#historicalfiction – Avonna Loves Genres

Friday Feature Author Interview with Elise Cooper: The House for Lost Children and The German Sisters by Marty Wingate

Elise’s Thoughts and Book Descriptions

The House for Lost Children and The German Sisters by Marty Wingate take readers on an emotional roller coaster ride. People will realize how kindness, compassion, and security can help in restoring hope to those who have experienced severe trauma and heartache.

The plot of The House for Lost Children has divorced Lady Louisa Brightford and her best friend/cook, Iris, alone in a countryside mansion. David, her son, is away flying Spitfires for the British Air Force. Trying to keep relevant, she learns of a group of children and their two teachers displaced by a bombing in London. Realizing Oxburrow Manor can be a boarding school for the nine evacuee children, she calls the family lawyer and asks for his assistance in moving them to the mansion.

One of the children, Gracie, is traumatized to the point of becoming mute after being buried in the rubble with her dead mother. Louisa adores all the children and does everything she can to give them a good home but takes a special interest in Gracie. She has not spoken since she lost her mother, but clings to Louisa who continues to offer her love. Louisa also finds herself becoming closer to Jack Barry, one of the teachers. So, when the governors of the charity that run the school threaten to take the children away because she is a divorced woman, she will do everything in her power to keep them.

The second book in the series, The German Sisters, was inspired by the true events surrounding Kindertransport. It’s a bitter- sweet story. The girls, Dagmar and Heike, were sent to an unknown country, England, to escape the horrors of the Nazi persecution of the Jews yet while at Oxburrow with Louisa they have fellowship, love, and begin to heal.

Louisa and Dagmar form a bond and offer each other love and understanding, drawing from each other’s strength. Dagmar realizes as the older child she must be responsible for Heike, but once at Oxburrow a lot of that responsibility is no longer needed. Now Dagmar must try to find out what happened to her parents and does so with Louisa’s help.

These stories seem very realistic. They are both heart wrenching and heartwarming. Readers will take the emotional journey with the endearing characters. The only fault with these books is that there are no more books to read in the series.

***

Author Interview

Elise Cooper: Did you do research about the evacuees?

Marty Wingate: I had read about the evacuees while doing research for my other book Glamour Girls. I had also, in my own reading that I’m interested in, come across references to evacuees and where they went. I’ve seen stories on television about it. There’s one of my favorite wartime series, “Foyle’s War,” a British series which had a boy featured, who was an evacuating. So, I knew about the evacuees. And I thought this would be fun having her take in a bunch of children and animals. The idea where a lot of different people stuffed in one house is always fun. In the second book, The German Sisters, readers will see how the children adapted during the book. There are a couple of them that stayed including Gracie, Athena and George.

EC: In the first book, The House for Lost Children, there was a scene where Louisa, the female lead, was worried about losing her mansion. Please explain.

MW: I knew houses had taken in evacuees, and some country houses could be used for any purpose in the war. Sometimes the army would take them. That was what she was afraid of. Her ex-husband would want to burn the place down so he could get it back again, get the land back. They could also be used for hospitals as well.

EC: How would you describe Louisa?

MW: She is a very generous person and considered herself a part of the village. She was not a snobby entitled person. When the children came to live with her, she had welcoming arms along with her cook who happened to be her best friend, Iris. Both women were generous, loving people. Her mom had died and her father was not around a lot because he had to work, so she was pretty much left on her own. She missed having that home life. I think that Louisa was always looking for an opportunity to have that big family that she always wanted. The way she fulfilled the need of hers was to invite all these children and adults to stay at Oxburrow Manor.

EC: How would you describe the setting of Oxburrow?

MC: The village Debden Ash is made up, but Suffolk, of course, is not made up. Suffolk is a real county. And a lot of it is very flat. I love Suffolk. We go to England a lot, and we are always staying, either at the coast in Suffolk or in, western Suffolk inland. I saw a manor and like some characters, the setting just came to me. I pictured it as a country house, but early Victorian, and after several generations of not having a whole lot of money around, getting to be a little shabby. Also, there’s a book by Robert Bly titled Akenfield, which is about a village of the same name. There was a reference in that book of how Akenfield was really hidden away, because it wasn’t on the main road, but a Roman road running by it. Where there was a little fold of land, and so people almost didn’t notice it. People wouldn’t even realize they were passing it because it wasn’t on the main road. So that’s how I created my vision of Oxburrow.

EC: What was the impact of Oxburrow?

MW: It was a place to heal, where children could thrive in both books. It became a home and a family to the children. It helped them with their trauma. And it was mystic. The children felt safe and protected there. I wrote how not only the children, but the adults as well, were disparate people who have their own stories and their own secrets and how they interacted within Oxburrow.

EC: What about Louisa’s relationship with one of the children, Gracie?

MW: The House for Lost Children is Gracie’s story too. Her backstory is that in the bombing, several of the children’s mothers died. Gracie and her mother were buried for two days before they were found in the rubble. This was an actual news story I read of the time. It was just heartbreaking, because they find Gracie’s mother dead, and there’s Gracie holding her hand, and will not let go. Obviously, Gracie has an enormous amount of trauma, thinking her mother’s death is her fault. When she first comes to Oxburrow she is not talking. And of all the children, Louisa sees the trauma in her more clearly. The other children miss their mothers, and they act out a little bit in other ways, but Louisa realizes she can help, and that’s how she and Gracie bond.

EC: Did Louisa in Gracie’s mind become her new mom?

MW: Gracie wears Louisa’s clothes because it soothes Gracie and helps her feel safe. Gracie’s mother loved her daughter and now that love, that support, and that security is gone. She knows her real mother died, but has a good replacement in Louisa, realizing she has security and love once again. I can’t say that Gracie would ever get rid of all that guilt, but it becomes understandable, just like grief does after a while, it doesn’t hurt as much.

EC: Why was divorce considered so bad?

MW: I turned in the first draft of the manuscript I had a conversation with my editor who is younger than I am. She said, ‘I don’t understand why that’s bad.’ I realized that I had to paint a better picture about what divorce looked like during those times. Louisa couldn’t get remarried in the Church of England at that time. There was still a huge stigma. Louisa and Jack grow close but she was afraid to commit to marriage. I think she did not face up to her hidden fear. that maybe she was the one that wrecked her marriage. She questions if it was her fault. We take on guilt that we shouldn’t a lot of times, and that’s what had happened to her.

EC: Divorce played a role for Mrs. Harrison, the children’s guardian and head mistress. Do you agree?

MW: Mrs. Harrison did not look beyond the person, because Louisa divorced. I think that she acts in that way because believes she is right. I think she’s a very caring person. She’s a very good teacher and always good with the children. She could not imagine letting the children share a house with a woman who had broken the rules, whether they were moral rules or the rule of law. She’s just too strait-laced, and it was very difficult for her to get through that. She did, but it was very difficult.

EC: What about Jack Berrie?

MW: The First World War was an awful war, where he lost friends, and was traumatized. He got married, had a baby, and his wife died, which certainly didn’t make it any better for Jack. He had a rough life, until he ended up falling into what he had always wanted to do in the first place, and that’s be a teacher. He’s a diamond in the rough.

EC: The second book, The German Sisters, has a powerful scene about the children having to leave their parents. Please discuss this.

MW: There’s a wonderful documentary from a few years ago called “Into the Arms of Strangers.” There were interviews with adults who had been part of the children’s transport coming out of Austria, Czechoslovakia, and Germany. They told amazing stories of how children had to say goodbye to their parents. The scene on the platform and on the train, came from one of those actual stories. The parents were devastated in having to give up their children and send them to a foreign country, England, but they wanted them to be safe. They wondered if they will ever see each other again.

EC: In the second book, Louisa eventually takes in two Jewish German evacuees. Can you describe the older sister, Dagmar?

MW: Dagmar and her sister Heike were two children who were part of the British rescue operation known as the Kindertransport. She’s responsible. She grows up too soon. She’s calm, fearful, a worrier, feels guilty, an observer, and is afraid for her parents. At the beginning of the story, she is ten years old when her parents say goodbye to them on the platform. The parents explained, ‘We must do this, we must get you out, but don’t forget to write the letters.’ Well, Dagmar took this on, literally, feeling she was the only one that could do this. And so that’s what follows her through the story.

EC: How would you describe the younger sister, Heike?

MW: She is sociable, attentive, sweet, happy, and rambunctious. She just bounces back. She’s tearful at first. She misses their parents, yet she thrives at Oxburrow. I think the two sisters are quite a contrast. She just fell in with Gracie and Athena, the two girls from the first book. It’s like, they are a threesome now, that she’s just that kind of girl.

EC: How would you describe George?

MW: I love George. He’s a bookworm. He was quiet in the house when there were a lot of children, but in the second book he gets a bigger part. He and Dagmar both have a way of ordering their world. They want things in the right place. I was so pleased that George had a friend. He and Dagmar are both inquisitive and love to learn, especially about maps. George and Athena have their mothers die in the bombing in the first book, but their fathers are still alive. Athena’s father is a jazz musician in London. Sometimes she thinks she hears him on the radio playing in his orchestra. And George’s father is in the merchant navy on some ship somewhere. They have that hope that they will be a family, but in the meantime, they are quite content to be with Louisa.

EC: What role does Rebecca play in the story?

MW: She has secrets and is too direct at times, can be abrupt. She works for the Jewish Refugee Committee. Her sister, Mrs. Gedge, is a Quaker and Rebecca is not. She is caring and responsible.

EC: Next book?

MW: I got a two-book deal for the historical fiction. So, it looks like these are going to be the only two. I’ve really enjoyed writing them, and I love writing about World War II.

My next book is a Christmas mystery, titled A Murder is Rehearsed, coming out in November. Its set in England and Scotland, maybe in Wales too. There is a tradition going back to early Victorian times to put on a pantomime at Christmas. They’re comedy parodies that are hugely popular even today in theaters at Christmas time. I’ve decided to set this murder mystery at a production of Cinderella in a little town in Kent in England, in 1952. Cinderella’s coach, is on a fly rigging, up above the stage and then comes down when it’s time for Cinderella to look as if she’s getting in her coach to go to the ball. But someone releases the brake on the fly rigging and it falls and hits the actor who is playing the fairy godmother and kills him.

THANK YOU!!

***

BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.

Friday Feature Author Interview with Elise Cooper: Where the Sky Begins by Cindy Dees and Mary Wine

Book Description

In 1929, twenty daredevil women take to the skies in the most dangerous race of their lives.

Florence “Pancho” Barnes—heiress, rebel, and the most colorful pilot in America—can outfly, outswear, and outdrive any man. When Hollywood tries to turn the first-ever cross-country National Women’s Air Derby into a publicity stunt with movie starlets and their male “mechanics” doing the real flying, Pancho rallies the greatest female aviators of the era to fight back.

Alongside aviation legends Amelia Earhart, Louise Thaden, and Marvel Crosson, these fearless women demand the right to fly solo across 2,800 miles of treacherous terrain in primitive, fragile aircraft held together by glue and prayers. But as the race begins, sabotage strikes. Someone wants these women to fail—or worse.

As increasingly serious incidents mount, the pilots realize they’re not just racing for glory. They’re fighting for their lives and the future of women in aviation. United in their determination to finish the derby, they refuse to back down, watching each other’s backs as they barrel across the country in a white-knuckle race that will determine once and for all whether women belong in the skies.

From high-speed car chases to emergency landings, speakeasy showdowns to courtroom battles, Where the Sky Begins is a thrilling ride through one of aviation’s most dramatic chapters—a story of courage, sisterhood, and the unbreakable spirit of women who refused to be grounded.

***

Elise’s Thoughts

Where The Sky Begins by Cindy Dees and Mary Wine will take readers on a thrilling ride emphasizing how women aviators displayed courage, sisterhood, and the unbreakable spirit of those who refused to be grounded. It is a reminder of how these women pilots in the late 1920s had to overcome insults, injustices, and obstacles simply because they were women.

The story is based on the National Women’s Air Derby which took place in 1929. The derby was a race of 20 daredevil women flying from San Bernardino to Cleveland, although the authors concentrated on four: Florence “Pancho” Barnes, Amelia Earhart, Louise Thaden, and Marvel Crosson, But, as the race begins, sabotage strikes. Someone wants these women to fail, or worse die. As increasingly serious incidents mount, the pilots realize they’re not just racing for glory but fighting for their lives and the future of women in aviation. They band together in their determination to finish the derby. Undeterred by the dangerous obstacles thrown at them, they refuse to back down and watch each other’s backs.

This exciting and extraordinary story was brought to the forefront in the novel by Dees and Wine. Readers will turn the pages to discover what could possibly happen next. The afterword is a bonus, explaining which parts are fictionalized and which are true.

***

Author Interviews

Elise Cooper: How did you get the idea for this story?

Mary Wine: This is our third collaboration. I was in what’s called WHAM, which is an air museum in the Pacific Northwest. I was walking along in there with its hangars of old airplanes and vehicles and all kinds of bits of history. I enjoy prowling through old dinosaur bones of history. It’s something I really enjoy. I wandered around, and I found this ancient newspaper, and it had a headline that said, ‘Women are naturally handicapped by their dependence on men, and shouldn’t be in the cockpit.’ This was a headline that ran in one of the local papers. I knew I needed to dig deeper. I must know what dinosaur bone this is and when I got the whole idea, I ended up reaching out to Cindy.

EC: What was the writing process?

Cindy Dees: We sat down together and talked out the plot. I am a story structure geek, and Mary has massive experience in the TV and film industry and knows that story structure very well. And, of course, she has written dozens of historical novels and some contemporary stuff. We hammered out the plot. And the plot was kind of written for us by history. But because Mary has a lot of experience writing historical novels, she’s one of those historical writers that gets the historical facts correct. This is unusual, particularly in the romance industry. A lot of the facts are wildly wrong. But she is really gifted at saying, here are the facts. Where is the really good story among those facts? And so, she really, truly found the story. She told me, ‘I think these are the main characters whose points of view are really important,’ and I was like, ‘yep, I totally agree.’ And then we came up with kind of the skeleton of how we were going to cover the race.

EC: How did you narrow down the cast of characters?

Cindy Dees: There were multiple FBI agents and police officers involved in investigating the various acts of sabotage, but we don’t want a cast of a thousand. Let’s create one fictitious kind of amalgam FBI character for that. We also needed some race officials that are acting in bad faith. Let’s just create one.

EC: What was true?

Cindy Dees: We don’t have names of actual race officials that were doing some of the shenanigans but the shenanigans were absolutely happening including the arguments over trying to get the women to land at fields that they were going to crash on because the fields were too short. The argument of how close they were flying to the Mexican border. Those were real arguments. There was clearly bribery happening. I couldn’t tell you who bribed who but it was very clear there was bribery, buyoffs, and payoffs happening for the route of the race. Cities, industries, betters, and all kinds of people were paying to get the race to come through their town. So, Mary did a ton of that research and then we kind of talked through how to amalgamate a lot of that research.

Mary Wine: There was a fair bit of discussion about how to open the book. It took us a bit to find openings and we tried a couple of different openings. We wrote three separate openings to the book. Both of us wanted this to be a filmable opening. An opening sequence that you see when you go to the movies that makes you sit your tail down and stop checking your text messages. I guided the opening to a nice big action scene, and wrote that scene.

EC: Why the four pilots?

MW: We decided because there were so many pilots in this race, over 20 of them, to narrow it down to the story happening between basically four of them.

EC: How would you describe the four pilots? First, Pancho?

CD and MW: They were similar in that they were all passionate about flying, and they were all certainly quite frustrated with the strictures being put on women as pilots. They were four of the strong voices as we did our historical research on the race that spoke out for organizing the women, pushing back against the things that were unsafe, sticking together, refusing to stop the race, and were four of the most dynamic, but that is where all the similarities end. Pancho Barnes was an heiress, big personality, bold personality, and a rebel at heart. Pancho was one of the race organizers. And it’s why she could threaten the boycott that the pilots did. And she was the mouthpiece. She organized all the pilots, and they all agreed to the boycott to make sure only experienced pilots raced. She had that clout, because she was on the organizing committee. She has this big, loud personality. A lot of money and takes no guff.

EC: What about the famous Amelia Earhart?

CD and MW: She was a celebrated pilot, but ‘Lady Lindy’ didn’t fly in that flight over the ocean, that they gave her a ticket tape parade. And believe it or not, Amelia Earhart had a big problem with that. She was the one who called herself a sack of potatoes. She wanted to be in this race because she was going to be at the controls of the aircraft. It was very important to her. This derby was the moment that she got to be an aviator. She was 100% passenger on that famous flight. Amelia was really embarrassed and humiliated by that. The reality is, Amelia at that time was not a particularly experienced pilot. She had crashed a couple of airplanes. She was not considered to be one of the premier aviators of the day, although they all really respected her celebrity and they really appreciated the attention she was bringing to women pilots. They held her no ill will. But they all knew she wasn’t much of a pilot. This was her opportunity to really come out and step into her shoes as a real aviator. She had something to prove. She has a big chip on her shoulder, a big case of imposter syndrome, and then a big tragedy as the race begins, losing her longtime dear friend and mechanic, who died the night the race started in a plane crash.

EC: What about Louise Thaden?

CD and MW: She was by far the most accomplished aviator of all of them at that point. She was the best pilot, and all the women expected her to win the race going in. She was already doing some test flying. She had the first commercial pilot’s license. She was the consummate professional, poised, and self-contained.

EC: Then there was the pilot of who died, Marvel Crosson?

CD and MW: Marvel was young, adorably cute, charismatic, and charming. She was America’s sweetheart material. Even though everybody called Amelia Earhart, America’s sweetheart, because of the Atlantic flight that had already happened, Marvel was setting a lot of records at that time. She was doing altitude records. She recently had set the world altitude record before that race. She was a bush pilot in Alaska, which was known to be exceedingly dangerous. She was kind of the mascot of the race where everybody took her under their wing. Even though Pancho Barnes was only five years older than Marvel, she thought of her as a little sister, and protected her, looked out for her. Everybody felt very protective toward Marvel, even though Marvel was a hot stick pilot.

EC: What role did Blanche Noyes play in the story?

CD and MW: Blanche Noyes, a pilot and an actress was very important in teaching all the women how to be in front of the cameras, and how to give a good interview. Because of her indirectly the name “Powder Puff Derby” came about. The women pilots were getting ready for some press, and they all had brown and black sort of greasy mess all over their faces, sweaty, and then they would take their goggles off and they would have these white eyes staring at you, looking like a racoon. She taught them how to powder around their eyes, to even out their skin tone, so they didn’t look like freaks on camera. After the first race, they were all lined up on a stage and Blanche said ‘everybody, pull out your compacts and powder around your eyes.’ Will Rogers saw them doing it and he called it the ‘Powder Puff Derby.’ It stuck and infuriated the women because it was a derogatory term. It was like calling them petticoat pilots. It was another way of saying arm candy.

EC: Why didn’t the women talk about the sabotage?

CD and MW: They had a pact. They were going to be ladies and they were not going to whine because everybody was waiting for them to whine so they could print horrible headlines about, ‘oh, these poor little women just can’t take it. See, we told you.’ They had a pact that lasted until their dying breath. They never talked about the sabotage. The only time they ever voiced it was during the inquiry meetings. They formed a sisterhood. A scene in the book where Amelia Earhart, busted her propeller. They all waited for her new propeller instead of taking off as they were supposed to get a leg up and winning because she was grounded. They said, ‘We’re here to fly against each other. We are going to wait till you fix your plane, and then we’ll go again.’

EC: What do you want readers to get out of the story?

CD and MW: How to face a challenge. I want people to understand that nothing feels like achievement. I think another really, important theme of the story is what is possible when you work together and you come together as colleagues, respect each other, and bring friendship with hard work. Never refuse to quit, because great things can be accomplished. And this race single-handedly opened the door for women pilots to follow. So, they were really breaking gender walls.

EC: Cindy, did being a former Air Force pilot influence you?

CD: Maybe I would never be a pilot if not for these women. I look at this and I think to myself, these women are amazing. They’re amazing just as they are. And I wanted to write them in full color. I wanted it to be more than a history book. I wanted to bring it out and say, ‘There’s big personalities here.’ These women plowed the road. I see doors where these women were met with walls. I wrote about the flying stuff.

EC: Next book?

CD: The next book on my horizon, will probably be the third Helen Warwick. It’s already sold for television, but that doesn’t mean anything, since I don’t control the timetable or money, all of that is way out of my control.

MW: I am writing a psychological thriller but there is no release date.

THANK YOU!!

Book Tour/Feature Post and Book Review: The Midwife at Ivy Cottage by Rebecca Alexander

Hi, everyone!

Today I am sharing my Feature Post and Book Review for THE MIDWIFE AT IVY COTTAGE (Wildflower Secrets Book #4) by Rebecca Alexander on this Bookouture Books-On-Tour.

Below you will find a book description, my book review, an about the author section and the author’s social media links. Enjoy!

***

Book Description

Imogen holds the faded photograph of a baby up to the golden light by the ivy-covered cottage. Her breath catches. The sweet face reminds her of a child she once cared for… and can never forget. Who is this baby, and why was his photograph hidden here?

After heartbreak turned her world upside down, Imogen was forced to leave her nursing job and the life she had built behind. Now she has come to a beautiful countryside village, where she’s renovating a tumbledown cottage she hopes to call home. She never imagined the wartime secrets it’s hiding. Or that working alongside Jaz, the warm-hearted, handsome local builder with a kind smile, will make her light up in a way she hasn’t for a long time…

Hidden inside the cottage she discovers the photograph of a baby, and the incredible story of Julia, a midwife who once lived at Ivy Cottage. Julia devoted her life to caring for the village’s mothers and babies during World War Two, at a time when every birth was full of danger. Including a tiny infant who she was determined to save…

As Imogen pieces together the little boy’s story and Julia’s extraordinary courage, she begins to confront the loss she has buried for so long. With Jaz by her side, could Ivy Cottage finally be the place where her heart begins to heal?

Goodreads: https://www.goodreads.com/book/show/250518392-the-midwife-at-ivy-cottage?ac=1&from_search=true&qid=bpg5GcdjGq&rank=1

Amazon: https://geni.us/B0GHPZRFGCsocial

***

My Book Review

RATING: 5 out of 5 Stars

THE MIDWIFE AT IVY COTTAGE (Wildflower Secrets Book #4) by Rebecca Alexander is a heartfelt, emotional dual timeline WWII historical fiction and women’s fiction mash-up with romantic elements in the Wildflower Secrets series. While these stories can be read as standalone books, there are many crossover characters in both the historical and present-day timelines which makes it more enjoyable reading them in order and reconnecting with the characters you loved in previous books.

Present Day: Imogen “Immy” and her father have come a long way in renovating the old manor house into a senior home with the help of a local contractor/carpenter, Jasper, “Jaz”. When she investigates the Ivy Cottage behind the manor to hopefully renovate for her personal use, she discovers a picture of a young boy, and she is determined to discover his past with the help of others in the town. He reminds her so much of the patient she lost as a pediatric ICU nurse before coming to help her father.

1940’s: Sister Julia is a trained midwife who survives the bombing of the hospital she works at. She is offered the position of helping evacuees, pregnant mothers and their small babies, billeted throughout the small villages on the moors. She is given the Ivy Cottage to live in behind the manor house. She becomes integral in the lives of many mothers and their babies as well as the young doctor in town to help his father’s practice. When a mother delivers a baby with Downs syndrome, Julia becomes more than professionally involved.

This is a story that is inspiring, heartbreaking, and deeply emotional with two women who are both dedicated professionals as well as troubled by an incident in their lives that could change their future paths. Immy and Julia are both strong women and while they work through personal and/or professional difficulties, they do it with grace. This is just an all-around endearing story with great characters and just the right amount of romance and history. If you have read the previous books and love all the seniors living in the manor, make sure you have tissues ready at the end of the present timeline.

I highly recommend this addition to the Wildflower Secrets series!

***

About the Author

Rebecca Alexander was born in Malta and grew up on the south coast of England, becoming a psychologist. She escaped parenting six children to study writing in 2011, and the Secrets series of novels was published in 2013. A Baby’s Bones and sequel followed. Rebecca lives in a haunted 300-year-old cottage in Devon where she grows fruit, paints, and bakes. She reads and writes all sorts of genres, from women’s fiction to fantasy to crime. She is married with four chickens, two grandchildren and a cat.

Mailing List: https://bookouture.com/subscribe/rebecca-alexander

Social Media Links

Website: http://www.rebecca-alexander.co.uk/

Goodreads: https://www.goodreads.com/author/show/6151960.Rebecca_Alexander

Book Tour/Feature Post and Book Review: The German Sisters by Marty Wingate

Hi, everyone!

Today I am sharing my Feature Post and Book Review for THE GERMAN SISTERS by Marty Wingate on this Bookouture book tour.

Below you will find a book description, my book review, an about the author section and social media links. Enjoy!

***

Book Description

1938, Germany. “Be brave, little one,” her mother whispers. Dagmar holds her hand tightly through the train window, trembling, trying not to cry. But as the train lurches forward, they are torn apart, and her mother is swallowed by the darkness.

As the train carries her far away from home, ten-year-old Dagmar’s hand tightens around her sister’s. As little Heike leans in, her acorn-coloured eyes wide, Dagmar is terrified she won’t be able to keep her safe…

Dagma heart aches for her mother but only children were allowed on board. The carriage is crowded; a small boy hugs a battered teddy bear and cries for his father. A girl her own age whispers that this train is rescuing Jewish children. But their families have been left behind…

As the train jolts along the track, Dagmar holds her breath. Her scuffed suitcase, with everything she owns inside, bangs painfully against her. Dagmar and Heike have nobody else but each other; what will happen to them? And will they ever see their mother again?

Goodreads: https://www.goodreads.com/book/show/252188237-the-german-sisters?ac=1&from_search=true&qid=GMbOadtuPc&rank=3

Amazon: https://geni.us/B0H1NHLSJ9social

***

My Book Review

RATING: 5 out of 5 Stars

THE GERMAN SISTERS by Marty Wingate is an emotional WWII historical fictional story of two young Jewish sisters evacuated to England on the Kindertransport from Germany. While this book is easily read as a standalone story, it is set in the English countryside at Oxborough Manor with the cast of characters previously introduced in “The House for Lost Children” also by this author.

Ten-year-old Dagmar and her little sister Heike are sent by their parents after Kristallnacht on the Kindertransport to England. Dagmar is told she must take care of her sister and write to let them know where they settle and write the Jewish refugee committee to ask for assistance in getting a travel visa for them to follow. A heavy burden for a ten-year-old especially with a war engulfing Europe. Will they ever see their Mutti and Vati again?

After a fire in the first home they are settled in, the sisters end up resettling at Oxborough Manor with Lady B, Jack, and other evacuated children from London. As they settle into the manor, they are surrounded by the love and understanding they need, but will it be enough for Dagmar to let others help with her worries and burdens?

This is an emotional roller-coaster of a story. Dagmar has so much placed on her young shoulders and she does not know how to ask for help without feeling they will lose what they have if they need anything. Her continued letter writing was heart-breaking. When the sisters end up at Oxborough Manor, I was so excited to revisit the characters I had come to love in The House of Lost Children. The entire book is full of situations and emotions that are realistic and kept me turning the pages. Make sure you have plenty of tissues ready for the epilogue.

I highly recommend this moving WWII historical fiction!

***

About the Author

Marty Wingate is a USA Today best-selling author of both mysteries and historical fiction. Marty enjoys weaving humor into her books and creating characters—from quirky and loveable to sinister and duplicitous—that leap off the page. Before embarking on her series about the London Ladies Murder Club with Bookouture, Marty published three contemporary cozy mystery series (the Potting Shed, Birds of a Feather, and First Edition Library books). She has also published two standalone books of historical fiction and found stories of the past to be compelling. She’s delighted to combine her penchant for both mysteries and histories to bring her readers more satisfying stories. Marty currently resides near Seattle, Washington.

Mailing List: https://bookouture.com/subscribe/marty-wingate

Social Media Links

Website: http://martywingate.com/

Facebook: https://www.facebook.com/martywingateauthor/

BookBub: https://www.bookbub.com/books/the-german-sisters-completely-heartbreaking-and-unforgettable-world-war-two-fiction-by-marty-wingate

Friday Feature Author Interview with Elise Cooper: Echoes of Infamy by Shaina Steinberg

Book Description

In postwar Los Angeles, former spies Evelyn Bishop and Nick Gallagher dig into shady real estate dealings, murder, and the appalling aftereffects of Japanese American internment during World War II.

Now president of her father’s company, Bishop Aeronautics, Evelyn is presiding over a groundbreaking ceremony for the expansion of her factory when she is approached by Billy Takemura, a Japanese American soldier who announces that she’s building on stolen land.

Like Evelyn and Nick, Billy is a war hero. He served in the decorated 442nd Nisei company, while most of his family were forcibly interned at Manzanar. Their thriving family restaurant, and the land it occupied, were taken while they were in the camp.

Determined to right this wrong—and concerned about her father’s possible involvement in profiteering—Evelyn enlists Nick in her investigation. What starts as a discovery of widespread fraud quickly graduates to murder. Suspects range from an unscrupulous business partner to a bitter widow to Billy’s hotheaded brother. It’s up to Evelyn and Nick to expose the truth. However, it’s not easy when Evelyn is fending off betrayal in her own company and Nick’s brutal childhood returns to haunt him.

Nothing is as it seems as secrets threaten to destroy the life they have worked so hard to build .

***

Elise’s Thoughts

Echoes of Infamy by Shaina Steinberg intertwines a black mark of American history with an intense mystery. The internment of American Japanese during World War II is a period marked by significant injustices and Steinberg skillfully shows the struggles of that community post-World War II.

The story follows the Japanese American Takemura family. The female lead, Evelyn Bishop is President of her father’s company, Bishop Aeronautics. She is presiding over a groundbreaking ceremony for the expansion of her factory when approached by Billy Takemura, a Japanese American soldier who announces that she’s building on stolen land. Like Evelyn and Nick (her husband), Billy is a war hero. He served in the decorated 442nd Nisei company, while most of his family were forcibly interned at Manzanar. Their thriving family restaurant, and the land it occupied, were stolen by a carpetbagger while they were in the camp. Billy implies that the land was fraudulently purchased. Moreover, things go from bad to worse after a construction worker, preparing the factory’s foundation, unearths a corpse with its head bashed in. Evelyn and her husband Nick decide to investigate, because shady law enforcement seems to be dragging their feet and stalling the official cause of death.

The other sub-plots of the story include women empowerment, Nick’s family issues that include abuse, and misogyny. Steinberg skillfully ties everything together in a satisfying and emotional way.

The reader is immersed in the era with the attention to historical detail. The story is gripping and enlightening with a mystery that has intrigue.

***

Author Interview

Elise Cooper: How did you get the idea for the story?

Shaina Steinberg: I’m Jewish, and I watched people coming out of the concentration camps, and trying to find their friends, and trying to find their family, and trying to find where to go. And I think so many people have written so many incredible, brilliant books about the Holocaust, that I decided not to write about it. But I think there’s such a strong parallel with the Japanese and Japanese American people who returned, in interned, down the West Coast.

EC: Did you base the story on anyone?

SS: No, it wasn’t based on anyone. I did a lot of research. I read a book called Farewell to Manzanar which is a memoir by Jeanne Wakatsuki Houston and James D. Houston about their experiences before, during, and following their relocation. Naomi Hiriahara, who is also a mystery writer, wrote a brilliant book called Evergreen, about a family who had been interned, and moved to Chicago.

EC: You seem to have a lot of subplots in the story. There’s murder, there’s Rory, there was Lewis, there was Willa. Was there a reason for that?

SS: We look at mystery books, and usually murder, but not always, as being the center of the plot. And I think that whenever you have something major in your life, your life doesn’t stop. I think of Nick, I really enjoyed writing that part because he’s had such a horrible family, such a hard life. And in many ways, he and Evelyn are opposite in that respect.

EC: Carl seemed very single-minded that he got angry at Evelyn without even talking to her. Is that a fair statement?

SS: Yes. Absolutely. Carl was angry at her because she continued associating with her dad, who she loved very much. But, her dad did something very bad as well. And once he took a step back, he realized that what he was angry about was not that big of a deal. It’s the small thing, and then it’s this massive thing behind it, and it appeared that was the straw that broke the camel’s back. And I think for Carl, it was difficult not to be able to be who he is and not feel his friends would accept him for who he is. Plus, there was the constant fear of being discovered, because, obviously, being gay in the 40s, is a lot different from being gay now. We’ve made so much progress and thank God for it. And I think that with Carl, it probably feels very unfair that he must hide how he feels and who he is. And it’s just one more secret on top of everything. I think he is annoyed and not thrilled that Evelyn is talking to somebody who he thinks is a traitor, who he believes did horrible things. But I don’t think that element, per se, is why he cut her out. I think it’s him needing to deal with a lot of his own stuff

EC: How would you describe Rory, Nick’s nephew?

SS: I love Rory. I think that he’s smart, and driven, and curious, and dealt a bad hand in life. And I think Nick sees himself in this kid. And he saw somebody who was completely innocent. They both had a second chance for family. I really admire Rory for being able to be self-directed enough to make a change, to make his life a little bit better. It is difficult to step outside a comfort zone, but he really does that. Rory was abused in the book. His mother would let the men in her life knock him around. And yet, he still doesn’t want people’s pity or charity. He doesn’t want to open his life and say to people, look at how hard this has been.

EC: What role did Lewis, the executive director, play in the story?

SS: I think Lewis is unfortunately a typical man for that era. He’s misogynist, but doesn’t know that word, wouldn’t think of it. He’s the kind of man who sees a very strong difference between the sexes and believes that women have a particular role, and that role is not president of the company, which is Evelyn’s position. He watched Evelyn grow up from, her toddler years, all the way into a grown and a very capable woman. And I think that it can be hard, not just for Lewis, but a lot of people to see someone they knew from childhood going off to college. And with strong opinions and passions. And he had a hard time not seeing her as a child anymore.

EC: Is there women empowerment in the story?

SS: I think Evelyn has been fighting the good fights since the beginning of the series. And, Willa, who had engineering and chemistry degrees from UCLA, now going for her PhD, and working brilliantly for the company, even finding broken brackets on the plane’s engine mounts. She has this job that she loves. But it’s not necessarily easy. She’s coming into a world of these men, and asking them to take her seriously at a time when women weren’t really taken seriously. Unlike Evelyn, Willa comes into a department where she’s the only woman, she’s on the bottom of the totem hole, she has a very different experience. And as much as I love Evelyn, I do think sometimes it can take her a minute to look around and see that other people’s experiences are different from hers. even if it’s lumped into the same general category.

EC: Do you think Evelyn is a feminist?

SS: Absolutely. Even though she’s a feminist, she was brought up in the other world, too. Evelyn was expected to become a wife, and a mother, and a socialite, and I think that if the war had never happened, it is probably a life that would have never fit her well, but it was probably the life she would have had. Yet the war happened, and she went to save her brother, and she found herself in many, many ways, and she found her strength. When she came back, going back into that prescribed role really didn’t fit her. And she knew herself well enough to know that this is something she couldn’t do.

EC: How would you describe the villain in the story, Russell Clements?

SS: Clements was a scam artist, uncaring, self-centered, and unlikable. He also took advantage of the American Japanese situation during the war.

EC: What do you want to say about the three American Japanese children?

SS: Hanzo, Mary, and Billy Takemura. It’s a family story. But they had conflicts. Hanzo and Billy have butted heads ever since they were kids. They each have different strengths. And they can struggle to respect the other ones’ strengths. Hanzo was never able to understand why Billy went and fought for a country that put their family in these horrible camps. And Billy will never overcome his resentment, because he feels that Hanzo abandoned the family. And I think Mary is in the middle. She can see both sides, but at the end of the day, Hanzo was the one who pulled the family out of the camp. Hanzo was the one who helped them relocate to Chicago. So, in many ways, yes, there’s this massive historical event that affects their family dynamics.

EC: What do you want to say about the Japanese internment camps?

SS: I explain in the book that the Japanese Americans were rounded up like cattle. They were only entitled to one single suitcase. The vultures circled, trying to buy heirlooms for nothing on the dollar. Their living conditions weren’t great.

EC: What do you want to say about Billy’s unit the 442^nd Infantry Regiment?

SS: It was an American Japanese unit that fought for America. A lot of them went out with the motto of wanting to prove their loyalty, their family’s loyalty, to the United States. When they left, their parents might have approved, or they might not have approved. But almost universally, their parents told them, ‘Don’t shame the family. Go out and make us proud.’ And I think they really carried that very strongly into battle. They were incredible fighters. There were many times when they broke through the German lines after people said it was impossible. They were so incredibly brave, sometimes people recognized their humanity and the sacrifice they made. But, unfortunately, sometimes they came home, and were not accepted. People wouldn’t rent to them. There was a story of a guy who walked into a barbershop, wearing his army uniform, and the barber kicked him out, and said, ‘Nope, we will not serve you.’

EC: Next book?

SS: It will not be an Evelyn or Nick book. I’m writing a book about grief, and it centers on a young man who loses his father, and his father’s dying wish is for him to say Mourner’s Kaddish for a whole year. Traditionally, Jews are required to say the Kaddish for 30 days after burial for a child, spouse or sibling, and for 11 months after burial for a parent. It follows this young man as he grows and changes, and how he and his family struggle with that awful first year of grief. The working title is Kaddish.

THANK YOU!!

***

Friday Feature Author Interview with Elise Cooper: The Last Baby in Auschwitz by Anna Stuart

Book Description

Naomi Demetriou has survived three years behind the walls of Auschwitz. Torn apart from her family, every breath could be her last. She’s learnt to survive by secretly trading the clothes she’s forced to sort through in exchange for food. But when an SS officer singles her out, her life becomes even harder. And then she discovers she’s pregnant…

With the support of Ana, the kind midwife, and the other mothers in Barrack 24, Naomi does the impossible and gives birth to a tiny baby boy. Hiding in the shadows, Naomi vows to do whatever it takes to keep baby Isaac safe. With rumours circulating of an Allied invasion, Naomi holds onto the hope the camp will be liberated. And she dreams of returning to her house by the Greek sea with her son.

But the day comes when Naomi hears heavy footsteps and the harsh voice of an SS guard. ‘Out! Now! You can’t take anything with you!’ She’s shoved into a line of people being marched out of the iron gates. Thick snow falls around them. Tears sting in Naomi’s eyes.

It all happened so fast. And she was unable to grab the bundle of blankets containing her little boy. But Ana is still there, will she and the other brave women be able to save him?

***

Elise’s Thoughts

The Last Baby in Auschwitz is a very gripping and compelling novel. Inspired by true stories, this novel shows how the characters remained courageous in a time of unimaginable darkness. There is fear of not only losing their country, but also family, and who they are as they fight to survive the hellhole of Auschwitz.

The story follows two young cousins from a Jewish Greek family as each fight to survive. Naomi Demetriou is separated from her escaping family and captured by the Nazis. Lieke Demetriou is rounded up with her father, mother, and brother and sent to Auschwitz. Lieke’s mother is Austrian and has spoken to her daughter in German, so they are both bilingual. Because of this, Lieke and her mother are among the few prisoners chosen to work in the camp offices. Yet her father and brother are separated from them and forced into slave labor.

Throughout the years, the cousins occasionally speak to each other, at Auschwitz, and remind the other that as Naomi’s mother told them, their family ties are like a spider’s web and even when destroyed, the spider will keep rebuilding them. Now three years in Auschwitz these sixteen-year-olds learn to survive.

Naomi ‘s life gets even harder after she is singled out by a German SS officer who constantly takes her for his own sexual pleasure. She survives by thinking of her mother’s words and using the “gifts” he gives her to help others.

After discovering she is pregnant by him, Naomi vows to give birth and keep the baby. She is aided by Ana, the kind midwife, Ester, and others in Barrack 24. They hide the pregnancy and then the baby from the evil Kapo, Klara. Hearing rumors of an Allied invasion, Naomi holds onto the hope the camp will be liberated, and dreams of returning to her house by the Greek sea with her son.

Naomi and Lieke stories are ones of survival, resilience, and hope even during the dark times, enduring the evils of the Nazis with their total lack of humanity and cruelty.

***

Elise Cooper: Do you think this book is relevant today?

Anna Stuart: There is a huge antisemitism in Britian, and it is truly shocking. It is not seen as terribly serious. This is why these types of novels are relevant and important. It is very easy to forget about the Holocaust, and I don’t know why. It should not be forgotten considering the burning of people of all ages, the rapes, and the working of people to death.

EC: Idea for the story?

AS: I wrote Midwife of Auschwitz, the first book in the series that tells the story of Ana Kaminski and Ester Pasternak. This was followed by Midwife of Berlin. Naomi was also in the first book as a young counterpart to the others. When doing my research for these books I read about the Greek Holocaust. I really wanted to write about Naomi and what happened to the Greek Jews which is why I wrote this story. The overall thread is friendship and family and holding onto people.

EC: Were Greek Jews treated like the rest of Europe by the Nazis?

AS: The Nazis had a level of excessive disdain for them. They were considered more Eastern. They raped and pillaged the Greeks. The disparity between how the Jews were treated and the non-Jewish Greeks was much less than in other places.

EC: What was true in the story?

AS: There was an Italian zone in Greece, more of a safe zone for the Jews. The Italians in charge resisted deporting the Jews until the Germans took over Athens. The Italians did not consider the Jews the root of all evil as the Nazis were.

Black Sabbath was also true. The Nazis ordered the Jewish men to Platia Eleftherios, Freedom Square. They made the men do humiliating and meaningless exercises, forced into relentless calisthenics, and men were forced to drag one another across the square in races where the Nazis bet. Losers were shot. Those that lived were rounded up and sent into slave labor.

The Jewish Ghetto was interesting for me. They were transient camp ghettos, briefly lived in, because they were deported so quickly in an inhumane way. Some believed that the Germans were selling them land in Poland to get them to go quietly. It was the same trick they played when they offered people soap to supposedly go into the showers, but it was the gas chambers.

EC: How would you describe Naomi?

AS: A risk-taker, brave, determined, soft-hearted, cunning, independent, and tough. Once she got to Auschwitz, she felt humiliated, a slave laborer, bitter, lonely, and escaped through her memories. The way she coped is to try to find the positives. For example, her rapist gives her gifts that she passes on to others to help them survive. Ana and Ester were her mother’s substitutes. They were her new adoptive family.

EC: How would you describe Naomi’s mom, Agata?

AS: She seems to be one of the few who connected the dots. She is from Polish origin. She is tough but leaves Naomi with words of wisdom, such as, “Your body is your own,” that Naomi thinks about why being raped, trying to keep a part of herself.

EC: What is the role of the spiders?

AS: Naomi associated it with her mom Agata, a connection. Her mom told Naomi spiders are resilient creatures. They create these amazing webs. It is a symbol. The friendships in Auschwitz were a web that held together. These women clung onto each other. Just as the saying goes, “spinning the family web.”

EC: How would you describe Lieke?

AS: She is daring, hopeful, has a dry-wit, cynical, bold, protective, and resilient. I wanted a character who is Jewish, Greek, and can speak German. She speaks the language of the enemy, which ultimately saves her family. As the story progresses, she becomes stronger.

EC: What is the role of Mala?

AS: Mala is a real person. I kept her as a real person. She worked as an administrator in Auschwitz. She could have just stayed safe but did everything she could do help others. She helped link up Naomi and Lieke. She contrasts with the Kapos like Klara, also based on a real person, and Grunwald. The Kapos figured out to survive Auschwitz as they went over to the dark side.

EC: Why did you have Naomi want to keep the baby boy, Issac?

AS: Although he was a reminder of her rape, Naomi tried to divorce Issac from the Nazi father. She sees Isaac as a bit of her. Isaac became a symbol of saving all the babies who were lost. It is a defiance that proves love can win. Naomi is a positive person who saw Isaac as only hers.

EC: Do you only write Holocaust stories?

AS: I started writing Medieval novels under my real name, Joanna Courtney. My first series is called, “The Queens of Conquest.” Then the series, “Shakespeare’s Queens” and I have just finished a book in a new series “Women of the Ancient World,” titled “Cleopatra & Julius”.

EC: Next books?

AS: Midwife of Berlin is the sequel to the first book, Midwife of Auschwitz. It is set in Berlin in 1961. It explores what happened to Ester’s baby, taken away from her, in Auschwitz. Both are published now. The other books in the series that are also out are The War Orphan and The Secret Message. The Children on the Train is about the saving Jewish German children in 1938/39 and will be published in September.

THANK YOU!!