Today is my turn on the Books n All Promotions Blog Tour and I am sharing my Feature Post and Book Review for THE EVIDENCE (Detective Helen Carter Book #2) by Jodie Lawrance.
Below you will find a book blurb, my book review, the author’s bio and social media links. Enjoy!
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Book Blurb
SHE’S OUT OF UNIFORM BUT SHE’S STILL IN THE LINE OF FIRE.
Introducing the stunning follow-up in a thrilling new Scottish crime series starring Detective Helen Carter.
A young barmaid is found dead. She was murdered on her way home from work to look after her sick son.
Then another woman, Moira McKenzie, goes missing. All that’s left behind is a pool of blood and shattered glass.
Someone is terrorizing the women of Edinburgh and Detective Helen Carter means to stop them.
Helen is certain that Moira’s library records hold the key to her disappearance. But now she must convince her boss, Detective Inspector Jack Craven. And he doesn’t listen to her at the best of times . . .
Then another woman who suffered a similar attack to the murdered barmaid comes forward.
Helen knows the race is on to find Moira alive.
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MEET THE DETECTIVE
Detective Sergeant Helen Carter is used to getting a rough time of it at work. As one of the few women officers around, she has heard it all before: she’s only there as a box-ticking exercise, or she only got the job because of her father, who was a detective inspector. But she can handle it. She knows she can hold her own against any man on the force. The only thing she can’t handle, however, are the constant fights with her fiancé, Ted.
THE SETTING
Edinburgh CID in the 1970s is on the third-floor of the ugly, modern concrete lump that is the police station. On a sunny day, you can look right out to Arthur’s Seat. And on any day, you can see spotty-faced, bored teenagers coming and going from the local high school across the road. With its historic cobbled streets and fair share of deprivation, Edinburgh police are up against every type of criminal imaginable.
THE EVIDENCE (Detective Helen Carter Book #2) by Jodie Lawrance is the second Scottish police procedural crime story featuring female detective, Helen Carter in the mid 1970’s. This book starts closely after the story in the first book ends. This second book can be read as a standalone, but having read the first book, the characters are becoming more three dimensional.
Detective Helen Carter is called to the scene of the grisly murder of barmaid Tina French on her way home from work. While she and her colleagues begin working this case, an abused woman, Moira McKenzie is reported missing by her husband. Helen finds the signs of a terrible struggle in Moira’s home with a lot of blood, but no victim.
Helen is still physically recovering from her last CID case as she looks for a killer terrorizing the women of Edinburgh.
I really enjoy reading crime books set in the 1970’s. Helen has to be smarter and more tenacious than any of her male contemporaries being the first female detective in her CID unit. The books are character driven with intricate red herrings and clues due to the lack of so many scientific advancements that police rely on today. It made me cringe, knowing what we know today about investigations, when a fellow detective smoked a cigarette at a crime scene. All the characters are realistically portrayed and their personal lives are quite messy which only makes me want to learn more.
I recommend this throw back Scottish police procedural crime series.
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Author Bio
Jodie graduated from Manchester Metropolitan University in 2018 with an MA in Creative Writing. When not writing, she is also an actress and has appeared in a variety of television, stage and film.
Beauty and glamour meet deception and revenge in this electrifying novel by New York Times bestselling author Amanda Quick.
Investigative apprentice Lyra Brazier, the newest resident of Burning Cove, is unsettled when her boss suddenly goes on a health retreat at an exclusive spa and disappears without another word. Lyra knows something has happened to Raina Kirk, and she is the only one who can track her down. The health spa is known for its luxurious offerings and prestigious clientele, and the wealthy, socialite background Lyra desperately wanted to leave behind is perfect for this undercover job. The agency brings in a partner and bodyguard for her, but she doesn’t get the suave, pistol-packing private eye she expected.
Simon Cage is a mild-mannered antiquarian book dealer with a quiet, academic air, and Lyra can’t figure out why he was chosen as her partner. But it soon becomes clear when they arrive at the spa and pose as a couple: Simon has a unique gift that allows him to detect secrets, a skill that is crucial in finding Raina.
The unlikely duo falls down a rabbit hole of twisted rumors and missing socialites, discovering that the health spa is a façade for something far darker than they imagined. With a murderer in their midst, Raina isn’t the only one in grave danger—Lyra is next.
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Elise’s Thoughts
The Lady Has A Past by Amanda Quick (the pen name for Jayne Krentz) is another winner. This historical novel explores California in the 1930s with riveting characters and a suspenseful mystery.
The plot has private investigator Raina Kirk disappearing after spending a night with her boyfriend Luther Pell. Her apprentice, Lyra Brazier, Luther, and his private investigator Simon Cage realize that Raina has traveled to the plush spa resort of Labyrinth Springs Hotel. Simon and Lyra team up, posing as a honeymoon couple, and check in to the hotel to try to find Raina. They become suspicious of those working and staying at the hotel, discovering that the health spa is a façade for kidnappings and ransoms. Both must watch each other’s back and race with time to find Raina before it is too late.
Lyra is a great character with an uncanny intuitive nature. She is fearless, smart, and works well under pressure. She realizes that she and Simon make a good team considering he senses emotions from objects. Although he gives off an aura of nerdiness, he is nothing of the kind and is very good at connecting the dots.
Readers will enjoy not one, but two relationships in the book. Raina and Luther’s feelings about each other are explored, while Lyra and Simon realize they care for each other deeply. Besides the double romance people will be treated to a gripping mystery, tidbits of 1930s California, and very captivating characters.
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Elise’s Author Interview
Elise Cooper: Why 1930s?
Amanda Quick: The whole fantasy side of California at that time was sold to the public by the movie studios. I have in my head the quick lines that were in the movies and the brilliantly written plots. I love that fast repertoire and the quick wit. This suits my style because I am a very dialogue driven writer. Everybody has a sense of what the 1930s California setting looks like. They are iconic.
EC: Did you do research?
AQ: I enjoy going through books and newspapers about that time-period, and picking up odds and ends, bits and pieces. I stumbled across what happened in the spas and cosmetic industry that were quite the rage in the 1930s. These made perfect settings for a murder. I got an interesting question in my mind, looked for an answer, and then one thing led to another.
EC: You explore the backstory on Raina?
AQ: A lot of people including myself have been curious about her. I have never explained her background until this book where it becomes an issue. She wants a sense of belonging after being in an abusive marriage. After coming to Burning Cove she wanted to leave the past behind. Raina must resolve her past to be free to really love Luther.
EC: How would you describe Lyra, Raina’s apprentice?
AQ: She is the siter of Vivian, the heroine of Close Up. Lyra is optimistic, smart, curious, and genuinely interested in people who respond and speak with her. She is also calm, sophisticated, and intuitive. Although coming from wealth and society she is now looking to be a private investigator. Basically, she is a half full person who is positive with good energy. When needed for the investigation she played a role of being dipsy, shallow, arrogant, and self-centered, but this is not really her.
EC: How would you describe Simon?
AQ: He was raised as an orphan and was shattered by the father figure who raised him. He is lonely, in control, and responsible. Simon has a talent for sensing emotions and finding energy left behind.
EC: How would you describe the relationship?
AQ: Simon considered Lyra unpredictable. They had to learn to trust each other to survive. Because of his past he is afraid to have a close relationship. Lyra is looking for someone who can accept her true personality and not see her as a society girl.
EC: What about the relationship between Luther and Raina?
AQ: They both have secrets they must give up, and then they need to understand how those secrets played into their past life. Physically they are a couple, but emotionally they tip toe around each other. In this story they make a giant step and move forward in their connection.
EC: You delve into the psychic, but it seems very believable?
AQ: There is nothing supernatural about it, but an extension of intuition on Lyra’s part. People who do not like reading about the supernatural are OK with the psychic element in the book. It is just one step beyond having it feel real.
EC: How about the setting?
AQ: It is a fake Palm Springs. In the 1930s, the Hollywood crowd discovered it. It had a resort atmosphere. There were therapeutic springs.
EC: What about your next books?
AQ: Out in November is the totally futuristic book I write as Jayne Castle. It has the Dust Bunnies, pets of the human inhabitants of the planet Harmony. I think they captured the hearts of many fans of this series, and I would not be surprised to see on my tombstone “the creator of the Dust Bunnies.” The book’s title is Vuild Voss.
The Jayne Krentz book is titled Lightning In A Mirror and comes out in January. It is the third book in the “Fog Lake Trilogy.” It is about a mysterious government project involving psychic experiments.
The Amanda Quick book comes out next May. I am working on it now. There will be a new set of characters except for the core characters Raina and Luther. The hero and heroine from previous books could make a cameo appearance but I do not repeat them as characters because their story is settled.
THANK YOU!!
BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.
Taryn Moore is young, beautiful and brilliant…so why would she kill herself? When Detective Frankie Loomis arrives on the scene to investigate the girl’s fatal plunge from her apartment balcony, she knows in her gut there’s more to the story, especially after the autopsy reveals that the college senior was pregnant. It could be reason enough for suicide-or a motive for murder.
To English professor Jack Dorian, Taryn was the ultimate fantasy: intelligent, adoring, and completely off limits. But there was also a dark side to Taryn, a dangerous streak that threatened those she turned her affections to–including Jack. And now that she’s dead, his problems are just beginning.
After Frankie uncovers a trove of sordid secrets, it becomes clear that Jack may know the truth. He is guilty of deception, but is he capable of cold-blooded murder?
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Elise’s Thoughts
Choose Me by Tess Gerritsen and Gary Braver delve into the world of adultery. The story conjures up feelings of betrayal, deception, guilt, and personal responsibility.
The novel opens with the death of college student Taryn Moore, who supposedly plunged to her death from the balcony of her apartment. But Boston Detective Frankie Loomis wonders if the death really was a suicide, or could it be possibly a murder. For her, the clues do not add up, knowing how college age girls act (considering she has raised twin daughters). After discovering additional and sordid secrets, the detective is even more convinced that Taryn’s death is not what it seems.
The narrative works backwards from the discovery of Taryn’s body and is delivered in alternating chapters by Taryn, Jack, and Frankie. The suspects include Professor Jack Dorian, his wife, Dr. Maggie, Taryn’s seminar nemesis, mean girls Jessica and Caitlin, Cody Atwood, the shy seminar student who has a crush on Taryn, and Liam the ex-boyfriend who Taryn is stalking.
As the book progresses, readers will also realize that Taryn is not the innocent victim. She has a dangerous streak where she can be ruthless and selfish. This shows in her two relationships, one with Liam, a childhood sweetheart who outgrew her, and the other with Jack, her college professor. With both, Taryn becomes a stalker, unwilling to accept the relationship is over.
Taryn sees herself as a victim and becomes obsessed with that feeling. After taking a college seminar, “Star Crossed Lovers,” she realizes the similarities between herself and women in Medieval and Greek mythology. All have been betrayed and abandoned by men in relationships. Whether it was Abelard and Heloise, Tristan and Isolde, Romeo and Juliet, or Jason and Medea, the men said the words “I love you,” but not for a lifetime.
The many twists and turns make for an exciting read. The authors turned the characters on their heads making the supposed victim unlikeable and the adulterer, the one people root for.
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Elise’s Author Interview
Elise Cooper: How did you get the idea for the story?
Tess Gerritsen: It occurred to me these kinds of events that are a “he said, she said,” always have two points of view. The man sees it differently than the woman. I thought how interesting it would be to base a story on an illicit affair. I talked about it with Gary, and he agreed to write the male point of view, while I wrote the female view.
Gary Braver: I wrote Jack and Tess did Detective Frankie Loomis and Taryn. We wrote by going back and forth with email.
EC: As the book progressed, I did not see Taryn as a victim and even disliked her.
TG: People are not supposed to like her just because she is a victim. There are shades of gray. We wanted to show how a victim can also be a villain. What readers want and what they desire are two different things. They think they want a likeable character but really want a fascinating character. I point to Scarlett O’ Hara. She is not a likeable character, but we cannot walk away because she is so interesting.
EC: I actually thought of Jack as the victim.
TG: Jack was the one person in the book who needed to be liked because he is our hero.
GB: I liked Jack and identified with him. I think he became a sympathetic character because of his sense of guilt and regret. He knew what he did was wrong when he violated his martial vows and professorial obligations. Title IX says professors should not date their students. Jack had an adulterous affair and was tormented with what he did.
EC: How would you describe Taryn?
TG: Brilliant, charming, and beautiful. She was like a train wreck because of her obsessiveness and how damaged and hurt she was. In the beginning she was vulnerable, betrayed, hurt, and damaged, but as the story went on, she became selfish. Her personality is like peeling an onion. As readers get deeper and deeper into knowing her, they realize she is not who she seems to be at the beginning.
EC: How would you describe Jack?
GB: Sensitive, needy, and longs for romanticism. At times he wants to believe that circumstances at home pushed him into Taryn’s arms because his wife is on a treadmill with her practice. We did not want to vilify either character or exonerate them.
EC: What role does Jack’s wife Maggie play?
TG: Is she an innocent victim or possible suspect? She is the anchor to Jack. We wrote her to show the consequences of a mistake and how lives are destroyed. Jack sees it as possibly losing the love of his life, Maggie.
GB: She is smart, dedicated, and a professional. She would never have an affair. Both she and Jack are devoted to and love each other.
EC: How would you describe Detective Frankie Loomis?
TG: She is a middle-aged mother of two teenage daughters with the wisdom of motherhood. She can sniff out trouble. I see Frankie as Jane Rizzoli in twenty years.
EC: What about the relationship between Taryn and Jack?
TG: Jack fulfills a romantic need as well as a parental lead for Taryn. Her father abandoned her, so she sees Jack as a romantic hero, the man to protect her.
EC: Medieval literature and Greek Mythology?
GB: In his seminar, “Star Struck Lovers,” Jack uses classical stories where men used and abandoned women. It is the unity that holds the book together. These ancient classics are still being debated by feminists today regarding what is an accurate and inaccurate way to interpret them. It is a history of men who do wrong and fall on their swords.
TG: Taryn feels closest to Medea who gets revenge. I would have taken this seminar if I were in college. The stories we found are ones where Taryn would see herself of being abandoned or losing a lover. They were role models for her on how she would behave. She put herself into their lives to help her live her life.
EC: Can you explain this quote from Taryn. “But if you believe entirely in fate, then you believe we have no control over our futures. That some higher power decides everything for us, good and bad. That means there are no coincidences in life, no accidents, no laws of nature, and no free will… People are ultimately responsible for their own actions.”
GB: It was referring to Romeo and Juliet and based on the notion ‘I am fated to be your lover. We are to be with each other for the rest of our lives.’
TG: Gary wrote that part of fate versus self-control. I agree that a lot of people feel they are not responsible anymore. Fate made someone do it or some politician. We need to take responsibility for our own actions. We also need to face the consequences for our actions without blaming anyone else.
EC: What do you want readers to get out of the book?
TG: It is not just a murder mystery, but also an exploration of how flawed people are. A mistake can destroy someone’s life and that we are responsible for the things we do.
EC: What about your next books?
TG: I just finished Rizzoli & Isles book thirteen. It is titled, Listen To Me and will be out in June 2022. It features Jane’s mom, Angela, who has an ex-cop boyfriend. She is frustrated because she feels no one listens to her concerns. People do not necessarily believe her instincts that something is really wrong in her neighborhood.
I am working on a spy novel. The protagonist works for the CIA and I got the idea from many retired CIA agents that live in my neighborhood.
I am also in negotiations to do a TV movie for Lifetime with a screenwriter friend of mine.
GB: My next book is titled Served Cold. It is about a mystery writer who thinks they have a breakout book until it is trashed in the New York Times by a reviewer. The author goes after the reviewer.
THANK YOU!!
BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.
Today is my turn on the Books n All Promotions Blog Tour and I am sharing my Feature Post and Book Review for DEAD SORRY (Calladine & Bayliss Mystery Book #11) by Helen H. Durrant.
Below you will find a book description, my book review and the author’s bio and social media links. Enjoy!
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Book Description
THE PAST COMES BACK TO HAUNT THEM
Twenty-five years ago a schoolgirl was attacked by three bullies in her home where she lived with her grandmother.
Now, the mother of one of those bullies is found murdered on the Hobfield housing estate. Written on the wall in the victim’s blood is the word, “sorry.”
There is a link to the discovery of bones at an old house up in the hills — the home of the teenage girl who was attacked.
Detective Tom Calladine and his partner DS Ruth Bayliss have more than this puzzling case on their hands. Arch-villain Lazarov is threatening Calladine’s granddaughter and a valuable hoard of Celtic gold is coming to a local museum.
The pressure is on, and this time Calladine is cracking . . .
THE DETECTIVES
Tom Calladine is a detective inspector who is devoted to his job. His personal life, however, is not so successful. Having been married and divorced before the age of twenty-one has set a pattern that he finds difficult to escape.
Ruth Bayliss is in her mid-thirties, plain-speaking but loyal. She is balancing her professional life with looking after a small child.
THE SETTING
The fictional village of Leesdon is on the outskirts of an industrial northern English city. There is little work and a lot of crime. The bane of Calladine’s life is the Hobfield housing estate, breeding ground to all that is wrong with the area that he calls home.
DEAD SORRY (Calladine & Bayliss Mystery Book #11) by Helen H. Durrant is a smartly plotted mystery/British police procedural in an ongoing series that I cannot believe I have not read before now. This book can be read as a standalone because the author fills the reader in on the characters’ backstories that are relevant to interactions in previous books.
DI Tom Calladine and DS Ruth Bayliss are called to a brutal murder scene at the crime ridden Hobfield housing estate. When the victim is identified, Ruth realizes it has similarities and family ties to an old case from her school days. As they begin the investigation, Calladine receives a call from an old nemesis who threatens the lives of his daughter and new granddaughter if he interferes in his return to the area.
Calladine and Bayliss need to find out which suspects are tied to which case as more people end up dead or are the two cases somehow tied together?
The author does a great job of mixing in red herrings and twists that continued to surprise me. When I was two thirds of the way through the book, I thought I had it all figured out. NO, I did not. The two main detectives and their whole team make this an enjoyable character read and the two plot lines are expertly paced with a balanced amount of intrigue and surprises. Also, make sure you read to the very last page. (That is all I can say about that.) Time for me to go back and catch up with Calladine and Bayliss from the very beginning.
I can highly recommend this mystery/British police procedural and author!
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Author Bio
Helen is one of the ‘baby boomer’ generation and began writing when she retired from her job at a local college. Born in Edinburgh to an English father and Scottish mother the family settled in a Pennine village between the counties of Lancashire and Yorkshire. It is an environment which has shaped her stories. Writing is a second career and, despite having a bus pass, keeps her busy, and tuned in.
Helen’s children are all grown-up and she has five grandchildren.
Today I am once again posting on the Harlequin Trade Publishing Mystery/Thriller Summer 2021 Blog Tour. I am sharing my Feature Post and Book Review for LOCAL WOMAN MISSING by Mary Kubica.
Below you will find an about the book section, my book review, an excerpt from the book, an about the author section and the author’s social media links. Enjoy!
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About the Book
People don’t just disappear without a trace…
Shelby Tebow is the first to go missing. Not long after, Meredith Dickey and her six-year-old daughter, Delilah, vanish just blocks away from where Shelby was last seen, striking fear into their once-peaceful community. Are these incidents connected? After an elusive search that yields more questions than answers, the case eventually goes cold.
Now, eleven years later, Delilah shockingly returns. Everyone wants to know what happened to her, but no one is prepared for what they’ll find… In this smart and chilling thriller, master of suspense and New York Times bestselling author Mary Kubica takes domestic secrets to a whole new level, showing that some people will stop at nothing to keep the truth buried.
LOCAL WOMAN MISSING by Mary Kubica is a standalone domestic thriller/mystery that for me read more as a mystery than domestic thriller. The story is told by various characters in two interwoven timelines which are eleven years apart.
Eleven years ago a new mother, Shelby Tebow disappears while on a night time jog. Soon after a mother, Meredith Dickey and her six-year-old daughter, Delilah also disappear without a trace.
Now, eleven years later, Delilah returns with everyone trying to find out what happened to her. What is discovered will have repercussions in families throughout the neighborhood.
This story ends up for me being a satisfying mystery story, but I never felt it was what I would call a domestic thriller. The beginning, while intriguing also became more confusing as characters were added and I had to keep checking which timeline I was in until about a third of the way into the book. I liked the mystery and would have liked a few red herrings or clues throughout instead of the sudden resolution out of the blue. Delilah’s story I assume was added for the thriller quality, but it just never was believable to me.
I am in the minority with my opinion and others have loved this book. Ms. Kubica has several other books, but this one was just an OK read for me.
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Excerpt
MEREDITH
11 YEARS BEFORE
March
The text comes from a number I don’t know. It’s a 630 area code. Local. I’m in the bathroom with Leo as he soaks in the tub. He has his bath toys lined up on the edge of it and they’re taking turns swan diving into the now-lukewarm water. It used to be hot, too hot for Leo to get into. But he’s been in there for thirty minutes now playing with his octopus, his whale, his fish. He’s having a ball.
Meanwhile I’ve lost track of time. I have a client in the early stages of labor. We’re texting. Her husband wants to take her to the hospital. She thinks it’s too soon. Her contractions are six and a half minutes apart. She’s absolutely correct. It’s too soon. The hospital would just send her home, which is frustrating, not to mention a huge inconvenience for women in labor. And anyway, why labor at the hospital when you can labor in the comfort of your own home? First-time fathers always get skittish. It does their wives no good. By the time I get to them, more times than not, the woman in labor is the more calm of the two. I have to focus my attention on pacifying a nervous husband. It’s not what they’re paying me for.
I tell Leo one more minute until I shampoo his hair, and then fire off a quick text, suggesting my client have a snack to keep her energy up, herself nourished. I recommend a nap, if her body will let her. The night ahead will be long for all of us. Childbirth, especially when it comes to first-time moms, is a marathon, not a sprint.
Josh is home. He’s in the kitchen cleaning up from dinner while Delilah plays. Delilah’s due up next in the tub. By the time I leave, the bedtime ritual will be done or nearly done. I feel good about that, hating the times I leave Josh alone with so much to do.
I draw up my text and then hit Send. The reply is immediate, that all too familiar ping that comes to me at all hours of the day or night.
I glance down at the phone in my hand, expecting it’s my client with some conditioned reply. Thx.
Instead: I know what you did. I hope you die.
Beside the text is a picture of a grayish skull with large, black eye sockets and teeth. The symbol of death.
My muscles tense. My heart quickens. I feel thrown off. The small bathroom feels suddenly, overwhelmingly, oppressive. It’s steamy, moist, hot. I drop down to the toilet and have a seat on the lid. My pulse is loud, audible in my own ears. I stare at the words before me, wondering if I’ve misread. Certainly I’ve misread. Leo is asking, “Is it a minute, Mommy?” I hear his little voice, muff led by the ringing in my ears. But I’m so thrown by the cutthroat text that I can’t speak.
I glance at the phone again. I haven’t misread.
The text is not from my client in labor. It’s not from any client of mine whose name and number is stored in my phone. As far as I can tell, it’s not from anyone I know.
A wrong number, then, I think. Someone sent this to me by accident. It has to be. My first thought is to delete it, to pretend this never happened. To make it disappear. Out of sight, out of mind.
But then I think of whoever sent it just sending it again or sending something worse. I can’t imagine anything worse.
I decide to reply. I’m careful to keep it to the point, to not sound too judgy or fault-finding because maybe the intended recipient really did do something awful—stole money from a children’s cancer charity—and the text isn’t as egregious as it looks at first glance.
I text: You have the wrong number.
The response is quick.
I hope you rot in hell, Meredith.
The phone slips from my hand. I yelp. The phone lands on the navy blue bath mat, which absorbs the sound of its fall.
Meredith.
Whoever is sending these texts knows my name. The texts are meant for me.
A second later Josh knocks on the bathroom door. I spring from the toilet seat, and stretch down for the phone. The phone has fallen facedown. I turn it over. The text is still there on the screen, staring back at me.
Josh doesn’t wait to be let in. He opens the door and steps right inside. I slide the phone into the back pocket of my jeans before Josh has a chance to see.
“Hey,” he says, “how about you save some water for the fish.”
Leo complains to Josh that he is cold. “Well, let’s get you out of the bath,” Josh says, stretching down to help him out of the water.
“I need to wash him still,” I admit. Before me, Leo’s teeth chatter. There are goose bumps on his arm that I hadn’t noticed before. He is cold, and I feel suddenly guilty, though it’s mired in confusion and fear. I hadn’t been paying any attention to Leo. There is bathwater spilled all over the floor, but his hair is still bone-dry.
“You haven’t washed him?” Josh asks, and I know what he’s thinking: that in the time it took him to clear the kitchen table, wash pots and pans and wipe down the sinks, I did nothing. He isn’t angry or accusatory about it. Josh isn’t the type to get angry.
“I have a client in labor,” I say by means of explanation. “She keeps texting,” I say, telling Josh that I was just about to wash Leo. I drop to my knees beside the tub. I reach for the shampoo. In the back pocket of my jeans, the phone again pings. This time, I ignore it. I don’t want Josh to know what’s happening, not until I get a handle on it for myself.
Josh asks, “Aren’t you going to get that?” I say that it can wait. I focus on Leo, on scrubbing the shampoo onto his hair, but I’m anxious. I move too fast so that the shampoo suds get in his eye. I see it happening, but all I can think to do is wipe it from his forehead with my own soapy hands. It doesn’t help. It makes it worse.
Leo complains. Leo isn’t much of a complainer. He’s an easygoing kid. “Ow,” is all that he says, his tiny wet hands going to his eyes, though shampoo in the eye burns like hell.
“Does that sting, baby?” I ask, feeling contrite. But I’m bursting with nervous energy. There’s only one thought racing through my mind. I hope you rot in hell, Meredith.
Who would have sent that, and why? Whoever it is knows me. They know my name. They’re mad at me for something I’ve done. Mad enough to wish me dead. I don’t know anyone like that. I can’t think of anything I’ve done to upset someone enough that they’d want me dead.
I grab the wet washcloth draped over the edge of the tub. I try handing it to Leo, so that he can press it to his own eyes. But my hands shake as I do. I wind up dropping the washcloth into the bath. The tepid water rises up and splashes him in the eyes. This time he cries.
“Oh, buddy,” I say, “I’m so sorry, it slipped.”
But as I try again to grab it from the water and hand it to him, I drop the washcloth for a second time. I leave it where it is, letting Leo fish it out of the water and wipe his eyes for himself. Meanwhile Josh stands two feet behind, watching.
My phone pings again. Josh says, “Someone is really dying to talk to you.”
Dying. It’s all that I hear.
My back is to Josh, thank God. He can’t see the look on my face when he says it.
“What’s that?” I ask.
“Your client,” Josh says. I turn to him. He motions to my phone jutting out of my back pocket. “She really needs you. You should take it, Mer,” he says softly, accommodatingly, and only then do I think about my client in labor and feel guilty. What if it is her? What if her contractions are coming more quickly now and she does need me?
Josh says, “I can finish up with Leo while you get ready to go,” and I acquiesce, because I need to get out of here. I need to know if the texts coming to my phone are from my client or if they’re coming from someone else.
I rise up from the floor. I scoot past Josh in the door, brushing against him. His hand closes around my upper arm as I do, and he draws me in for a hug. “Everything okay?” he asks, and I say yes, fine, sounding too chipper even to my own ears. Everything is not okay.
“I’m just thinking about my client,” I say. “She’s had a stillbirth before, at thirty-two weeks. She never thought she’d get this far. Can you imagine that? Losing a baby at thirty-two weeks?”
Josh says no. His eyes move to Leo and he looks saddened by it. I feel guilty for the lie. It’s not this client but another who lost a baby at thirty-two weeks. When she told me about it, I was completely torn up. It took everything in me not to cry as she described for me the moment the doctor told her her baby didn’t have a heartbeat. Labor was later induced, and she had to push her dead baby out with only her mother by her side. Her husband was deployed at the time. After, she was snowed under by guilt. Was it her fault the baby died? A thousand times I held her hand and told her no. I’m not sure she ever believed me.
My lie has the desired effect. Josh stands down, and asks if I need help with anything before I leave. I say no, that I’m just going to change my clothes and go.
I step out of the bathroom. In the bedroom, I close the door. I grab my scrub bottoms and a long-sleeved T-shirt from my drawer. I lay them on the bed, but before I get dressed, I pull my phone out of my pocket. I take a deep breath and hold it in, summoning the courage to look. I wonder what waits there. More nasty threats? My heart hammers inside me. My knees shake.
I take a look. There are two messages waiting for me.
The first: Water broke. Contractions 5 min apart.
And then: Heading to hospital.—M.
I release my pent-up breath. The texts are from my client’s husband, sent from her phone. My legs nearly give in relief, and I drop down to the edge of the bed, forcing myself to breathe. I inhale long and deep. I hold it in until my lungs become uncomfortable. When I breathe out, I try and force away the tension.
But I can’t sit long because my client is advancing quickly. I need to go.
Excerpted from Local Woman Missing @ 2021 by Mary Kyrychenko, used with permission by Park Row Books.
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About the Author
Mary Kubica is the New York Times and USA Today bestselling author of six novels, including THE GOOD GIRL, PRETTY BABY, DON’T YOU CRY, EVERY LAST LIE, WHEN THE LIGHTS GO OUT, and THE OTHER MRS. A former high school history teacher, Mary holds a Bachelor of Arts degree from Miami University in Oxford, Ohio, in History and American Literature. She lives outside of Chicago with her husband and two children. Her last novel THE OTHER MRS. was an instant New York Times bestseller; is coming soon to Netflix; was a LibraryReads pick for February 2020; praised by the New York Times; and highly recommended by Entertainment Weekly, People, The Week,Marie Claire, Bustle, HelloGiggles,Goodreads, PopSugar, BookRiot, HuffingtonPost, First for Women, Woman’s World, and more.Mary’s novels have been translated into over thirty languages and have sold over two million copies worldwide. She’s been described as “a helluva storyteller,” (Kirkus Reviews) and “a writer of vice-like control,” (Chicago Tribune), and her novels have been praised as “hypnotic” (People) and “thrilling and illuminating” (Los Angeles Times). LOCAL WOMAN MISSING is her seventh novel.
Today is my turn on the Books n All Promotions Blog Tour and I am excited to be sharing my Feature Post and Book Review for BLOOD STAINED (Detective Claudia Nunn Book #1) by Rebecca Bradley.
Below you will find a book blurb, my book review and the author’s bio and social media links. Enjoy!
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Book Blurb
Can’t find her.
Can’t catch him.
Can’t trust anyone.
The first in a gripping new Sheffield-set crime series starring Detective Claudia Nunn.
Detective Claudia Nunn’s colleague DS Dominic Harrison has been leading the case against a dangerous serial killer, who hunts his victims using a dating app. But now his own wife has gone missing.
Then a large pool of blood is discovered in their garage. And Dominic is the prime suspect.
Is Dominic being framed by a serial killer or will Claudia expose an even uglier truth?
BLOOD STAINED (Detective Claudia Nunn Book #1) by Rebecca Bradley is the first book in a new British police procedural thriller/mystery that I could not put down and read all in one sitting. This is an intense and intriguing new thriller with hairpin turns in its plot from a new to me author and I will definitely be following DI Claudia Nunn in her future books.
DI Claudia Nunn follows the facts no matter where they may go. Claudia is assigned to investigate a missing person report and interrogate the missing woman’s husband. The missing woman, Ruth is an undercover investigator and married to a fellow officer and a friend.
DS Dominic Harris has been investigating a serial killer, the Sheffield Strangler, who meets women in their forties with one or more children through a dating app for the last six months. Now he is being held and investigated for the disappearance of his wife and fellow officer by DI Nunn. Harris claims his innocence and swears he is being set up by the Sheffield Strangler.
As the hours pass, DI Nunn is working to find and save Ruth, exonerate DS Harris and solve the Sheffield Strangler case but will the facts lead to the solution expected?
I loved this story and the author’s intricate and tightly woven plotting that not once, but twice truly surprised me. The first surprise is the only reason I was slightly disappointed because it made the previous pages I had just read no longer feel truly realistic. (I cannot say why without spoiling it for you, but you can agree or disagree yourself.) This book is a page turner with the dual narratives of DI Nunn’s investigation in the present and DS Harris’ investigation in the previous six months intertwined throughout. The characters are interesting and fully fleshed. The ending is a huge surprise that has me anxiously waiting for the next book.
I highly recommend this first book in this new series and look forward to many more!
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Author Bio
Rebecca Bradley lives with her family in the UK, and two Cockapoos, Alfie and Lola, who keep her company while she writes. She drinks copious amounts of tea to function throughout the day and if she could, she would survive on a diet of tea and cake while committing murder on a regular basis. Rebecca served fifteen years in the police service and finished as a detective constable on a specialist unit.
