeline I was in until about a third of the way into the book. I liked the mystery and would have liked a few red herrings or clues throughout instead of the sudden resolution out of the blue. Delilah’s story I assume was added for the thriller quality, but it just never was believable to me.
I am in the minority with my opinion and others have loved this book. Ms. Kubica has several other books, but this one was just an OK read for me.
***
Excerpt
MEREDITH
11 YEARS BEFORE
March
The text comes from a number I don’t know. It’s a 630 area code. Local. I’m in the bathroom with Leo as he soaks in the tub. He has his bath toys lined up on the edge of it and they’re taking turns swan diving into the now-lukewarm water. It used to be hot, too hot for Leo to get into. But he’s been in there for thirty minutes now playing with his octopus, his whale, his fish. He’s having a ball.
Meanwhile I’ve lost track of time. I have a client in the early stages of labor. We’re texting. Her husband wants to take her to the hospital. She thinks it’s too soon. Her contractions are six and a half minutes apart. She’s absolutely correct. It’s too soon. The hospital would just send her home, which is frustrating, not to mention a huge inconvenience for women in labor. And anyway, why labor at the hospital when you can labor in the comfort of your own home? First-time fathers always get skittish. It does their wives no good. By the time I get to them, more times than not, the woman in labor is the more calm of the two. I have to focus my attention on pacifying a nervous husband. It’s not what they’re paying me for.
I tell Leo one more minute until I shampoo his hair, and then fire off a quick text, suggesting my client have a snack to keep her energy up, herself nourished. I recommend a nap, if her body will let her. The night ahead will be long for all of us. Childbirth, especially when it comes to first-time moms, is a marathon, not a sprint.
Josh is home. He’s in the kitchen cleaning up from dinner while Delilah plays. Delilah’s due up next in the tub. By the time I leave, the bedtime ritual will be done or nearly done. I feel good about that, hating the times I leave Josh alone with so much to do.
I draw up my text and then hit Send. The reply is immediate, that all too familiar ping that comes to me at all hours of the day or night.
I glance down at the phone in my hand, expecting it’s my client with some conditioned reply. Thx.
Instead: I know what you did. I hope you die.
Beside the text is a picture of a grayish skull with large, black eye sockets and teeth. The symbol of death.
My muscles tense. My heart quickens. I feel thrown off. The small bathroom feels suddenly, overwhelmingly, oppressive. It’s steamy, moist, hot. I drop down to the toilet and have a seat on the lid. My pulse is loud, audible in my own ears. I stare at the words before me, wondering if I’ve misread. Certainly I’ve misread. Leo is asking, “Is it a minute, Mommy?” I hear his little voice, muff led by the ringing in my ears. But I’m so thrown by the cutthroat text that I can’t speak.
I glance at the phone again. I haven’t misread.
The text is not from my client in labor. It’s not from any client of mine whose name and number is stored in my phone. As far as I can tell, it’s not from anyone I know.
A wrong number, then, I think. Someone sent this to me by accident. It has to be. My first thought is to delete it, to pretend this never happened. To make it disappear. Out of sight, out of mind.
But then I think of whoever sent it just sending it again or sending something worse. I can’t imagine anything worse.
I decide to reply. I’m careful to keep it to the point, to not sound too judgy or fault-finding because maybe the intended recipient really did do something awful—stole money from a children’s cancer charity—and the text isn’t as egregious as it looks at first glance.
I text: You have the wrong number.
The response is quick.
I hope you rot in hell, Meredith.
The phone slips from my hand. I yelp. The phone lands on the navy blue bath mat, which absorbs the sound of its fall.
Meredith.
Whoever is sending these texts knows my name. The texts are meant for me.
A second later Josh knocks on the bathroom door. I spring from the toilet seat, and stretch down for the phone. The phone has fallen facedown. I turn it over. The text is still there on the screen, staring back at me.
Josh doesn’t wait to be let in. He opens the door and steps right inside. I slide the phone into the back pocket of my jeans before Josh has a chance to see.
“Hey,” he says, “how about you save some water for the fish.”
Leo complains to Josh that he is cold. “Well, let’s get you out of the bath,” Josh says, stretching down to help him out of the water.
“I need to wash him still,” I admit. Before me, Leo’s teeth chatter. There are goose bumps on his arm that I hadn’t noticed before. He is cold, and I feel suddenly guilty, though it’s mired in confusion and fear. I hadn’t been paying any attention to Leo. There is bathwater spilled all over the floor, but his hair is still bone-dry.
“You haven’t washed him?” Josh asks, and I know what he’s thinking: that in the time it took him to clear the kitchen table, wash pots and pans and wipe down the sinks, I did nothing. He isn’t angry or accusatory about it. Josh isn’t the type to get angry.
“I have a client in labor,” I say by means of explanation. “She keeps texting,” I say, telling Josh that I was just about to wash Leo. I drop to my knees beside the tub. I reach for the shampoo. In the back pocket of my jeans, the phone again pings. This time, I ignore it. I don’t want Josh to know what’s happening, not until I get a handle on it for myself.
Josh asks, “Aren’t you going to get that?” I say that it can wait. I focus on Leo, on scrubbing the shampoo onto his hair, but I’m anxious. I move too fast so that the shampoo suds get in his eye. I see it happening, but all I can think to do is wipe it from his forehead with my own soapy hands. It doesn’t help. It makes it worse.
Leo complains. Leo isn’t much of a complainer. He’s an easygoing kid. “Ow,” is all that he says, his tiny wet hands going to his eyes, though shampoo in the eye burns like hell.
“Does that sting, baby?” I ask, feeling contrite. But I’m bursting with nervous energy. There’s only one thought racing through my mind. I hope you rot in hell, Meredith.
Who would have sent that, and why? Whoever it is knows me. They know my name. They’re mad at me for something I’ve done. Mad enough to wish me dead. I don’t know anyone like that. I can’t think of anything I’ve done to upset someone enough that they’d want me dead.
I grab the wet washcloth draped over the edge of the tub. I try handing it to Leo, so that he can press it to his own eyes. But my hands shake as I do. I wind up dropping the washcloth into the bath. The tepid water rises up and splashes him in the eyes. This time he cries.
“Oh, buddy,” I say, “I’m so sorry, it slipped.”
But as I try again to grab it from the water and hand it to him, I drop the washcloth for a second time. I leave it where it is, letting Leo fish it out of the water and wipe his eyes for himself. Meanwhile Josh stands two feet behind, watching.
My phone pings again. Josh says, “Someone is really dying to talk to you.”
Dying. It’s all that I hear.
My back is to Josh, thank God. He can’t see the look on my face when he says it.
“What’s that?” I ask.
“Your client,” Josh says. I turn to him. He motions to my phone jutting out of my back pocket. “She really needs you. You should take it, Mer,” he says softly, accommodatingly, and only then do I think about my client in labor and feel guilty. What if it is her? What if her contractions are coming more quickly now and she does need me?
Josh says, “I can finish up with Leo while you get ready to go,” and I acquiesce, because I need to get out of here. I need to know if the texts coming to my phone are from my client or if they’re coming from someone else.
I rise up from the floor. I scoot past Josh in the door, brushing against him. His hand closes around my upper arm as I do, and he draws me in for a hug. “Everything okay?” he asks, and I say yes, fine, sounding too chipper even to my own ears. Everything is not okay.
“I’m just thinking about my client,” I say. “She’s had a stillbirth before, at thirty-two weeks. She never thought she’d get this far. Can you imagine that? Losing a baby at thirty-two weeks?”
Josh says no. His eyes move to Leo and he looks saddened by it. I feel guilty for the lie. It’s not this client but another who lost a baby at thirty-two weeks. When she told me about it, I was completely torn up. It took everything in me not to cry as she described for me the moment the doctor told her her baby didn’t have a heartbeat. Labor was later induced, and she had to push her dead baby out with only her mother by her side. Her husband was deployed at the time. After, she was snowed under by guilt. Was it her fault the baby died? A thousand times I held her hand and told her no. I’m not sure she ever believed me.
My lie has the desired effect. Josh stands down, and asks if I need help with anything before I leave. I say no, that I’m just going to change my clothes and go.
I step out of the bathroom. In the bedroom, I close the door. I grab my scrub bottoms and a long-sleeved T-shirt from my drawer. I lay them on the bed, but before I get dressed, I pull my phone out of my pocket. I take a deep breath and hold it in, summoning the courage to look. I wonder what waits there. More nasty threats? My heart hammers inside me. My knees shake.
I take a look. There are two messages waiting for me.
The first: Water broke. Contractions 5 min apart.
And then: Heading to hospital.—M.
I release my pent-up breath. The texts are from my client’s husband, sent from her phone. My legs nearly give in relief, and I drop down to the edge of the bed, forcing myself to breathe. I inhale long and deep. I hold it in until my lungs become uncomfortable. When I breathe out, I try and force away the tension.
But I can’t sit long because my client is advancing quickly. I need to go.
Excerpted from Local Woman Missing @ 2021 by Mary Kyrychenko, used with permission by Park Row Books.
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About the Author
Mary Kubica is the New York Times and USA Today bestselling author of six novels, including THE GOOD GIRL, PRETTY BABY, DON’T YOU CRY, EVERY LAST LIE, WHEN THE LIGHTS GO OUT, and THE OTHER MRS. A former high school history teacher, Mary holds a Bachelor of Arts degree from Miami University in Oxford, Ohio, in History and American Literature. She lives outside of Chicago with her husband and two children. Her last novel THE OTHER MRS. was an instant New York Times bestseller; is coming soon to Netflix; was a LibraryReads pick for February 2020; praised by the New York Times; and highly recommended by Entertainment Weekly, People, The Week,Marie Claire, Bustle, HelloGiggles,Goodreads, PopSugar, BookRiot, HuffingtonPost, First for Women, Woman’s World, and more.Mary’s novels have been translated into over thirty languages and have sold over two million copies worldwide. She’s been described as “a helluva storyteller,” (Kirkus Reviews) and “a writer of vice-like control,” (Chicago Tribune), and her novels have been praised as “hypnotic” (People) and “thrilling and illuminating” (Los Angeles Times). LOCAL WOMAN MISSING is her seventh novel.
