Today I am sharing my Feature Post and Book Review for THE RELUCTANTPIONEER by Julie McDonald Zander on this Black Coffee Book Tour.
Below you will find a book description, my mini book review, an about the author section, and the author’s social media links. Enjoy!
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Book Description
Matilda Koontz cherishes her life as a wife and mother on a Missouri farm, but her hardworking husband wants to claim free farmland in the Pacific Northwest. When he suggests selling the farm to trek two thousand miles across the Oregon Trail, she balks.
But in the spring of 1847, Matilda and Nicholas Koontz and their sons embark on a grueling journey westward. Fresh graves testify to dangers of disease, accidents, starvation, and a multitude of hazards threatening her family and her beloved’s dream.
With new struggles at every turn, Matilda wonders how she can protect her sons on such a perilous journey. Will they reach the trail’s end? Will the babe growing inside her womb survive?
When tragedy strikes, the question changes: How can she possibly continue?
This pioneer woman’s journey is inspired by a true story.
THE RELUCTANT PIONEER by Julie McDonald Zander is a Christian historical fiction novel featuring a woman and her family’s journey westward from Missouri on the Oregon Trail in 1847. The story draws from real events and thorough research, making each scene feel immersive.
This is such an emotional read as you experience every step of the journey. Matilda is courageous and resourceful through all the trials of this journey. All the secondary characters are fully developed and I loved Matilda’s boys. I did have a bit of trouble with the slow start, but it did eventually pull me in, and I was even disappointed when it ended. I enjoyed this author’s writing in a previous book, and I do realize this is a Christian historical and based on a religious woman, but this story had too many religious references for me to thoroughly enjoy.
Overall, though, I found Matilda compelling, the story historically interesting and well researched, and well worth reading.
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About the Author
Julie McDonald Zander, an award-winning journalist, earned a bachelor’s degree in communications and political science from the University of Washington before working two decades as a newspaper reporter and editor. Through her personal history company, Chapters of Life, she has published more than 75 individual, family, and community histories. Her debut novel, The Reluctant Pioneer, won a Will Rogers Medallion and was a finalist for the Western Writers of America’s Spur Award for Best Historical Novel. She and her husband live in the Pacific Northwest, where they raised their two children.
Amidst the chaos of bombs and falling ash, eight-year-old Elsie has nobody left but her big brother Jack and their friends, all orphaned, runaway evacuees. Their world has shattered, their parents gone. Until Lisette, a beautiful jazz singer with golden hair and a voice that lifts spirits, finds them.
Lisette takes the children under her wing and soon Elsie, who hasn’t spoken since her mother’s death, begins to find her smile again. But Lisette, too, is healing from her own grief. As she cares for the rag-tag band of orphans with the help of enigmatic war hero Mr Wyngate, can Lisette open her heart to love again? And as the bombs continue to fall over their city, can she keep the children safe?
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Book Description – The Lifeboat Orphans
Fifteen-year-old Connie is leaving war-torn England for the safer shores of America, looking after a nine-year old orphan boy with sad blue eyes. But the ocean is rife with Nazi vessels. And when their boat is torpedoed, in the fear and chaos Connie can’t stop thinking about handsome Jack, who stayed behind in London. Will the orphans survive, and will Connie ever be reunited with her first love?
Back in London, sixteen-year-old Jack desperately misses Connie, his brave, kind friend, after their tearful goodbye when her ship set sail. As bombs set the skies ablaze, he listens to an old radio for any news about the dangerous Atlantic crossing. When he intercepts a secret message that could change everything, he races to the war office. Will they listen to a young lad like him, and can he save Connie and countless other lives?
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Elise’s Thoughts
The Lost Orphans and The Lifeboat Orphans in “The Runaway Evacuees Series” by Ellie Curzon, the pen name for Catherine Curzon and Helen Barrell, are two books that have touching, heart-warming, and heartbreaking moments, with a tinge of humor. The setting of London during the Nazi blitz of WWII shows how Londoners faced fear, survival, loss, and horror, but also were courageous, kind, brave, and strong. Both books are historical fiction based on the true story of the Blitz kids.
The Lost Orphans, known as Connie, Jack, Elsie, Ned, Ben, and Susan, were sent to the countryside to be safe, but instead were beaten, starved and were used as slave laborers. They escaped and fled back to London’s East End, sleeping where they could. The children banded together to not only survive but to help others by putting out fires, helping those buried under debris, and warning of unexploded bombs.
Readers meet two adults, Lisette Souchon and Adam Wyngate who become surrogate parents to the orphans after they helped rescue eight-year-old Elsie. This make-shift family stays together to make sure each survive.
The story began with The Lost Orphans and ends for now with The Lifeboat Orphans. The story flows from one book to the other. In the first book the narrators are Elsie and Lissette, while the second book is narrated by Connie and Lissette.
After an argument between Connie and Ned, he runs away and while rescuing someone has a wall fall on him, causing injuries. If he can make it to America Ned’s injuries might be helped by a specialist doctor. Connie, Ned, and Mr. Wyngate travel by ship to get to America that must navigate away from the German U-boats’ torpedoes.
With both books readers will experience, along with the characters, the intensity of the situation, the devastations, and the loss of life. People will worry for the children, while also cheering for them. These stories are gripping, riveting, and hard to put down.
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Author Interview
Elise Cooper: The idea for the series?
Ellie Curzon (alias for Helen Barrell and Catherine Curzon): Our previous series, The Codebreaker Girls, had Mr. Wyngate as a character. We loved him and wanted to get into his backstory. We wrote an entire novel about him, since he has been in each of our WWII novels as a returning character. He is essentially like a secret agent. We adapted the solo book about him, and it morphed into these stories with The Lost Orphans.
EC: Were these books based on anything real?
HB: My gram was an evacuee and did come home because she had an awful time. She was pinched and the family she was staying with in the countryside kept most of her rations. Her mom said, ‘come on home.’ She was a little girl traveling alone on the trains. We wanted to write about what war does to children.
CC: One of my interests is WWII history. The Lost Orphans were based on a real group of children who were called The Dead-End Kids. They were children who were evacuated and came back. They were befriended by a nineteen-year-old who led the group. They put out fires and rescued people from bomb blasts. Some were killed doing it. They became the spirit of the city. Their story had been forgotten. Their story is stranger than fiction. It seems far-fetched but is true.
EC: How would you describe Mr. Wyngate?
CC: He is based on the real stories of those in the SOE and intelligence services who did dangerous work. He is entirely fictional. He has very clipped language and never uses any spare words. Everything is snappy. I absolutely love writing him. Wyngate is direct, caring, brave, mysterious, proud, resilient, and has resolve. He is also the hero to one of the orphans, Elsie. He is her superhero. Based on Wyngate’s own past he knows what it is like to be a child that nobody wants. He wants to make a massive impact on these orphans’ lives.
HB: We have a joke that Ian Fleming knew him and based James Bond on him. Elsie has nobody except her brother Jack. He is like a hero to her who has walked out of the cinema screen. For him, Elsie represents his little sister. They have invincible links. Elsie feels that he understands her.
EC: How did you divide the stories of the orphans between the two books?
H & C: The first book was more Elsie’s story, while the second book was more Connie’s story. The first book was from Elsie’s and Lisette’s point of view, while the second book was from Connie’s and Lisette’s point of view. Connie is older and had a very hard life. In the first book, The Lost Orphans, they struggled to get out of dangerous situations and did not know what their life held, while in the second book, The Lifeboat Orphans, they are settled in a little home, have a profile, and have adults helping them. Connie daydreams that she and Ned were brother and sister.
EC: How would you describe Lissette?
HB: We each write different characters. Catherine wrote Mr. Wyngate and I wrote Lissette. She is French and a nightclub singer in Soho. We wanted to explore how Soho was a bit Bohemian. She makes Mr. Wyngate able to let his guard down with her. She and Mr. Wyngate became unofficial foster parents to the orphans. They stepped up to the plate.
CC: All these characters have no one. Lissette has her mom back in France, Wyngate is completely on his own, and the orphans lost everything. At first, they had no one and now they all have each other.
EC: What about the relationship between Jack/Connie and Lisette/Wyngate?
H & C: People think Wyngate is a bit of James Bond, with a girl in every port. But his lifestyle has it not happening. Both he and Lisette have emotional bruises along the way. Jack and Connie still have that youthful innocence with a belief in romance. This leads to a funny moment where Lisette and Wyngate realize they need to talk to the children about the birds and the bees. Connie and Jack had to grow up very fast. They acted as parents to the younger children. Both couples start as friends. We wanted to write the relationships with parallel lines.
EC: In the first book Elsie had become mute while in the second book Ned lost his hearing. Please explain.
HB: We like to explore different disabilities. I started going deaf when I was thirty and wanted to explore it with the orphan, Ned. Regarding Elsie, my brother who has different learning disabilities became mute.
EC: What do you want to say about the nuns and countryside farmer cruelty?
H & C: On a plotting level they were the springboard that pushed the story into action. My gram told us stories of being an evacuee. She was pinched and was left to go hungry. Some of the things did happen where the nuns did beat the orphan children with their rosaries. It was hard to write about it. I did not understand how they did not have compassion for the children left in their care. In this series the antagonist is the war. We wanted to show why the children were running away and from whom. At the same time there were good people as well like the Jewish Soup Kitchen that fed the orphans. We wanted to showcase the blitz spirit where most of the Londoners came together.
EC: What is the role of the blitz?
HB: We wanted to show readers a little of what the British went through by the Nazis. It brought Lisette, Wyngate, and the orphans together, and to show the abuses. Anyone writing about WWII cannot avoid writing about the blitz. When I wrote about sheltering in the station, a lot of it was remembering what my grandma used to tell me. Every morning, they would come out wondering if their house was still standing. That is why we wrote the scene where Elsie and Jack and the others came back to their house and found nothing there.
EC: Was the journalist Esther based on truth?
CC: She is not based on anyone real, but there were women who were war correspondent trailblazers. Like Esther’s reporting, the real orphans were reported on in the press. They became for a little while celebrities. They had their moment in the sun. They were constantly helping. A good story did help with wartime morale. It was quite an important weapon in the homefront arsenal, the morale of the British people. As reported, we wanted to show the bravery, tragedy, and selflessness. Here were these children who put themselves in danger to do something.
EC: Why the celebrities?
CC: The music was important. I love vintage music. Noel Coward and Vera Lynn are real. She is legendary and when someone brings up ‘wartime music’ in England people would say Vera Lynn. There are certain types of music that Englanders of any age would realize it came from WWII. For me, there are certain types of music that transport me. I vicariously lived Coward and Lynn coming to a benefit in England and Bing Crosby and Bob Hope in America.
EC: Is Pippa the dog based on any dog?
CC: Pippa is my dog. We started writing the series just after she died. Nothing has hit me as hard as her death. I felt like I lost a part of myself. Helen suggested to name the dog in the series after my Pippa. She is grey and peachy. I love having her in the book because that makes her immortal. She is Elsie’s dog and helps the children with their adventures.
EC: Next book?
H & C: It is a new book in the same genre with some returning characters, set in France. It is a story of remarkable women who pushed back against the Germans. Imagine a French village on the Normandy coast. The characters have bravery, friendship, and personal sacrifice. It will be out fall of 2026.
THANK YOU!!
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BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.
Today I am sharing my Feature Post and Book Review for THE HIDDEN LETTER AT BLUEBELL FARM (Wildflower Secrets Book #3) by Rebecca Alexander on this Bookouture Blog Tour.
Below you will find a book description, my book review, an about the author section and the author’s social media links. Enjoy!
Book Description
Arriving at Bluebell Farm in the English countryside, historian Tasha has never felt more alone. Her twins have left for university, her marriage is over, and she’s said goodbye to the place she thought would always be her home. Exploring the tumbledown farm and striking up a friendship with elderly Maud, whose prickly exterior masks a warm heart, offers the distraction Tasha desperately needs.
Together with Ryan, a silver-haired, motorbike-riding archaeologist, Tasha digs into the farm’s history. Soon she finds faded photographs and a sealed, yellowing letter that calls to her. But Maud’s eyes fill with tears as she insists the long-lost letter must never be opened. Could it be from Maud’s father, who went missing after the Second World War?
Intrigued by the stories hidden behind Maud’s sharp blue eyes, Tasha and Ryan unearth a heart-wrenching secret. Maud’s father’s disappearance is not the only mystery hidden on this farm. If Maud reads the letter after all these years, will it reveal all?
And with Maud’s encouragement,can Tasha have a second chance at love with kind-hearted Ryan? Or will the heartache in their own pasts keep them apart?
THE HIDDEN LETTER AT BLUEBELL FARM (Wildflower Secrets Book #3) by Rebecca Alexander is an emotionally gripping, heartbreaking, and wonderful dual timeline historical fiction/women’s fiction addition to the Wildflower Secrets series. This book, like the others in the series, are easily read as standalones with the location of Dartmoor, England being the main linkage between all the books with minimal story content crossover.
Bluebell Farm in the farming community of Dartmoor is the setting of both timelines. The main character of both timelines is Maud. She is a young girl during WWII as she lives and works on her family’s farm in the historical timeline starting in the 1940s. She is a 95-year-old woman in the present-day timeline when The National Trust buys her farmhouse, barn, and land for historical preservation.
Tasha is a divorced mother of grown twins who is searching for a change. She decides to take the assignment of staying on Bluebell Farm to catalogue and restore historical finds. At first, Tasha finds Maud brusk and secretive, but as she works to understand and help Maud, the two become closer and Tasha feels responsible for Maud. But Maud’s secrets from her early years on the farm begin to surface. The boy and then man she could never have and all she had to endure over the years comes to light.
Keep the tissues close for this one. Maud is a character I will remember for a long time to come. Her strength and perseverance were amazing, and she is more than just an assignment to Tasha. All the stories in this series are emotional but having had a grandma who lived to be 102, this one got to me personally. A well written story with a memorable main protagonist and blend of two plotlines that kept me turning the pages to the very end.
I highly recommend this inspiring historical fiction/women’s fiction dual timeline story!
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About the Author
Rebecca Alexander was born in Malta and grew up on the south coast of England, becoming a psychologist. She escaped parenting six children to study writing in 2011, and the Secrets series of novels was published in 2013. A Baby’s Bones and sequel followed. Rebecca lives in a haunted 300-year-old cottage in Devon where she grows fruit, paints, and bakes. She reads and writes all sorts of genres, from women’s fiction to fantasy to crime. She is married with four chickens, two grandchildren and a cat.
On a brisk February morning while walking to the diner where she works, 24 year-old Ruth Foster is stopped by the local sheriff. He insists she accompany him to a health clinic, threatening to arrest her if she doesn’t undergo testing in order to preserve decency and prevent the spread of sexual disease.
Though Ruth has never shared more than a chaste kiss with a man, by day’s end she is one of dozens of women held at the State Industrial Farm Colony for Women. Some are there because they were reported for promiscuity by neighbors, husbands, strangers. Some were accused of prostitution. Others were just pretty and unmarried. Or poor and “suspicious.” One was eating dinner alone in a restaurant. Another spoke to a soldier.
Josephine’s sin was running a business as a single woman. Maude’s was trying to drown her sorrows. Frances had lost her mind. Opal married a man with a mean streak. Some, like 15-year-old Stella, are brought in because they’re victims of assault. She’s too naive and broken to understand how unjust this imprisonment is.
Superintendent Dorothy Baker, convinced that she’s transforming degenerate souls into upstanding members of society, oversees the women’s medical treatment and “training” until they’re deemed ready for parole. Sooner or later, everyone at the Colony learns to abide by Mrs. Baker’s rule book or face the consequences—solitary confinement, grueling work assignments, and worse.
But some refuse to be cowed. Some find ways to fight back – at any cost…
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Elise’s Thoughts
Women of a Promiscuous Nature by Donna Everhart is a compelling and fascinating read. This historical fiction sheds light on a lesser-known subject of how women were wrongly imprisoned. There are vivid scenes and compelling characters who fought their injustice with determination.
The story was told from multiple points of view: two of the girls, Ruth Foster and Stella Temple, as well as the Superintendent Dorothy Baker. This allows readers to get an understanding of the situation of the girls.
Women were picked up, sent to the State Industrial Farm Colony for Women, and subjected to involuntary medical treatment for venereal disease. One of those women was twenty-four-year-old Ruth Foster who was on her way to work and seized by the sheriff for looking suspicious. She was forced to remain in the custody of a reform colony where she underwent horrendous isolation and shots that made her sick. She witnessed group punishment that she refused to take part in and was then put in solitary confinement for disobedience.
Another girl, fifteen-year-old Stella Temple found herself at the colony after her parents realized she was pregnant. While there she was involuntarily sterilized. Even with all that she still sees the colony as a refuge and something better than she had while living with her parents since she has a bed, clothing, and food.
Dorothy Baker is the superintendent of the colony. Although she thinks she is doing the right thing in helping the girls, readers see how she never tolerates anyone who protests. If the girls break the rules, they face sadistic and cruel punishment. If they try to run away, they are sent to the meditation room where they are given only scraps of food, a bucket to dispose of their humanly waste, and are isolated.
This book is riveting and will keep readers turning the pages. People will take the journey with the characters, cheering for Ruth as she exhibits courageous behavior and weeping for Stella as she is forced to confront what happened to herself. They will despise Mrs. Baker for her corporal punishment techniques. The twists and turns as well as the surprise ending add to the intensity of the story where readers will be on the edge of their seats.
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Author Interview
Elise Cooper: Idea for the story?
Donna Everhart: I write southern historical fiction. This is about some sterilization but more importantly the mass incarceration of women. I have not thought of my books as historical fiction, but they do fall into that category. At first, I thought about writing on reform schools for girls in the state of North Carolina. When I landed on farm colonies and the mass incarceration of women the story unfolded. Even though the story is fictional most of what took place happened.
EC: Were Samarcand and the Colony true?
DE: They were each an hour from me in opposite directions. I read this book, Bad Girls at Samarcand: Sexuality and Sterilization in A Southern Juvenile Reformatory by Karin L. Zipf, which was a resource for me. The goal was to combat the spread of venereal disease. Any woman could by arrested within a five-mile radius of a military base. If the woman was found infected, they could be sentenced to a farm colony to be cured. After learning about the Chamberlain-Kahn Act, the American Plan, I discovered that some girls sent to these reform schools operated as very young prostitutes. Another resource was a non-fiction book by Scott W. Stern, The Trials of Nina McCall: Sex, Surveillance, and the Decades-Long Plan to Imprison Promiscuous Women.
EC: What was true?
DE: The meditation room where Ruth was placed was true: dingy, not enough food, had to pee in a bucket. They were able to run the colony through slave labor. I have four books that were actual biennial reports of that time that went to the North Carolina Governor. There was a board of directors, a superintendent, on site psychologists, a medical director, as in my book. The fires in the farm colonies dormitories are true.
EC: Was Ruth Foster based on Nina McCall?
DE: Yes, loosely based. Nina was walking to the post office and picked up, while in my book Ruth was walking to work and picked up. ‘Walking while beautiful’ was the thinking of the time to pick up a woman. Ruth Foster was beautiful. She was put in the Colony because she supposedly had a positive test for VD. But like Covid, there were a lot of false positives. She represented those women who had to have treatment for no reason and this treatment was debilitating. She also represented how the women were deprogrammed, structuring the way they thought and lived. They wanted to break Ruth down and then build her up in the name of reform. Nina McCall, as with Ruth, were shamed into subjecting themselves to get the physical exam and found to have VD and sent off. Ruth represents the innocent women who were surveilled, picked up, forced to undergo an evasive exam, and put into a facility, locked up, without due process.
EC: How would you describe Ruth?
DE: Ruth had a high IQ, independent, confident, stubborn, and a non-conformist. They tried to break her and make her docile. She was smart and savvy.
EC: How would you describe Stella?
DE: Stella had a very high IQ, with a photogenic mind. She was obedient, innocent, invincible-like, goes along to get along, and a tattletale. Stella had an abusive father and became submissive. She wanted to fit in but became elusive and stayed to herself. She contrasts with Ruth because Stella felt at the Colony she was saved. I hope readers ask given her circumstances was Stella better off at the Colony, was it a haven for her?
EC: What about Mrs. Baker?
DE: She was a strict disciplinarian, abrupt, calculating, manipulating, rigid, aloof, and abusive. She believed in what she was doing, helping these women. She wanted to teach them to learn to read and write, cook, can, and clean. Baker thought she was a savior to these women. I consider her a fascinating character. I think she is a product of her time. All the real superintendents of the farm colonies were like Baker. They wanted to break the girls’ spirits.
EC: You had this quote in the author’s notes: “This is the story of women held against their will without due process. But it is also the story of women who believed what they were doing was for the greater good.” Did you want readers to understand Mrs. Baker?
DE: Yes, I did. Some do and some don’t. Some thought she had no redeeming qualities and some readers sympathized with her. I wanted readers to be conflicted about her. I thought Baker had some redeeming qualities.
EC: What about Baker’s assistant Mrs. Maynard?
DE: She was a sadist, mean, and hateful. I fashioned her after the nun in the ‘Yellowstone series.’ There was a nun who was perverse. Mrs. Maynard got off in whipping these girls.
EC: What about the letters the girls like Ruth were forced to write?
DE: In Mrs. Baker’s mind she wanted to coerce the board into giving more money to expand the colony. The letters showed what a successful program she was running. She wants to control Ruth, but Ruth was not going to lie, to write something to help Baker. This infuriated her. This is where Ruth’s strength, non-conformity, and independence come in. Baker saw Ruth as a troublemaker and was intimidated by Ruth who saw things were not right. Ruth and Baker butt heads. Ruth could not be persuaded to fold as a lawn chair.
EC: What do you want readers to get out of this book?
DE: Good entertainment. But also, an awareness that this really happened. I hope it creates discussions. This is such an important story.
EC: Next book?
DE: I am working on another book, no title yet. The plot has an elderly woman who gets displaced with eminent domain. This will probably come out in January 2028.
THANK YOU!!
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BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.
Art historian Mia is running out of time to prove her theory that the sculptor of an unearthed erotic statue was a courtesan erased from history—a scandal no one will believe. Chasing through Venice, she tracks down hidden details of Sofia, a powerful courtesan who seems to have left a trail of sex-fueled art buried across the city, but Mia’s now being followed, and even her boss might be in on the lie.
Meanwhile, in 1609, Sofia defies Venice’s unfair laws to create illicit art that could ruin her future. Her aspirations to become a great artist go up in flames when her patron’s wife steals her work and threatens her lover.
Four hundred years later, it’s up to Mia to discover the truth, but now she’s uncovered a world of art theft that could leave her ousted—or, worse, right in the crosshairs of the most powerful crime family in Italy, who will stop at nothing to force her to authenticate the famous statue. Mia’s only hope is to prove Sofia’s existence before everyone involved silences them both forever.
THE SECRET COURTESAN by Kerry Chaput is a dual timeline historical fiction novel with an interesting and somewhat unique historical timeline set in Renaissance Italy. I found the historical timeline emotional and fascinating as it pulled me into Sofia’s life, and while the present-day timeline with Mia is interesting regarding her art research, I found the suspense plotline not as compelling or believable.
Dr. Mia Harding is an art historian hired to authenticate a sculpture which she believes is not sculpted by the famous male Renaissance artist it is accredited to, but by a female artist erased by history. The historical timeline has a courtesan named Sofia Rossi, traded to an artist while she has longed her entire life to be an artist, which is not allowed in Renaissance Italy. While both women faced discrimination of a kind in their own timelines, I sincerely felt Sofia’s anguish of not being able to be recognized for what she was born to do and her fight to break the rules; while Mia did face professional discrimination, I never felt she moved forward on her own, but kept feeling sorry for the situation she put herself in. Also, Mia’s romance and run in with people trying to stop her from proving her belief in a female sculptor never hit me as emotionally as Sophia’s story.
I found the research and beautiful emotional writing of Sofia’s story kept me reading this novel to the end and I wish Mia’s present-day story made me feel more. Overall, this is worth the read for the atmosphere, emotion, and history of Sophia’s story, while Mia’s story is not bad, I was hoping for more than an average romantic suspense plot.
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About the Author
Kerry Chaput is a multi-award-winning author inspired by badass women in history. Born in California, she now calls the Pacific Northwest home, where she spends her days hitting the trails, chasing historical rabbit holes, and feeding her addiction to espresso and doggy cuddles.
Six years ago, Cinnamon Scott was a young writer on the rise in New York City. But since the sudden loss of her parents, she’s been stuck in place, retreating to a life of endless partying—made possible by the massive fortune she’s inherited. Despite their tragic loss, she and her older sister Rosemary have always had each other to lean on. But now, with Rosie living in London and about to give birth to twins, Cinnamon feels more lost than ever.
When Rosie is put on bedrest, Cinnamon flies to her sister’s side, where she’s temporarily living at The Savoy. Immediately swept away by the beauty and history of the legendary hotel and its famed American Bar, Cinnamon finds ample opportunity to distract herself. When the late shift bartender tells her the story of Ada Coleman, the woman who crafted the cocktail recipes The Savoy popularized in its famous handbook a century ago, Cinnamon is inspired by the bartender’s vivid stories of Ada’s fearlessness and can’t understand why Ada’s name is nowhere to be found.
After meeting a handsome historian researching the hotel and realizing that Ada is likely to be once again overlooked, Cinnamon must decide if she can overcome her demons and stand up for Ada’s story. And, along the way, she might just save her own story too.
LAST CALL AT THE SAVOY by Brisa Carleton is an engrossing story with two intertwined timelines. The women’s fiction timeline is set in the present featuring two sisters at an emotionally charged moment in their lives and the second timeline is historical fiction set in the early 1900’s featuring the first female bartender in The American Bar in the London Savoy.
Cinnamon Scott is taking a break from her rich New York girl’s party life to fly to London to help her sister, Rosemary, who is on bedrest with a twin pregnancy at the Savoy while her new flat is being renovated. While Rosemary is a successful attorney, Cinnamon has struggled since leaving college early due to a scandal and the death of their parents in a plane crash. While Cinnamon hoped to be a famous writer, the last ten years have been nothing but partying with no writing.
Bored just hanging in their Savoy suite, Cinnamon goes to The American Bar in the hotel. She meets Joe, the older nightshift bartender, who regales her each night with a new story of the glamorous past of the bar and its first female bartender, Ada “Coley” Coleman, who is responsible for the famous Savoy Cocktail Book. At the same time during her stay, she continues to run into a sexy celebrity historical writer who is researching the Savoy.
Cinnamon becomes entranced with Ada’s story, even as her personal struggles and past demons are coming to a head.
Both timelines were interesting and pulled me into the story to keep me reading and the ending was not what I was expecting but was very satisfying as well as a bit surprising. Cinnamon was a flawed character with terrible coping skills, and she was very immature, but there was also something compelling about her because her sister always believed the best of her. The sisters were forced to deal with many issues, and yet their love for each other always persisted. The historical fiction timeline about Ada’s life was extremely interesting. From famous and inventive mixologist to a not surprising ending, Ada, like most women of her time had her history written by men and that seems to never go well.
This is a compelling read with many interesting historical facts, historical people, and cocktail recipes interwoven throughout the story as well as being an emotional women’s fiction story of sisters.
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About the Author
Brisa grew up in the Pacific Northwest before moving to Midtown Manhattan to turn her passion for musicals and “flare for the dramatic” into an award-winning career as a Broadway producer. Three Tony’s later, she’s worked on numerous productions including Hamilton, Beautiful and Moulin Rouge. In 2019 at the request of HSH Prince Albert of Monaco Brisa joined his foundation to lead philanthropy efforts in theater, dance and film on behalf of his mother, Princess Grace Kelly. Most recently she turned her entrepreneurial spirit to actual “spirits,” launching Literati Spirits, a premium vodka created by book lovers for book lovers. She now spends her days traveling to literary destinations with a martini in one hand and a manuscript in the other, collecting stories with her husband Mark and her long-haired chihuahua, Mister Big.
