Today I am sharing my Feature Post and Book Review on the Partners In Crime Virtual Book Tours for SOMETHING FISHY (A Kristy Farrell Mystery Book #2) by Lois Schmitt.
Below you will find a book description, my book review, an excerpt from the book, the author’s bio and social media links and a Rafflecopter giveaway. Enjoy!
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Book Description
When attorney Samuel (Sam) Wong goes missing, wildlife magazine reporter Kristy Farrell thinks the disappearance may tie into her latest story concerning twenty acres of prime property that the local aquarium hopes to purchase. Sam works for multi-million dollar land developer Lucien Moray who wants to buy the property for an upscale condominium project. The waterfront community is divided on this issue like the Hatfields and McCoys with environmentalists siding with the aquarium and local business owners lining up behind Moray.
Soon a body is found in a nearby inlet, the aquarium is plagued with accidents, a second murder occurs, and Kristy has a near death encounter with a nine foot bull shark. Kristy investigates the aquarium murders and discovers weak alibis and strong motives.
But ferreting out the murderer isn’t Kristy’s only challenge. Her visiting widowed septuagenarian mother announces her engagement. Kristy suspects her mom’s soon to be husband is not all he appears to be. As Kristy tries find out the truth before her mother ties the knot, she also races the clock to find the aquarium killer before this killer strikes again.
Genre: Cozy Mystery Published by: Encircle Publications Publication Date: July 15th 2019 Number of Pages: 244 ISBN: 1948338793 (ISBN13: 9781948338790) Series: A Kristy Farrell Mystery #2 || Each is a Stand-Alone Novel
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My Book Review
RATING: 4 out of 5 Stars
SOMETHING FISHY (A Kristy Farrell Mystery Book #2) by Lois Schmitt is an amateur sleuth cozy mystery featuring a female wildlife magazine feature writer who never stops asking questions. Even though this is the second book in this series, it is easily read as a standalone.
Kristy Farrell is on assignment working on two articles for the magazine, both centered around the Long Island Clam Cove Aquarium. The first article revolves around the local fight over the use of twenty acres of prime Long Island beach front and the second is a feature on deadly sea animals. Environmentalists want the land to enlarge the scope of the aquarium’s facilities and a rich land developer and local business owners want the land for upscale beachfront condos.
When a body is found floating in the local marina, Kristy and her veterinarian daughter, Abby work to discover the secrets of all the players involved in the race to raise the necessary money to buy the twenty acres. When a second murder occurs, Kristy needs to uncover the motive and killer before anyone else turns up dead and she needs to make her magazine’s deadline.
This is an enjoyable cozy read with entertaining characters, a plot full of red herrings and interesting marine life information interwoven throughout. Besides the primary mystery, you also have personal family intrigue occurring at the same time with Kristy’s mother. Ms. Schmitt was able to bring many story threads together in a satisfying conclusion that had me continually guessing.
I can recommend this amateur sleuth cozy mystery and I hope there are more to come.
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Excerpt
CHAPTERONE
“Something bad happened to Sam. I know it.”
Katie Chandler’s sea green eyes filled with tears. A sea lion trainer at the Clam Shell Cove Aquarium, Katie had been my daughter’s college roommate.
“Maybe Sam worked late and forgot to call,” I said.
Katie shook her head, her chestnut hair flying in the bay breeze. “No. He hasn’t answered my texts or phone calls. I stopped by his house twice too. No one’s home.”
Silence. I tried thinking of something helpful, or at least hopeful, to say.
“I called the police, Mrs. Farrell. The officer said being stood up for a dinner date isn’t enough for a missing persons case—that maybe it was Sam’s way of breaking up.”
I shifted my gaze to the whitecaps on the bay while Katie’s statement sank into my brain. Perhaps the officer was right. I knew from my daughter Abby that the relationship between Katie Chandler and Samuel Wong had hit a rough patch.
The conflict: Katie, who served as executor of her late grandmother’s charitable trust, was donating six million dollars of this money to the aquarium’s expansion project, which included the acquisition of twenty acres of adjacent land. Sam worked as executive assistant to multi-millionaire developer Lucien Moray who wanted to buy the bay front property for luxury condominiums. What started off as friendly bantering between Katie and Sam had escalated into explosive arguments that had become increasingly personal.
But Katie and Sam weren’t the only ones embroiled in this controversy. The community at large had become like the Hatfields and McCoys. Environmentalists wanted the property to go to the aquarium where it would be used for breeding grounds for endangered species, an aquatic animal rehabilitation center, and a research camp for marine scientists. Local business owners sided with Moray, hoping high end condo owners would bolster the area’s economy. I was writing an article on this for Animal Advocate Magazine. That’s why I was at the aquarium today.
Katie continued, “No matter what happened between us, Sam would never stand me up. He’s my fiancé not someone I picked up a few hours ago at a bar. Besides, Sam came around to my point of view. He had it with Lucien Moray. He hadn’t told anyone but me yet, but he was quitting his job at the end of the year.”
“I’ve an interview later this morning with Moray,” I said. “I’ll check around and see what I can find out. Someone in Moray’s office may know Sam’s whereabouts.”
“What if no one does?”
“Let’s take it one step at a time.” I glanced at my watch, then pushed myself off the rock where I’d been sitting, a task that would have been easier if I were ten years younger and twenty pounds lighter. “Speaking of interviews, my appointment with your aquarium director is in five minutes, so I better head inside. I’ll call you tonight.”
Katie sighed. “Thanks. I should get back to my sea lions too. We’ve a show at eleven.” She rose and stretched her small wiry body. “After the show, I’ll stop at Sam’s house again.”
Katie, shoulders slumped, wandered off in the direction of the outdoor sea lion amphitheater. I stood for a moment, inhaling the salt air while watching a seagull dive into the bay and zoom back to the sky with a fish in its mouth. As the autumn wind sent a sudden chill down my spine, I wrapped my arms around my body, thinking back to when Katie and my Abby attended college. Abby often acted impulsively, out of emotion, but Katie had always been levelheaded, never someone to jump to conclusions. What if Sam is really in trouble? The thought nagged at me as I trekked up the sandy beach and stepped into the building that housed the indoor exhibits.
I made my way down a long corridor, surrounded by floor to ceiling glass tanks housing ocean life from around the world. I paused at the shark tank and marveled at the grace and beauty of these fearsome predators gliding silently through the water, causing hardly a ripple. I would be back here soon. In addition to my article on the land expansion, I was writing a story on ocean predators.
I veered down the administration wing. When I came to a door marked DIRECTOR, I glanced again at my watch. Ten-thirty. Right on time. I knocked.
“Enter,” a booming voice responded. I pulled open the door and stepped inside.
Standing in front of me was a man who appeared to be in his mid-fifties. Noting his polished wingtips, sharply creased trousers, navy blazer, crisp white shirt, and perfectly knotted tie, I wished I’d dusted the sand off my shoes.
We stood face to face. Actually, it was more like face to chest. I was only five feet tall and this man towered over me by at least a foot and a half.
“Commander Conrad West,” he said, extending his arm. His handshake was firm and strong. “You must be Kristy Farrell, the reporter from Animal Advocate Magazine.”
Conrad West stood ramrod straight, probably a throw-back from his military training. A former naval commander—the youngest African American to be appointed a commander in the navy’s history—he had started his career as a medical corpsman. He had been director of the Clam Shell Cove Aquarium since his retirement from the navy last year.
He walked behind his desk and positioned himself in a large swivel chair.
“You may sit,” he said, pointing to a straight back chair facing him.
I slid into the chair, suppressing the urge to playfully salute.
He went straight to the point. “I understand you’re writing about the land acquisition. Have you seen our expansion plans?”
“Yes, and they are impressive. But how will the aquarium come up with the money to buy this land?” I asked, fumbling through my bag for my pad and pen. “You’re competing with the bottomless pockets of Lucien Moray.”
Commander West leaned forward, his hands clasped in front, as if praying that what he was about to say would come true. “The current property owner, Stuart Holland, is a business man who’s not about to forgo a profit. But he’s also an active conservationist and a lifelong resident of this area who would like to see the land used in an environmentally friendly manner. He’s kept it vacant until recent financial loses forced him to put it up for sale.”
The Commander leaned back. “There’ll be no bidding war. He set a price—ten million dollars. The land is worth more, but Stuart wants it to go to us, so he set a price he feels we can reach. If we can raise the money by next summer, the land is ours.”
“Ten million is a high goal.”
He nodded. “More than half of the funding will come from a trust set up by Alicia Wilcox Chandler. We also have one million in reserve that we accumulated during the past few years. Of course, we’re still three million short, but our new development officer is planning an aggressive fundraising campaign with—”
A loud knock on the door interrupted the conversation.
Commander West scowled. “Enter.”
A plump woman with a bad case of acne barged into the room. She wore jeans and a light blue shirt with an aquarium patch on the upper left pocket identifying her as Madge.
“Commander,” she said, slightly out of breath. “We have a problem. The sea lion show is in ten minutes, and Katie just ran out.”
“What do you mean she ran out?”
The woman shrugged. “She took a call on her cell phone, then flew out of the amphitheater.
“Didn’t she say anything?” The scowl hadn’t left his face.
The woman paused, furrowing her eyebrows as if deep in thought. “Oh, yeah. But I don’t know if it had to do with why she left.”
“What did she say?” He appeared to be talking through gritted teeth.
“She said two fishermen found a body floating in the inlet.”
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Author Bio
A mystery fan since she read her first Nancy Drew, Lois Schmitt combined a love of mysteries with a love of animals in her series featuring wildlife reporter Kristy Farrell. She is a member of several wildlife and humane organizations as well as Mystery Writers of America. Lois worked for many years as a freelance writer and is the author of Smart Spending, a consumer education book for young people. She previously worked as media spokesperson for a local consumer affairs agency and currently teaches at Nassau Community College on Long Island. Lois lives in Massapequa with her family which includes a 120 pound Bernese Mountain Dog. This dog bears a striking resemblance to Archie, a dog of many breeds who looks like a small bear, featured in her Kristy Farrell Mystery Series. Lois was 2nd runner up for the Killer Nashville Claymore Award for Something Fishy.
Today I am sharing my Feature Post and Book Review on the Partners In Crime Virtual Book Tours for DEAD TREE TALES by Rush Leaming.
Below you will find a book description, my book review, an excerpt from the book, the author’s bio and social media links and a Rafflecopter giveaway. Enjoy!
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Book Description
Set in Charleston, SC, and the surrounding islands, police are called to investigate the poisoning of a much-loved 1000-year-old tree, only to find evidence of a more brutal crime. From there, the story explodes into a fast-paced, multi-character thriller unlike any you’ve ever read.
Not for the faint of heart…“Dead Tree Tales by Rush Leaming is about a lot more than a dead tree. It’s a mystery. It’s a crime story. It’s a thriller. It’s a powerful comment on today’s society and politics… fast-paced, full of action and intrigue… It’s a real page-turner and just a fantastic read.” – Lorraine Cobcroft, Reader’s Favorite
Genre: Crime Thriller Published by: Bridgewood Publication Date: June 8th 2021 Number of Pages: 488 ISBN: 0999745654 (ISBN13: 9780999745656)
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My Book Review
RATING: 5 out of 5 Stars
DEAD TREE TALES by Rush Leaming is a fantastic new mystery/crime thriller that is impossible to put down. Mr. Leaming ties together several crimes which include the arboricide of a 1000-year-old legendary tree with the murder of an unknown young female all with acute observations of today’s political and societal unrest and corruption.
Detectives Charlie Harper and Elena Vasquez of the Charlestown PD are called out to Johns Island to investigate the poisoning of Addison’s Oak nicknamed “The Tree” which has survived for 1000 years. As they survey the area, they also notice blood on the grass and the severed tip of a finger.
As the investigation progresses, it becomes more complex, twisted and leads to a startling climax.
I cannot say enough about how much I enjoyed this book. The author’s observations through the eyes of his two main characters brings Charlestown and the coastal islands to life. Each of the two main detectives are having personal family problems which the author handles with honesty and empathy. The secondary characters are also fully fleshed and add to the depth and realism of the story. All the characters could walk right off the page. The politics and racial tensions are woven throughout and based on current events.
I feel this is one of the most perfectly crafted mix of characterization and plotted mystery/crime thrillers that I have read. I loved it!
I highly recommend this story.
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Excerpt
CHAPTER ONE
It was known simply as The Tree; that is what the locals on Johns Island, South Carolina, called it. A Southern live oak born a thousand years ago (some even said fifteen hundred), its gargantuan limbs swirled and stretched as much as two hundred feet in all directions. The lower arms, heavy with age, sometimes sank into the earth only to reemerge. Other branches flailed recklessly in the sky, like some sort of once-screaming kraken turned to wood by an ancient curse.
Generation after generation had protected it. Rising from the center of a former indigo plantation, and now officially known as Addison’s Oak, The Tree had long been a source of pride, even fear, in the surrounding community, as well as James Island, Wadmalaw Island, and the nearby city of Charleston.
But now, The Tree was dying. It was not from natural causes either, not from time, nor gravity, nor the weather.
Someone had killed it.
“Is that a thing?” Detective Charlie Harper asked as he turned his head to look at his partner, Detective Elena Vasquez.
“I think so.” Elena squinted her eyes toward the top of the canopy, the leafy summit shadowed and backlit by the noon sun.
“Arborcide? That’s a thing?” Charlie asked again.
An Asian-American man in his mid-twenties wearing wraparound sunglasses stood next to the two detectives. “Yep. You remember that incident a few years ago in Auburn? Toomer’s Corner. Crazy Alabama fan poisoned the tree there.”
“Yeah,” Charlie said. “But I mean legally. Is it legally a crime to do this?”
“Cops were involved there,” the man said. “The guy went to jail. Has to be something. Why don’t you call them? See what they did.” He pulled a pack of spearmint gum from the front pocket of his jeans and stuffed five pieces in his mouth, noticing Charlie watching him. “Quitting smoking. Nicotine gum makes me dizzy.”
Charlie nodded. “Been there.” Six feet tall, with a closely trimmed beard under bright-blue eyes, he walked around the perimeter of the field.
Salt air swirled around him—they were only a couple of miles from the beach—and Charlie realized it was the first time he had been away from the city and out on the islands in months, maybe even over a year.
Elena Vasquez, an athletic five-ten with shoulder-length black hair bobby-pinned over her ears, stood in front of the young man and opened a new page in the Notes app on her iPhone. “So, you’re the one who called about this?”
“Yes. It took some digging to figure out who to contact. I didn’t know there weren’t any police stations out here.”
“That’s correct.” She typed the date 5/19/2015 at the top of the page. “Closest station is the Island Sheriff’s Patrol on James Island, but they don’t handle things like this. That’s why you got us from the city. And who are you again?”
“Daniel Lee.”
She looked up from her iPhone. “Daniel is a nice name. It’s my son’s name, though we call him Danny. Where are you from, Mr. Lee?”
“I’m originally from Maryland—Chesapeake Bay area—but now I live in Charleston. West Ashley. I’m a Ph.D. candidate at the college.”
“College of Charleston?” Elena asked and continued typing.
“Yes. Environmental science. Teach a couple of undergrad classes as well. And I’m president of the local Sierra Club chapter. Our service project for this year has been public park maintenance and cleanup. I came here a week ago and saw that broken limb—”
“This one?” Charlie pointed at a fat twisted branch about the length of a Greyhound bus lying near the base of the tree.
“Yes.”
“Well . . .” Charlie said. “How do you know it wasn’t lightning or something?”
Daniel went over to Charlie and squatted next to the fallen limb. “There are no burn marks. Lightning would leave those.”
“Maybe it’s just old age. Isn’t this thing like a thousand years old or something?”
“Possibly more. It is rotting,” Daniel said. “But not from old age. See this discoloration? The rust-colored saturation of the stump where it broke?”
Charlie leaned in a little closer. “Yes.”
“That’s from poison, from a lot of poison. And you can see spots like this forming and spreading all around the trunk and on other branches.”
Elena stood beneath The Tree, placing her hand on a dark-orange splotch on the trunk. The gray bark surrounding the stain felt tough and firm, but inside the color spot, it was soft and crumbling. “I see it.”
“It’s like cancer,” Daniel said. “The Tree is not dead yet, but it will be soon. I had the soil tested as well as samples from the broken limb. They came back positive for massive levels of DS190.”
“And that is?” Charlie said.
“A variant of tebuthiuron. A very powerful herbicide. Similar to what was used at Toomer’s Corner. Somebody has been injecting the tree as well as dumping it into the ground. Probably for a few months to reach these levels.”
“Injecting the tree?” Elena said.
Daniel pulled them over to the base of the trunk where a ring of jagged holes stretched just above the ground. “Yes. See these gashes? Somebody has been boring into the trunk, then filling it with DS190.”
Charlie took out a pair of latex gloves and put them on before touching the holes in the trunk. “You’re sure this is intentional?”
“Has to be. This stuff doesn’t just appear on its own. It’s man-made. Someone has been doing this.”
“But why?” Charlie asked.
Daniel held out a hand, palm up. “Thus, the reason the two of you are here.”
Charlie shook his head. “I don’t know about this. We usually work homicide.”
Daniel gestured towards the gashes in the trunk. “You have a murder victim. Or soon will. Right in front of you.”
“But it’s a tree!” Charlie said.
Elena looked up from her phone. “Okay, Mr. Harper. Easy.”
Daniel motioned for them to follow as he walked to the backside of the trunk. “There’s something else.” He came to a stop in a patch of grass ringed with dandelion sprouts and pointed to dark-red streaks spread across the blades. “That’s blood, isn’t it?”
Charlie bent down and touched his gloved hand to one of the blades. “Maybe.” He took out a plastic bag and a Leatherman multitool from his jacket. He pulled apart the hinged scissors, then clipped away about a dozen pieces of grass and dropped them into the bag.
“And another thing,” Daniel said and led Elena to a spot about ten feet away. He pointed to a white card lying in the grass. “I didn’t touch any of this, by the way. I didn’t want to disturb the crime scene . . . I watch a lot of cop shows. I know how that goes.”
“Doesn’t everyone.” Elena squatted down, taking a plastic bag from her jacket. She used tweezers to pick up the card, muddy and frayed at the edges and turned it over to reveal a yellow cat emoji, just the head, whiskers, and a faint smile, printed on the opposite side. There were no words, just the image.
A strong breeze moved through the leaves of the great tree, a sound like rain showers mixed with groaning as the heavy limbs bent in the wind.
Charlie Harper removed his glove and rubbed the edge of his dark-brown beard. Looking at the massive branches, which did seem like the arms of giants, he began to understand why The Tree was such a big deal. “Have to say, it is beautiful here. Can’t believe I’ve been in Charleston four years and never been here. I should bring Amy. She’d love it.”
Daniel looked at Elena for an explanation.
“His daughter,” she said, then turned to Charlie. “You should. My dad brought me here a few times when I was a kid.”
“Well, you better hurry,” Daniel said.
“There’s nothing to stop it?” Elena asked.
“Probably not. I contacted a team of forestry researchers I know from Virginia Tech. They are going to send a team down to look at it, see if anything can be done. I sent a request to the Parks Department to pay for it. If they don’t, Sierra Club will hold a fundraiser.”
Charlie sighed. “Okay. While we decide what to do about this, I’ll call and have some signs and barriers put up to keep the tourists away.”
Elena turned to Daniel. “Thank you for meeting us here. Could you come to our station in the city today or tomorrow to give a formal statement?”
“Sure.”
“Bring copies of the lab work. We gonna find anything when we do a background check on you?”
Daniel shook his head. “No. Just some parking tickets . . . a lot of tickets actually. Parking at the college is a bitch.”
“That it is,” Elena said. “Here is my card if you think of anything else.”
“Thanks,” Daniel said. He stopped a moment as if to say something, then continued toward a white Chevy Volt parked near the road.
Elena looked at Charlie and raised her eyebrows. “So, Mr. Harper, what do you think?”
“Ehh . . . I mean I understand it’s old and rare and special and all that, but it’s a fucking tree. I don’t know anything about trees, do you?”
“No, but . . .”
“But what?”
“I don’t know,” Elena said and looked around the field. “My Spidey-sense tells me there’s more to it than just some weird vandalism.” She took a step forward and winced.
“Back acting up?” Charlie asked.
“A bit,” she said.
“Lunchtime anyway. Let’s take a break. I’m starving. June and I got into it again this morning. Skipped breakfast.”
“Sorry to hear that.” Elena swept a strand of black hair behind her ear. She pointed with her chin down a two-lane road to a crooked sign with a faded image of a pagoda: The Formosa Grill. “Chinese?”
“Sure,” Charlie said.
The two of them began to walk toward their gray Ford Explorer when Charlie saw a flash of white out of the corner of his eye. He stopped and knelt in the grass. He used his Leatherman tool to again pry away several blades.
“What is it?” Elena asked.
Charlie’s head bolted upright, his blue eyes narrowing. “Mr. Lee!” he shouted. He pulled another latex glove from his pocket.
In the parking lot, Daniel climbed out of his car and made his way back to the field. “Yes?”
“Mr. Lee, when was the last time you were here before meeting us today?”
“Yesterday morning,” Daniel said.
Elena knelt next to Charlie, looked into the grass, and let a low whistle escape her lips. She used her phone to take a photo.
Charlie used tweezers to pick up a severed finger. Sliced just below the knuckle, the stump crusted in blood, the flesh covered with red ants, it ended with a sharp green fingernail. He looked at Daniel. “Did you happen to notice this?”
Daniel swallowed hard, turning his face to the side. “No. I did not.”
Charlie put the finger in a plastic bag.
Elena looked at him, her wide brown eyes giving him a knowing shimmer. “You interested in this case now, Mr. Harper?”
Charlie didn’t flinch. He stared at The Tree.
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Author Bio
RUSH LEAMING has done many things including spending 15+ years in film/video production working on such projects as The Lord of the Rings films. His first novel, Don’t Go, Ramanya, a political thriller set in Thailand, was self-published in the fall of 2016 and reached number one on Amazon. His equally successful second novel, entitled The Whole of the Moon, a coming-of-age tale set in the Congo at the end of the Cold War, was published in 2018. His short stories have appeared in Notations, 67 Press, Lightwave, Green Apple, 5k Fiction, and The Electric Eclectic. He has lived in New York City, Los Angeles, Atlanta, Zaire, Thailand, Spain, Greece, England, and Kenya. He currently lives in South Carolina.
Today I am sharing my Feature Post and Book Review on the Virtual Author Book Tours for CITY OF DEADLY DREAMS by Elyse Douglas.
Below you will find a book description, my book review, an excerpt from the book, an about the author section and the author’s social media links. Enjoy!
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Book Description
Dane Cooper, an NYC Hell’s Kitchen private detective, is hired by a Tennessee man to find his handsome, 20-year-old son named Elvis, who has been missing for several months. Though hesitant at first, Dane takes the case because he needs the money. Dane soon learns that the case centers around a beautiful, mysterious blonde, named Darcy. Against his better judgment, he falls for her, believing she might lead him to Elvis. Her dangerous secrets trouble him, and he realizes he can’t trust her.
Dane’s investigation turns deadly when he learns that Elvis has left a trail of pregnant young girls, unhappy husbands, and vengeful women. Dane becomes a target as he struggles to find Elvis and save him from the killers who are closing in. Can Dane save Elvis and himself, or will Darcy’s secrets get them all killed?
Publisher: Broadback (May 1, 2021) Category: Hard-Boiled Mystery, Private Investigator Mystery Tour dates: May 31-June 30, 2021 ISBN: B08Y86X4B3 Available in ebook, 250 pages
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My Book Review
RATING: 5 out of 5 Stars
CITY OF DEADLY DREAMS by Elyse Douglas is a noir style private investigator mystery. The story has the atmosphere of an old style gritty P.I. mystery, but it is set in present day New York City.
Private Investigator Dane Cooper is hired to find Elvis. Elvis is a twenty-year old spitting image of THE Elvis and he has not been in contact with his father and mother in Tennessee for several months. Dane is hesitant to take the case, but he is offered too much money to turn the case down.
As the investigation progresses, Dane begins to believe Elvis has been a victim of foul play. He meets Elvis’ ex-high school music teacher, Darcy who is rumored to have been having an affair with her student. Darcy is a beautiful blonde and Dane falls for her even as he believes she is not telling him the whole truth about Elvis’ where abouts.
As Dane follows the trail to find Elvis, he runs into a vengeful, jealous ex-husband, a madame of a male escort service and a connected Vegas assistant casino manager with a missing underage daughter. Will Dane find and save not only Elvis, but himself before they end up dead?
This is a fast-paced mystery plot with several well placed red-herrings and plot twists. The ending is a big twist that I was not expecting. Dane is the tough, single POV investigator and all the characters are classic noir character archetypes set in the present and that makes for a unique and fun read.
I recommend this noir style P.I. mystery set in the present.
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Excerpt
“I can’t go back,” she muttered.
“Back to where, Darcy?”
“I can’t be alone in that apartment. Not now. I won’t make it through another night.”
“Do you have a friend or relative you can stay with? Maybe a therapist you can call?”
She twisted away, grimacing. “God, no. I can’t be with them—with anyone who knows me. I can’t talk to them anymore. Don’t you understand? I can’t.”
I softened my voice. “Darcy… Is there anyone at work you can…?”
“… No…Well, Carol. Carol Hemmings. Sweet Carol. Silly Carol. We went to high school together. She’s a good friend, and she’s the one who got me the bookkeeping job, but…”
“But what?”
“Carol’s married to a guy who took Rod’s side. Carol is a good friend, but she still thinks Rod and I can make it, if we’d just go to a marriage counselor or something.” Darcy lifted a weak hand and let it drop. “She’s a hopeless romantic…”
She began twisting her hands. Her face fell into agony. “I’ve just been such a fool.”
I leaned in toward her. “Darcy, all you did was fall in love. That’s all. That’s nothing to beat yourself up about.”
“Don’t you see? I’ve ruined everything. Everything I stood for and believed in.”
I searched for the right response. “Just give it time… a little time to get your balance back.”
She shook that away, gathered herself up, then gave me a strange and hopeful look. “I know this is going to sound crazy, but… can I come to New York with you?”
That jarred me. I had never even considered the possibility. I scanned her, up and down. She appeared sickened by the gravity of the moment. Seeing her moist eyes and brittle state, I was left with few options. And, no, I’m not a saint. Having her with me couldn’t hurt: she was my best hope for contacting Elvis. Her question had changed the quality of the conversation. We sat in a guarded silence. She turned to face the open window, staring out into the gray face of winter.
“Look, Darcy, you can come with me—if that’s what you really want—but maybe making contact with an old friend or close relative—going to see them and forgetting about everything for a while—might be better for you.”
She shrank, and I could see the dark remoteness return. She was silently screaming for help, and I wasn’t qualified to administer the kind of help she needed. What could I do? Leave her? Say no? Then what?
I decided not to abandon her. I decided to listen and let her unload her mountain of guilt and anger. I hoped that after a good night’s sleep, she’d change her mind. And I was sure that by morning, she would change her mind.
“Darcy, you can come to New York with me if you want. You can stay the night at the hotel with me, if you want. I have two double beds, or, you can take a separate room. That’s fine too. I’ll call the airline and get you on my flight leaving for New York in the morning.”
She looked at me, her eyes pleading. “I know I sound a little crazy. I know you’ve just met me and I hear my own crazy words, but I can’t help it. I can’t go back to that lonely apartment and I can’t be alone. I hate being alone. I’m not a person who can be alone.”
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About the Author
Elyse Douglas is the pen name for the married writing team Elyse Parmentier and Douglas Pennington. Elyse grew up near the sea, roaming the beaches, reading and writing stories and poetry, receiving a master’s degree in English Literature. She has enjoyed careers as an English teacher, an actress and a speech-language pathologist.
Douglas has worked as a graphic designer, a corporate manager and an equities trader. He attended the Cincinnati College Conservatory of Music and played the piano professionally for many years.
Today I am posting on the Harlequin Trade Publishing Summer 2021 Historical Fiction Blog Tour. I am excited to be sharing my Feature Post and Book Review for THE WARSAW ORPHAN by Kelly Rimmer.
Below you will find an author Q&A, an about the book section, my book review, an excerpt from the book, an about the author section and the author’s social media links. Enjoy!
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Author Q&A
Q: Tell us about The Warsaw Orphan in your own words.
A: The Warsaw Orphan is a novel about two teenagers living in Warsaw during the occupation. Elzbieta Rabinek lives a sheltered life with her adoptive parents in an apartment a few blocks from the Warsaw Ghetto. After she stumbles upon her neighbor’s resistance activities, Elzbieta becomes involved in a scheme to smuggle children out of the Ghetto to be placed with Catholic foster families on the other side of the wall. Through this work, she meets a young Jewish boy, Roman Gorka, who is trapped in the Ghetto with his family.
Q: What do you think drives authors to continue to find stories to tell set around WWII?
A: Authors keep returning to the era for the same reason readers do — these periods where the whole world was in chaos have so much to teach us about human nature. I feel like I could research and write a thousand books set during this period and still be shocked by the depths humanity sank to during that time, and amazed by the stories of resistance and courage.
Q: How are you hoping readers will relate to this story?
A: For me, the wonder of historical fiction is that it gives us the chance to experience history ourselves as we journey through a story. I hope the readers find Elzbieta and Roman relatable characters, even if the circumstances they live through are very different to ours.
Q: What’s something that you connected with personally as you researched and wrote this story?
A: I was particularly inspired by the story of the city of Warsaw as I researched and wrote this book. Warsaw was left in ruins by the end of the war, with 85-90% of the city reduced to rubble. Today, Warsaw is a vibrant, thriving metropolis. The Polish people rallied and rebuilt the city, just as they rebuilt their lives, and ultimately their nation. This is a story of resilience that I found particularly inspiring, and a timely reminder of the strength of the human spirit, as we live through chaotic times ourselves.
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About the Book
With the thrilling pace and historical drama of Pam Jenoff and Kristin Hannah, New York Times bestselling author Kelly Rimmer’s newest novel is an epic WWII saga and love story, based on the real-life efforts of two young people taking extraordinary risks to save their countrymen, as they try to find their way back to each other and the life they once knew.
Following on the success of The Things We Cannot Say, this is Kelly Rimmer’s return to the WWII category with a brand new novel inspired by Irena Sendler, the real-life Polish nurse who used her access to the Warsaw ghetto to smuggle Jewish children and babies to safety.
Spanning the tumultuous years between 1942 and 1945 in Poland, The Warsaw Orphan follows Emilia over the course of the war, her involvement with the Resistance, and her love for Sergiusz, a young man imprisoned in the Jewish ghetto who’s passion leads him to fight in the Warsaw Uprising. From the Warsaw ghetto to the Ravensbruck concentration camp, through Nazi occupation to the threat of a communist regime, Kelly Rimmer has penned her most meticulously researched and emotionally compelling novel to date.
THE WARSAW ORPHAN by Kelly Rimmer is an emotional historical fiction story featuring a young Polish girl and her family and friend’s struggles to survive set in occupied Warsaw during WWII.
Elizbieta Rabinek is living with her mother and father just outside the ghetto walls in Warsaw, Poland. She has a secret. Her mother and father have adopted her and are keeping her safe after the murder of her father and brother by the German’s for helping Jews. She befriends a nurse named Sara who lives in the apartment across the hall and discovers that Sara is doing more than just public health rounds in the ghetto.
Sara and fellow public health workers are smuggling children out of the ghetto and Elizbieta is determined to help. Sara is trying to help the Gorka family and this is when Elizbieta meets their son, Roman. Roman is at the youth center when his family is rounded up and sent on the train to the camp. All Roman feels is hate and he is set on the path of revenge.
From the German occupation through the Russian invasion Elizbieta and Roman fight to survive and reclaim the life they once knew.
This is a well written story of family, survival, hope and love in a time of atrocities, starvation and war. Elizabieta has such courage throughout this story to face what she sees and experiences during the several years covered in this book. All of the characters in this book are diverse, fully developed and believable. The author’s research is evident in the plot and storyline.
I recommend this historical fiction novel and the author.
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Excerpt
1
Roman
28 March, 1942
The human spirit is a miraculous thing. It is the strongest part of us—crushed under pressure, but rarely broken. Trapped within our weak and fallible bodies, but never contained. I pondered this as my brother and I walked to a street vendor on Zamenhofa Street in the Warsaw Ghetto, late in the afternoon on a blessedly warm spring day.
“There was one right there,” he said, pointing to a rare gap in the crowd on the sidewalk. I nodded but did not reply. Dawidek sometimes needed to talk me through his workday but he did not need me to comment, which was fortunate, because even after months of this ritual, I still had no idea what to say.
“Down that alleyway, there was one on the steps of a building. Not even on the sidewalk, just right there on the steps.”
I fumbled in my pocket, making sure I still had the sliver of soap my stepfather had given me. Soap was in desperate demand
in the ghetto, a place where overcrowding and lack of running water had created a perfect storm for illness. My stepfather ran a tiny dentistry practice in the front room of our apartment and needed the soap as much as anyone—maybe even more so. But as desperate as Samuel’s need for soap was, my mother’s need for food eclipsed it, and so there Dawidek and I were. It was generally considered a woman’s job to go to the market, but Mother needed to conserve every bit of strength she could, and the street vendor Samuel wanted me to speak to was blocks away from our home.
“…and Roman, one was behind a big dumpster,” he hesitated, then grimaced. “Except I think we missed that one yesterday.”
I didn’t ask how he’d come to that conclusion. I knew that the answer was liable to make my heart race and my vision darken, the way it did sometimes. Sometimes, it felt as if my anger was simmering just below the surface: at my nine-year-old brother and the rest of my family. Although, none of this was their fault. At Sala, my boss at the factory on Nowolipki Street, even though he was a good man and he’d gone out of his way to help me and my family more than once. At every damned German I laid eyes on. Always them. Especially them. A sharp, uncompromising anger tinged every interaction those days, and although that anger started and ended with the Germans who had changed our world, it cycled through everyone else I knew before it made its way back where it belonged.
“There was one here yesterday. In the middle of the road at the entrance to the market.”
Dawidek had already told me all about that one, but I let him talk anyway. I hoped this running commentary would spare him from the noxious interior that I was currently grappling with. I envied the ease with which he could talk about his day, even if hearing the details filled me with guilt. Guilt I could handle, I probably deserved it. It was the anger that scared me. I felt like my grip on control was caught between my sweaty hands and, at any given moment, all it would take was for someone to startle me, and I’d lose control.
The street stall came into view through the crowd. There was always a crush of people on the street until the last second before seven o’clock curfew. This was especially the case in summer, when the oppressive heat inside the ghetto apartments could bring people to faint, besides which, the overcrowding inside was no better than the overcrowding outside. I had no idea how many people were inside those ghetto walls—Samuel guessed a million, Mrs. Kuklin´ski in the bedroom beside ours said it was much more, Mother was quite confident that it was maybe only a hundred thousand. All I knew was that ours was not the only apartment in the ghetto designed for one family that was currently housing four—in fact, there were many living in even worse conditions. While the population was a hot topic of conversation on a regular basis, it didn’t actually matter all that much to me. I could see with my own eyes and smell with my own nose that however many people were trapped within the ghetto walls, it was far, far too many.
When the vendor’s table came into view, my heart sank: she was already packing up for the day and there was no produce left. I was disappointed but not surprised: there had been no chance of us finding food so late in the day, let alone food that someone would barter for a simple slip of soap. Dawidek and I had passed a store that was selling eggs, but they’d want zloty for the eggs, not a tiny scrap of soap.
“Wait here a minute,” I murmured to my brother, who shrugged as he sank to sit on an apartment stoop. I might have let him follow me, but even after the depths our family had sunk to over the years of occupation, I still hated for him to see me beg. I glanced at him, recording his location to memory, and then pushed through the last few feet of people mingling on the sidewalk until I reached the street vendor. She shook her head before I’d spoken a word.
“I am sorry young man; I have nothing to offer you.”
“I am Samuel Gorka’s son,” I told her. It was an oversimplification of a complicated truth, but it was the best way I could help her place me. “He fixed your tooth for you, remember? A few months ago? His practice is on Miła Street.”
Recognition dawned in her gaze, but she still regarded me warily.
“I remember Samuel and I’m grateful to him, but that doesn’t change anything. I have no food left today.”
“My brother and I…we work during the day. And Samuel too. You know how busy he is, helping people like yourself. But the thing is, we have a sick family member who hasn’t—”
“Kid, I respect your father. He’s a good man, and a good dentist. I wish I could help, but I have nothing to give you.” She waved to the table, to the empty wooden box she had packed up behind her, and then opened her palms towards me as if to prove the truth of her words.
“There is nowhere else for me to go. I can’t take no for an answer. I’m going to bed hungry tonight, but I can’t let…” I trailed off, the hopelessness hitting me right in the chest. I knew I would be going home without food for my mother that night, and the implications made me want to curl up in a ball, right there in the gutter. But hopelessness was dangerous, at least in part because it was always followed by an evil cousin. Hopelessness was a passive emotion, but its natural successor drove action, and that action rarely resulted in anything positive. I clenched my fists, and my fingers curled around the soap. I pulled it from my pocket and extended it towards the vendor. She looked from my palm to my face, then sighed impatiently and leaned close to me to hiss,
“I told you. I have nothing left to trade today. If you want food, you need to come earlier in the day.”
“That’s impossible for us. Don’t you understand?”
To get to the market early in the day one of us would have to miss work. Samuel couldn’t miss work; he could barely keep up as it was—he performed extractions from sunup to curfew most days. Rarely was this work paid now that money was in such short supply among ordinary families like his patients, but the work was important—not just because it afforded some small measure of comfort for a people group who were, in every other way, suffering immensely. But every now and again Samuel did a favor for one of the Jewish police officers or even a passing German soldier. He had a theory that one day soon, those favors were going to come in handy. I was less optimistic, but I understood that he couldn’t just close his practice. The moment Samuel stopped working would be the moment he had to perform an honest reckoning with our situation, and if he did that, he would come closer to the despair I felt every waking moment of every day.
“Do you have anything else? Or is it just the soap?” the woman asked me suddenly.
“That’s all.”
“Tomorrow. Come back this time tomorrow. I’ll keep something for you, but for that much soap?” She shook her head then pursed her lips. “It’s not going to be much. See if you can find something else to barter.”
“There is nothing else,” I said, my throat tight. But the woman’s gaze was at least sympathetic, and so I nodded at her. “I’ll do my best. I’ll see you tomorrow.”
As I turned away, I wondered if it was worth calling into that store to ask about the eggs, even though I knew that the soap wasn’t nearly enough for a whole egg. It wasn’t enough for even half an egg here on the market, and the stores were always more expensive than the street vendors. Maybe they would give me a shell? We could grind it up and Mother could drink it in a little water. We’d done that once before for her. It wasn’t as good as real food, but it might help a little overnight. It surely couldn’t hurt.
As I spun back towards our apartment, a burst of adrenaline nearly knocked me sideways. Dawidek hadn’t moved, but two Jewish police officers were now standing in front of him. Like me, my brother was tall for his age—an inheritance from our maternal grandfather that made us look bizarre when we stood with Samuel and Mother, who were both more diminutive. Even so, he looked far too small to be crowded into the doorway of an apartment by two Jewish Police officers. That situation could turn to bloodshed in a heartbeat. The Kapo operated on a spectrum from well-meaning and kindly to murderously violent, and I had no way of knowing what kind of Kapo were currently accosting Dawidek. My heart thundered against the wall of my chest as I pushed my way back to them, knowing even as I approached that intervening could well get me shot.
For everything I had been through and for everything I had seen, the only thing that kept me going was my family, especially Dawidek. He was my favorite person in the world, a burst of purity in an environment of pure evil. Some days, the only time I felt still inside was when he and I were playing or talking in the evenings—and that stillness was the only rest I got. I could not live without him, in fact—I had already decided that if it came to that, I wouldn’t even try.
“Dawidek?” I called as I neared. Both Kapo turned toward me. The one on the left, the taller one, sized me up as if an emaciated, unarmed 16-year-old was any kind of threat. I knew from bitter experience that the smart thing to do would have been to let Dawidek try to talk his own way out of this. He was nine years old but used to defending himself in the bizarrely toxic environment of the Ghetto. All day long, he was at his job alone, and I was at mine. He needed his wits about him to survive even an hour of that, and I needed to trust that he could handle himself.
But I couldn’t convince myself to be smart, even when I knew that what I was about to do was likely to earn me, at best, a severe beating. I couldn’t even stop myself when the Kapo gave me a second chance to walk away. They ignored me and kept their attention on my brother. “Hey!” I shouted, loud enough that my voice echoed up and down the street, and dozens of people turned to stare. “He’s just a kid. He hasn’t done anything wrong!”
I was mentally planning my next move. I’d make a scene, maybe push one of the Kapo, and when they turned to beat me, Dawidek could run. Pain was never pleasant, but physical pain could also be an effective distraction from mental anguish, which was the worst kind. Maybe I could even land a punch, and that might feel good. But my brother stepped forward, held his hands up to me and said fiercely, “These are my supervisors, Roman. Just supervisors on the crew. We were just talking.”
My stomach dropped. My heartbeat pounded in my ears and my hands were hot.—I knew my face was flushed raspberry, both with embarrassment and from the adrenaline. After a terse pause that seemed to stretch forever, the Kapo exchanged an amused glance, one patted Dawidek on the back, and they continued down the street, both laughing at me. Dawidek shook his head in frustration.
“Why did you do that? What would you do, even if I was in trouble?”
“I’m sorry,” I admitted, scraping my hand through my hair. “I lost my head.”
“You’re always losing your head,” Dawidek muttered, falling into step beside me, as we began to follow the Kapo back towards our own apartment. “You need to listen to Father. Keep your head down, work hard and hope for the best. You are too smart to keep making such dumb decisions.”
Hearing my little brother echoing his father’s wisdom in the same tone and with the same impatience was always jarring, but in this case, I was dizzy with relief, and so I messed up his hair, and let out a weak laugh.
“For a nine-year-old, you are awfully wise.”
“Wise enough to know that you didn’t get any food for mother.”
“We were too late,” I said, and then I swallowed the lump in my throat. “But she said that we should come back tomorrow. She will set something aside for us.”
“Let’s walk the long way home. The trashcans on Smocza Street are sometimes good.”
We were far from the only family in the ghetto who had run out of resources. We were all starving and any morsel of food was quickly found, even if it was from a trashcan. Still, I was not at all keen to return to our crowded apartment, to face the disappointment in my stepfather’s gaze or to see the starvation in my mother’s. I let Dawidek lead the way, and we walked in silence, broken by his periodic bursts of commentary.
“We picked one up here… Another over there… Mordechai helped me with one there.”
As we turned down a quiet street, I realized that Dawidek’s Kapo supervisors were right in front of us, walking a few dozen feet ahead.
“We should turn around, I don’t want any trouble with those guys,” I muttered. Dawidek shook his head.
“They like me. I work hard and don’t give them any trouble. Now that you have stopped trying to get yourself killed, they won’t bother us, even if they do notice us.”
Just then, the shorter policeman glanced towards the sidewalk on his right, and then he paused. He waved his companion ahead, then withdrew something from his pocket as he crouched low to the ground. —I was far too far away to hear the words he spoke, but I saw the sadness in his gaze. The Kapo then rose and jogged ahead to catch up with his partner. Dawidek and I continued along the street, but only when we drew near where he had stopped did I realize why.
We had been in the ghetto for almost two years. Conditions were bad to begin with, and every new day seemed to bring new trials. I learned to wear blinders—to block out the public pain and suffering of my fellow prisoners. I had walked every block of the ghetto, both the Little Ghetto with its nicer apartments where the elite and artists appeared to live in relative comport, and through the Big Ghetto, where poor families like my own were crammed in, trying to survive at a much higher density. The footbridge on Chłodna Street connected the two and elevated the Ghetto residents above the “Aryan” Poles, and even the Germans, who passed beneath it. The irony of this never failed to amuse me when I crossed. Sometimes, I crossed it just to cheer myself up.
I knew the Ghetto inside and out, and I noticed every detail, even if I had taught myself to ignore what I saw as much as I could. I learned not to react when an elderly man or woman caught my hand as I passed, clawing in the hopes that I could spare them a morsel of food. I learned not to so much as startle if someone was shot in front of my eyes. And most of all, I learned to never look at the face of any unfortunate soul who was prone on the sidewalk. The only way to survive was to remain alert so I had to see it all, but I also had to learn to look right through it. The only way to manage my own broiling fury was to bury it.
But the policeman had drawn my attention to a scene of utter carnage outside of what used to be a clothing store. The store had long ago run out of stock and had been re-purposed as accommodation for several families. The wide front window was now taped over with Hessian sacks for privacy; outside of that window, on the paved sidewalk, a child was lying on her stomach. Alive, but barely.
The Ghetto was teeming with street children. The orphanages were full to bursting which meant that those who weren’t under the care of relatives or kindly strangers were left to their own devices. I saw abandoned children, but I didn’t see them.
I’d have passed right by this child on any other day. I couldn’t even manage to keep my own family safe and well, so it was better to keep walking and spare myself the pain of powerlessness. But I was curious about what the policeman had given the child, and so even as we approached her, I was scanning—looking to see what had caught his attention and to try to figure out what he’d put down on the ground.
Starvation confused the normal growth and development of children, but even so, I guessed she was two or three. She wore the same vacant expression I saw in most children by that stage. Patches of her hair had fallen out, and her naked stomach and legs were swollen. Someone had taken her clothing except for a tattered pair of underwear, and I understood why.
This child would not be alive by morning. Once they became too weak to beg for help, it didn’t take long, and this child was long past that point. Her dull brown eyes were liquid pools of defeat and agony.
My eyes drifted to her hands. One was lying open and empty on the sidewalk beside her, her palm facing upward, as if opening her hands to God. The other was also open, slumped against the sidewalk on the other side of her, but this palm was not empty. Bread. The policeman had pressed a chunk of bread beneath the child’s hand. I stared at the food and even though it was never going to find its way to my lips, my mouth began to water. I was torturing myself, but it was much easier to look at the bread than at the girl’s dull eyes.
Dawidek stood silently beside me. I thought of my mother, and then crouched beside the little girl.
“Hello,” I said, stiff and awkward. The child did not react. I cast my gaze all over her face, taking it in. The sharp cheekbones. The way her eyes seemed too big for her face. The matted hair. Someone had once brushed this little girl’s hair, and probably pulled it into pretty braids. Someone had once bathed this child, and tucked her into bed at night, bending down to whisper in her ear that she was loved and special and wanted.
Now, her lips were dry and cracked, and blood dried into a dirty black scab in the corner of her mouth. My eyes burned, and it took me a moment to realize that I was struggling to hold back tears.
“You should eat the bread,” I urged softly. Her eyes moved, and then she blinked, but then her eyelids fluttered and fell closed. She drew in a breath, but her whole chest rattled, the sound I knew people made just before they died—when they were far too ill to even cough. A tear rolled down my cheek. I closed my eyes, but now, instead of blackness, I saw the little girl’s face.
This was why I learned to wear blinders, because if you got too close to the suffering, it would burn itself into your soul. This little girl was now a part of me, and her pain was part of mine.
Even so, I knew that she could not eat the bread. The policeman’s gesture had been well-meaning, but it had come far too late. If I didn’t take the bread, the next person who passed would. If my time in the ghetto had taught me anything, it was that life might deliver blessings, but each one would have a sting in its tail. God might deliver us fortune, but never without a cost. I would take the bread, and the child would die overnight. But that wouldn’t be the end of the tragedy. In some ways, it was only the beginning.
I wiped my cheeks roughly with the back of my hand, and then before I could allow my conscience to stop me, I reached down and plucked the bread from under the child’s hand, to swiftly hide it my pocket. Then I stood, and forced myself to not look at her again. Dawidek and I began to walk.
“The little ones should be easier. I don’t have to ask the big kids for help lifting them, and they don’t weigh anything at all. They should be easier, shouldn’t they?” Dawidek said, almost philosophically. He sighed heavily, and then added in a voice thick with confusion and pain. “I’ll be able to lift her by myself tomorrow morning, but that won’t make it easier.”
Fortune gave me a job with one of the few factories in the ghetto that was owned by a kindly Jew, rather than some German businessman only wanting to take advantage of slave labor. But this meant that when the Kapo came looking for me at home, to help collect the bodies from the streets before sunrise each day, the only other viable person in our household was my brother.
When Dawidek was first recruited to this hideous role, I wanted to quit my job so that I could relieve him of it. But corpse-collection was unpaid work and my factory job paid me in food—every single day, I sat down to a hot lunch, which meant other members of my family could share my portion of rations. This girl would die overnight, and by dawn, my little brother would have lifted her into the back of a wagon. He and a team of children and teenagers, under the supervision of the Kapo, would drag the wagon to the cemetery, where they would tip the corpses into a pit with dozens of others.
Rage, black and red and violent in its intensity, clouded the edges of my vision and I felt the thunder of the injustice in my blood. But then Dawidek drew a deep breath, and he leaned forward to catch my gaze. He gave me a smile, a brave smile, one that tilted the axis of my world until I felt it chase the rage away.
I had to maintain control. I couldn’t allow my fury to destroy me, because my family was relying on me. Dawidek was relying on me.
“Mother is going to be so excited to have bread,” he said, his big brown eyes lighting up at the thought of pleasing her. “And that means Eleonora will get better milk tomorrow, won’t she?”
“Yes,” I said, my tone as empty as the words themselves. “This bread is a real blessing.”
Kelly Rimmer is the worldwide, New York Times and USA Today bestselling author of Before I Let You Go, The Things We Cannot Say, and Truths I Never Told You. She lives in rural Australia with her husband, two children and fantastically naughty dogs, Sully and Basil. Her novels have been translated into more than twenty languages. Please visit her at https://www.kellyrimmer.com/
I am very excited to be sharing my Feature Post and Book Review on the Harlequin Trade Publishing May Blog Tour for YOU WILL REMEMBER ME by Hannah Mary McKinnon.
Below you will find an author Q&A, a book summary, my book review, an excerpt from the book, the author bio and social media links. Enjoy!
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Author Q&A
Describe YOU WILL REMEMBER ME in three words or fewer?
Twisted, dark, surprising.
· How would you describe your latest book in one (or maybe two) killer sentences?
A twisty tale where the fates of three people intertwine: a man who wakes up on a beach but doesn’t know who or where he is. Lily, who’s searching for her boyfriend, Jack, who went missing after going for a swim, and Maya, who’s also looking for someone–her stepbrother, Ash, who abandoned her and his entire life two years prior. But is the man from the beach Jack, Ash, neither…or both?
· What’s “the story behind the story.” The inspiration for YOU WILL REMEMBER ME. Where were you when the spark came to you?
A few years ago, a man from Toronto vanished from a ski hill in Lake Placid while there on vacation and showed up six days later in Sacramento. He had amnesia and couldn’t remember much, including the cross-country trip he’d made as he’d hitchhiked across the US. Everything worked out for the man in the end and he found his way home, but it made me wonder—what could have gone wrong? That was the genesis for YOU WILL REMEMBER ME.
A while later I had a vivid image in my head—a man waking up on a deserted beach without any recollection of who he was, or what he was doing there. I kept coming back to his story, how he’d arrived on that beach, what he’d do, and how much danger he was in. As I noodled the plot around, I wondered what might happen if he found his way home but had no idea he’d actually left the town years before, and unknowingly walked back into the dragon’s den. That was it. I needed to know what happened next, who was looking for him, and if he’d survive.
· What did you have the most fun with, character or plot?
Hmm…both were tricky. Having multiple point-of-view characters (there are three) is always more complex than having one protagonist as you have to develop the character more quickly. I’d also completely underestimated writing a point-of-view character with amnesia. You can’t give them any backstory or memories, nor can you have scene after scene of somebody telling them about their past. YOU WILL REMEMBER ME was a tricky book to write, but it stretched me as an author.
· Did the story end the way you’d initially thought?
I had three endings in mind, and when I pitched the book to my editor, I asked her, “How dark can I go?” She said, “As dark as you want.” And I did J
· Five facts readers don’t know about the book
1. I set the book in Maine because we visited family in New Brunswick and stayed in Portland on our drive there. It’s a beautiful city and I can’t wait to go back. Newdale and Brookmount (the towns in the book) are fictional – I need to be able to take creative liberties.
2. One of the characters finds a library book, Creep by Jennifer Hillier. Creep propelled me to the dark side of writing suspense, and Jenny and I have become great friends. It’s an homage to her work, and her friendship.
3. One of the characters is originally from Portsmouth—so was my lovely mum.
4. While writing this book, I had a conversation about “could you kill someone using a…” with my husband. He still sleeps with one eye open.
5. I mention Meg White from the White Stripes in the book, and I think she’s a phenomenal drummer!
· Do you have a favorite chapter or scene?
Probably the ending because it’s twisted and hopefully unexpected. My books generally don’t tie up with a cherry on top because that’s the kind of book I like to read (except if I’m reading romance, then it HAS to work out or I’m disappointed)!
· Do you have a favorite character?
They were all interesting to write for many different reasons, predominantly because they’re flawed. Maya was probably the most complex, certainly one of the darkest point-of-view characters I’ve ever written. Although Lily is a sunshine girl, she has her secrets, too, which were fun to explore. As for “the man from the beach,” unearthing him was a longer process, and I kept remining myself that because I knew his history, it didn’t mean he could because of the amnesia.
· What do you hope readers will take away from You Will Remember Me?
I hope I manage to surprise readers, and they keep thinking about the book long after they’ve finished the final page. My main goal is to entertain, to provide people a form of escape and to leave readers satisfied thinking, “I enjoyed that. It was time well spent!”
· How did publishing your first book change your process of writing, if at all?
My novels have definitely become darker–in that sense I’m taking more risks because I’m more confident in my ability to pull it off. With each book my process has also become more streamlined, and, six books in, I feel more in control.
Having said that, self-doubt always, always creeps in, particularly when I’m writing my first “skeleton draft,” which is a first, very loose version nobody will ever see. However, I’ve learned to trust my writing process. If I can get the bones of the story on paper, I’ll add layers and complexity as I go over the novel again and again in preparation for my editor’s eyes. I accept the finer details will come as I work through the story. I’ll figure out plot-holes if I allow myself time to work through them. Just like most people who draw, paint, or write music or books, the first draft will never be my best work. I’m glad I’ve accepted that because it stops me from being overly self-critical when I start a project. I also set myself deadlines and work hard to beat them.
· What’s your favorite part about writing/being an author? What do you find challenging?
I love the camaraderie of the writing community, it’s like nothing I’ve experienced elsewhere. Authors, readers, agents, publishers—we all love books and it’s truly wonderful. In terms of writing, I love the initial anticipation of starting a new book where everything is open, and the only limit is my imagination. I also adore when I get to the editing part and think, “Yeah, I believe I’ve got something here” — that’s always such a rush.
· All of your books are filled with many plot twists and turns. How much of the stories have you mapped out in advance, or does your writing style, take, well, twists and turns as you go along?
I love twists and turns, and the more books I write, the more I plot them. Detailed outlines make me more productive and efficient because I know where I’m headed. That doesn’t necessarily mean I’ll end up at the destination I mapped out though. In The Neighbors, for example, the ending changed quite dramatically as I got closer to finishing my first draft. In Her Secret Son, the final chapters were different because I wasn’t happy with whom I’d planned to kill off. Sister Dear’s and You Will Remember Me’s endings are close to how I’d imagined but more sinister. Having said that, as I write, more twists and turns come up, and that’s another fun part of writing, discovering what your characters will do when you let them loose.
I admire authors who don’t plot or outline at all in advance, but jump right in. If I did that, I think I’d spend an awful lot of time meandering about not getting anywhere, and then fret about my deadlines.
· What is your writing process like?
Very structured, and the more I write, the more I plan. My novels start with an idea—something that pops into my head such as the news story for You Will Remember Me, or a radio segment for Sister Dear—maybe a discussion I overheard. I noodle the thoughts around for a while as the main characters take shape. The next step is to write an outline. I start by jotting down the big picture plot points, which I then use as stepping-stones to build and write the rest of the outline. I fill out personality questionnaires for my main characters to understand them better, and search for photos on the internet to build a gallery I stick on my pin-board. By this point I’m raring to go.
At first, I write a basic manuscript that’s a little over two-thirds of the final word count, then layer and develop until I’m happy calling it a first draft, and send it to my wonderful editor, Emily. That’s when the real editing work begins, which is incredibly exciting because I know the story will become a thousand times better with her expert input.
· What kind of research do you do, and how long do you spend researching before beginning a book?
It depends on the novel. For Time After Time (my debut, a rom com) there were geographical considerations, and, as the novel took place from the 1980s to the 2010s, I had to ensure my references to pop culture were accurate. In The Neighbors, Her Secret Son and Sister Dear, and You Will Remember Me (suspense / psychological thrillers) there were similar geographical issues to consider, but I also had to research legal details. I sought the help from an advisor from child services, a lawyer, a medical examiner, and a police detective, to name but a few. For You Will Remember Me I also had phenomenal input from a paramedic and an ER doctor.
I’m continually amazed how people are so incredibly generous with their time, knowledge and expertise when I call and say, “I’m an author, honest, and I have a few weird questions.” For example, fellow author Bruce Robert Coffin is a retired police detective, and he’s helped me get away with fictional murder multiple times. His input is incredible!
I don’t do a lot of research before I start writing but tend to put placeholders for areas that need fleshing out and go back to them after I’ve finished my first draft. That way I’m not spending hours on facts that don’t make the cut, or getting sidetracked by facts which are interesting, but potentially irrelevant to the story.
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Book Summary
He wakes up on a deserted beach in Maryland, wearing only swim trunks and a gash on his head. He can’t remember who he is. Everything—his identity, his life, his loved ones—has been replaced by a dizzying fog of uncertainty. But returning to his Maine hometown in search of the truth raises more questions than answers.
Lily Reid thinks she knows her boyfriend, Jack. Until he goes missing one night, and her frantic search reveals that he’s been lying to her since they met, desperate to escape a dark past he’d purposely left behind.
Maya Scott has been trying to find her estranged stepbrother, Asher, since he disappeared without a trace. Having him back, missing memory and all, feels like a miracle. But with a mutual history full of devastating secrets, how far will Maya go to ensure she alone takes them to the grave?
YOU WILL REMEMBER ME by Hannah Mary McKinnon is a dark and twisted psychological suspense/thriller that kept me turning the pages well into the night. Having read Sister DearI knew I was in for an exciting read, but this book managed to exceed those expectations.
A man wakes up freezing on a beach in Maryland only wearing swim trunks with no memory. The only thing he does remember is a phone number in Maine which leads him to his hometown and more questions than answers.
Lily Reid is frantic when her boyfriend, Jack goes missing. His truck is found on the beach, but there is no body.
Maya Scott has been trying to find her stepbrother, Asher who has been missing for two years. He disappeared without a trace, but he is now back with no memories. Maya is determined to keep Ash and their mutual secrets at home.
WOW! Each time I would believe I have everything figured out, Ms. McKinnon would reveal another twist that would leave me shocked and wondering where else this plot could go and how much darker it would get. The three main characters kept me constantly on my toes as their secrets were revealed which left me on an emotional pendulum. This is a page turner that does not disappoint and I will definitely be thinking about these characters for quite some time.
I highly recommend this psychological suspense/thriller and this author!
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Excerpt
Chapter 1—The Man from the Beach
Cold. Cold was the first word that came to mind. The first thing I noticed when I woke up. Not a slight, uncomfortable chill to give me the shivers, but a cramp-inducing, iced-to-the-bone kind of frozen. I lay flat on my stomach, my left ear and cheek pressed into the rough, grainy wet ground beneath me, my entire body shaking. As my thoughts attempted to assemble themselves into some form of understandable order, a wave of icy water nipped at my bare toes and ankles, my instincts pulling my feet out of reach.
I had a sudden urge to get up, a primal need to take in my surroundings and assess the danger—was I in danger?—but the throbbing pain deep in my head made the slightest effort to shift anything seem impossible. Lifting a finger would be too much effort, and I acquiesced, allowing myself to lie still for another few freezing seconds as the frigid water crept over the balls of my feet again. When I blinked my eyes open, I was met by a thick, fuzzy darkness enveloping me like a cloak. Where the hell was I? And wherever it was, what was I doing here?
When I lifted my head a fraction of an inch, I could barely make out anything in front of me. There was hardly a noise either, nothing but a gentle, steady rumble in the background, and the cry of a bird somewhere in the distance. I made my brain work its way backward—bird, rumble, sand, water—and the quartet formed the vaguely cohesive image of a beach.
Searching for confirmation, I inhaled the salty, humid air deep into my lungs as another slosh of water took aim at my calves. This time the discomfort was enough to push me to my feet, and I wrapped my arms around my naked torso, my sopping board shorts clinging to my goose-bump-covered thighs. An explosion of pain in my head threatened to send me back to my knees, and I swayed gently, wishing I had something to steady myself with, willing my body to stay upright. As I pressed a hand to the side of my skull, I let out a quiet yelp, and felt along a two-inch gash in my scalp. My eyes had adjusted somewhat to the lack of light, and my fingertips were covered in something dark that smelled of rust. Blood. How had I…?
Another low rumble made me turn around, shuffling slowly in a semicircle. The behemoth effort was rewarded by the sight of a thousand glistening waves dancing under the moonlight like diamonds, the water stretching out and disappearing into the darkness beyond. As my ears tuned in to the rhythmic whoosh of the waves, my mind worked hard to process each scrap of information it took in.
I’m definitely on a beach. It’s nighttime. I’m alone. What am I doing here?
Before I could answer the single question, a thousand others crowded my brain, an incessant string of chatter I couldn’t stop or get away from.
Where is everyone? Never mind them, where am I? Have I been here long? How did I get here? Where was I before? Where are my clothes? What day is it?
My legs buckled. Not because of the unfamiliar surroundings, the cold burrowing its way deeper into my core, or the pain in my head, which had increased tenfold. No. My knees hit the sand with a dull crunch when I realized I couldn’t answer any of the questions because I couldn’t recall anything. Nothing. Not the tiniest of details.
Including my name.
Chapter 2—Lily
A frown settled over my face as I put my phone on the table, pushed the bowl of unfinished berry oatmeal away and stretched out my legs. It was Saturday morning, and I’d been up for ages, too eager—too hopeful—to spend a day at the beach with Jack, but those plans had been a literal wash-out. The start to the summer felt capricious, with this second storm in the last week of June poised to be much worse than the first. I’d convinced myself the weatherwoman had exaggerated or got her forecast completely wrong, but clouds had rolled in overnight anyway. As a result, I’d been unceremoniously woken up at two thirty by a trio of bright lightning, deafening thunderclaps and heavy raindrops pelting against my bedroom window.
At first, I’d pulled my pillow over my head to deafen the noise, and when that didn’t work, I rolled over and stretched out an arm. The spot next to me was empty and cold, and I groaned. Jack hadn’t come over to my place as I’d hoped he would, slipping into bed and pressing his naked body against mine. I’d buried my face back into my pillow and tried to ignore the tinge of disappointment. We hadn’t seen much of each other this past week, both of us too busy with our jobs to spend more than a night together, and I missed him. Jack had called the day before to tell me he’d be working late, finishing the stain on the cabinets he’d labored on for weeks before his boss had to let him go. Apparently expensive custom kitchens weren’t in as high demand in Brookmount, Maryland as originally thought.
“But you got laid off,” I’d said. “It’s your last day. Why do you care?”
“Because I made a commitment. Besides, it’ll help when I need a reference.”
Typical Jack, always keeping his word. He’d bought a lottery ticket once, and the clerk had jokingly asked if he’d give him half of any winnings. Jack had laughed and shaken the man’s hand, and when he won ten bucks on the ticket, had promptly returned to the store, and paid over the share as promised. His loyalty was one of the many things I loved about Jack, although part of me wished he weren’t quite as dedicated to his soon-to-be ex-boss.
“You could come over to my place when you’re done,” I said, smiling slowly. “I’ll leave the key under the umbrella stand. I don’t mind you waking me up gently in the middle of the night…or not so gently.”
Jack laughed softly. The sound was something I’d fallen in love with eighteen months ago after our eyes had met across a crowded bar, the mother of all uninspired first-encounter clichés, except in this case I’d been forced to admit clichés weren’t always a bad thing.
“It’ll be really late, Lily,” he said, his voice deep. His English accent was something of a rarity in our small coastal town, and still capable of making my legs wobble in anticipation of his next words. “I’ll go for a quick swim now, then finish up work. How about I come over in the morning? Around nine? I’ll bring you breakfast in bed.”
“Blueberry pancakes from Patti’s? With extra maple syrup?”
“This time I’ll order three stacks to make sure I get some.”
“Pancakes or sex?” I said, before telling him how much I loved him, and whispering exactly how I’d thank him for waking me with sweet weekend treats. I’d hoped it might change his mind and he’d come over earlier, except it was ten now, and he still hadn’t showed. It was odd. Jack detested being late as much as he loved being early. He often joked they set Greenwich Mean Time by his father’s old watch, which Jack had worn since his dad passed a little over a decade before we’d met, when Jack was only twenty.
I checked my phone again. Jack hadn’t answered either of my calls, another anomaly, but I tried to talk myself into believing he’d worked late into the night to make the final good impression he wanted, and overslept. Maybe there was a line at Patti’s—the restaurant was slammed every weekend—and perhaps his phone was set to silent.
I picked up my bowl and wandered to the kitchen. My place was the smallest of six apartments, a tiny but well-maintained one-bedroom in a building a few miles from the beach, farther than I’d planned, but the closest I could afford. I’d lived there for almost five years, had furnished it with an eclectic assortment of third-hand furniture, my favorite piece a royal blue microfiber sofa I’d bought for fifty bucks, and which Jack swore was the most comfortable thing he’d ever sat on. Whenever he sank down into it and pulled me on top of him with a contented sigh, I’d tease him about what made him happier; the squishy, well-worn cushions, or me.
Hannah Mary McKinnon was born in the UK, grew up in Switzerland and moved to Canada in 2010. After a successful career in recruitment, she quit the corporate world in favor of writing, and is now the author of The Neighbors, Her Secret Son, and Sister Dear. She lives in Oakville, Ontario, with her husband and three sons, and is delighted by her twenty-second commute.
Today is my turn on the Fig Tree Books Blog Tour for JACOBO’S RAINBOW by David Hirshberg. This is a wonderful literary historical fiction that reads as a historical memoir.
Below you will find a book synopsis, my book review, an about the author section and the author’s social media link. Enjoy!
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Book Synopsis
JACOBO’S RAINBOW is set primarily in the nineteen sixties during the convulsive period of the student protest movements and the Vietnam War. It focuses on the issue of being an outsider, an altogether common circumstance that resonates with readers in today’s America. Written from a Jewish perspective, it speaks to universal truths that affect us all.
On the occasion of the 15th anniversary of a transformative event in Jacobo’s life – the day he is sent to jail – he writes about what happened behind the scenes of the Free Speech Movement, which provides the backdrop for a riveting story centered on his emergence into a world he never could have imagined. His recording of those earlier events is the proximate cause of his being arrested. Jacobo is allowed to leave jail under the condition of being drafted, engages in gruesome fighting in Vietnam, and returns to continue his work of chronicling America in the throes of significant societal changes.
Nothing is what it seems to be at first glance, as we watch Jacobo navigate through the agonies of divisive transformations that are altering the character of the country. Coming to grips with his own imperfections as well as revelations about the people around him, he begins to understand more about himself and how he can have an impact on the world around him … and how it, in turn, will have an effect on him.
The novel can be read on three levels: 1) as a coming of age story; 2) as a metaphor for what is happening on college campuses today, in terms of the shutting down of speech and the rise of anti-Semitism; 3) as a novel about Jewish identity and what life is like for the outsider.
by David Hirshberg Fig Tree Books LLC; May 4, 2021 ISBN hardcover: 9781941493281, $19.95; e-book: 9781941493-298, $9.99 Audiobook Retail: 9781705281567; Library: 9781705281574
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My Book Review
RATING: 5 out of 5 Stars
JACOBO’S RAINBOW by David Hirshberg is a wonderful literary historical fiction novel that reads as a historical memoir set primarily during the tumultuous nineteen sixties.
Jacobo Toledano is the protagonist and the unique main character who chronicles his life in this memoir style tale. Jacobo comes from an isolated small community in New Mexico which leaves him with an unbiased view of the world and as an outsider he is the perfect storyteller for this tale.
On the fifteenth anniversary of the day Jacobo is sent to jail, he begins to write his story. He arrives at university only to be swept up by a charismatic leader of the Free Speech Movement and the protests of the Vietnam war. All the characters he writes about comes to life on the page with perceptive insights and sensitivity. His recording of these events is the cause of his being arrested.
Jacobo is given a choice, stay in jail or be drafted to fight in Vietnam. The gruesome fighting comes alive on the page and I remember watching it nightly on the news. (This was the first war to come into American homes nightly on the national news programs.) When he returns, he continues to chronicle a changing America.
This is a coming-of-age story set against the social upheaval of the nineteen sixties. It is also a tale of triumph over adversity, prejudice, lies and loss. This story and the past few years demonstrate that history can and will repeat itself if we are not ever observant and caretakers of everyone’s rights and freedom.
I highly recommend this novel and author!
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About the Author
David Hirshberg is the pseudonym for an entrepreneur who prefers to keep his business activities separate from his writing endeavors. As an author, he adopted the first name of his father-in-law and the last name of his maternal grandfather, as a tribute to their impact on his life. His first novel, My Mother’s Son was published in 2018 and won nine awards. Reviewers have compared Hirshberg’s writing to Michael Chabon’s and Saul Bellow’s, among others.