When a mother is charged with murder in a town already convinced of her guilt, can defense attorney Powell Harrison find truth and justice in a legal system where innocence is not presumed?
Emily Lloyd, a young widow in Reconstruction-era Virginia, is accused of poisoning her three-year-old daughter, Maud. It isn’t the first death in her home: her husband and three other children all died of mysterious illnesses, so when Maud succumbs to an unexplained malady, the town suspects foul play. Soon Mrs. Lloyd is charged not only with poisoning the child but also with murdering her children, her husband, and her aunt.
Enter Powell Harrison, a soft-spoken, brilliant attorney who recently returned to his Virginia hometown to help his brother manage their late father’s practice. Approached to assist in Mrs. Lloyd’s defense, Harrison initially declines, worried that an infanticide case might tarnish their family’s reputation. But as details about the widow’s erratic behavior and her reclusive neighbors emerge, Harrison begins to suspect that an even more sinister truth might lurk beneath the family’s horrible fate and finds himself irresistibly drawn to the case.
Based on a shocking true story, Veil of Doubt is part true-crime thriller, part medical and legal procedural. Perfect for fans of Margaret Atwood’s Alias Grace and filled with rich period detail gleaned from exhaustive research, Veil of Doubt delves into the darkness of the South during Reconstruction, exposing intrigue, deception, and death.
VEIL OF DOUBT by Sharon Virts is an absolutely riveting historical fiction/crime mystery book based on true events surrounding the trial of a mother charged with the murder of her young daughter in 1872 Leesburg, Virginia. I could not put this book down from start to finish.
Emily Lloyd is accused and charged with poisoning her young daughter, Maud. The widow has tragically already had to bury three children previously and is considered odd even by her friends, who are few. The entire town suspects her of the crime.
Powell Harrison is a brilliant attorney who has returned to his hometown to partner with his brother in their late father’s practice. He is approached to take on Emily’s case. While he gets resistance from friends and even his own family, he feels he is the most experienced lawyer to help Emily. As the facts of the case emerge, Powell begins to suspect Emily’s erratic behavior might be hiding an even deeper secret.
This is one of my favorite historical fiction stories this year. I was completely engrossed from beginning to the end. The book is based around the investigation and trial for several murders supposedly perpetrated by Emily Lloyd. While some suspense/mystery books featuring court proceedings can be boring or dry at times, I never felt that way with this story. The way evidence was collected, tested, and evaluated was interesting and period appropriate. I knew where the character twist was headed before the ending, but still found it fascinating as well as discussions of other mental traumas related to the Civil War. The author’s research into the true crime case and the Reconstruction era is evident.
I highly recommend this compelling historical fiction/crime mystery based on a true story. Make sure you have time set aside because you will not be able to stop turning the pages.
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About the Author
Sharon Virts is a successful entrepreneur and visionary who, after more than 25 years in business, followed her passion for storytelling into the world of historical fiction. She has received numerous awards for her work in historic preservation and has been recognized nationally for her business achievements and philanthropic contributions. She was recently included in Washington Life Magazine’s Philanthropic 50 of 2020 for her work with education, health, and cultural preservation.
Sharon’s passion truly lies in the creative. She is an accomplished visual artist and uses her gift for artistic expression along with her extraordinary storytelling to build complex characters and craft vivid images and sets that capture the heart and imagination. Sharon and her husband Scott live at Selma, a prominent historic residence that they saved from destruction and restored to its original stature. It is out of the love and preservation of Selma that the story of the life, times, and controversies of its original owner, Armistead Mason, has given root to her first novel Masque of Honor.
Today I am sharing my Feature Post and Mini Book Review for DEATH AND THESISTERS (Mary Shelley Mystery Book #1) by Heather Redmond on this Partners In Crime Virtual Book Tour.
Below you will find a book description, my book review, an excerpt from the book, the author’s bio and social media links, and a Kingsumo giveaway. Enjoy!
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Book Description
The tangled relationships between Frankenstein author Mary Shelley, poet Percy Bysshe Shelley, and Mary’s stepsister Jane Clairmont form the backdrop for an intriguing historical mystery, set in London in 1814, that explores the complex dynamic between sisters and the birth of teenaged Mary’s creative genius.
London, 1814: Mary Godwin and her stepsister Jane Clairmont, both sixteen, possess quick minds bolstered by an unconventional upbringing, and have little regard for the rules that other young ladies follow. Mary, whose mother famously advocated for women’s rights, rejects the two paths that seem open to her—that of an assistant in her father’s bookshop, or an ordinary wife. Though quieter and more reserved than the boisterous Jane, Mary’s imagination is keen, and she longs for real-world adventures.
One evening, an opportunity arrives in the form of a dinner guest, Percy Bysshe Shelley. At twenty-one, Shelley is already a renowned poet and radical. Mary finds their visitor handsome and compelling, but it is later that evening, after the party has broken up, that events take a truly intriguing turn. When Mary comes downstairs in search of a book, she finds instead a man face down on the floor—with a knife in his back.
The dead man, it seems, was a former classmate of Shelley’s, and had lately become a personal and professional rival. What was he doing in the Godwins’ home? Mary, Jane, and Shelley are all drawn to learn the truth behind the tragedy, especially as each discovery seems to hint at a tangled web that includes many in Shelley’s closest circle. But as the attraction between Mary and the married poet intensifies, it sparks a rivalry between the sisters, even as it kindles the creative fire within . . .
Genre: Historical mystery Published by: Kensington Publication Date: September 2023 Number of Pages: 320 ISBN: 9781496737991 (ISBN10: 1496737997) Series: Mary Shelley Mystery, 1
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My Book Review
RATING: 4 out of 5 Stars
DEATH AND THE SISTERS (Mary Shelley Mystery Book #1) by Heather Redmond is an engaging historical mystery and the first in a new series featuring the unconventional Mary Godwin (future Mrs. Shelley and author of “Frankenstein”), her stepsister, Jane Clairmont, and Percy Shelley who was a benefactor to Mary and Jane’s father all come together as amateur sleuths in 1814 London.
Mary discovers a young man stabbed to death on the floor of her father’s bookshop in the night when she goes down to retrieve a book to read. At first it was believed to be the famous poet Percy Shelley, but it was a contemporary competitor of Shelley’s. Mary is determined to solve the crime and with Jane and Shelley, they begin to unravel the clues that lead to Shelley’s closest circle of friends. As the investigation heats up, so does the attraction between Mary and Shelley, but it also sparks an even deeper rivalry between the sisters.
I loved that this book featured working and artistic people and was not centered around the ton. The author’s descriptive writing is atmospheric and made me feel as though I was there in 1814 London, but the dialogue a few times slipped into modern verbiage which pulled me out of the story. I liked getting each of the sister’s points of view with the alternating chapter narration because both were strong and intelligent characters. The competition between them was believable, but at times their immaturity was annoying and yes, I realize they were in their teens, but at that time in history, I would expect them to be more mature. The plot was intriguing and well-paced with plenty of red herrings, but I did not like the late revelation of information from some until close to the end.
Overall, an entertaining introduction to these characters and a beguiling mystery solved. I will be looking forward to the evolution of these characters in future books in this new series.
***
Excerpt
“Come, Mary.” Jane flopped onto her bed. “Tell us a story about the prisoner ghosts wailing.”
“I’ll have to think it up,” Mary said and then began to quote. “‘This relation is Matter of Fact, and attended with such Circumstances as may induce any Reasonable Man to believe it.’”
“What’s that?” Jane asked. The floor creaked as she kicked off her slippers and knocked them to the floor.
“Defoe, I think,” Mary said, already considering the form of her story. If only Mother had written such fanciful tales, to give her ideas on how to construct them. “I’ll consult his works in the bookshop for further inspiration. It seems like quite a good start to a ghost story.”
Mary placed her slippers next to Jane’s and walked down in her stocking feet, hugging the wall so as not to set off the worst of the creaking stairs. If Mamma heard her, she’d be set to mending something. Her stepmother never thought about the cost of candles when she could make her daughters work themselves into exhaustion after dark.
The bookshop’s interior door hung open. Very odd, as Mamma was particular about making sure that the smells of domestic life, particularly cooking odors, did not damage the books.
Mary shrugged, glad she had come downstairs, because if Mamma had been the first to notice, she’d have no doubt blamed Mary. She lit the lantern kept in readiness for customers who wanted to browse in the dark corners.
While she knew exactly where Defoe was kept, she first went to a back corner of the shop and dropped to her knees, then pulled out a much-loved volume that Mamma kept in stock because she knew that it sold, even though it was anything but highbrow or philosophical. Ann Radcliffe’s The Romance of the Forest. Feeling a little breathless, like a Gothic heroine about to swoon, she opened the book to her favorite page. With the lantern held over the engraving, she examined the bare legs of the man removing a blindfolded girl from a house.
She bit her lip as she looked over the engraved musculature, feeling a familiar shiver dance up through her body. Did Shelley have legs so magnificent? He certainly possessed the broad shoulders and narrow waist of the figure on the page. She set down the lantern when it shook in her hand.
“Oh, to see a form like that,” she whispered to herself. None of her Scottish suitors had possessed a body she wanted to caress. As such, none of them had enticed so much as a kiss from her. After a last heated glance, she closed the book and tucked it away again.
The next shelves were in front of the bow windows. The Juvenile Library was shelved there, at the perfect height for children. Works of historical merit were on the other side. Mary rose.
Her foot twisted as she took the first step. She grabbed for the edge of the bookcase with one hand, the other gripping the lantern tightly. Her fingers were trembling by the time she righted herself. She reached down and swiped at her foot. Something sticky coated her fingers. What was on the floor?
“Honestly,” she muttered to herself. More cleaning. She set the lantern on the bookcase and walked past the windows. Slatted lines from the shutters were illuminated by the oil lamp that burned all night at the corner of the road.
Distracted by the sudden reflected light, she tripped again. “Blast,” she cried.
When she tried to take another step forward, her way was blocked by something solid. Confused, she prodded it with her foot. It felt warm, dry, and slightly yielding. She backed up to take the lantern in her hand again, then cupped the side of it with her hand to keep the illumination from the road. When she reached the mass again, she held the lantern out over the floor.
Her mouth dropped open when she saw what lay in front of her. A man, like something out of a painting of the French Revolution, was sprawled on the floor. Facedown. She swept the lantern over his body. Her hand shook as she saw first one knife, then another.
The first was impaled in his back. The other, in the mysterious recesses between his legs.
“Faith!” Wobbly, Mary blinked hard, then forced herself to kneel down beside the sprawled figure, to touch the man’s hand.
Still warm. She squeezed it, feeling that strange sensation of callused male flesh under hers, then dropped the hand. What was she doing? Molesting a corpse?
She scooted back, her eyes closed, then opened them again, feeling her lips tremble at the sight of the dark blue velvet coat, the dark stain around the knife gleaming wetly in the light. She knew that coat. Shelley! That fine figure of a man, ended so cruelly. They had just seen him leave not twenty minutes earlier. Had he been accosted in the street and dumped here?
“I could have loved such a being.” Tears sprang to her eyes, and she let them fall, keenly feeling her sensibility. Hadn’t he said he was a new father? And his poor young wife, not even twenty yet, a widow.
“Mary?”
Drat that Jane. Could she not offer up a moment’s solitude to anyone?
Her stepsister’s footsteps came closer, along with the bobbing of a candle flame.
“Don’t come any closer,” Mary warned. She set the lantern down.
Ignoring her, Jane came down the space between the bookshelves and turned in the nook in front of the windows.
“What are you doing?” she asked.
Mary scrambled to her feet, hoping to block her sister’s view. The candle wavered as Jane took in the scene. She gasped loudly.
“What,” Jane asked, “is that?”
“Knives,” Mary said. “Murder has been done here.”
“What?” Jane repeated, some frantic power coming into her voice. “Papa?”
“No,” Mary said, grabbing the candleholder before the candle dropped. “Shelley.”
She saw what was going to happen and held up her other hand, hoping to forestall it. But she failed, and Jane, coming closer, screamed. Mary bent under the onslaught and grabbed her sister’s hand.
“Hush,” she begged, pulling her away. “We have to tell Papa before the watch comes.”
Though Jane resisted, Mary pulled her through the bookshop, then forced her to sit on the steps and hold the candle while she went back for the lantern. She set it on the table in the hall.
“Stay here,” she commanded.
“But,” Jane whispered. “But the body.”
“Papa will know what to do.”
“But the watch.”
“Papa should call them, not us. Do you want him surprised?”
“The bookshop,” Jane said next.
“Yes, it’s very bad,” Mary agreed.
“It isn’t S-Shelley,” Jane stuttered. “He just left.”
Mary pulled the handkerchief from her sleeve and tucked it into Jane’s unresisting hand. “It must be,” she said. “Who else? Cry quietly, please.” Hoping her sister obeyed, she picked up her skirts and ran up the steps to her father’s library.
***
Author Bio
Heather Redmond is an author of commercial fiction and also writes as Heather Hiestand. First published in mystery, she took a long detour through romance before returning. Though her last British ancestor departed London in the 1920s, she is a committed anglophile, Dickens devotee, and lover of all things nineteenth century.
She has lived in Illinois, California, and Texas, and now resides in a small town in Washington State with her husband and son. The author of many novels, novellas, and short stories, she has achieved best-seller status at Amazon, Barnes and Noble, and other retailers. Her 2018 Heather Redmond debut, A Tale of Two Murders, has received a coveted starred review from Kirkus Reviews.
Today I am sharing my Feature Post and Book Review for MURDER AT MIDNIGHT (Lilly Adler Mystery Book #4) by Katharine Schellman on this Partners In Crime Virtual Book Tour.
Below you will find a book description, my book review, an excerpt from the book, the author’s bio and social media links, and a Kingsumo giveaway. Enjoy!
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Book Description
When a body is found shot to death after an unexpected snowstorm, Lily Adler quickly realizes that some people will stop at nothing to bury their secrets.
Regency widow Lily Adler is looking forward to a quiet Christmastide away from the schemes and secrets she witnessed daily in London. Not only will she be visiting the family of her late husband; she will be reunited with Captain Jack Hartley, her friend and confidante, finally returned after a long voyage at sea.
But secrets aren’t only found in London. Jack’s younger sister, Amelia, is the center of neighborhood scandal and gossip. She refuses to tell anyone what really happened, even when an unexpected snowstorm strands the neighborhood families together after a Christmas ball. Stuck until the snow stops, the Adlers, Hartleys, and their neighbors settle in for the night, only to be awakened in the morning by the scream of a maid who has just discovered a dead body.
The victim was the well-to-do son of a local gentleman–the same man whose name has become so scandalously linked to Amelia’s.
With the snow still falling and no way to come or go, it’s clear that someone in the house was responsible for the young man’s death. When suspicion instantly falls on Jack’s sister, he and Lily must unmask the true culprit before Amelia is convicted of a crime she didn’t commit.
Genre: Historical mystery Published by: Crooked Lane Books Publication Date: September 2023 Number of Pages: 320 ISBN: 9781639104321 (ISBN10: 1639104321) Series: A Lily Adler Mystery, 4
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My Book Review
RATING: 5 out of 5 Stars
MURDER AT MIDNIGHT (Lily Adler Mystery Book #4) by Katharine Schellman is another delightfully engaging addition to the Lily Adler Mystery series. This Regency historical mystery series features an independent young widow amateur sleuth who is once again called upon to assist in solving a murder. All the books in this series can easily be read as standalone mysteries.
Lily Adler is happy to be in Hertfordshire for the holiday season visiting with her late husband’s family. When they attend a country ball, Lily is happy to see her friend Captain Jack Hartley and his younger sister Amelia, but there is an undercurrent of side looks and gossip surrounding Amelia and a handsome gentleman also at the ball. She refuses to confide in her family, and hopes everything will blow over, until the gentleman in question is found dead in the snow outside the rear door shot in the head.
With the guests trapped by a snowstorm, Lily offers to help her magistrate brother-in-law investigate the murder. She believes in Amelia’s innocence, but she also knows she is hiding secrets and she is not the only one. Will Lily be able to discover the murderer from among the stranded group of guests, or will she find herself buried deep in the snow?
I really enjoy the independent Lily, her interesting personal life since coming out of mourning, and her inquisitive nature that is irrepressible. All the secondary characters are fully developed. The mysteries are paced perfectly between the discovery of the crime and the always exciting climax as well as being full of twists and red herrings that keep me guessing. The research is evident in the description of clothes and the depiction of etiquette and mores. I look forward to each new book in this series.
I highly recommend this captivating Regency historical mystery and all the previous books in this series.
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Excerpt
Lily sat bolt upright. Where had the sound come from? It hadn’t been loud . . . another part of the house? For a moment, in the pressing silence, she wondered if she had drifted back to sleep without realizing it and imagined the whole thing.
But a moment later, the sounds of a commotion rose just outside her window. Lily dashed to the window, throwing it open with some effort and peering out into the swirl of snow and early- morning light.
The guest room she had been given was one of the smaller ones—the better to quickly heat rooms that hadn’t been prepared in advance—and as was typical for such rooms, it lacked a pretty view. Hers looked over what she realized after a moment must be the poultry yard. Darkly clad figures who she could guess were servants stumbled through the thick layer of snow that had fallen, trying to reach the two people in the middle of the yard.
One Lily could see from her vantage only as a still, upright figure, hand outstretched and pointing toward the second person, who lay sprawled on the ground. The one on the ground was half covered by the ice and snow, unmoving.
Lily grabbed the dressing gown from the chair, pulled on her shoes, and ran from the room. In the hallway, a few guests were poking their heads out of their doors, hair tousled and faces creased with sleep, inquiring grumpily if anyone had heard an odd noise.
Lily didn’t stop to consider propriety or worry about what anyone else might think before she yelled “Jack!” as loudly as she could. She didn’t know which room he had been given, but a moment later, a door past the stairs was flung open and the navy captain’s head appeared.
“What is it?” he demanded. He was already dressed and wearing his driving coat over his clothing. That was odd at such an early hour, but Lily didn’t have time to be surprised.
“Downstairs.” In spite of the months they had spent apart, Lily knew she could depend on him to understand and act quickly. “Something happened. We have to help.”
And in spite of those months apart, he didn’t stop to ask questions. More guests were emerging, summoned by Lily’s shout, and questions were beginning to fly back and forth as she dashed down the stairs, Jack on her heels.
They didn’t need to wonder where to go; on the floor below, Mrs. Grantham was following a stately-looking woman who might have been the housekeeper or another upper servant. Their pace was just barely too dignified to be a run, but they couldn’t hide their worry as they disappeared down the steps to the kitchen. Lily and Jack hurried after them.
The servants’ staircase was narrow and cold. At the bottom, servants clustered in the kitchen, talking in shrill, anxious voices as the cook tried to keep some order. The underservants glanced uneasily at Lily and Jack as they came into the kitchen, but no one seemed to know what to do or say. The door to the yard had been left wide open, and the wind blew in gusts of snow and icy morning light. Outside, more servants were gathered, though they parted like a wave as the housekeeper led Mrs. Grantham out to see what had happened.
As Lily and Jack tried to follow, they were stopped by the frail but determined body of the butler, who interposed himself between them and the open door. “Madam, sir, perhaps you would care to return to your rooms? Breakfast will be ready shortly.”
Jack drew himself up, clearly prepared to use his rank to push his way past the aging servant. Before he could say anything, though, and before Lily could think how to reply, Mrs. Grantham turned sharply.
“What is . . .” She trailed off, eyeing Lily and Jack with trepidation. She looked ready to send them on their way with some commonplace assurance. But half a dozen emotions chased their way across her face in that moment, and she instead asked, “Mrs. Adler, how many of the rumors about you are true?”
“That depends on the rumors,” Lily replied calmly, though her heart was pounding. Behind Mrs. Grantham, she could see the limbs of the eerie, still figure sticking out of the snowbank. “Though if you refer only to the ones that are most relevant at this moment . . .” She turned her gaze pointedly toward the body in the snow. “There is indeed some truth to them.”
Mrs. Grantham hesitated, then seemed to make up her mind in a rush. She stepped aside, pulling the confused housekeeper with her. There were boots for the servants lined up next to the door, crusted with mud from repeated use. Lily pulled off her delicate evening slippers, slid her bare feet into the pair that looked closest to her size, and followed as she and Jack were ushered into the yard, their eyes fixed on what awaited them there.
A man dressed in borrowed clothes, his skin white with cold, his hair thick with clumps of ice and snow. He could have fallen, hit his head, been caught in the storm and frozen. He could still be alive, in need of help. He could have had an innocent reason for being out in the storm.
He could have. But this close, Lily could see the snow that had been kicked aside and trampled by half a dozen feet in the servants’ frantic attempts to clear it away. The icy powder was too thick on the ground for her to see the mud of the yard. But it was still stained with red and brown from where the man’s life had leaked away in the night.
The once-snowy linen of his shirt was stained the same color, jagged and torn from the bullet that had ended his life. The gun that had fired it had been unearthed beside him, as snow-logged as his own body. The man’s frozen eyes and mouth were wide open, as though he had not believed until the last moment that whoever had faced him in that yard could be capable of the shot that had ended his life.
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Author Bio
Katharine Schellman is a former actor and one-time political consultant. These days, she writes the Lily Adler Mysteries and the Nightingale Mysteries. Her books, which reviewers have praised as “worthy of Agatha Christie or Rex Stout” (Library Journal, starred review), have received multiple accolades, including being named a Library Journal Best Crime Fiction of 2022, a Suspense Magazine Best Book of 2020, and a New York Times editor’s pick in June 2022. Katharine lives and writes in the mountains of Virginia in the company of her husband, children, and the many houseplants she keeps accidentally murdering.
THE AUSCHWITZ DETECTIVE (Adam Lapid Mysteries Book #6) by Johnathan Dunsky is a historical fiction/crime mystery set in 1944 in Auschwitz. The mystery features former Hungarian police detective Adam Lapid while he is in the death camp and coerced into solving the murder of a young inmate. There are five previous books in this series, but this one is a prequel to his life as a P.I. in Israel after the war and is very raw and candid in its depiction of life in Auschwitz. This book is easily read as a standalone story.
Transported to Auschwitz in 1944, Hungarian police detective Adam Lapid loses his entire family to the gas chambers and is struggling to find a reason to go on. When a young man is found murdered, not by the guards in the camp, Adam is ordered to find the killer in three days or lose his own life.
This book is such a difficult book to read with the descriptive depravity laid bare that is usually somewhat glossed over in other WWII stories when they discuss life in the death camps. That said, there are small depictions of humanity and friendship intertwined throughout the story as well as an engrossing murder mystery. The research involved and carried over to the writing of this story is evident.
After reading this story, I am going to move on to book one in the series from here. I believe this book will give me a greater understanding of Adam Lapid’s character in 1950’s Israel.
I highly recommend this historical fiction/crime mystery for a more in-depth though fictional look at life in Auschwitz.
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About the Author
Jonathan Dunsky is the author of the Adam Lapid historical mysteries series. The first five books take place in the early days of the State of Israel and feature private investigator Adam Lapid, a Holocaust survivor and former Nazi hunter. The sixth novel, The Auschwitz Detective, is a prequel that takes place in Auschwitz-Birkenau in the summer of 1944.
Dunsky has also written a standalone crime thriller called The Payback Girl, in addition to publishing a number of short stories, in various genres.
Londoner Madeleine Grant is studying at the Sorbonne in Paris when she marries charismatic French journalist Giles Martin. As they raise their son, Olivier, they hold on to a tenuous promise for the future. Until the thunder of war sets off alarms in France.
Staying behind to join the resistance, Giles sends Madeleine and Olivier to the relative safety of England, where Madeleine secures a job teaching French at a secondary school. Yet nowhere is safe. After a devastating twist of fate resulting in the loss of her son, Madeleine accepts a request from the ministry to aid in the war effort. Seizing the smallest glimmer of hope of finding Giles alive, she returns to France. If Madeleine can stop just one Nazi, it will be the start of a valiant path of revenge.
Though her perseverance, defiance, and heart will be tested beyond imagining, no risk is too great for a brave wife and mother determined to fight and survive against inconceivable odds.
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Elise’s Thoughts
The Paris Assignment by Rhys Bowen is a story of love and war, bitterness and brutality, bravery, and forgiveness. The setting moves from England to France to Australia.
The heroine Madeline Grant is sent to study overseas at the Sorbonne in Paris. There she meets charismatic French journalist Giles Martin. After the Christmas holiday, she defies her stepmother and returns to Paris to live with Giles. After finding out she is pregnant Giles eventually does the right thing and marries her even though his mother has cut him off from any financial assistance. When Oliver, their child is born, he sends Madeline and Oliver back to England to escape Nazi occupied France, while Giles remains in his homeland to join the Resistance. After the Nazi bombings of London starts Madeline puts Oliver on a train to find safety in the English countryside. Unfortunately, the Nazis bombed the train and Oliver is reported dead.
The harrowing adventure starts for both Oliver and Madeline. He is thought to be an orphan and is shipped off to Australia while she joins an elite English group of French speaking women who are trained as spies and sent to France. Both she and Oliver must endure abuse and torture. The redeeming quality is how Giles mother rescues Madeline and helps her to escape back to England. After the war Madeline is sent undercover to Australia to find and bring to justice the abusive Nazis. Readers will find her as a courageous mother and resistor who wants to honor her husband’s and son’s memory. She perseveres, is brave, defiant, and a risktaker.
This is an enthralling story of love, survival, sacrifice, and betrayals. Although a rather dark story there is a happy ending which leaves readers hopeful for the future.
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Author Interview
Elise Cooper: How did you get the idea for the story?
Rhys Bowen: I have been very conscious of these women during WWII who risked their lives in the war effort with a survival rate of 25%. I thought what would make someone do it? These young girls of eighteen, where an incredibly diverse group who were incredibly brave. Then in 2019 we rented a house in Fontainebleau France and became aware of the history regarding the Nazi occupation. I went back last fall to fill in the little bits of details for the story.
EC: How would you describe Madeline?
RB: She grew from a naïve English girl to someone who became a fierce mother tiger. She was sheltered, practical, and honest. She feels lost because she is not welcome at home. Madeline is looking for love, adventure, and to belong. But as she matures, she has an inner strength.
EC: How about Giles?
RB: Readers see him through Madeline’s eyes. At first self-centered but he steps up to marry her when she is with child. He becomes very brave and honorable.
EC: How about the relationship between Madeline and Giles?
RB: At first, he sweeps her off her feet but then she becomes the complement to him. He is an idealist, believes in equality. They are perfect for each other when they meet. At the beginning readers see him as a bad playboy. As the relationship grows, they become each other’s true love. At the beginning he was self-centered and domineering as evidenced by the quote, ‘In France people marry for family expectations with a mistress for companionship.’ But after a few years he begins to rely on her strength and stability. The turning point is when he defied his family to marry her.
EC: How would you describe the child of Madeline and Giles, Oliver?
RB: Very smart, brave, very observing, and is not outgoing. While going to school in England, as with most young schoolboys, he was picked on because he sounded different and did not fit in. He is the typical only child that grows up around adults, learning to interact in an adult sort of way. He endured the hardships. People see him as a complex character. Because he changed badges with this other guy his bio says he came from the backstreets of London, yet he appears very well educated. It is war time, so he becomes a small casualty with no one double checking on the discrepancy.
EC: There is a difference between Madeline’s stepmom Eleanor and Giles mom?
RB: I was asked ‘why do I have in each of my books a cold, horrible woman?’ My own mother and grandmother were lovely. But I went to a strict girl’s schools where all the teachers were nasty and spiteful older women. Eleanor is self-centered, uncaring, and very cold. She did not marry for love and is jealous of the fact that the father loves Madeline but does not love her. The father is very much like Mr. Bennet from Pride and Prejudice, shuts himself up in the library.
Giles mother is caught up in the class system, coming from a very important family. She expected her son to behave as she wants. In the beginning her reputation is more important to her than the relationship with her son. But later in the book, after helping to rescue Madeline she confesses that she has gone to Paris to see them, but then still refused to be a part of the family. Giles mother is brave, proud, and spirited, whereas Eleanor never changes.
EC: What is true versus false?
RB: It has a lot of real stuff. The English were anti-French. Also true, every house built a shelter. I was like Oliver having a complete panic attack during the blitzkrieg. My husband told a story how he saw a senseless act of violence when a German pilot machine gunned a bunch of people at a bus stop, so it was not unheard of that they bombed an English civilian train.
Children were moved to Australia, a British colony. They volunteered to take British orphans and children of family members who wanted their own children to be safe. Regarding the Australian nuns I read these first-person accounts of children sent to these farms controlled by the nuns. They were spiteful and cruel. They sought out a way to make money. When the children get old enough, they got a finder’s fee from farmers which was like indentured servants.
EC: Next books?
RB: The book coming out this time next year has a working title, An Abandoned Place. It is about three little girls during WWII who were put on a train to be evacuated and were never seen again. Move forward to 1968 where a girl thinks she has been to a village now abandoned. The protagonist is a journalist who decides to investigate.
March 2024 will be the next Molly Murphy book I write with my daughter. It is titled In Sunshine or In Shadow. It takes place in the Catskills where the Jewish bungalows are.
THANK YOU!!
***
BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.
An unpaid bar bill leads Flavia Albia to her most bitter and complex case yet.
Decades earlier Appius Tranquillus Surus wrote his will: it freed his slaves and bequeathed his businesses to them. He left an orchard to the Prisci, a family he was friendly with, on the condition that his freedmen could still take its harvest.
The convoluted arrangement has led to a feud between the two families, each of which has its own internal strife. Endless claims and counterclaims lead to violence and even death. Lawyers have given up in exasperation as the case limps on. The original will has disappeared, along with a falsified codicil – and might there be another one?
But is there a solution? Two youngsters from each side of the divide, Gaius Venuleius and Cosca Sabatina, have fallen in love, which could unite the feuding families. There is only one problem: were Sabatina’s grandmother and father really liberated in the Surus will? If not, the stigma of slavery will stop the marriage and the dispute will rage on forever.
Reconciliation seems impossible, but Albia will try. Her investigation must cut through decades of secrets, arguments, lies and violence to reach a startling truth.
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Elise’s Thoughts
Fatal Legacy by Lindsey Davis is the 11th book in the Flavia Albia series. It takes place during the First Century in Rome.
The plot has Flavia Albia, the daughter of Marcus Didius Falco, taking over her father’s business as a private informer. She only has two hard and fast rules – avoid political and family cases because nothing good comes of either of them. Unfortunately, since Albia isn’t good at avoiding either, it’s really more of a guideline. So, when her Aunt Junia demands Albia track down a couple of deadbeats who owe her money, it’s an offer Albia can’t refuse.
It turns out to be a relatively easy job, requiring only some half-hearted blackmail, and it leads to some new work – tracking down some essential paperwork for the debtor family. But nothing is truly easy in Rome – if Albia doesn’t find the paperwork that proves that family’s ancestor was a properly freed slave, the family could lose everything. The more she digs, the more skeletons she finds in their closet, until murder in the past leads to murder in the present. Now, it’s serious, even deadly, and Albia has precious little time to uncover the truth.
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Author Interview
Elise Cooper: How did you get the idea for the series?
Lindsey Davis: After writing twenty books in my much-loved Falco Roman detective series, I fought to be allowed a new direction. ‘Master and God’ examined the reign of the paranoid emperor Domitian, which I then used as a new, darker background to extend my Roman detective idea – only this time using a female protagonist. After twenty years, I felt that readers were more familiar with Rome than when I started, so I could now face them with a woman’s life in the Golden City. I thought this would be a refreshing nuance, good for me as a writer too.
EC: How did you get the idea for the character Flavia Albia?
LD: She was originally seen in a Falco story that was set in Roman Britain; I made her a tragic survivor of the Boudiccan Rebellion. Falco and his wife rescued her and brought her to Rome, adopting her as a daughter. Then I realized that I had created an interesting, very feisty character. In the Falco series I had great fun showing her as a troubled adolescent, but very perceptive about the new society she has joined.
EC: How did you get the idea for this story?
LD: It starts with a small everyday event, when two people fail to pay their bill for lunch. Albia is called in to chase them down and retrieve the money – so first, I had to work out how she might do that as a debt collector. She is hired to find some family documents. Slowly, lives are explored, leading into an extraordinarily complex family saga, covering several generations, and every kind of trouble that might afflict warring relatives. It’s a kind of mad soap opera plot, where eventually everything is found to lock together. Behind the events we laugh at, however, is a poignant discussion of ancient slavery: how it worked in a domestic situation, the vital importance of acquiring freedom, then the terrible consequences if someone who believed they were free could not prove it, or were they mistaken. I knew that if Albia could not provide a happy legal solution, she would have to obtain justice for the victims.
EC: Can you please describe Flavia?
LD: she is smart, determined, cynical. And a London Street urchin, but she is also the beneficiary of a good Roman education. She gives us a new perspective from that of the true Roman. Falco: sees Rome as a woman, an outsider, and someone who must fight hard to be accepted. She has a wild courage. And although no longer a scavenger herself, she never forgets how it felt, which gives her profound sympathy for others who are suffering or under threat of losing everything. Privilege will not spoil her. She has been slow to trust her new security, but I think she’s got there.
EC: Why the Roman Empire for the setting in the 1st Century?
LD: Because my first Roman novel was about the Emperor Vespasian and his mistress, Antonia Caenis (The Course of Honor). I came to know that period, then Vespasian’s accession after the madness of the Julio-Claudians made a suitable background for Falco, also striving to impose some order on the world he lives in. There is surviving Latin literature from this period, and of course the time capsule of the Vesuvius eruption. And I use archaeology as my starting point; there has been lots of good information discovered during my lifetime. That is still continuing, which keeps up the interest.
EC: How did Flavia grow since the first book in the series?
LD: She found mature true love, primarily. She stabilized, and accepted domesticity, where she takes responsibility for others and ruefully sees herself, with Tiberius, as the sensible center of a household and a family business. It makes her even angrier about anything that threatens the peace of people’s domestic environment and their right to personal ambitions. After a bad start in life and the tragic end of her youthful first marriage, she now accepts that even she may be allowed happiness.
EC: What role did women play in the Roman Empire?
LD: Much, much more than men have always said! Never mind the small aristocracy, who were as different and peculiar then as they are now (though not always: Vespasian was heavily influenced by his grandmother, mother, and obviously Caenis). It is evident from tombstones and inscriptions that in most of Roman society, women, especially as part of a domestic couple, were equal partners in the basic family unit. They were not supposed to go to law (but could do so) yet they could hold their own property, run businesses, and their influence is greater than the old established view. I am having fun exploring how females could fight what was supposed to be a patriarchal system. Sadly, the one profession that doesn’t seem to have been open to them is my own: we know of no successful female novelists!
EC: Did you intentionally make this story not as gruesome as the last?
LD: Yes. Absolutely. ‘Desperate Undertaking’ was based on known examples of horrible events on the Roman stage; some readers loved it, but I know some felt squeamish. I’m none too keen on live deaths in theatre myself. So next, I set out to write a story where it might appear nobody had died by foul play at all; I even make a running joke about the lack of a body. Of course, in the end it turns out that this is not the case, because in a crime novel there has to be murder. In fact, there are two killings, but one was a long time ago and the other happens very quickly!
EC: Why did most characters lie in the story?
LD: Because they are bad people! Or, you could say, normal people with secrets.
EC: What about the next book?
LD:Death on the Tiber published in April 2024 UK; July 2024 USA.
The plot has a group of well-heeled tourists arrive in Rome; when they leave, one is no longer with them. The body of a drowned woman is dredged from the Tiber, clearly the victim of foul play. It is believed she came to Rome from Britain. Rome is descending into serious gang warfare. A key mobster figure has died and will have a spectacular funeral; all the city crime lords – and their indomitable women – will be jostling for power in the aftermath. As Albia reluctantly investigates, she comments on the complex organization Rome uses to defeat the criminal underworld. She herself has allies, but they may be no help when she must confront an old enemy. She then faces a hard personal decision. Will she be consumed by the need for revenge, jeopardizing her new-found happiness?
THANK YOU!!
***
BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.
