Today I am sharing my Feature Post and Book Review for THE HOUSE OF LOST CHILDREN by Marty Wingate on this Bookouture Books-On-Tour blog post.
Below you will find a book description, my book review, the author’s bio and social media links. Enjoy!
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Book Description
English countryside, 1940. A brave mother’s love offers hope for children fleeing war. When her world falls apart, will they be her guiding light?
When a class of frightened children escape the city’s bombs for her countryside home, Louisa vows to do everything in her power to protect them. As she sends up silent prayers for her only son David, fighting the Nazis in the skies above Britain, she tucks them in to bed. Her heart aches as they cry in their sleep, and she knows they need all her love and care.
Among them is wide-eyed orphan Gracie, who was found next to her mother in the rubble, and clings to Louisa like a shadow. And little Alf, who begins to smile again as he cares for Lulu the dog, the only other survivor of his family. Alongside their handsome teacher Jack, can Louisa help the children to heal? Or when the school governors threaten closure and the war edges closer than ever before, will she soon lose them all?
Then devastating news about David shatters Louisa’s world. Through the depths of her grief, she must find the strength to fight for her beloved lost children. Can they show her the way through the darkness? Or when German planes fly over their peaceful village, will Louisa and the orphans be torn forever apart?
THE HOUSE FOR LOST CHILDREN by Marty Wingate is an emotional and heartwarming standalone WWII historical fiction novel with romantic elements. Set in England during the Blitz, it features a generous and loving woman who opens her home in the country to a group of children and their teachers who have their charity school destroyed in London.
Lady Louisa Brightford is alone in a rambling mansion in the countryside with a minimal staff and her son, David, away flying Spitfires for the British Air Force. When she learns of a group of children and their two teachers displaced by a bombing in London, she calls the family lawyer and asks for his assistance in moving them to the mansion. She hopes the children can find safety and love of the countryside as they each capture her heart in their individual ways and with their particular needs, especially the youngest named, Gracie.
Louisa becomes attached to Gracie, who lost her mother in the bombing. Gracie has not spoken since she lost her mother, but clings to Louisa who continues to offer her love. Louisa also finds herself becoming closer to Jack Barry, one of the teachers. So, when the governors of the charity that run the school threaten to take the children away because she is a divorced woman, she will do everything in her power to keep them. While she is fighting for the children to stay, she receives news that her son is missing in action.
Even through her grief and anxiety over her son, Louisa is determined to keep the children in her home. With the help of Jack, long-time friends in the village, and new surprise allies, Louisa does not give in to despair but fights for the future of the children.
This is an emotionally uplifting and satisfying read that had me completely invested in all the characters. Ms. Wingate brought all the characters in this story to life. Louisa was so strong in the face of everything she had gone through personally and was still able to share so much love and understanding with the children. It was also satisfying that she found someone for herself as well. I loved all the children and their individual personalities. This story demonstrates love in all its manifestations even when you have to go through worry or despair to find it.
I highly recommend this WWII historical fiction with romantic elements and dare you to not fall in love with Gracie!
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Author Bio
Marty Wingate is a USA Today best-selling author of both mysteries and historical fiction. Marty enjoys weaving humor into her books and creating characters—from quirky and loveable to sinister and duplicitous—that leap off the page. Before embarking on her series about the London Ladies Murder Club with Bookouture, Marty published three contemporary cozy mystery series (the Potting Shed, Birds of a Feather, and First Edition Library books). She has also published two standalone books of historical fiction and found stories of the past to be compelling. She’s delighted to combine her penchant for both mysteries and histories to bring her readers more satisfying stories. Marty currently resides near Seattle, Washington.
Surrey, England, 1938. After thirty devoted years of marriage, Ellie Endicott is blindsided by her husband’s appeal for divorce. It’s Ellie’s opportunity for change too. The unfaithful cad can have the house. She’s taking the Bentley. Ellie, her housekeeper Mavis, and her elderly friend Dora—each needing escape—impulsively head for parts unknown in the South of France.
With the Rhône surging beside them, they have nowhere to be and everywhere to go. Until the Bentley breaks down in the inviting fishing hamlet of Saint Benet. Here, Ellie rents an abandoned villa in the hills, makes wonderful friends among the villagers, and finds herself drawn to Nico, a handsome and enigmatic fisherman. As for unexpected destinations, the simple paradis of Saint Benet is perfect. But fates soon change when the threat of war encroaches.
Ellie’s second act in life is just beginning—and becoming an adventure she never expected.
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Elise’s Thoughts
Mrs. Endicott’s Splendid Adventure by Rhys Bowen is a gripping novel. No matter what book Bowen writes, readers feel they are taking the journey with the characters and are transported into the setting. The descriptions of the town and its residents are very detailed.
Readers meet Ellie Endicott in Surrey, England during 1938. After raising two grown sons and having devoted her entire married life to catering to her husband’s needs, her husband wants a divorce. He has met a younger woman and tries to bulldoze Ellie into a favorable financial settlement. She will have no part of it and decides to hire her own lawyer who helps her obtain a fair settlement.
Deciding to take a trip to the South of France, she steals her husband’s Bentley and agrees to take two companions along. Mavis Moss, her loyal housekeeper who has an abusive husband, and Miss Smith-Humphries, a pillar of the community dying from heart disease but wants to revisit happy places of her youth. While stopping for gas they rescue a pregnant young girl, Yvette, who claims she is being kidnapped.
The Bentley breaks down in the inviting fishing hamlet of Saint Benet. They’re aided by handyman, Louis; Nico, a mysterious fisherman; and welcomed by other villagers including a resident gay English couple. While exploring the small town of Saint Benet they find an abandoned villa in the hills and decide to fix it up and rent it from the owner. The simple paradiseof Saint Benet is perfect until fate plays a role and WWII looms over their heads.
The three women blossom and enjoy the beautiful setting of their second chance lives, having a splendid adventure, until the German troops move into the village in 1942-43. The women and the villagers face hardships, betrayals, danger, uncertainties, and retaliations. When the war comes to an end readers realize these women were resilient, inquisitive, caring with strong minds, hearts, and souls.
This book captivates readers from chapter one and never lets up. It shows the strong bond between friends as well as how a middle-aged woman can find true love with Nico, a villager.
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Author Interview
Elise Cooper: Idea for the story?
Rhys Bowen: There were driving forces behind this story. We were on this lake, and I saw a villa that must have been abandoned for years. It was beautiful once but now the shutters were hanging off and the grounds were full of leaves. I thought who could walk away from something as gorgeous as this and why were there no heirs? I wanted to bring it back to its formal glory. It stayed with me, so I had a character do that, vicariously. I loved giving these women this close bond and second chances in life.
EC: Is this a woman’s adventure story?
RB: It is a story about invisible women. Middle-aged women can be conceived as no longer physically attractive. I noticed this many times in my own life after I became a certain age. Miss Marple is invisible with her knitting as nobody notices her. She sees and hears everything. I wanted to write how women were not treated well by life or had lived someone else’s life. I also wanted to write the strength of women bonding and how they could blossom into the people they should be. These three women were not treated well and has a sense of belonging.
EC: How would you describe Ellie?
RB: She never lived her own life and is now a middle-aged woman. There is this book quote how she feels all alone, “It was fine when I had my friends with me, but now I find myself alone. I had everything I desired, people I loved and who loved me. And one by one they have been taken away. I have this lovely big house and beautiful view but nobody to share it with.” I wanted to give her everything she wanted: friends, a beautiful house, a love interest, and a baby. Then all those were taken away. I wanted to explore how strong she was when once again everything was taken away from her. I think she is a survivor, optimistic, is willing to take risks, and resilient by the end of the book. But in the beginning, she was broken, angry, resentful, the perfect housewife, and feels hopeless at times. Throughout she is sensible, passionate, vulnerable, and reasonable.
EC: How would you describe Miss Theodora Smith-Humphries?
RB: She is critical, sickly, formidable, smug, blunt, organized, faithful, and a good listener. We never really know her. She gave the world the face she wanted them to see, that of an efficient smart spinster who runs everything, and who people are slightly scared of. But no one knows she had a great romance. She was not sweet, attractive, and submissive so she never had that good marriage. She had a romance that could never be, after both her married employer and she fell in love. She accepted the role of the mistress.
EC: How would you describe Ellie’s former maid, Mavis?
RB: She is scared, street smart, loyal, and has a great relationship with Ellie. She is closest to a friend and confidant Ellie has ever had. In England people don’t say something if they see something because of the stiff upper lip attitude. Yet, Ellie realizes Mavis was abused and she must save her. When Mavis gets to France she blossoms. She becomes a strong person in the community. Yet, she lives the first half of this book in fear of her husband, always having walked on eggshells.
EC: How would you describe Yvette?
RB: Young, pregnant, sacred, and a shadow figure. She plays the part well of a vulnerable person. Mavis realizes she is not who she says she is. Mavis has good instincts.
EC: What is the role of WWII in this book?
RB: I wanted to show the brutality of the Germans, and how Ellie and company tried to save Jewish men. Ellie took a big risk by staying in France, but she is so happy there she decides to stay. Then she becomes an enemy alien, unable to get a ration card or identity card. The first years of the war are not bad for the South of France. Everything is fine for her until the Germans become stationed in her village in 1943. There was a resistance cell in Marseille that smuggled out Jewish people.
EC: How come the Germans ignored the villa?
RB: They did not know it existed until quite late in the story. It was not visible from the village, up in the hillside hidden away. As long as Ellie and company stayed quiet, she was safe until the Germans found out they were smuggling Jewish men out.
EC: What about the relationship between Nico and Ellie?
RB: It was confusing to both, but they did love and respect each other. In the end they found a soul mate in each other. I wanted Nico to be an enigmatic figure. People thought of him as a local fisherman, yet he never fished that much. Ellie thinks he is a smuggler and although attracted to him does not want much to do with him because she thinks he does things against the law because he has plenty of money. The moment the war starts he helps the resistance cells by bringing in weapons and gasoline. I wanted him to be the classic bad boy in the beginning, attractive to Ellie, but dangerous.
EC: What about the village of Saint-Benet, is it based on Cassis?
RB: It is a little town outside of Marseille, an area where there are fields surrounded by high cliffs. It has a pretty waterfront with cafes surrounding it. I went there last year to make sure I had all the details correct. I did not want to call the village Cassis because I wrote things that did not happen there. It was much easier to make it the fictional town of Saint-Benet, very much like Cassis.
EC: Next books?
RB: The next book comes out in November, titled, From Cradle to Grave, a Royal Spyness novel. Georgie is given the nanny from hell is one part of the story. The other part has a possible serial killer getting rid of aristocrats.
The next Molly Murphy book comes out in March, titled Vanished in the Crowd. It focuses on the role of women. A woman scientist is working on the polio virus but gets no credit and has the findings published in her husband’s name.
The next historical novel has a working title, From Sea to Sky, coming out next July. It is about an elderly famous writer who is suffering from dementia and cannot finish her last book. A young writer is hired to finish it for her. The young writer sees things that makes her believe the story is not fiction.
THANK YOU!!
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BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.
Since her arrest for disobeying orders and going ashore at Iwo Jima almost a decade earlier, combat correspondent Georgette “Dickey” Chapelle has been unmoored. Her military accreditation revoked, her marriage failing, and her savings dwindling, Dickey jumps at the next opportunity. In the aftermath of a an assignment gone wrong, a flame is lit deep inside Dickey—to survive in order to be the world’s witness to war from the front lines.
Never content to report on battles unless her own boots are on the ground, Dickey and her camera journey with American and international soldiers from frozen wastelands to raging seas to luscious jungles, revealing one woman’s extraordinary courage and tenacity in the face of discrimination and danger. And it’s along the way, in Dickey’s desire to save the world, she realizes she might also be saving herself.
At a time when a woman’s heroic spirit often gave way to homeland reality, Dickey blazed a trail for the revolutionary hearts inside us all.
THE LAST ASSIGNMENT by Erika Robuck is a historical biographical fiction story featuring the later portion of photojournalist Georgette “Dickey” Chapelle’s life. Ms. Robuck does a wonderful job of bringing her to life not only writing about her achievements, but also her impetuosity which could get her into dangerous and terrible situations. This standalone story is a look at an impressive woman in history that I knew nothing about.
Dickey Chapelle led an awe-inspiring life photographing and writing about her favorite men, the Marines, on Iwo Jima during WWII, Europe’s reconstruction, Hungary’s revolution, dictators, refugees, and strife in foreign countries, all the way up to once again being with her Marines during the Vietnam War until her death in country. Her photography and stories were featured in many major magazines, and she received many awards, but that was never her goal. She always wanted to take that one picture that would end all wars. While her family and friends always worried about her, she could never sit still on the sidelines when she believed her photography could shine a light on injustice.
This is an intensive look into this female photojournalist’s later life. She always wanted to be first on the ground to uncover the truth. She was interested in the Civil Rights Movement, and it would have been safer for her to stay home in the states, but she needed and preferred to be out in the world and covering international conflicts. Dickey was by no means perfect and got in trouble, even imprisonment in Hungary for her actions, but it was always because she truly cared about the people she was covering.
This historical biography is brought to life through Dickey and with the obvious extensive research of Ms. Robuck. It is interesting to follow Dickey through this period and remember how the stories she covered were portrayed at that time and then the changes, or not, in perspective, as it became history to be analyzed and studied.
I highly recommend this engaging historical biographical fiction story, and I am very glad to be able to go back myself and see the important work Dickey left for the world.
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About the Author
Erika Robuck is the national bestselling author of historical fiction including SISTERS OF NIGHT AND FOG, THE INVISIBLE WOMAN, and HEMINGWAY’S GIRL. Her articles have appeared in Writer Unboxed, Crime Reads, and Writer’s Digest, and she has been named a Maryland Writer’s Association Notable Writer of 2024. A boating enthusiast, amateur historian, and teacher, she resides in Annapolis with her husband and three sons.
Ruby blinks back tears and gazes across the violet-studded moors from the doorstep of Heather House before she turns and lifts the key. What heart-wrenching secret will she discover in her childhood home?
When Ruby inherits her family’s crumbling old house in the wild English countryside, she is devastated to think it might be sold. Heather House was once an artists’ haven filled with Ruby’s family and their colorful friends. Ruby has always been captivated by the glamorous Clara, a famous pilot whose love story came to a tragic end. Now black-and-white photographs transport her back to World War Two…
With the future of Heather House uncertain, Ruby loses herself in history. But it seems romance is not only a thing of the past when Jake, a jumper-clad American author with silver-flecked hair turns up at her door. Jake is investigating a wartime mystery about Clara, and he soon falls in love with the historic home. But when Clara shows him a view of the moors ablaze under the setting sun, his dark green eyes cause another flame to spark …
Together Ruby and Jake begin to unravel the secret hidden in the past. But can they find a way to save Heather House, or will Ruby be forced to sell it before the truth about Clara is at last unearthed and her new love has a chance to bloom?
MEMORIES OF HEATHER HOUSE (Wildflower Secrets Book #2) by Rebecca Alexander is an emotional dual timeline women’s fiction story featuring generations of strong, independent woman. While this is the second book in this series, the books are connected by their small village location on the moors in the English countryside with minimal character crossover so they each easily stand alone.
Ruby is a genealogist and historian who has inherited the run-down countryside mansion of her childhood when her mother dies of cancer. For many years she just wanted to get away, but now it is her only connection to her matriarchal line of artistically talented women. Once an artists’ haven filled with bohemian characters, now only two of the elderly occupants remain.
With the future of the mansion uncertain, Ruby is also dealing with a handsome American who is researching her family’s famous WWII female ATA (Air Transport Auxiliary) pilot for an American who believes she is also related to the mysterious Clara. As the two work together to dig up Clara’s secrets and try to come up with a solution to save Ruby’s home, they discover not only secrets from the past, but possibly a new love in the present.
This is a wonderful dual timeline story featuring Ruby in the present and Clara during WWII. While Ruby’s story is interesting with its search for Clara and her growing interest in Jake at times, I was frustrated with her always fluctuating in her beliefs that Jake had ulterior motives. It got to be a bit too often and should not have lasted as long as it did in the plotline because it felt repetitive. I was really pulled into the story when it switched to Clara’s WWII story. The WWII research is skillfully slipped into the story without feeling like a data dump. Clara is an amazing and compelling character that lived life to the fullest even in the middle of a terrible war and the tragic ending of her life, which is not a spoiler, was still so sad.
I highly recommend this dual timeline second book in the Wildflower Secrets series and I am anxiously looking forward to the next.
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About the Author
Rebecca Alexander was born in Malta and grew up on the south coast of England, becoming a psychologist. She escaped parenting six children to study writing in 2011, and the Secrets series of novels was published in 2013. A Baby’s Bones and sequel followed. Rebecca lives in a haunted 300-year-old cottage in Devon where she grows fruit, paints, and bakes. She reads and writes all sorts of genres, from women’s fiction to fantasy to crime. She is married with four chickens, two grandchildren and a cat.
Today I am sharing my Feature Post and Book Review for ECHOES ON THE WIND (Maggie O’Shea Romantic Suspense Book #4) by Helaine Mario on this Partner In Crime Virtual Book Tour.
Below you will find a book description, my book review, and excerpt from the book, the author’s bio and social media links, and a Kingsumo giveaway. Enjoy!
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Book Description
TWO STRONG WOMEN, GENERATIONS APART, CONNECTED BY MUSIC…
In 1943 war-torn France, a young woman on the Night Train to Paris has a chance meeting with two very different men who will change her life, setting in motion a Dual Timeline story that will resonate like ripples on water for generations to come.
Many years later, classical pianist Maggie O’Shea is drawn to Brittany by a long-lost letter from her French grandmother and the stirring music of Chopin, whispering like echoes across the years. But as Maggie discovers the secrets of her past, her life spirals out of control, threatening her upcoming wedding and those she loves.
Set against the backdrop of World War II France, Maggie learns her grandmother’s story, chord by chord, through Chopin’s emotional Preludes. And, in one shocking moment, Maggie’s love story will take a heart-breaking turn that will change her life and echo into her future.
Past and present converge in this haunting tale of loss and sacrifice, friendship and family, courage and survival – and the transcendent power of hope, music and love.
Genre: Romantic Suspense Published by: Suncoast Publishing Publication Date: June 18, 2024 Number of Pages: 364 ISBN: 9781735184975 (ISBN10: 1735184977) Series: A Maggie O’Shea Romantic Suspense, Book 4
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My Mini Book Review
RATING: 5 out of 5 Stars
ECHOES ON THE WIND (Maggie O’Shea Romantic Suspense Book #4) by Helaine Mario is the exciting finale of the Maggie O’Shea series. This story has a dual timeline featuring Maggie in the present and her French grandmother during WWII. I have been waiting for this culmination of love vs. vengeance anxiously and was not disappointed. These books should be read in order because there are over-arching threads throughout the series with Maggie and the other main characters continually evolving.
WOW! I could not put this book down. Not only do you get Maggie in a final showdown ending, but you get the survival story of her grandmother Clair, who was in the French Resistance during WWII written in dual timelines with alternating chapters. The main characters are all fully developed, more so if you have read the entire series, and I feel like they could walk right off the page. This is an extremely emotional book in both timelines, but as in the entire series, family, love, and music, carry the main characters through the worst that is thrown at them.
All the books are intriguing, pull you in, and are worth reading. This series also had me continually listening to the classical music pieces mentioned throughout that Maggie practiced for her concerts, which was a fun reminder of my trips to the Cleveland orchestra when I was younger.
I highly recommend this harrowing romantic suspense/WWII historical fiction mash-up and the entire engaging series!
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Excerpt
OVERTURE
“Like so many things that matter, it began with an accident.” David Ignatius, 12/28/98
NOVEMBER, 1943. THE NIGHT TRAIN TO PARIS
Light and dark.
The bleak November landscape rushed past the train’s window. Black tree branches against the dark night sky, then a sudden flash of light. Then blackness again.
The blackout had claimed the streetlamps and cottage windows. Clair Rousseau stared out the rain-streaked glass, waiting for the next glimpse of light. A lone lantern. Car headlights tilted down, a sliver of gold beyond a cracked curtain. Sheet lightning over distant hills, a glimmer of light on water. But all she saw was the blurred, pale oval of her reflection staring back at her. Dark hair scraped back, framing huge eyes beneath winged brows, sharp cheekbones, the too-wide mouth.
No hint of the emotions flowing through her, except for the deep purple shadows beneath her eyes.
The dim, four-person compartment was cold, and she pulled her coat more tightly around her body. The seat beside her was still empty, thank God. Across from her, two German officers. One asleep, snoring loudly, his hands slack between thick gray-green uniformed knees. The other awake, a Gauloises cigarette clamped between thin lips, a jagged line of white scars marring his left cheek. The narrow fox-like face stared at her through thick round glasses and wreathes of curling blue smoke. His jacket was heavy with insignia, oak leaves, medals. Military Intelligence, she thought with a sudden chill. A high rank, SD or Abwehr. What was he thinking?
The watchful, unblinking eyes made her afraid. Like a snake’s eyes, waiting to strike. She looked away, forcing herself not to reach for her satchel, touch her identity papers for reassurance.
The carriage’s glassed door slid back and forth with an unnerving rattle as the train rocked around a bend. From the hallway came the sharp scent of burning coal, wafting back from the old steam engine several cars ahead. A cloud of steam billowed past the window like sudden fog.
She could feel the vibration beneath her, hear the rumble of the train’s wheels speeding along the tracks. The lonely call of a train whistle, echoing in the night. A quick flare of light, illuminating the rain like silver threads streaming down the window.
Light and dark. Light and dark.
Movement at the edge of her vision. A tall figure appeared in the hallway, beyond the door. Her chest tightened. Would she ever feel safe again?
A sharp crack of thunder, a sudden bright flash lighting her face.
“Mademoiselle Clair?”
Startled, her head came up. The stranger had stopped, was staring into the compartment. Across from her, the watchful German stiffened and slid pale eyes toward the voice.
Be careful.
There was something familiar about the gaunt face, the faint, questioning smile just visible above a thick woolen scarf. She stood quickly, stepping between the German and the carriage door to block the officer’s view.
“Oui,” she said softly, peering into the dim hallway. The man nodded and moved closer. Something about those gentle eyes, the arch of silver brows. Memory surged. Father Jean-Luc.
She flashed him a warning glance for silence and stepped into the train’s narrow corridor, closing the door firmly behind her. “Mon Père, is it really you?”
“Oui, ma petite, c’est moi.” The priest pulled the scarf down to offer a glimpse of his white Roman collar, then lost his smile as he gazed over her shoulder and saw the Germans. “But we cannot talk here. Come with me.”
He slipped a hand beneath her elbow and guided her to the end of the dark passageway, where an open exit door led across shifting metal plates to the train’s next car. She felt the sudden bite of night wind on her face, cold and wet with mist. Here the clatter of the train wheels was loud enough to hide their conversation.
They sheltered just inside the doorway, in the shadows, away from the rain. Outside, the countryside of France rushed by, then disappeared in a billow of black smoke. In the dim corridor, the planes of the priest’s face were lit by a tiny, flickering overhead bulb.
Light and dark. Light and dark.
The priest looked down at her, shook his head. “Little Clair Rousseau,” he murmured. “Now such a beautiful young woman. It’s been – what? – four years since we met? You were just thirteen, I think. Playing the piano in your parents’ apartment. Bach, yes? It was so beautiful, so stirring. I hope you are still playing?”
She shook her head. “You need hope to create music, Père.” She looked back toward her carriage compartment. The hallway was empty. “But I remember that day. The war was coming. You asked us to help you remove the stained-glass windows from Sainte-Chapelle. To save them from the bombing.”
“You were fearless, Clair. I remember watching you, swaying at the top of that impossibly high ladder. The morning light was coming through the stained glass, spilling over you like shimmering jewels. I’ll never forget it. I told myself, Clair means light, she is perfectly named.”
He leaned down. “And I can still see your sister, Elle – too young to help us, biensûr – dancing around the altar.”
Her expression softened. “Elle loved to dance. It was the last happy day I can remember.” She lifted her eyes to his, took a breath. “Paris was another lifetime, Père.”
“You cannot lose hope,” he told her. “The glass pieces are in a safe place. Beauty and goodness cannot be destroyed. You will see the stained-glass windows back in Sainte-Chapelle when the war is over. I know it.”
She shook her head. “I wish I had your faith.”
“God has his plans. There is a reason we’ve met by chance on the night train to Paris.” Concern flashed in his eyes. “But you’ve been in Brittany? Dangerous times for a young woman to be traveling alone, Clair.”
She looked out at the black trees rushing past the doorway, and felt the blackness deep in her heart. “I am alone now, Père.”
“Mon Dieu. What happened?”
“My father knew that war was inevitable. Not long after we saved the glass my parents moved us from Paris to the coast near Saint-Malo to be safe. Such irony. They had no idea how dangerous Brittany would become. And then…”
She could not stop the sudden rush of tears that filled her eyes. “The Gestapo shot my father last year, in a retaliation roundup for an act of sabotage by the Resistance. He was with the Liberty Network, they had bombed a train track. He stepped forward, admitted it, hoping to save the others. But still they took thirty innocent people from our village, murdered them in the square.”
“Oh no, Clair.” The priest made a quick sign of the cross. “I am so sorry. And your mother, your sister?”
“I don’t know, Père. I was studying in Paris, I begged them to come stay with me. But Maman refused. When I returned last month to see them, the house was empty. They were just… gone. The neighbors said the Germans took them, in the night. The mayor was told they were being relocated to Poland.”
The priest paled. “Désolé. I will pray for their souls.”
Anger erupted, spilled out. “Prayers did not help my family! I have no time for prayer now. Or sorrow. Even avenging my father will have to wait. I need all my energy now to find my mother and my sister.”
He bent toward her. “I am afraid you are still too fearless for your own good. Tell me what you’re doing, little one.”
She turned once more to scan the dark hallway, then leaned closer. “I excelled in languages in my lycée studies these last years,” she whispered. “I am fluent in several languages, including German and English. I hope to find a new job, in the Hotel Majestic in Paris, where the German High Command is quartered. Then I will join the Resistance, find a way to get news of Maman and Elle. I must find them!”
He gazed down at her for a long moment, then put a hand on her shoulder.
“Perhaps I know of another way,” he murmured.
The sound of a door opening. Wavering shadows spilled into the train’s corridor. Then the red glow of a cigarette, a spiral of smoke. She froze as the German officer turned toward them.
“Find me at Èglise Saint-Gervais, in the Marais,” the priest whispered quickly. “I am with the Resistance there. You could work with me, we need someone like you to –”
A sudden terrifying screech of metal wheels. Clair felt herself thrown to the floor as the train braked, slammed to a shuddering stop. Stunned, Clair reached out, felt the still body of the priest beside her. “Mon Père…”
Shouts in German in the darkness, the clatter of heavy boots. When she raised her head she saw flashing blue lights against the night sky.
Light and dark. Light and dark.
Copyright June 2020
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Author Bio
Best-selling author Helaine Mario grew up in NYC and is a graduate of Boston University. Now living in Arlington, VA, this mother of two, grandmother of five, and passionate advocate for women’s and children’s issues came to writing later in life. Her first novel, The Lost Concerto, won the Benjamin Franklin Award Silver Medal. Echoes on the Wind is her fifth novel and the fourth in her Maggie O’Shea Classical Music Suspense Series. Royalties from her books go to children’s music and reading programs. Helaine recently lost her husband, Ron, after 57 years together. Her new book echoes with loss, grief, and, ultimately, the healing power of love.
In June 1917, General John Pershing arrived in France to establish American forces in Europe. He immediately found himself unable to communicate with troops in the field. Pershing needed telephone operators who could swiftly and accurately connect multiple calls, speak fluent French and English, remain steady under fire, and be utterly discreet, since the calls often conveyed classified information.
At the time, nearly all well-trained American telephone operators were women—but women were not permitted to enlist, or even to vote in most states. Nevertheless, the U.S. Army Signal Corps promptly began recruiting them.
More than 7,600 women responded, including Grace Banker of New Jersey, a switchboard instructor with AT&T and an alumna of Barnard College; Marie Miossec, a Frenchwoman and aspiring opera singer; and Valerie DeSmedt, a twenty-year-old Pacific Telephone operator from Los Angeles, determined to strike a blow for her native Belgium.
They were among the first women sworn into the U.S. Army under the Articles of War. The male soldiers they had replaced had needed one minute to connect each call. The switchboard soldiers could do it in ten seconds.
Deployed throughout France, including near the front lines, the operators endured hardships and risked death or injury from gunfire, bombardments, and the Spanish Flu. Not all of them would survive.
The women of the U.S. Army Signal Corps served with honor and played an essential role in achieving the Allied victory. Their story has never been the focus of a novel…until now.
SWITCHBOARD SOLDIERS by Jennifer Chiaverini is an engaging and informative historical fiction novel featuring the first young women ever to be able to enlist in the US Army’s Signal Corps and serve overseas as switchboard operators during WWI. The story follows three main protagonists from different parts of the country with varying immigrant family stories as they serve in the great war overseas.
As General John Pershing arrives in France to oversee American forces to fight alongside the French and British forces in the “war to end all wars” against the Axis forces, he realizes he needs professional female operators fluent in both French and English to be able to communicate all over the fields of operation. AT&T operators answered the call to serve from all over the country.
Grace Banker is an AT&T switchboard instructor in New Jersey and an alumnus of Barnard College, Marie Miossec is in Cincinnati with her French parents who are professional musicians working in the states, and Valerie DeSmedt an operator in Los Angeles whose family has immigrated from Belgium, are all accepted after an arduous vetting. Deployed to France, they cross the dangerous waters of the Atlantic facing dangerous German U-boats, the bombardments of the enemy forces throughout France as they are assigned to work closely to the frontlines, the danger of mustard gas and the Spanish flu.
These women served throughout France with honor and valor and were essential to the success of the Allied forces.
I had no idea that these American women switchboard operators were involved in the war effort during WWI. You hear about nurses and the YWCA volunteers, but not this group. I was so impressed by the magnitude of research throughout this novel. The author’s descriptions brought me right into the action. This story does jump around a bit as you follow the different paths and experiences the three main characters follow so occasionally, I felt it was a little disjointed, but in a way, it needed to be, so it fit in with the different journey of each. Just like so many other historical women’s stories in history, these brave young women were not recognized as true soldiers of the Army and received no VA benefits or legal recognition until 1977.
I highly recommend this story of amazing women answering the call to service.
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About the Author
Jennifer Chiaverini is the New York Times bestselling author of FATES AND TRAITORS, MRS. LINCOLN’S DRESSMAKER, MRS. LINCOLN’S RIVAL, THE SPYMISTRESS, MRS. GRANT AND MADAME JULE, and other acclaimed historical novels. She also wrote the beloved Elm Creek Quilts series, as well as six collections of quilt patterns inspired by her books. A graduate of the University of Notre Dame and the University of Chicago, she lives with her husband and two sons in Madison, Wisconsin. About her historical fiction, the Milwaukee Journal Sentinel writes, “In addition to simply being fascinating stories, these novels go a long way in capturing the texture of life for women, rich and poor, black and white, in those perilous years.”
