A story of intrigue, romance, murder, and artificial intelligence…
She was almost out, her life of enforced seclusion nearly over. She’d go to college at MITI, make a name for herself in Machine Intelligence (MI), and develop personal MIs to solve the world’s problems by building on the technology her grandfather had secretly invented.
But the house was on fire when Paloma arrived home. Her grandfather, beaten and tortured, lay dead on the floor. Someone knew about Marlowe, Paloma’s MI, and would clearly kill to acquire it. They’d come for her next. They’d come for Marlowe.
Paloma has no choice but to run, at least until she can figure out who is after them. A tech corporation? The government? Anti-tech terrorists? As she encounters each, her grandfather’s arguments about the dangers of a Marlowe-like MI in the wrong hands begin to make sense. But after 15 years together, Marlowe has become both her best friend and, for better or worse, part of who she is.
A new take on classic noir themes, Private I is a mystery thriller rooted in today’s headlines and driven by characters with distinct answers to the questions those articles ask: what do we mean by machine consciousness? Would we recognize it if we saw it? Would we want it if we could have it? It is the story of a dead body, a society in decay, and the internal monologue of a voice that is still young enough to care and naive enough to stumble. Of course, in our case, that internal monologue has two voices.
PRIVATE I by Ashlei E. Watson, Jill Fain Lehman & Paul Pangaro is a futuristic sci-fi thriller and murder mystery with a bit of romance featuring a young woman on the run after the murder of her grandfather, but that is the simplistic overview. It also involves many philosophical questions tied to an advanced Machine Intelligence (MI) named Marlowe that her grandfather invented and gave to her as a friend and guide at a young age when she came to live with him.
Ready to leave the rules and strictures of her grandfather’s home, Paloma has graduated and is hoping to attend MIT in the next session. When she comes home after visiting the college, she finds her grandfather murdered and their home on fire. Paloma’s MI, Marlowe, has instructions for an occurrence like this, but Paloma would rather be on the run with Marlowe than destroy her friend of fifteen years. As she tries to figure out who wants the technology enough to kill, Paloma seeks help from some of her grandfather’s friends, but even they seem to have ulterior motives. She does not know who to trust.
Paloma is an interesting protagonist. She is young and seems to have led a sheltered life with Marlowe, but she is also tough and intelligent enough to weave her way through the treachery and lies of the people supposedly trying to help. The dialogue between Paloma and Marlowe was at times entertaining, but it also did a great job of demonstrating Paloma’s complex relationship with a machine that sometimes left her feeling as if she was losing her individual human self. There is some technological discussion and a lot of acronyms that at times I did not understand, but you can skip or not understand the jargon and the main plotline will still pull you in and keep you turning the pages. There is a good mix of action and amateur investigation along with philosophical discussions of humans relying on personal machine intelligence that kept me pondering even after the resolution of the book. The ending was not what I was expecting, but it still satisfied.
I recommend this mash-up sci-fi thriller. It was different for me, and I enjoyed it.
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About the Author
Ashlei E. Watson (born July 7, 1975) is an American novelist. Her books include the cyber noir series Private I, co-written with Jill Fain Lehman, PhD and Paul Pangaro, PhD.
About the Author
Career in academic and industrial research in Artificial Intelligence, predominantly natural language processing (NLP), machine learning (ML) and cognitive architecture. Full info at https://www.cs.cmu.edu/~jef/.
About the Author
Career as entrepreneur, teacher, researcher, and performer. Introduced to Cybernetics at MIT with Jerry Lettvin then Gordon Pask, with whom Paul did a PhD and worked with for more than a decade. Involved in a series of startups, often as founder and CTO, culminating with General Cybernetics, Inc., in New York City. Entered academia from 2015, currently at Carnegie Mellon University. Videos on Cybernetics at https://vimeo.com/showcase/9172955. Personal website and blog at http://pangaro.com/
In June 1917, General John Pershing arrived in France to establish American forces in Europe. He immediately found himself unable to communicate with troops in the field. Pershing needed telephone operators who could swiftly and accurately connect multiple calls, speak fluent French and English, remain steady under fire, and be utterly discreet, since the calls often conveyed classified information.
At the time, nearly all well-trained American telephone operators were women—but women were not permitted to enlist, or even to vote in most states. Nevertheless, the U.S. Army Signal Corps promptly began recruiting them.
More than 7,600 women responded, including Grace Banker of New Jersey, a switchboard instructor with AT&T and an alumna of Barnard College; Marie Miossec, a Frenchwoman and aspiring opera singer; and Valerie DeSmedt, a twenty-year-old Pacific Telephone operator from Los Angeles, determined to strike a blow for her native Belgium.
They were among the first women sworn into the U.S. Army under the Articles of War. The male soldiers they had replaced had needed one minute to connect each call. The switchboard soldiers could do it in ten seconds.
Deployed throughout France, including near the front lines, the operators endured hardships and risked death or injury from gunfire, bombardments, and the Spanish Flu. Not all of them would survive.
The women of the U.S. Army Signal Corps served with honor and played an essential role in achieving the Allied victory. Their story has never been the focus of a novel…until now.
SWITCHBOARD SOLDIERS by Jennifer Chiaverini is an engaging and informative historical fiction novel featuring the first young women ever to be able to enlist in the US Army’s Signal Corps and serve overseas as switchboard operators during WWI. The story follows three main protagonists from different parts of the country with varying immigrant family stories as they serve in the great war overseas.
As General John Pershing arrives in France to oversee American forces to fight alongside the French and British forces in the “war to end all wars” against the Axis forces, he realizes he needs professional female operators fluent in both French and English to be able to communicate all over the fields of operation. AT&T operators answered the call to serve from all over the country.
Grace Banker is an AT&T switchboard instructor in New Jersey and an alumnus of Barnard College, Marie Miossec is in Cincinnati with her French parents who are professional musicians working in the states, and Valerie DeSmedt an operator in Los Angeles whose family has immigrated from Belgium, are all accepted after an arduous vetting. Deployed to France, they cross the dangerous waters of the Atlantic facing dangerous German U-boats, the bombardments of the enemy forces throughout France as they are assigned to work closely to the frontlines, the danger of mustard gas and the Spanish flu.
These women served throughout France with honor and valor and were essential to the success of the Allied forces.
I had no idea that these American women switchboard operators were involved in the war effort during WWI. You hear about nurses and the YWCA volunteers, but not this group. I was so impressed by the magnitude of research throughout this novel. The author’s descriptions brought me right into the action. This story does jump around a bit as you follow the different paths and experiences the three main characters follow so occasionally, I felt it was a little disjointed, but in a way, it needed to be, so it fit in with the different journey of each. Just like so many other historical women’s stories in history, these brave young women were not recognized as true soldiers of the Army and received no VA benefits or legal recognition until 1977.
I highly recommend this story of amazing women answering the call to service.
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About the Author
Jennifer Chiaverini is the New York Times bestselling author of FATES AND TRAITORS, MRS. LINCOLN’S DRESSMAKER, MRS. LINCOLN’S RIVAL, THE SPYMISTRESS, MRS. GRANT AND MADAME JULE, and other acclaimed historical novels. She also wrote the beloved Elm Creek Quilts series, as well as six collections of quilt patterns inspired by her books. A graduate of the University of Notre Dame and the University of Chicago, she lives with her husband and two sons in Madison, Wisconsin. About her historical fiction, the Milwaukee Journal Sentinel writes, “In addition to simply being fascinating stories, these novels go a long way in capturing the texture of life for women, rich and poor, black and white, in those perilous years.”
Years after her successful and impactful career at the CIA, Christina Hillsberg became enthralled with the stories of the trailblazing women who forged new paths within the Agency long before she began her career there in the aughts. These were women who sacrificed their personal lives, risked their safety, defied expectations, and boldly navigated the male-dominated spy organization.
Through exclusive interviews with current and former female CIA officers, many of whom have never spoken publicly, Agents of Change tells an enthralling and, at times, disturbing story set against the backdrop of the evolving women’s movement. It was the 1960s, a “secretarial” era, when women first gained a foothold and pushed against the one-dimensional, pop-culture trope of the sexy Cold War Bond Girl. Underestimated but undaunted, they fought their way, decade-by-decade, through adversity to the top of the spy game.
Seamlessly weaving together the individual stories of these exceptional women, Hillsberg deftly tackles not just the fight for gender equality at the CIA, but the current dilemma the Agency faces when dealing with the culmination of a decades-long culture of sexual harassment and assault.
Each chapter sheds a light on women’s issues during that decade before bringing to life the stories of female CIA operations officers whose experiences were emblematic of that given era. In this fascinating and empowering chronicle, Hillsberg takes readers inside the Agency in a way that’s never been done before, paying long overdue tribute to the survivors and thrivers, the indispensable groundbreakers, and defiant rabble-rousers who made the choice to change their lives and in turn, changed history.
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Elise’s Thoughts
Agents of Change by Christina Hillsberg reads like an espionage thriller. Hillsberg, a former CIA intelligence officer, uses her insider knowledge to write a nonfiction book about US patriots working for the CIA who happened to be women trailblazers. These women sacrificed their personal lives, risked their safety, defied expectations, and boldly navigated the male-dominated spy organization. The book profiles dozens of agents from the 1960s to the present.
The book takes readers behind the scenes as it explores by decade how women’s roles in the CIA evolved. The compelling exclusive interviews with those CIA officers show their resilience and determination.
They had to overcome the thinking of the times about women’s roles in the workplace. Although the book does discuss the fight for gender equality at the CIA, and the culture of sexual harassment/assault, this is not the essence of the book, but the riveting stories of how these women risked their lives while performing their duties that included doing espionage, recruiting spies, and stealing secrets.
One compelling story is of Marti Peterson. Marti served as an intelligence officer in Russia where she conducted dead drops. Because the KGB did not think that a woman would be used to conduct clandestine operations, she was able to collect foreign intelligence right under the Russians’ noses without them knowing. The description of her cover and how she went about her duties is riveting, especially after being captured by the KGB, betrayed by double agents.
Then there was Janine Brookner. She had her antennas up about Aldrich Ames who worked in counterintelligence alongside Janine’s ex-husband and long-time companion, Colin. She felt he was a security risk and brought her concerns up to the Chief of Station who ignored her. It turns out her concerns were justified considering eight years later, Ames would plead guilty to espionage on behalf of the Soviet Union. Unfortunately, she never received the credit for being one of the first people to identify him as a traitor.
A bonus is how Hillsberg makes the comparison between how the CIA treats female agents through the decades to what the James Bond films are doing with women in each decade.
Anyone who wants an espionage read should get this book. These women were groundbreakers, rabble rousers, but more important are the shields that helped to keep Americans safe.
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Author Interview
Elise Cooper: Do you agree that those in intelligence should be thought of on July 4th, America’s birthday?
Christina Hillsberg: July 4th is a great time to take a moment and thank those that work in the shadows as well as all the servicemen and women in the military and law enforcement. There are so many incredible people behind the scenes to keep Americans safe, including the remarkable women I highlight in the book. The emphasis of those working at the CIA is to keep Americans safe here at home, abroad, and American interests. As Americans celebrate July 4th, I hope they remember why we have all these freedoms.
EC: How has your experience at the CIA helped you to write this book?
CH: We’re surrounded by so many misconceptions of the female spy, thanks in large part to Hollywood. I knew I was uniquely positioned to write a book about the real women in intelligence. Having spent time in both analysis and operations during my time at the CIA, I leveraged that experience to build trust with those I interviewed, many of whom had never spoken publicly about their CIA experiences.
EC: Why write the book?
CH: I wanted to write about the women who came before me and how the female spy has changed over the years, to amplify their stories and voices. It was meant to show the progress the Agency has made over the years regarding the role of women. There is also some conversation about the less favorable part of the history including the struggles of sexual harassment/abuse. That said, it’s meant to be a celebration of the incredible accomplishments of female officers at the CIA as well as the notable progress the spy organization has made throughout the decades.
EC: Why the book title?
CH: They were all trailblazers but considered troublemakers for making change happen. Even though the term should be intelligence officers I used the word ‘agents’ because of a play on words, they were the change agents. Originally the word ‘sisters’ was in the title but as I did the interviews and research, I realized there was no ‘sisterhood’ at the Agency although they opened the doors for other women. The sisterhood seems to come after we’ve left. I value the friendships I’ve made with these older women because they are filled with stories, wisdom, and experiences.
EC: It boggles my mind that Americans cannot thank personally those in the CIA for their service as we can with the military and law enforcement. Do you agree?
CH: Those at the CIA are bred not to speak of the accomplishments and to share. We always used to say in the CIA, there is only such a thing as “policy success and an intelligence failure.”
Many times, people do not hear about all the intelligence successes that happen all the time. If there is a success, the policy makers will take credit for it. Hopefully, with this book, Americans appreciate the role those at the CIA play in keeping them safe and become more aware of what they do. For example, Marti, a CIA officer, never told her children until they were much older that she was CIA. Many women of the CIA were quiet about their activities. Often these women did not share their stories even though they played vital roles in national security. I wanted to choose women who resonated with readers and to humanize them. To show how these women had families and had to make life choices.
EC: Why the James Bond comparison?
CH: When there is talk about the female spy the “Bond girl” comes to mind. Look at the trajectory of the Bond girl from the very first movie until now. It goes from a one-dimensional sidekick to a multidimensional very capable “Bond girl.” I thought it would be a great story telling structure to trace that along with the changing role of women through the decades at the Agency. It was my hope to write a book that is both entertaining and approachable for readers beyond history buffs and spy afficionados.
EC: Marti Peterson, a CIA woman who worked there in the seventies had an interesting career, do you agree?
CH: Absolutely. Marti began her career as a “CIA wife,” providing secretarial and administration support while accompanying her husband on his tour in Laos. She felt she was losing her own identity, an “appendage to his career.” After her husband was killed, she wanted to be an operations officer and refused the Agency’s offer to give her a secretarial role. Instead, she demanded more commensurate with her experience and abilities. At that time women were told they could not run operations, did not have the skill set, and were inferior. There was the fear they would get pregnant or marry and leave. But Marti was persistent, resilient, and determined to show what she was made of. She even learned Russian for a tour in Moscow where she was the first woman to operate clandestinely. She was an extremely accomplished woman whose experience helped shape the trajectory of women at the CIA for years to come. I’m grateful to have had the opportunity to sit down with her and hear about her career.
EC: What traits make women an advantageous spy?
CH: At the beginning of the book, I include an epigraph by an operations officer, “Don’t let somebody tell you, for whatever reason, you can’t do it because you’re a woman.” I think this is a powerful message to younger women, that nothing can hold them back. Because women were often underestimated, they leveraged that to their benefit, and by extension, the CIA’s as well. They blended into the background in male-dominated cultures across the globe, stealing secrets all while going undetected. Moreover, many women officers felt they were better listeners than their male colleagues, detailed oriented, more empathetic, could build rapport in different ways than the males, yet set boundaries.
EC: Were there any men supportive of these women?
CH: Oh, yes. Some women were fortunate to have supportive male colleagues and superiors, and in many cases, that meant the difference between a woman’s ability to attend operational training at the Farm or remain in a non-operational role at headquarters. Janine Brookner, for example, secured her first overseas assignment as a result of a male ally who advocated for a woman operations officer in his station. But once she arrived, it was up to her to prove her worth, and she did that in spades.
EC: Why did you highlight Janine Brookner?
CH: Even to this day people have strong feelings about Janine because she was so controversial. Having already passed away prior to my beginning my research for this book, I had to rely on interviews with family, friends, and colleagues to create Janine’s narrative. After hearing conflicting impressions, I realized that those who had something negative to say about her never worked with her directly, and yet, they criticized everything from her style of dress to her attitude. As with everything in life, everyone brings their own bias to the table, and it was my responsibility to wade through the noise and create the most accurate portrayal of Janine. And after dozens of interviews, I believe she was a smart and tenacious intelligence officer whose bravery created one of the most important watershed moments in the history of women at the CIA. After Janine was wrongfully accused of sexual harassment, she fought back and won. Although the CIA settled with her, the Agency did not admit any wrongdoing. The settlement said she had to resign. Because she knew this was just wrong, she became a lawyer to represent Federal government employees in their cases involving sexual discrimination.
EC: How would you describe Janine?
CH: I wish I could have met her, but unfortunately, she died. I would describe her as loyal, ambitious almost to a fault, resourceful, career oriented, empathetic, caring, excellent operational tradecraft, intuitive, and drive. She remained a close companion to Colin, her ex-husband and retired CIA case officer, who I’ve been fortunate enough to get to know throughout the reporting of this book.
EC: What do you want readers to get out of the book?
CH: I want readers to realize how important women are to national security. They are competent and talented officers who bring unique perspectives to all aspects of Agency work, a vital part of the mission. I want to encourage women to work in intelligence with their eyes wide open. I want to make sure that people celebrate the accomplishments of these women.
This not a book about an ‘axe to grind’ regarding sexual harassment and assault but rather, a book about the accomplishment of some remarkable women.
THANK YOU!!
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BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.
Today I am sharing my Feature Post and Book Review for THE SIDE PROJECT by Laurel Osterkamp on this Book Amplifier Tour.
Below you will find an author Q&A, introduction and synopsis, my book review, an excerpt from the book, and the author’s bio and social media links. Enjoy!
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Author Q&A
Writing Process & Creativity
How did you research your book?
There wasn’t a huge amount of research involved, but I did need to read up on the type of brain tumors teenagers are most likely to get. I’d already spent a lot of time in Bemidji, but I convinced my family that I should take a road trip up to Bemidji on my own, just for the night, so I could walk around taking pictures and imagining my characters’ lives there.
What’s the hardest scene or character you wrote—and why?
The last scene between Rylee and her mother, Summer, was difficult to write because finally, they were being honest with each other and dealing with their grief. It was a challenge to find the right level of emotion and to give each of them their own unique voice.
What’s your favorite compliment you’ve received as a writer?
That’s so hard, because I often forget the compliments I receive, unlike the criticism, which is always tattooed on my brain. But last night I received this message from a huge BookTok influencer, after she finished reading The Side Project: “I just finished! Man, I’m crying happy tears. This was so different… and it was SO good.” I can’t overstate how happy that compliment made me!
Your Writing Life
Do you write every day? What’s your schedule?
Sometimes, if there’s a lot of laundry or grocery shopping to do, I skip writing on Sundays. Otherwise, I write every day, in the afternoon and/or early evening.
Any quirky writing rituals or must-have snacks?
My favorite writing quirk is when my cat, Toffee, snuggles up next to me while I sit on the couch with my laptop. When I get stuck, I’ll pet her and ask for her advice. She always has great ideas!
Behind the Book
Why did you choose this setting/topic?
I’ve always felt that northern settings where they wear a lot of flannel are romantic. When I began writing The Side Project, I’d just finished an MFA program in Creative Writing. I liked the idea of exploring how writers can be sort of snobby toward each other when it comes to writing genre fiction, especially romance. And there’s definitely a stigma when it comes to self-publishing. The Side Project is not self-published, but Rylee is a secret self-published romance author and afraid to let the people in her life know this. So The Side Project is a combination of several topics and settings that are close to my heart.
If your book became a movie, who would star in it?
Winona Ryder (at 23) as Rylee
Andrew Garfield (at 27) as Carson
Jessica Chastain (at 27) as Dana
James Van Der Beek (at 27) as Jack
Which author(s) most inspired you?
This answer is specific to romance writing, but Emily Henry and Carley Fortune inspired me in a huge way. After reading their novels, I was ready to transition from writing women’s fiction to
contemporary romance. I love how they use the expected romance tropes that readers love, but they also write layered stories with complex characters and lyrical prose.
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Introductionand Synopsis
Some stories are never really over. Laurel Osterkamp’s The Side Project explores what happens when unfinished business from the past collides with the emotional messiness of the present—through the lens of two former lovers forced to collaborate creatively.
Ten years after their breakup, Rylee and Carson are thrown back into each other’s orbit—not by chance, but by enrollment in the same graduate fiction workshop. Rylee is still rooted in their hometown, juggling caretaking duties and trying to hold onto the memory of her late father, a novelist who left behind an incomplete manuscript. Carson, now a single dad, is determined to keep things tidy and focused. But when their class assignment turns into a writing partnership—and then a secret “side project”—long-buried feelings begin to surface. Their story becomes as tangled as the fiction they’re writing, and soon they’re forced to ask: is it possible to rewrite a past that never got its ending?
THE SIDE PROJECT by Laurel Osterkamp is a contemporary romance/rom-com that brings realistic characters to the page with all their imperfections and puts them through an emotional upheaval of twists, secrets, and lies interspersed with heartwarming moments of friendship and familial love. This new-to-me author kept me turning the pages.
Rylee dreams of writing a literary novel that her late father would have loved, but her secret is that she loves and writes Regency romances in secret. She was prepared to move to California, but her younger brother is diagnosed with cancer, and she stays to help her mother and brother in her small hometown of Bemidji, MN.
Carson’s plans to attend Harvard and become a doctor came to an end when his girlfriend told him she was pregnant. He has stayed in Bemidji and married, discovered he loves his son and being a father, but he dreams of more.
Rylee is surprised when she attends her first MFA course and Carson is in the classroom. They become writing partners even with Rylee and Carson’s unresolved high school past and start a no-strings fling side project. As their chemistry heats up, so do the complications. Secrets, lies, and hard truths will all come out and difficult decisions must be made.
Rylee and Carson have both lived through life-altering loss and disappointments and when they come together there are still so many secrets and lies between them which become exposed throughout the story and as each one drops, it causes emotional upheaval. I felt the characters in this story were fully developed and the story flowed well and was entertaining as a character driven romance. There are a few sex scenes, but they were not gratuitous, but believable to the story. This novel stretches a few romance genre rules but brings relatable characters to life and still delivers a romance lovers ending.
I recommend this mash-up for a heartwarming weekend read and am looking forward to checking other works by this author.
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Excerpt
I steel myself and step out of my car, determined to keep things businesslike today. The sight of Carson outside raking leaves, ruggedly adorable with Ferris running circles around his feet, does nothing to break my resolve. I tell myself: You’re here to work. Nothing more, nothing less.
“Hey, Rylee.” He grins, pushing up his sleeves. “You’re right in time to hold the leaf bag.”
I don’t have time to respond before a happy splash of black fur races past us, yipping and barking. I laugh, and Carson shakes his head, smiling as well.
“Ferris loves chasing leaves,” Carson says.
Ferris circles us. Running in the autumn wind, his mouth is full of fluttering colors and twigs.
I contemplate Carson’s leaf bag. “The hardest part is always getting in the first few handfuls of leaves. Did you know they have these cardboard insert thingies that keep the bag open?”
Carson holds his rake with one hand. “Oh, yeah?”
“Yeah. My dad was excited when he discovered them at the hardware store. It used to be our thing, my dad and I, bagging leaves together.”
“Oh.” Carson’s mouth goes slack, and his eyes pool with sympathy. It’s like he backed over a bunny rabbit by accident. “Sorry. I didn’t mean to bring up old memories.”
I wave off the awkwardness as if I’m shooing away bugs. “No worries. It won’t break me to hold the bag open, and I’ll even push down the leaves as you put them in.” My words come out in a rush. “Where should I put my computer?”
“I’ll put it inside. Do you also want me to take your purse?”
“Sure, thanks.” I hand him both.
He takes them through his front door as a gust of wind threatens to upend Carson’s carefully constructed leaf pile. I snatch up the rake, ready for battle. “You won’t escape me, bitches!” I yell at the flying leaves.
I look over to see Carson on his front stoop, watching my wild efforts like I’m a vaudeville spectacle he can’t quite believe. Embarrassed, I kick at the ground. “I didn’t want all your hard work ruined.”
His expression is serious. “Have you tried positive reinforcement? I’ve found that fallen leaves don’t respond well to punitive measures.”
“Right,” I reply, “because they have nothing to lose. Their fate is inside a garbage bag or being trapped by an uncaring tire. Snow will cover the lucky ones until after the thaw.” I run the rake through the grass at my feet. “Then they’ll get scooped up—along with all the dog poop and candy wrappers the trick-or-treaters leave behind.”
Using his index finger to rub his chin, Carson considers this. “Trick-or-treaters leave behind dog poop?”
“Some of the angry ones do.”
He laughs—and darn if he isn’t cute when he smiles—before saying, “Guess I’d better buy good candy this year.”
“No black licorice or breath mints.” I let out a low groan. “But the worst are those peanut butter-flavored taffies wrapped in orange or black wrappers.”
“Those are the worst. I never ate them.”
“Me neither.”
I hold open the bag, and Carson bends down, scoops up the leaves, and stands very close as he shoves them inside. I’m painfully aware of how his Levis-clad butt looks oh-so-good when he bends over. After the bag is full, he glances up at his tree and down at his yard, thanking me for my help. Then he sort of stands there, gazing at me, and I can’t help but ask. “What?”
“Nothing. Sorry. You’d lose all respect for me if I told you,” he mumbles.
“Now you have to tell me.”
He brushes a leaf from his sleeve. “No, really,” he stammers, “it’s ridiculous.”
I nudge his ankle with my sneaker’s rubber toe. “Try me.”
Rolling his eyes skyward, he asks, “Did you ever read The Majestic Seven? That fantasy about the seven heroes who must save their kingdom?”
“No,” I reply. “But I’ve heard of it. Why?”
Carson’s cheeks turn the slightest bit pink. “I was thinking how you’re like Lady Seraphina.”
My hands fly to either side of my face. “It’s because of my pointy ears, right?”
“What? No.” He blinks in confusion. “Why would you make that connection?”
“Because I saw the trailer for the movie adaptation, and the only female character is an elf. The tips of her ears are like razors.”
“No!” Carson swallows a laugh. “God, no, that’s not what I meant.”
I look him up and down. “Well, what did you mean?”
His voice sounds like a worn vinyl record, smooth in the center but scratched at the edges. “You’re the type of girl who could save the world.”
“You mean ‘woman’ and not ‘girl,’ right?”
“Of course. Sorry.” He releases a self-conscious chuckle. “You’re the kind of woman who could save the world. One hundred percent.”
“Thank you.” Then, feeling that magnetic pull, I drop my gaze to the ground.
He hits his forehead. “God. I’m such an idiot. I promised I’d be professional today, and I’ve already blown it, haven’t I?”
I search for a response. Thankfully, Ferris runs up to me, and I busy myself with petting him. “It’s fine. But I don’t understand. Why would I lose all respect for you?”
“Because you’ll realize I like fantasy novels.”
Kneeling down, I let Ferris nuzzle my shoulder. “Please. As if I didn’t already know? Remember how in high school, you’d check out The Prince of Saturn and slide it into your backpack before anyone could see?”
Carson raises an eyebrow. “Except for you.”
I notice a renegade leaf on my shoulder and brush it off. “That’s right. Because I was also always in the media center after lunch, most likely checking out some gothic romance, which is way more looked down upon than science fiction or fantasy.”
“Yeah, but you weren’t on the hockey team.” He smirks. “If the other players knew about my reading habits, they’d have kicked my ass.”
“So, you tried to pretend you weren’t smart? How’d that work out for you, college boy?”
He opens his mouth to respond but laughs instead. “Hey, you mentioned gothic romance, and that reminds me. I dug your story. A contemporary Charlotte Brontë! It was so original. I don’t have very many revision notes for you, because the story flowed. And I’m worried that if you rework it a lot, you’ll lose that.”
“Thanks, I’m glad you liked it. I liked your story too, and not just because you liked mine.” Shifting my weight, I say, “Should we go inside and get to work?”
He nods. “Yeah. Let’s do that. Follow me.”
At this moment, I’d be happy to follow him anywhere.
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Author Bio
Laurel Osterkamp is a Minneapolis-based author whose work explores the emotional complexities of love, loss, and personal reinvention. With novels like Beautiful Little Furies (an Amazon #1 bestseller) and Favorite Daughters, she’s become known for creating characters who are flawed, thoughtful, and deeply human. Osterkamp writes contemporary romance and women’s fiction that blends wit with wisdom, heart with humor. Outside of writing, she teaches adult ESL and middle school enrichment, re-watches iconic ’90s television, and contends with a household full of opinionated pets.
Pauline, a young chambermaid who works at the legendary Mapes Hotel in Reno, Nevada, is asked to step in for a colleague and clean Suite 614. Although she was told the rooms were empty, a dazed, sleepy woman appears before her. This is Mrs. Miller, aka Marilyn Monroe, whose stay in Reno coincides with the breakdown of her marriage to Arthur Miller and the filming of what was to be her last film, The Misfits.
Set in the American West in 1960 where the mustang horses run wild, an unexpected friendship unfolds between the most famous movie star in the world and a young cleaning woman whose life will be changed forever through the course of a few weeks. A testament to the enduring power of female friendship and a reimagining of a side of Marilyn Monroe that has never been seen before.
BLONDE DUST by Tatiana De Rosnay is a spellbinding mash-up of historical fiction and women’s fiction that features a first-generation young French woman’s life as well as how in the heat of Reno, Nevada in 1960, a mega movie star’s unlikely friendship changed the course of her life. This standalone story will pull you in and take you on an emotional and nostalgic journey.
This story features three timelines while telling Pauline’s life story. You have the description of how Pauline came to America, fell in love with the wild mustangs, and became a single mother and maid with no prospects at The Mapes Hotel and Casino in Reno, Nevada. You also have a timeline which shows the development of Pauline and Marilyn Monroe’s friendship as she cleans Marilyn’s Suite 614 while she is filming on location for The Misfits, her last full-length movie. And the final timeline has Pauline looking back on her life and friendship with Marilyn as she attends the January 30, 2000, demolition of The Mapes.
The descriptions of both downtown Reno in 1960 and the landscapes outside of town on the film set and the mustang rescue ranch made me feel as though I was right there. As the timelines interweave, I was never lost or confused because each part of the story always left me wanting more. The research is obvious and blended throughout the story without interrupting the story.
There are so many aspects of this story to love; the unlikely friendship, the trajectory of a life changed, both emotionally and physically, the wild mustangs of the West, and a researched look into three short months in Marilyn Monroe’s tumultuous personal life. There are also dark moments of alcoholism and drug abuse, sexual coercion, and animal cruelty interspersed throughout.
I recommend curling up in a comfy chair and letting this mash-up of historical fiction and women’s fiction take you away.
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About the Author
Tatiana de Rosnay was born on September 28th, 1961 in the suburbs of Paris. She is of English, French and Russian descent.
Tatiana was raised in Paris and then in Boston, when her father taught at MIT in the 70’s. She moved to England in the early 80’s and obtained a Bachelor’s degree in English literature at the University of East Anglia, in Norwich. Returning to Paris in 1984, Tatiana became press attaché for Christie’s and then Paris Editor for Vanity Fair magazine till 1993.
Sarah’s Key was published in 40 countries in 2007 and has sold over eleven million copies worldwide. Kristin Scott-Thomas stars in the movie adaptation by Gilles Paquet-Brenner (2010).
Her novels are published in many countries and five of her books have become movies. Tatiana lives in France with her family.
Reopening the investigation of her mother’s disappearance puts chief of police Diana Fisher in someone’s lethal sights. As she delves deeper into the mystery, a murderer resurfaces, targeting the Amish community. Detective Micah Nissley, whose fiancée went missing a decade ago, joins forces with Diana to stop the threats and bring the killer to justice. But can they uncover the connection between Diana and the culprit before she becomes the next victim?
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Elise’s Thoughts
Amish Country Killer by Mary Alford features a police chief dealing with an Amish cold case where Amish girls have disappeared. Readers will try to solve the case along with the characters as they second guess the clues.
The plot opens when Diana Fisher decides to return to her childhood town in Rachel’s Crossing Kentucky, to become police chief. She is following in her father William’s footsteps who once was police chief there. Fifteen years ago, Diana’s mother disappeared, and William decided they needed a fresh start, so he moved them to Louisville.
Even though her dad is dead set against it, Diana decides to move there and accept the police chief job. She is determined to try to find out why her mother left them. But once there, she finds trouble is waiting for her. Shortly after arriving she hears a young Amish girl screaming and when trying to rescue her she gets hit over the head and her dog Kit also gets injured. They are rescued by Micah Nissley, once Amish and now living in the English world. He has been coming back to his family’s old home whenever he could to do repairs in thoughts of using it as vacation home. He was shunned by his family, friends and community who blamed him for the disappearance of his fiancé, Tessa, the girl he loved.
He is now working as a detective for the Kentucky Department of Criminal Investigations. He offers to help but before Diana will accept it, she investigates why he was considered a person of interest. After he comes clean and tells her she accepts his help and realizes that he also wants to solve the case to overcome the stigma of being falsely accused of killing the missing Amish girls. The investigation leads them to a serial killer who is elusive and extremely intelligent, since he has been killing women for many years without being caught.
If readers enjoy the Linda Castillo series with Police Chief Kate Burkholder they will enjoy this story. It is an intense read that is intriguing, captivating, powerful and full of suspense with a twist of an ending that is shocking.
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Author Interview
Elise Cooper: How did you get the idea for the story?
Mary Alford: I have been fascinated by the simple life of the Amish. I thought about what would happen in this quiet setting if there was still danger lurking and secrets hidden. I took an old cold case and have a new police chief who must face her own dark past.
EC: Were you influenced by Kate Burkholder from the Linda Castillo series?
MA: I had not thought of it. Maybe in a way. Diana does have a quest and wants to find out what happened to her mother, which is why she took the job as police chief. She wants to do some research as to why her mom disappeared. This police department needs rebuilding after the corruption within it.
EC: How would you describe Diana?
MA: She is strong, resilient, and faces danger head on. She is always on the front line and refuses to let fear stop her. I think she is also guarded and cautious.
EC: How would you describe the hero, Micah?
MA: He has ties to the cold case since his fiancé, Tessa, disappeared and he was the last to see her alive. He is former Amish and is bitter because he was a person of interest a long time ago during the Amish girl’s disappearance. He also feels guilty. When he saw Tessa with this other guy, he left her and felt guilty for making the choice to leave.
EC: What role does Kit the canine dog play?
MA: Diana considers her a friend, protector, and loyal. She is trained in search and rescue plus police work. She stands between Diana and danger. She loves to play with her favorite stuffed animal.
EC: What about the relationship?
MA: It was hampered by suspicion, and she is not trusting. He did have ties to the past case of the disappearance of Amish women. He wants it to have resolution and to come to light about what happened to Tessa. He is stuck with the past hanging over him.
EC: What about the corrupt cops?
MA: They stole, bribed, blackmailed, and harassed. People do not trust the police department.
EC: Why Kentucky?
MA: There are a few Amish communities in Kentucky. I like having a remote mountain setting that creates its own danger and suspense.
EC: Next books?
MA: In July a book will be published, Framed in Amish Country. It is about a DA who is being framed for murdering her best friend. An Amish man helps her find evidence to prove her innocence. In October Shattered Amish Identity comes out. The heroine has a buggy accident where she does not remember her past. Someone is trying to kill her, and a CIA Agent comes to help her.
THANK YOU!!
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BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.
