THE NURSE’S SECRET by Amanda Skenandore is a historical fiction novel with romantic elements featuring a young female protagonist set in 1880’s New York City’s Bellevue Hospital. This is a standalone novel with great characters, a bit of sweet romance and a suspense murder mystery plot intertwined throughout.
New York City’s Bellevue Hospital is the first hospital in the U.S. to initiate a nursing school based on the principles of Florence Nightingale. The young ladies must be of high moral character, educated and from upper class homes. There is a strict code of decorum, discipline and work ethic that must be followed to remain in the program. Una Kelly is none of these things. Una is a con artist, pickpocket and thief who is found at the scene of a murder, arrested, and then escapes. She cons her way into the nursing program with the help of a friend to hide from the police.
With the help of her roommate, Una finds she is capable of pulling off this deception and even finds she is good with the patients. A young doctor in training is interested in the unique nurse probationer, but Una is afraid to admit she is not who she seems. But when a woman from her past shows up and threatens Una’s ruse, she is killed in the same method as the man Una is accused of killing.
Una knows someone is killing in Bellevue and it is like the murder she is accused of. She sets a trap, but she may end up the victim of this serial killer.
I loved this book and all the characters. Una is street smart and thick skinned due to her upbringing, but she also knows how to use her natural intelligence to get along in her ruse and she begins to really care about her patients. Una’s gradual change in caring for her roommate, Dru and the step-by-step acceptance of her friendship really emphasized her emotional changes. The sweet romantic elements worked to also show a side of Una where she is slightly vulnerable. I felt all the secondary characters were fully fleshed and believable for the historical period. The descriptions of 1880 New York display the research involved in this story along with all the historical medical treatments and techniques for both doctors and nurses. The suspense plot of this story is paced well throughout and has a believable ending.
I highly recommend this engaging historical fiction!
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About the Author
I’m lucky. I come from a family of diehard scientists—the kind who tell jokes about irrational numbers and use the Vulcan salute instead of waving goodbye. But there was always room in our house for the arts too. My sisters—one a conservation biologist, the other an astrophysicist—paint and play the flute. My father, a physicist, is also a movie buff. My mother, a mathematician, dabbles in everything from theater to stained glass. Me, I’m an infection prevention nurse. But first and foremost I’m a writer. Even when my pen is still, my mind is aflight with stories.
I’m lucky. I come from a family of readers. Books filled our shelves and trips to the library were routine. Even though I struggled with dyslexia and was slow to learn, my parents insisted I not give up. Now, I don’t read fast but I read often and wide—fantasy, scifi, paranormal romance, YA, literary, and of course, historical fiction.
I’m lucky. I married a man of great character and enduring flexibility. When I told him at thirty I wanted to quit my job and try to be a author, he said go for it. When I’d gone five years without selling a book or finding an agent, he said try a little longer.
I’m lucky. I finally found an agent, the wonderful Michael Carr, and sold my book, along with three others yet to be published, to Kensington Publishing.
My husband and I live in Las Vegas, NV with our pet turtle, Lenore.
Berlin, Germany, 1930—When the Nazis rise to power, Sofie von Meyer Rhodes and her academic husband benefit from the military ambitions of Germany’s newly elected chancellor when Jürgen is offered a high-level position in their burgeoning rocket program. Although they fiercely oppose Hitler’s radical views, and joining his ranks is unthinkable, it soon becomes clear that if Jürgen does not accept the job, their income will be taken away. Then their children. And then their lives.
Huntsville, Alabama, 1950—Twenty years later, Jürgen is one of many German scientists pardoned and granted a position in America’s space program. For Sofie, this is a chance to leave the horrors of her past behind. But when rumors about the Rhodes family’s affiliation with the Nazi party spread among her new American neighbors, idle gossip turns to bitter rage, and the act of violence that results tears apart a family and leaves the community wondering—is it an act of vengeance or justice?
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Elise’s Thoughts
The German Wife by Kelly Rimmer has a unique perspective. It delves into forgiveness, family bonds, choices made, both good/evil, right/wrong, prejudice, and relationships during the 1930s and 1950s. The story shows the deep flaws and frailty of Germans living under Nazi rule.
The novel is inspired by the true story of Operation Paperclip: a controversial secret US intelligence program that employed former Nazi scientists after WWII and had them live together with their American counterparts.
There are alternating timelines, settings, and narrations. The story begins in Berlin during the 1930s where Sofie von Meyer Rhodes and her academic husband benefit from the military ambitions of Germany’s newly elected chancellor, Hitler. Jürgen Rhodes is offered a high-level position in their burgeoning rocket program. Although they fiercely oppose Hitler’s radical views, it soon becomes clear that if Jürgen does not accept the job, their income, their children, and their lives will be taken away.
Sofie and Jurgen beloved Jewish friend, Mayim lives with them at the beginning of the Nazi regime. But as the years pass, they know that Mayim must leave because Jews are no longer accepted. Through Mayim’s eyes readers get a glimpse into the Nazi atrocities, how many Germans were sleeper Anti-Semites who came out of the woodwork after Hitlers’ rise to power, and how the Jews try to flee to different countries to escape the prejudice, threats, and killings.
The other setting in the 1930s is El Paso Texas where the Davies family is struggling to survive on their farm. Between the depression and the terrible drought Lizzie realizes her dream of staying and becoming a farmer is no longer a reality. Her brother Henry enlists to fight the Germans during WWII and she marries Calvin, her best friend. But theirs is a marriage of convenience with no intimacy whatsoever.
Twenty years later, during the 1950s in Huntsville Alabama Jürgen is brought from Germany to America along with other German scientists to help America start their space program. This is where Operation Paperclip comes into play. Many of these scientists are Nazis, worked in the SS, and ran labor camps, yet, had their German past in Germany completely wiped and became thriving American citizens. He is eventually joined by Sophie and their two youngest children. But they must struggle with their past as many Germans are not always welcome in Huntsville. Lizzie and Sophie’s life interconnect when Calvin and Jürgen, both scientists, work together on the rocket program. Both Lizzie and her brother Henry, who suffers from PTSD after seeing the Nazi atrocities, are hostile to the Rhodes family. The story shows what happens when resentment, prejudice, rage, and acts of violence along with denial come together.
This is an emotionally complex plot that shows how hate can fester, grow, and destroy people’s lives. This thought-provoking novel delves into choices people make because of obligation, fear, force, or a willingness to turn a blind eye. It is a riveting tale of morality and how far someone will go to be able to live their lives, both figuratively and literally.
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Author’s Interview
Elise Cooper: How did you get the idea for the story?
Kelly Rimmer: I live in Australia, about an hour and a half from the Parks Radio and Telescope Observatory. They had a festival in 2019 to commemorate the role the Parks played with the moon landing. They relayed communication and telemetry signals to NASA, providing coverage for when the Apollo spaceship was on the Australian side of the Earth. While I was there, I visited an exhibit about the US space program. I saw how there was a line that said how German and US scientists worked together starting in 1950 in Huntsville Alabama to help the space program. I was determined to learn how that could happen and wanted to know about Operation Paperclip.
EC: Can people learn from fiction?
KR: For me, that is fiction’s superpower. People can learn about themselves. Even though it is an escape people can learn about the world. The power is that people can learn facts and spur people’s reactions unlike other medias.
EC: How would you describe Sophie?
KR: Readers should be uncomfortable with all the choices she made. I don’t think she and her husband made good choices. She has lived quite a privileged life. She does not want to make waves even when she hears her friend Lydia speaking of her other friend Mayim in anti-Semitic terms. Over time, she does evolve.
EC: How would you describe Jurgen?
KR: He is deeply flawed. His career trajectory follows Wernher Von Braun exactly. Although the character is from my imagination, not his career. He sees his role as protecting and sheltering his family. He never resisted, sabotaged, or tried to help the laborers. I do not intend for readers to like him. Realistically, people made the choices not to speak up. He is even more extreme than Sophie in not helping others. He represented those scientists who knew that in the wrong hands, which is Hitler’s regime, that the rockets would not be used for space, but as weapons.
EC: The plight of the Jews was mentioned in this book?
KR: There was Kristallnacht, the Jews who had their whole lives destroyed, and were killed. Sophie became a bystander to one of the most atrocious events in human history. It does not start with Auschwitz, but the small acts of aggression and hatred. The Jews were blamed for WWI and the economic conditions of the times. Everything was the Jews fault long before the persecution started.
EC: What was Mayim’s role?
KR: I wanted the book to be about friendship. Her and Sophie loved and accepted one another. They adore one another. I wanted to so how ordinary citizens can become part of these acts of history by not speaking out. The bigger picture does really matter.
EC: There were three couples that represented different views: Jurgen and Sophie, Claudia and Klaus, Lydia, and Karl. Please explain.
KR: Lydia and Karl were not open about their Anti-Semitism in the early days of the Nazi regime. I put in this book quote, “The Nazis didn’t make people like Lydia and Karl anti-Semitic. They only uncovered what already existed.” They very quickly got swept up in the Nazi party agenda. Jurgen and Sophie are reasonable people who do feel guilty because they are complicit. Claudia and Klaus did take a stand refusing to join the Nazi Party. It cost them, but they had dignity. Lydia/Karl were pure Nazis, Jurgen/Sophie were reluctant Nazis, and Claudia /Karl were not Nazis.
EC: What about the role of Lizzie and Henry?
KR: I wanted to write about the intersection of a small town in America with the German families living in WWII. 2019 was the end of a three-year drought in Australia. Everything was covered in dust, wary and draining. It was hard on people mentally who feel completely powerless. When I looked at the timing of when all would meet in Huntsville, I decided to have these characters living through the Texas dust bowl. They are very devoted to their families. Lizzie has seen the War through Henry’s eyes who was a veteran.
EC: What do you want readers to get out of the book?
KR: I was told by a reviewer: “Hate is taught, and empathy is a skill.” This is exactly what the book is about. It could happen again. My characters lived day to day and did not try to see where things were headed. Small day to day choices does matter. It matters to speak up when things were wrong. It troubles me that the US rocket program achieved something amazing, going to the moon. But it was built on Jewish lives. The moon landing does not happen if there was not Mittelwerk, a German labor camp. I hope people delve into the history after reading this novel.
EC: Next book?
KR: It is about women in the British Special Operations Executive, a secretive organization. It is set in France and Britain in the early 1940s. Hopefully, it will be out next year. They did so many heroic feats.
THANK YOU!!
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BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.
Today I am sharing my Feature Post for EVTIA AND ME by Erika Rummel on this Virtual Author Book Tour.
Below you will find a book description, an exclusive excerpt, an about the author section, the author’s social media links and a Rafflecopter giveaway. Enjoy!
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Book Description
Evita Peron’s jewels are missing. Only three people know that they are in a vault in the Swiss Alps; Evita’s corrupt and brutal brother Juan, her bodyguard Pierre, and a teenaged girl Mona, her newest protegee. What happens if two of them team up?
Like Eva herself, Mona comes from a broken family and has to make her own way. Perhaps that’s why the two women feel close. Evita is at the pinnacle of success but already in the grip of a fatal illness. We see her life through the eyes of Mona and Pierre, two people she trusts — and who betray her in the end. Or can theft and murder be justified?
A story of love, adventure, and murder.
***
Excerpt
[Juancito, Evita’s thuggish brother, shows Mona the underbelly of Buenos Aires.]
We were passing through the narrow streets of the Boca. Juancito slowed down and stopped at the back of a two-story house painted mustard yellow. The lower part of the wall was solid like a bunker. The second floor had a row of tall windows. Two of them had balconies with old-fashioned ornamental railings, the one in the middle was a Juliet balcony. The house had a look of decay and abandonment about it. The iron railings were rusty, and the wooden shutters on some of the windows had come off and were stacked against the balcony railings. We walked around to the front of the building. The entrance was lit up by a garish sign with a palm tree and a hula dancer and the word “Bar” flicking on and off. Inside, the place was dimly lit and quiet. It smelled of old carpet. A band was playing Latino music and a small dance floor, but no one was dancing. The little tables surrounding the empty oval were occupied by single girls or girls in pairs sipping drinks and playing cards, waiting – for customers, I assume…
[Mona is right. It’s a brothel, and Juanito takes her and one of the “girls” upstairs. They don’t get far.]
We heard a truck pulling into the yard. Doors slammed, a rough voice barked a command.
“A police raid!” the girl said.
“Get her out,” Juancito said pointing to me. “I’ll talk to them.”
The whore took me by the hand like a little girl, leading me down the hallway. There was a window at the end of it, overlooking the parking lot. It was the window with the Juliet balcony I’d seen earlier. Juancito’s car was below. The girl pushed up the sash of the window, wangled a leg over the sill, and dropped down to the ledge outside. She did it so smoothly that I suspected it was a practiced routine.
“Come on,” she said in a hard, impatient voice, and I climbed up and let myself down on the other side, standing next to her. She took stock of the situation. We were only a little distance from the nearest window, which had a regular, wide balcony. She climbed up on the railing, steadied herself against the wall, and jumped across to the larger balcony with the agility of a trapeze artist. She stood still for a moment, then took one of the shutters that had come off the French doors and were leaning against the wall. She shoved it across to the Juliette balcony where I was standing, making a narrow bridge between the railings.
She whispered another “Come on”, and I tried not to think, not to be afraid of falling, as I climbed up on the plank spanning the two balconies. I didn’t look down, I shimmied across on my hands and knees. I could feel my nylons snagging on the slats and ripping. The girl reached for me and pulled, making me land hard on the other side and scraping my knee. We could hear another commando shout and the voices of people coming out of the bar, but we couldn’t see anything. It was all happening around the corner, on the front side of the building.
The whore forced open the balcony door. We passed through a shadowy room, stepped into the corridor, and sneaked down the stairs to a backdoor opening up into an alley. I breathed relief until I saw that the alley dead-ended on one side, barred by a chain-link fence. We could have climbed it, but it was lit up by a streetlight. Too risky, the whore said. They’ll spot us. We couldn’t sneak out on the side that wasn’t gated because that’s where the cops were. We’d run directly into their arms. So we sat on the ground with our backs pressed against the wall, knees drawn up tight to stay in the shadow of the eaves as much as possible. The alley was strewn with broken crates, rags, bottles, and the rotting remains of food. Directly under the streetlamp, in the cone of light on the ground was a seething mass of flying and crawling insects, the largest beetles I had ever seen. We heard more shouting and commotion around the corner. A cop appeared at the mouth of the alley and shone a flashlight our way. The jig was up. He pointed his gun at us.
“What have we got here?” he said, closing in and looming over us.
After that, everything happened too fast for my understanding. I saw the flash of a knife, I heard him scream. A slit opened up along his thigh. He staggered back and dropped to his knees, cursing, as we scrambled up, ran to the other end of the alley and clambered over the fence. We dropped down on the other side and ran out to the parking lot. Juancito’s car was close by.
“Get down,” the girl said, and we slid under the car on our bellies and stayed there, lying very still.
The guy she slashed had probably gone for reinforcement. We heard the cops coming out of the bar, rough voices, boots hitting the pavement. From our vantage point we couldn’t see the men. Someone approached the car. He stopped right beside it, and I recognized Juancito’s polished shoes.
A few moments later, a pair of scuffed boots appeared beside Juancito’s shoes.
“I don’t carry much cash,” Juancito said to the man in boots. “I’ll get something to you tomorrow morning.”
“I don’t take bribes,” the man said.
“Of course you don’t take bribes, che, I know that,” Juanito said pleasantly. I didn’t know he could sound that way, as if he was really nice and considerate. “But one of your men has been stabbed. He deserves compensation. I’ll get the money to you.”
A charged silence hung in the air. Nothing further was said, but there was no need for words. They understood each other.
The heels of Solara’s boots clicked together in a salute.
***
About Erika Rummel
Award winning author, Erika Rummel is the author of more than a dozen non-fiction books and seven novels. Her seventh novel, ‘Evita and Me’ is being published on May 24, 2022.
She won the Random House Creative Writing Award (2011) for a chapter from ‘The Effects of Isolation on the Brain’ and The Colorado Independent Publishers’ Association’ Award for Best Historical Novel, in 2018. She is the recipient of a Getty Fellowship and the Killam Award.
Erika grew up in Vienna, emigrated to Canada and obtained a PhD from the University of Toronto. She taught at Wilfrid Laurier and U of Toronto. She divides her time between Toronto and Los Angeles and has lived in Argentina, Romania, and Bulgaria.
This giveaway is for 2 print copies and is open to Canada and the U.S. only. This giveaway ends on July 23, 2022 midnight, pacific time. Entries accepted via Rafflecopter only.
Today I am sharing my Feature Post and Book Review for THE GERMAN WIFE by Kelly Rimmer on the HTP Books Summer 2022 Historical Fiction Blog Tour.
Below you will find an about the book section, my book review, an excerpt from the book, an about the author section and the author’s social media links. Enjoy!
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About the Book
The enmity between two women from opposing sides of the war culminates in a shocking event as anti-German sentiment sweeps America, when the aristocratic wife of a German scientist must face the social isolation, hostility and violence leveled against her and her family when they’re forced to relocate to Alabama in the aftermath of WWII. For fans of Beatriz Wiliams, Pam Jenoff, and Kristin Harmel.
Berlin, Germany, 1930—When the Nazis rise to power, Sofie von Meyer Rhodes and her academic husband benefit from the military ambitions of Germany’s newly elected chancellor when Jürgen is offered a high-level position in their burgeoning rocket program. Although they fiercely oppose Hitler’s radical views, and joining his ranks is unthinkable, it soon becomes clear that if Jürgen does not accept the job, their income will be taken away. Then their children. And then their lives.
Huntsville, Alabama, 1950—Twenty years later, Jürgen is one of many German scientists pardoned and granted a position in America’s space program. For Sofie, this is a chance to leave the horrors of her past behind. But when rumors about the Rhodes family’s affiliation with the Nazi party spread among her new American neighbors, idle gossip turns to bitter rage, and the act of violence that results tears apart a family and leaves the community wondering—is it an act of vengeance or justice?
THE GERMAN WIFE by Kelly Rimmer is a thought-provoking and emotional historical fiction story featuring two women, one American and one German, and the choices they made leading up to and during World War II. While the focus is on the German wife and her family, the American woman’s story is entwined throughout the two timelines twenty years apart.
The story begins in Berlin in the 1930’s as the Nazis rise to power following Sofie von Myer Rhodes, her husband Jurgen and their children. Jurgen is offered a position in the fledgling rocket program of the new regime. Although both oppose the radical views of the Reich, he must accept or lose his income and even the lives of his family. As each new atrocity occurs, they must pretend and bend or die as their two attempts at escape have been exposed.
At the same time in a small Texas town, Lizzie, her brother, and parents are losing their farm to the dust bowl years during the Depression. When their parents die, Lizzie and henry move to El Paso to scrape by until Lizzie meets a widower who is a scientist and marries her. Lizzie assumes the role of housewife and Henry goes off to war.
Then in the 1950’s timeline the United States government wants the German rocket technology and moves many scientists and chemists to the United States. The people of Huntsville, Alabama are wary and even hostile to the influx of German speaking families who they still consider to be Nazis. Sophie and Lizzie’s families are on a collision course of violence with the community wondering if it was an act of vengeance or justice.
I read this book all in one sitting even as some portions were emotionally difficult to read. It is an extremely well researched look into these families lives and circumstances. I have read many history books, factual and fictional on this time-period and this story, I felt was as unbiased as it could be for the subject matter. I knew about the government bringing over German scientists, but I never really considered the ramifications of their mixing into American communities where veterans and surviving families may live. When you are younger, you believe you would never do anything against your moral code, but as you get older you have family, friendships and ties that make you hope you will never be put in that type of situation to choose. This is an emotionally complex tale that shows how hate can grow, spread and destroy whether by choice, obligation or force.
I highly recommend this historical fiction book!
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Excerpt
1
Sofie
Huntsville, Alabama 1950
“WAKE UP, GISELA,” I MURMURED, GENTLY SHAKing my daughter awake. “It’s time to see Papa.”
After the better part of a day on a stuffy, hot bus, I was so tired my eyes were burning, my skin gritty with dried sweat from head to toe. I had one sleeping child on my lap and the other leaning into me as she sprawled across the seat. After three long weeks of boats and trains and buses, my long journey from Berlin to Alabama was finally at an end.
My youngest daughter had always been smaller than her peers, her body round and soft, with a head of auburn hair like mine, and my husband’s bright blue eyes. Over the last few months, a sudden growth spurt transformed her. She was now taller than me. The childhood softness had stretched right out of her, leaving her rail thin and lanky.
Gisela stirred, then slowly pushed herself to a sitting position. Her eyes scanned along the aisle of the bus as if she were reorienting herself. Finally, cautiously, she turned to look out the window.
“Mama. It really doesn’t look like much…”
We were driving down a wide main street lined with small stores and restaurants. So far, Huntsville looked about as I’d expected it would—neat, tidy…segregated.
Minnie’s Salon. Whites Only.
Seamstress for Colored.
Ada’s Café. The Best Pancakes in Town. Whites ONLY!
When I decided to make the journey to join my husband in America, segregation was one of a million worries I consciously put off for later. Now, faced with the stark reality of it, I dreaded the discussions I’d be having with my children once we had enough rest for productive conversation. They needed to understand exactly why those signs sent ice through my veins.
“Papa did tell us that this is a small town, remember?” I said gently. “There are only fifteen thousand people in Huntsville and it will be very different from Berlin, but we can build a good life here. And most importantly, we’ll be together again.”
“Not all of us,” Gisela muttered.
“No, not all of us,” I conceded quietly. Loss was like a shadow to me. Every now and again, I’d get distracted and I’d forget it was there. Then I’d turn around and feel the shock of it all over again. It was the same for my children, especially for Gisela. Every year of her life had been impacted by the horrors of war, or by grief and change.
I couldn’t dwell on that—not now. I was about to see my husband for the first time in almost five years and I was every bit as anxious as I was excited. I had second-guessed my decision to join him in the United States a million or more times since I shepherded the children onto that first bus in Berlin, bound for the port in Hamburg where we boarded the cross-Atlantic steamship.
I looked down at my son. Felix woke when I shook his sister, but was still sitting on my lap, pale and silent. He had a head of sandy curls and his father’s curious mind. Until now, they’d never been on the same continent.
The first thing I noticed was that Jürgen looked different. It was almost summer and warm out, but he was wearing a light blue suit with a white shirt and a dark blue bow tie. Back home, he never wore a suit that color and he never would have opted for a bow tie. And instead of his customary silver-framed glasses, he was wearing a pair with thick black plastic frames. They were modern and suited him. Of course he had new glasses—five years had passed. Why was I so bothered by those frames?
I couldn’t blame him if he reinvented himself, but what if this new version of Jürgen didn’t love me, or was someone I couldn’t continue to love?
He took a step forward as we shuffled off the bus but didn’t even manage a second before Gisela ran to him and threw her arms around his neck.
“Treasure,” he said, voice thick with emotion. “You’ve grown up so much.”
There was a faint but noticeable American twang in his German words, which was as jarring as the new glasses.
Jürgen’s gaze settled on Felix, who was holding my hand with a grip so tight my fingers throbbed. I felt anxious for both children but I was scared for Felix. We’d moved halfway across the world to a country I feared would be wary of us at best, maybe even hostile toward us. For Gisela and me, a reunion with Jürgen was enough reason to take that risk. But Felix was nervous around strangers at the best of times, and he knew his father only through anecdotes and photographs.
“Felix,” Jürgen said, keeping one arm around Gisela as he started to walk toward us. I could see that he was trying to remain composed, but his eyes shone. “Son…”
Felix gave a whimper of alarm and hid behind my legs.
“Give him time,” I said quietly, reaching behind myself to touch Felix’s hair. “He’s tired and this is a lot to take in.”
“He looks just like—” Jürgen’s voice broke. I knew the struggle well. It hurt to name our grief, but it was important to do so anyway. Our son Georg should have been twenty years old, living out the best days of his life. Instead, he was another casualty of a war that the world would never make sense of. But I came to realize that Georg would always be a part of our family, and every time I found the strength to speak his name, he was brought to life, at least in my memories.
“I know,” I said. “Felix looks just like Georg.” It was fitting that I’d chosen Georg for Felix’s middle name, a nod to the brother he’d never know.
Jürgen raised his gaze to mine and I saw the depth of my grief reflected in his. No one would ever understand my loss like he did.
I realized that our years apart meant unfathomable changes in the world and in each of us, but my connection with Jürgen would never change. It already survived the impossible. At this thought, I rushed to close the distance between us.
Gisela was gently shuffled to the side and Jürgen’s arms were finally around me again. I thought I’d be dignified and cautious when we reunited, but the minute we touched, my eyes filled with tears as relief and joy washed over me in cascading waves.
I was on the wrong side of the world in a country I did not trust, but I was also back in Jürgen’s arms, and I was instantly at home.
“My God,” Jürgen whispered roughly, his body trembling against mine. “You are a sight for sore eyes, Sofie von Meyer Rhodes.”
“Promise me you’ll never let me go again.”
Jürgen was a scientist—endlessly literal, at least under normal circumstances. Once upon a time, he’d have pointed out all the reasons why such a promise could not be made in good faith—but now his arms contracted around me and he whispered into my hair, “It would kill me to do so, Sofie. If there’s one thing I want for the rest of my life, it’s to spend every day of it with you.”
“Many of our neighbors are Germans—most have just arrived in Huntsville in the last few weeks or months, so you will all be settling in together. There’s a party for us tomorrow at the base where I work, so you’ll meet most of them then,” Jürgen told me as he drove us through the town in his sleek black 1949 Ford. He glanced at the children in the rearview mirror, his expression one of wonder, as if he couldn’t believe his eyes. “You’ll like it here, I promise.”
We’d be living in a leafy, quiet suburb called Maple Hill, on a small block the Americans nicknamed “Sauerkraut Hill” because it was now home to a cluster of German families. I translated the street signs for the children and they chuckled at the unfamiliar style. Our new street, Beetle Avenue, amused Gisela the most.
“Is there an insect plague we should worry about?” she chuckled.
“I really hope so,” Felix whispered, so quietly I had to strain to hear him. “I like beetles.”
As Jürgen pulled the car into the driveway, I couldn’t help but compare the simple house to the palatial homes I’d grown up in. This was a single-story dwelling, with a small porch leading to the front door, one window on either side. The house was clad in horizontal paneling, its white paint peeling. There were garden beds in front of the house, but they were overgrown with weeds. There was no lawn to speak of, only patchy grass in places, and the concrete path from the road to the porch was cracked and uneven.
I felt Jürgen’s eyes on my face as I stared out through the windshield, taking it all in.
“It needs a little work,” he conceded, suddenly uncertain. “It’s been so busy since I moved here, I haven’t had time to make it nice for you the way I hoped.”
“It’s perfect,” I said. I could easily picture the house with a fresh coat of paint, gardens bursting to life, Gisela and Felix running around, happy and safe and free as they made friends with the neighborhood children.
Just then, a woman emerged from the house to the left of ours, wearing a dress not unlike mine, her long hair in a thick braid, just like mine.
“Welcome, neighbors!” she called in German, beaming.
“This is Claudia Schmidt,” Jürgen said quietly as he reached to open his car door. “She’s married to Klaus, a chemical engineer. Klaus has been at Fort Bliss with me for a few years, but Claudia arrived from Frankfurt a few days ago.”
Sudden, sickening anxiety washed over me.
“Did you know him—”
“No,” Jürgen interrupted me, reading my distress. “He worked in a plant at Frankfurt and our paths never crossed. We will talk later, I promise,” he said, dropping his voice as he nodded toward the children. I reluctantly nodded, as my heart continued to race.
There was so much Jürgen and I needed to discuss, including just how he came to be a free man in America. Phone calls from Europe to America were not available to the general public, so Jürgen and I planned the move via letters—a slow-motion, careful conversation that took almost two years to finalize. We assumed everything we wrote down would be read by a government official, so I hadn’t asked and he hadn’t offered an explanation about how this unlikely arrangement in America came to be.
I couldn’t get answers yet, not with the children in earshot, so it would have to be enough reassurance for me to know our neighbors were probably not privy to the worst aspects of our past.
Jürgen left the car and walked over to greet Claudia, and I climbed out my side. As I walked around the car to follow him, I noticed a man walking along the opposite side of the street, watching us. He was tall and broad, and dressed in a nondescript, light brown uniform that was at least a size or two too small. I offered him a wave, assuming him to be a German neighbor, but he scoffed and shook his head in disgust and looked away.
I’d been prepared for some hostility, but the man’s reaction stung more than I’d expected it to. I took a breath, calming myself. One unfriendly pedestrian was not going to ruin my first day in our new home—my first day reunited with Jürgen—so I forced a bright smile and rounded the car to meet Claudia.
“I’m Sofie.”
She nodded enthusiastically. “Since we arrived last week, you are all I’ve heard about from your husband! He has been so excited for you to come.”
“I sure have.” Jürgen grinned.
“Are you and the children coming to the party tomorrow?” Claudia asked.
“We are,” I said, and she beamed again. I liked her immediately. It was a relief to think I might have a friend to help me navigate our new life.
“Us too,” Claudia said, but then her face fell a little and she pressed her palms against her abdomen, as if soothing a tender stomach. “I am so nervous. I know two English words—hello and soda.”
“That’s a start,” I offered, laughing softly.
“I’ve only met a few of the other wives, but they’re all in the same boat. How on earth is this party going to work? Will we have to stay by our husbands’ sides so they can translate for us?”
“I speak English,” I told her. I was fluent as a child, taking lessons with British nannies, then honing my skills on business trips with my parents. Into my adulthood, I grew rusty from lack of speaking it, but the influx of American soldiers in Berlin after the war gave me endless opportunities for practice. Claudia’s expression lifted again and now she clapped her hands in front of her chest.
“You can help us learn.”
“Do you have children? I want Gisela and Felix to learn as quickly as they can. Perhaps we could do some lessons all together.”
“Three,” she told me. “They are inside watching television.”
“You have a television?” I said, eyebrows lifting.
“We have a television too,” Jürgen told us. “I bought it as a housewarming gift for you all.” Gisela gasped, and he laughed and extended his hand to her. I wasn’t surprised when she immediately tugged him toward the front door. She’d long dreamed of owning a television set, but such a luxury was out of reach for us in Berlin.
I waved goodbye to Claudia and followed my family, but I was distracted, thinking about the look of disgust in the eyes of that passing man.
Kelly Rimmer is the worldwide, New York Times and USA Today bestselling author of Before I Let You Go, The Things We Cannot Say, and Truths I Never Told You. She lives in rural Australia with her husband, two children and fantastically naughty dogs, Sully and Basil. Her novels have been translated into more than twenty languages. Please visit her at https://www.kellyrimmer.com/
The Invisible Woman (Female Spy Heroines of WWII Book 1)
Sisters of Night and Fog (Female Spy Heroines of WWII Book 2)
Erika Robuck
Berkley Publisher
The Invisible WomanandSisters of Night and Fogby Erika Robuck are very riveting historical novels. Based very closely on true stories, Robuck skillfully brings to life these heroic women, Virginia Hall, Virginia d’Albert-Lake, and Violette Szabo. Both these novels highlight the duty, sacrifice, and determination of these historic women who helped the Resistance in WWII.
The SOE, known as The Special Operations Executive, was a British WWII organization formed in 1940. They aided the Resistance with espionage and sabotage against the Nazis. They worked hand-in-hand with the US OSS, later to become the CIA. Both Winston Churchill, William J. Donovan, and Vera Atkins, who recruited, trained, and planned secret missions in France, aided the Resistance.
The Invisible Woman shows why Virginia Hall should be honored with the US Medal of Honor. She was a vigilant spy, a fearless soldier, and an unflinching commander.Sent to occupied France to organize spy networks, gather intelligence, and run safehouses in 1942, she had to escape the Nazis after her network was betrayed. But not to be deterred, she came back in 1944 to organize the resistance before the Allied invasion. The Gestapo had wanted posters of “The Limping Lady”, because she had a prosthetic leg who she named “Cuthbert.” She was influential in helping the allies to defeat the Nazis and liberate the French.
Sisters of Night and Fog has two women, Violette Szabo and Virginia d’Albert-Lake connected by fate and chance. Virginia is an American to a Frenchman who becomes a leader in helping Allied airmen escape from Occupied France. Violette, a British citizen who is half French, joins the SOE, leaving behind her small daughter, and parachutes into France with money to pay the resistance. Both women helped the resistance, but unfortunately their clandestine deeds come to a staggering halt after they are captured by the Germans and brought together at the Ravensbrück concentration camp. They bond through having to endure the torture and horrific conditions. Virginia admires and respects Violette for her inspiration and determination to keep as many women as possible in the camp alive. Robuck’s portraits of these three unforgettable heroines is captivating. A bonus in both novels is the author’s notes about the characters and history. Readers will feel the tension and take the journey with these inspiring women through their sacrifices, courage, and endurance.
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Author Interview
Elise Cooper: The series idea?
Erika Robuck: Both these books are related. They are about women of WWII who fought with the resistance and participated in espionage in different capacities. As I was researching The Invisible Woman it led to the second book, Sisters of Night and Fog. I had been writing about women in the shadows of male authors for a long time. An editor said, why not write about a woman remarkable on her own. I discovered a Smithsonian article about a woman who spied for the allies and helped the foundation for modern intelligence. The main character of the first novel, Virginia Hall, fit the bill for a woman who is remarkable.
EC: Do you like the name Virginia?
ER: LOL. The name likes me. They are old-fashioned. It seems everyone I search is either a Virginia, Violette, or a Vera.
EC: Ok, so do you like women characters whose names start with “V”?
ER: I have grown to like it because I think of the victory symbols. It is fitting for these real women.
EC: The main character of Virginia Hall from The Invisible Woman was formulated from some stories told to you by her niece?
ER: I met her because she lives in Maryland, as do I. I was able to interview her quite a bit. She allowed me to see the family photos. She colored in the pencil sketch I had, able to get to know the real woman after I met her family. Virginia would take her niece on fishing and hunting expeditions.
EC: How would you describe Virginia Hall?
ER: She is unconventional in that she and her husband Paul lived together before they were married at a time when that was unusual. She is assertive, formidable, inquisitive, intelligent, no nonsense, has a sense of loyalty/duty, and incredibly courageous. She was athletic, the captain of every team she was on. Since being told no a lot of her life, she was a little bit bitter. Her mother did not want her to travel the world, the Foreign Service said no because she was a woman and had a disability. But she overcame all of it.
EC: What was her disability?
ER: She had a prosthetic leg. She accidentally shot off her foot while hunting, shooting birds. She named the leg Cuthbert, the Patron Saint of Birds. This is the only connection anyone could make with the name of her leg. Even with her loss of leg she had so many skills as an actress, hunter, sailor, adventurer, soldier, and linguist.
EC: Had did Virginia Hall become a spy?
ER: After France fell to the Nazis she went to London. This is where she got on the radar of the British Special Operations Executive. They saw her talents and were not put off about anything with her. After her first mission where the network was betrayed, she had a tremendous amount of anger. She lost a lot of people to death and imprisonment although she was able to escape. With her next mission to France, she had a lot of survivor’s guilt and PTSD. She was afraid about losing people, yet she kept going, conquering it, and had hope. I am working with the women of the intelligence agencies and her family to get her The Medal of Honor.
EC: She became a commander in the resistance movement?
ER: She had a very keen eye for talent, spotting how certain people could help the allied cause, and gain their trust, which is how she created her resistance network. She was able to corral, train, and arm the resistance, showing how vital the network was to the allied cause. She was able to organize them.
EC: How would you describe Vera Atkins who was in both books?
ER: She was the ultimate spymaster, cool and calm. Being Jewish, Vera was deeply invested with those she supervised for the SOE to help fight the Nazis. She faced backlash as a woman but was able to recruit allies since she was incredibly charming and diplomatic. She could navigate the different circles. She and Winston Churchill were on the same page, not afraid to have women or people with disabilities serve. They were partnered with the OSS, the CIA precursor. The author Ian Fleming based the fictional character “M” on Atkins in his James Bond novels. After the war she hunted down every bit of evidence of those she agents lost, feeling deeply responsible. She lost 118 of the 400 she recruited. Her research was used in the Nuremberg Trials to convict many Nazis.
EC: In Sisters of Night and Fog there was also a Virginia, Virginia d’ Albert Lake?
ER: She is very different than Virginia Hall because she was a typical run of the mill woman. She did not seek danger and daring, thinking after she was married in France there would be a happily ever after. She was not wired for a leadership role but grew into it. Virginia d’ Albert Lake was more grounded and quieter. She embraced her role, helping one person at a time. She was a different kind of leader than Virginia Hall who could be kind of boorish.
EC: What about Violette, another hero of the second book?
ER: She is more hotheaded and impulsive than either Virginia. She worked more on instinct. She grew up with five brothers and had to fight her way through life. After the Nazis killed her husband during the war, she sought vengeance. Violette became a sharpshooter. She was more of a risk-taker, a wounded person, and more emotional than the other two. She moved through life like a wrecking ball. Her relationship with her father created in her wanting to be one of the boys and seeking the approval of the men in the resistance. She matured through the years of the war. With her SOE training she became more focused, subdued, and polished. This allowed her to be a great leader of those women who were imprisoned by the Nazis with her at Ravensbruck Concentration Camp.
EC: What all three women had in common?
ER: Both Virginias were American. All three were courageous with an inner strength. They demanded respect. They found their vocation, which helped them rise to different occasions. All of them faced a cycle of emotions from worry, fear, hope, guilt, and love. They knew the average life span was six weeks. I loved them all with a different piece of my heart.
EC: There is a quote in one of the books about humanity?
ER: You are referring to this one, “Is humanity doomed? Is it even redeemable at this point? What’s the use of doing any small act of good when evil seems to overpower it? The darkness seems to blot out all the light.” What the Germans did to the Jews: rounding them up, sending them to labor and concentration camps, endless killings, and torture. Man’s inhumanity to man is incomprehensible. The Nazis also crucified babies, locked the French up in Churches, and burned them. Each of these women were determined to show that hope exists with the defeat of the Nazis.
EC: What would you like readers to take away from the books?
EK: There is always hope. Women have the strength to do what is needed to be done. They just must have courage. At the end of each book, they can read the author’s note if they choose to go deeper into the history.
EC: Next book?
ER: I was thinking of writing about Vera Atkins, the supervisor of SOE but another author is doing it, Laura Kamoie. After this WWII novel I will go into another area of historical fiction. For my personal mental health, I am steering clear of WWII.
THANK YOU!!
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BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.
Today I am sharing my Feature Post and Book Review for EMMA’S TAPESTRY by Isobel Blackthorn on the Blackthorn Black Coffee Book Tour.
Below you will find an about the book section, my book review and an about the author section with the author’s social media link.
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About the Book
At the dawn of World War Two, German-born nurse Emma Taylor sits by the bedside of a Jewish heiress in London as she reminisces over her dear friend, Oscar Wilde.
As the story of Wilde unravels, so does Emma’s past. What really happened to her husband?
She’s taken back to her days in Singapore on the eve of World War One. To her disappointing marriage to a British export agent, her struggle to fit into colonial life and the need to hide her true identity.
Emma is caught up in history, the highs, the lows, the adventures. A deadly mutiny, terrifying rice riots and a confrontation with the Ku Klux Klan bring home, for all migrants, the fragility of belonging.
Emma’s Tapestry is an imaginative retelling of the remarkable life of the author’s great-grandmother.
Age range: This is an adult book but suitable for mature teens
Trigger warnings: None
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My Book Review
RATING: 4 out of 5 Stars
EMMA’S TAPESTRY: A Historical Novel by Isobel Blackthorn is a glimpse through historical fiction focusing on the years between and during the two world wars. This story follows a strong and compelling female protagonist.
Emma Taylor and her family are Mennonites from Germany who move to the United States to get away from religious persecution. The children are brought up to work hard and are expected to marry within their religion. Emma graduates from nursing school and is excited to marry the English brother of a friend, who works for a British import/export company. This will cause a permanent rift in her family because she is marrying outside her faith.
With her husband, Emma travels to England and then to Singapore for his job. While Emma is finding everything strange and difficult, she copes by using her nursing skills at the local hospital and befriends other businessmen’s wives. After the Sepoy Mutiny, Emma’s husband, Ernest transfers the family to Kobe, Japan. Once again, Emma is on her own to adapt to a new culture and home. Ernest is focused on climbing the business and social ladder like many in that time and place and expects Emma to be happy as a wife and mother.
When her parents die from influenza and her disintegrating marriage fails, she moves to Colorado with her children and is always fearful that her German ancestry will be discovered. Emma’s tapestry is not yet finished, and she still has decisions to make for herself and her daughters.
While I feel this is a character driven story, Emma is as caught up in the tides of history as much as she has control of her own destiny. Her life is typical of the married women of that time, but having a vocation makes her long for so much more than being a wife and mother. Emma and her husband have an emotionally turbulent relationship and the author does a wonderful job of writing that relationship reflecting both party’s expectations and faults for their time in history. I may not have always liked Emma, but I did find her strength amazing in a tumultuous time and life. I feel the time period and locations are thoroughly researched and this author’s writing brings them to life on the page.
This is a beautifully written historical fiction story.
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About the Author
Isobel Blackthorn is a prolific novelist of unique and engaging fiction. She writes across a range of genres, including gripping mysteries and dark psychological thrillers.
The Unlikely Occultist: A biographical novel of Alice A. Bailey received an Honorable Mention in the 2021 Reader’s Favorite book awards. A Prison in the Sun was shortlisted in the LGBTQ category of the 2021 International Book Awards and the 2020 Readers’ Favorite Book Awards. Her short story ‘Nothing to Declare’ was shortlisted for the Ada Cambridge Prose Prize 2019. Her dark thriller A Legacy of Old Gran Parks won a Raven Award in 2019. The Cabin Sessions was nominated for the Bram Stoker Award 2018 and the Ditmar Awards 2018.
Isobel holds a PhD in Western Esotericism from the University of Western Sydney for her ground-breaking study of the texts of Theosophist Alice A. Bailey. Her engagement with Alice Bailey’s life and works has culminated in the biographical novel The Unlikely Occultist and the full biography Alice A. Bailey: Life and Legacy.
Isobel carries a lifelong passion for the Canary Islands, Spain, her former home. Five of her novels are set on the islands of Lanzarote and Fuerteventura. These standalone mystery novels are setting rich and fall into the broad genre of travel fiction.
Isobel has led a rich and interesting life and her stories are as diverse as her experiences, the highs and lows, and the dramas. A life-long campaigner for social justice, Isobel has written, protested and leant her weight to a range of issues including asylum seekers and family violence. A Londoner originally, Isobel currently lives in rural Victoria, Australia.