Caroline McAlister, college professor and life-long skeptic, is reeling from the loss of her father and her marriage. Her once promising career has come to a standstill. When her father bequeaths the family cabin to her, it comes with a ghost who haunted her childhood. When she discovers a century-old journal in the attic, she awakens the voice of Carson Quinn. The journal reveals Carson’s love for the same hollow that enthralled Caroline growing up. A little sleuthing uncovers rumors that the kind, curious boy in the journal grew up to murder his brother. Caroline plunges into the project of exonerating Carson, only to find herself in the throes of a personal past she’s spent her life trying to avoid.
Hemlock Hollow is about how we forever haunt the places we love and how they haunt us in return.
HEMLOCK HOLLOW by Culley Holderfield is a lyrical and moody southern fiction novel with intertwining murder mystery and family history storylines from the past and present set in the Northern Carolina mountains. This book is more literary than genre style of writing that I usually prefer and yet it pulled me in to every aspect of the beautiful story and place.
Professor Caroline McAlister is shocked to discover the family’s cabin in Hemlock Hollow has been left to her on the death of her father. Not only is she morning the loss of her father, but the end of her marriage which all together has left her adrift personally and professionally. She decides to return to Hemlock Hollow and have the old cabin renovated. When a tin box is discovered in the attic, Caroline discovers the century old journal of the young Carson Quinn. Carson is an inquisitive young boy who loves Hemlock Hollow but then grows into a recluse that the others in the hollow believe killed his older brother.
Caroline dives into Carson’s journal and the oral and written history of the hollow to discover if the young, intelligent and nature loving boy of the journal could grow into the killer many believed him to be and discovers many truths about herself in the process.
This is a bewitching story that mixes past and present in a deeply moving depiction of southern life. Once I started reading this book, I could not stop. The characters are fully drawn, complex and memorable. The writing took me to Hemlock Hollow in both timelines in a way that made me feel as though I was present and involved in both. The ending had me tearing up as the tragedy from the past led to the emotional discoveries in the present.
I highly recommend this book and look forward to reading more from this author!
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About the Author
Culley Holderfield learned to love storytelling on the porch of a cabin in the mountains of North Carolina. After graduating from UNC-Chapel Hill, he ventured to South America, Africa, and Europe. When not writing or working in community development finance, he spends his time hiking, paddling, and wandering the outdoors. His short stories and poetry have appeared in a variety of publications. Hemlock Hollow is his debut novel. He lives in Durham, NC.
Set in the City of Light and starring Julia Child’s (fictional) best friend, confidant, and fellow American, this Magnifique new historical mystery series from the acclaimed author of Murder at Mallowan Hall combines a fresh perspective on the iconic chef’s years in post-WWII Paris with a delicious mystery and a unique culinary twist. Perfect for fans of Jacqueline Winspear, Marie Benedict, and of course, Julia Child alike!
As Paris rediscovers its joie de vivre, Tabitha Knight, who recently arrived from Detroit for an extended stay with her French grandfather, is on her own journey of discovery. Paris isn’t just the City of Light; it’s the city of history, romance, stunning architecture . . . and food. Thanks to her neighbour and friend Julia Child, another ex-pat who’s fallen head over heels for Paris, Tabitha is learning how to cook for her Grandpère and Oncle Rafe.
Between tutoring Americans in French, visiting the market, and eagerly sampling the results of Julia’s studies at Le Cordon Bleu cooking school, Tabitha’s sojourn is proving thoroughly delightful. That is, until the cold December day they return to Julia’s building and learn that a body has been found in the cellar. Tabitha recognizes the victim as a woman she’d met only the night before, at a party given by Julia’s sister, Dort. The murder weapon found nearby is recognizable too—a knife from Julia’s kitchen.
Tabitha is eager to help the investigation but is shocked when Inspector Merveille reveals that a note, in Tabitha’s handwriting, was found in the dead woman’s pocket. Is this murder a case of international intrigue, or something far more personal? From the shadows of the Tour Eiffel at midnight to the tiny third-floor Child kitchen to the grungy streets of Montmartre, Tabitha navigates through the city hoping to find the real killer before she or one of her friends ends up in prison . . . or worse.
MASTERING THE ART OF FRENCH MURDER (An American in Paris Book #1) by Colleen Cambridge is the entertaining first book in this new historical mystery series set in Paris post WWII featuring a young American transplant in Paris who is the best friend of Julia Child. After reading and loving Ms. Cambridge’s historical mystery series set at Mallowan Hall with Agatha Christie as the best friend of the protagonist, I was excited to try this new protagonist and series.
Tabitha Knight grew up in Detroit, but her Grandmere was French and Tabitha grew up bilingual. With the passing of her Grandmere, she travels to post WWII Paris to stay with her Grandpere and Oncle Rafe. She is tutoring French to Americans in Paris after the war and has become friends with Julia Child. When returning from the market, Tabitha and Julia learn of a murdered girl in the cellar of Julia’s apartment building. Tabitha recognizes the victim from a party the night before and the murder weapon discovered by Inspector Merveille is one of Julia’s expensive chef knives from her kitchen.
The suspects are all from the English-speaking theater troupe Julia’s sister, Dort works for that were at the late-night party, Tabitha is determined to clear her friend’s names even with the Inspector telling her to stay out of the investigation. With some aide from her Grandpere and Oncle, Tabitha hopes to find the real killer before any of her friends are jailed or even worse.
This is an exciting amateur sleuth mystery set in an interesting time and location. Tabitha is a resourceful and brave protagonist, who also gets herself into a few dangerous situations due to her excessive curiosity. The friendship with Julia Child is a perfect setup for fun dialogue as Julia tries to teach Tabitha how to cook and shop at the local market so she can prepare dinners for her Grandpere and Oncle. I look forward to discovering more about these gentlemen, because there is definitely more than what has been yet revealed about their lives prior to Tabitha coming to live with them. The plot has plenty of red herrings and twists that kept me reading through all of Tabitha’s adventures and discoveries, but it does start out a bit slow. All plot threads come together and are satisfactorily revealed at the conclusion. I am looking forward to reading the next book in this series and learning more about all these characters.
I recommend this historical mystery with memorable characters and 1950’s Paris.
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About the Author
Colleen Cambridge is the pen name for an award-winning, New York Times and USA Today bestselling author. From a young age, Colleen has loved reading mysteries and now she couldn’t be happier that she is able to write them.
Under several pseudonyms, she has written more than 36 books in a variety of genres and is always plotting her next murder—er, book.
A TRACE OF POISON (A Phyllida Bright Mystery Book #2) by Colleen Cambridge is the second entertaining cozy mystery featuring Phyllida Bright, housekeeper and best friend to Agatha Christie at Mallowan Hall. While Agatha may write clever mysteries, Phyllida solves real life murders.
For the benefit of a local orphanage, the Village of Listleigh is sponsoring Murder Fete. Agatha invites the Detection Club which consists of other famous mystery authors to give lectures, sign and sell their books, meet with their fans, and judge an amateur mystery writing contest over a weekend. The Fete is giving a grand prize of not just a local, but an international writing contract.
The first evening’s cocktail party is going well until Father Tooley, the parish priest set to tabulate the scores for the contest, falls dead. Phyllida immediately begins to collect clues, but every person at the party is an expert in murder and how to get away with it.
I enjoyed this second book even more than the first. I felt a stronger connection to the characters in this mystery as they are becoming more fully fleshed and I have become more invested. I really liked the back and forth between Phyllida and Bradford. Bradford still has a mysterious past, but you get the impression there is much more to him than has yet been revealed and I am looking forward to discovering it in future books. The plot was well paced, had many red herrings, surprises, and a climactic twist that led to Phyllida being able to give an old-fashioned denouement.
I love Phyllida and cannot wait for more cozy mysteries with the cast of characters at Mallowan Hall.
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Author Bio
Colleen Cambridge is the pen name of an award-winning USA Today and New York Times bestselling author.
Under several pseudonyms, she has written more than 36 books in a variety of genres and is always plotting her next murder—er, book.
Today is my turn to share my Feature Post and Book Review for OPERATION LIGHTNING BOLT by Hilary Green on this Books ‘n’ All Promotions Blog Tour.
Below you will find a book description, my book review and the author’s bio and social media links. Enjoy!
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Book Description
A British secret agent must face her greatest nightmare to unravel a dangerous mystery — if she is to save her country from its worst enemies.
Hampshire, 1943.
Katherine Isobel ‘Kim’ Maxwell has been languishing in the ‘cooler’ up in Scotland in what she sees as punishment for getting caught — and tortured — by the Nazis, before being freed by Resistance fighters and smuggled back into England. Now she is sent for by the head of SOE. This is her chance to prove herself.
A fellow agent has been found murdered. The victim had a very special function in their training plan for secret agents, at the SOE finishing school, Palace House in Beaulieu. Her last ‘student’ was a nervous trainee called Lucien who was sent to France as a radio operator — and almost immediately captured by the Nazis.
Kim is ordered to run an internal investigation into Lilian’s murder. She soon discovers that there is every indication that Lilian heard something she shouldn’t have and that her murder was a warning: her ears were plugged with hot sealing wax before she died. Kim also spots a strange zigzag pattern on the wall above the bed where Lilian was found, which Lilian drew using her own blood as she lay dying.
Aided by Roland, aka the Red Fox, a new recruit with a shady past of his own, she begins to uncover a plot that extends far beyond the secretive world of SOE.
But in order to expose this dangerous web of deceit, Kim must go back into the heart of occupied France — and into the hands of the enemy . . .
OPERATION LIGHTNING BOLT OPERATION KINGFISHER TWICE ROYAL LADY APHRODITE’S ISLAND
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My Book Review
RATING: 4 out of 5 Stars
OPERATION LIGHTNING BOLT by Hilary Green is a WWII historical mystery set in both France and England featuring a dogged young female spy in a race to uncover a plot on English soil that could change the outcome of the war. This is a standalone mystery full of intrigue and mystery.
Lieutenant Katherine “Kim” Maxwell is a member of the SOE. She has been recuperating in Scotland since her retrieval by the French Resistance from her Nazis captors. When a friend and fellow agent is found murdered, Kim is sent by Brigadier Colin “M” Gubbins to investigate in the guise of a teacher at her old spy school.
Kim is aided by one of her students, Roland “Foxy” and they uncover a shadow group of Nazi sympathizers who are ready to attempt a change in the English government at the very top and the English position in the war.
This historical mystery has fully drawn main characters that were interesting, and I was sorry to see their storyline end. Kim is a smart and spirited main character who was just as able as any male spy in this book which I enjoyed. She did not wait for a rescue from her romantic interest. The mystery plot itself is well paced and has some twists, but it was also easy to anticipate many of the pivotal plot points. That said, it was a well-researched historical novel and a very enjoyable read with engaging characters that I am sorry to say goodbye to.
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Author Bio
Hilary trained for the stage at the Rose Bruford college but then decided to go into teaching. She spent many years teaching drama and theatre studies in a variety of schools, from a girl’s boarding school in Kent to Comprehensives in London and on the Wirral. It was there that she had the great pleasure of guiding Daniel Craig’s first steps towards stardom.
She also founded and ran a Youth Theatre Company in Epsom, Surrey. She has a B.Ed (First Class) from Liverpool University and an MA Writing from Liverpool John Moores. Since retiring from teaching to concentrate on writing she has published twenty historical novels and her first non-fiction book will be out next spring. She also writes under the name of Holly Green.
Today is my turn to share my Feature Post and Book Review for DEATH AT THE MANOR (A Lily Adler Mystery Book #3) by Katharine Schellman on this Partners In Crime Virtual Book Tour.
Below you will find a book description, my book review, an excerpt from the book, the author’s bio and social media links and a Kingsumo giveaway. Good luck and enjoy!
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Book Description
The tortured spirits of the dead haunt a Regency-era English manor—but the true danger lies in the land of the living in the third installment in the Lily Adler mysteries, perfect for fans of Deanna Raybourn.
Regency widow Lily Adler is looking forward to spending the autumn away from the social whirl of London. When she arrives in Hampshire with her friends, the Carroways, she doesn’t expect much more than a quiet country visit and the chance to spend time with her charming new acquaintance, Matthew Spencer.
But something odd is afoot in the small country village. A ghost has taken up residence in the Belleford manor, a lady in grey who wanders the halls at night, weeping and wailing. Half the servants have left in terror, but the family seems delighted with the notoriety that their ghost provides. Intrigued by this spectral guest, Lily and her party immediately make plans to visit Belleford.
They arrive at the manor the next morning ready to be entertained—only to find that tragedy has struck. The matriarch of the family has just been found killed in her bed.
The dead woman’s family is convinced that the ghost is responsible. Lily is determined to learn the truth before another victim turns up—but could she be next in line for the Great Beyond?
Genre: Historical Mystery Published by: Crooked Lane Books Publication Date: August 9th 2022 Number of Pages: 352 ISBN: 1639100784 (ISBN13: 9781639100781) Series: Lily Adler Mystery #3
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My Book Review
RATING: 4 out of 5 Stars
DEATH AT THE MANOR (A Lily Adler Mystery Book #3) is another entertaining historical cozy mystery in this series featuring Regency widow, Lily Adler and her close group of friends. This book is easily read as a standalone mystery but some of Lily’s close friends are carried over from the previous books in the series.
After dealing with two murder mysteries in the bustling swirl of London society, Lily Adler is happy to be retreating to the country home of her aunt and friend. Lord and Lady Carroway accompany her before they are to continue on to their country home. On their first night, they are invited to dinner by Matthew Spenser who made Lily’s acquaintance in London, and they learn of a tale of a ghost haunting the inhabitants of Belleford manor.
They are invited for a tour of the manor and are told the story of the “lady in gray” who wanders the halls weeping and wailing the halls at night. As they are being given the tour by the son of the manor, there is a scream from his sister who finds the matriarch of the manor dead in her bed. There seems to be no way to enter the room after she locks her door from in inside each night, so her death is blamed on the ghost.
Lily and her friends do not believe in ghosts, and she is determined to learn the truth of this death.
I enjoy this series and all the characters, especially Lily. I am always guessing what Lily will choose to do with her love life while she states she is not ready to move on from the death of her husband and yet she has two gentlemen very interested in her. I enjoy a locked room mystery and this addition to the series was well written one with plenty of suspects and red herrings and a surprise twist at the end. I did feel though there were a few places in this story that lagged a bit compared to the other mysteries in the series. All the secondary characters are well drawn especially Ophelia Carroway. The dress, customs, and activities are well researched and suitable to the time period.
I am always happy to read a Lily Adler historical cozy mystery.
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Excerpt
As they walked, Mr. Wright fell in step next to Ofelia. “Have you ever seen a ghost before, Lady Carroway?”
“I have not,” she replied, as polite as ever in spite of the hint of skepticism in her voice. “Pray, what does it look like?”
“Like a lady in white and gray,” he said, and Lily was surprised to see how serious his expression was. His frivolous, unctuous manner had dropped away, and he shivered a little as he gestured toward the windows. “No one has seen her face. The first time I saw her she was standing right there, bathed in moonlight, when I was returning from a late night in the village. And my sister saw her in the early morning only two days ago. Some nights, we have heard her wails echoing through the halls, even when she is nowhere to be seen.”
Lily exchanged a look with her aunt, who seemed surprised by the detail in Thomas Wright’s story and the quaver in his voice. Either he believed wholeheartedly in his ghost, or he was putting on a very convincing performance for his audience.
“And what does she do?” Ofelia asked, sounding a little more somber now, as they drew
to a halt in front of the windows. The small party looked around the corner of the hall. It was unremarkable enough, with several large paintings, and a tall, handsome curio cabinet standing in an alcove. An old-fashioned tapestry hung across one wall, though it was worn and faded enough that it was hard to tell exactly what picture it had originally presented.
“Nothing, so far,” Mr. Wright said, a sort of forced theatricality in his voice that left Lily puzzled.
She had expected, based on what Mr. Spencer had said the night before, to find an eager showman in Thomas Wright, ready to bask in the attention of curious neighbors, not a true believer in the supernatural. Glancing at Mr. Spencer out of the corner of her eye, she thought he looked equally puzzled.
“She stands and weeps, or floats around the hall and wails. Usually, if someone tries to draw close, she vanishes. But last month—” Mr. Wright’s voice dropped a little. He still glanced
uneasily toward the other end of the hall, as if momentarily distracted or looking for someone, before quickly returning his attention to his audience. “Last month she became angry when one of our housemaids came upon her unexpectedly. The lady in gray pursued her down the hall, wailing. Poor Etta was so scared that she fell down the stairs in her haste to get away. That
was when our servants started leaving.”
“I trust the housemaid has recovered?” Mr. Spencer asked, sounding genuinely concerned.
“She has,” Mr. Wright replied. “But no one has tried to approach the lady in gray again. We think she wishes to be left alone.”
“Well,” Lily said, attempting a return to lightness, “as far as ghosts go, that sounds reasonable enough. I confess I feel that way often enough myself, especially after too many busy nights in a row.”
Ofelia, who had been looking a little wide-eyed, giggled, and Mr. Spencer quickly covered a cough that might have been a chuckle.
Mr. Wright scowled, his expression halfway between unease and displeasure. “I take it you are not a woman who believes in ghosts, Mrs. Adler?”
“I have never had the opportunity to find out whether or not I am,” Lily replied. “The homes I have lived in have all been stubbornly unhaunted.”
“For your sake, madam, I hope they remain that way,” Mr. Wright said. There was an unexpected note of resignation in his voice as he added, “It is not a comfortable thing to live with.”
“I would have thought you to be fond of yours, sir,” Lily said. “If you dislike her so, why go to the trouble of showing visitors around and telling them the story?”
Mr. Wright smiled, some of the showman creeping back into his manner. “Because you are here, dear ladies. And how could I resist such a beautiful audience?”
“Tell me, has your family any idea who this lady in gray might be?” Lily’s aunt asked politely.
He nodded, his voice dropping even further, and they all reflexively drew closer to hear what he was saying. “We each have our own theory, of course,” he said. “I believe it is my father’s great-aunt, Tabitha, whose bedroom was just this way. If you would care to see the spot?” He held out his arm to Ofelia, who took it. Mr. Wright, engrossed in his story once more, turned to lead them down the closest passage. “Tabitha died there some fifty years ago, of a broken heart, they say, after news arrived of the death of her betrothed in the colonies—”
His story was suddenly cut off by screaming. Not a single shriek of surprise or dismay, but a cry that seemed to go on without ceasing. Thomas Wright froze, the genial smile dropping from his face in shock. “Selina?” he called.
The screaming continued, growing more hysterical. Dropping Ofelia’s arm, he ran toward the sound, which was coming from the far hallway, past the stairs. The others, stunned into stillness, stared at each other, unsure what to do.
“I think it’s Miss Wright,” Mr. Spencer said, all traces of merriment gone from his face. “Wait here—I shall see if they need any assistance.” He made to go after, but Thomas Wright was already returning, rushing down the hall next to another man, who was carrying the screaming woman.
“The parlor, just next to you, Spencer!” Mr. Wright called. “Open the door!”
Mr. Spencer, the closest to the door, flung it open, and the hysterical woman was carried in. She was laid on a chaise longue in the middle of the dim little room, Mr. Spencer stepping forward to help settle her as the man who had carried her stepped back. Lily, glancing
around as she and the other ladies crowded through the door, thought it looked like a space reserved for the family’s private use, which made sense on an upper floor. Thomas Wright knelt next to the hysterical woman for a moment, clasping her hands.
“Selina?” he said loudly. But she kept screaming, her eyes wide and darting about the room without seeing anything. Judging by the round cheeks and dark hair they both shared, Lily thought she must be his sister. Whether they had other features in common was hard to tell when Selina Wright was in the middle of hysterics.
“Miss Wright?” Matthew Spencer tried giving her shoulders a shake. “You must stop this at once!”
But she clearly could not hear either of them. Thomas Wright took a deep breath and looked grim as, with a surprising degree of practicality, he slapped her across the face.
The screams stopped abruptly, her blank expression resolving into one of terror before her eyes latched on her brother. Her face crumpled in misery. “Oh, Thomas!” she sobbed, gasping for breath.
He gave her shoulders a little shake. “Selina, stop this—you must tell me what happened.” But she only shook her head, clutching at his coat with desperate fists and dropping her head against his shoulder, her weeping shaking them both. Mr. Wright turned to the servant who had carried his sister. “Isaiah, what happened to her?”
Isaiah was a young Black man with very short, curly hair and broad shoulders. His plain, dark clothing marked him clearly as a servant, though it was nothing so formal as the livery that
would have been worn in a great house. His wide stance spoke of confidence, and the easy way that Thomas Wright addressed him indicated long service and familiarity.
But there was no confidence on the manservant’s face as he hesitated, gulping visibly and shaking his head. His eyes were wide, and he stumbled over his words as he tried to answer, either unsure how to respond or not wanting to. “It’s . . . it’s Mrs. Wright, sir. She didn’t open her door when we knocked, and Miss Wright . . . she asked me to open it, since no one has the key . . . and she was there, sir—Mrs. Wright. She was there but she wasn’t moving. There was nothing we could do, but there was no one else there what could have done it. She’s dead, sir,” he finished in a rush. “Mrs. Wright is dead. She was killed in the night.”
Beside her, Lily heard Ofelia gasp, though she didn’t turn to look at her friend. Mr. Spencer looked up, his dark eyes wide as he met Lily’s from across the room. She stared back at him, frozen in shock, unable to believe what she had just heard.
“Killed?” Thomas Wright demanded, his voice rising with his own disbelief and his arms tightening around his sister.
“It killed her, Thomas,” Selina Wright said, raising her head at last. Now that her hysterics had faded, her cheeks had gone ashen with fear. “There was no one else who could have entered that room. The lady in gray killed our mother.”
***
Author Bio
Katharine Schellman is a former actor, one-time political consultant, and now the author of the Lily Adler Mysteries and the Nightingale Mysteries. Her debut novel, The Body in the Garden, was one of Suspense Magazine’s Best Books of 2020 and led to her being named one of BookPage’s 16 Women to Watch in 2020. Her second novel, Silence in the Library, was praised as “worthy of Agatha Christie or Rex Stout.” (Library Journal, starred review) Katharine lives and writes in the mountains of Virginia in the company of her husband, children, and the many houseplants she keeps accidentally murdering.
Today I am sharing my Feature Post and Book Review for DEATH AND THE CONJUROR (Joseph Spector Book #1) by Tom Mead on this Partners In Crime Virtual Blog Tour.
Below you will find a book description, my book review, an excerpt from the book, the author’s bio and social media links and a Rafflecopter giveaway. Enjoy!
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Book Description
A magician-turned-sleuth in pre-war London solves three impossible crimes
In 1930s London, celebrity psychiatrist Anselm Rees is discovered dead in his locked study, and there seems to be no way that a killer could have escaped unseen. There are no clues, no witnesses, and no evidence of the murder weapon. Stumped by the confounding scene, the Scotland Yard detective on the case calls on retired stage magician-turned-part-time sleuth Joseph Spector. For who better to make sense of the impossible than one who traffics in illusions?
Spector has a knack for explaining the inexplicable, but even he finds that there is more to this mystery than meets the eye. As he and the Inspector interview the colorful cast of suspects among the psychiatrist’s patients and household, they uncover no shortage of dark secrets―or motives for murder. When the investigation dovetails into that of an apparently-impossible theft, the detectives consider the possibility that the two transgressions are related. And when a second murder occurs, this time in an impenetrable elevator, they realize that the crime wave will become even more deadly unless they can catch the culprit soon.
A tribute to the classic golden-age whodunnit, when crime fiction was a battle of wits between writer and reader, Death and the Conjuror joins its macabre atmosphere, period detail, and vividly-drawn characters with a meticulously-constructed fair play puzzle. Its baffling plot will enthrall readers of mystery icons such as Agatha Christie and John Dickson Carr, modern masters like Anthony Horowitz and Elly Griffiths, or anyone who appreciates a good mystery.
Genre: Historical Mystery Published by: Mysterious Press Publication Date: July 12th 2022 Number of Pages: 254 ISBN: 1613163193 (ISBN13: 9781613163191) Series: Joseph Spector #1
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My Book Review
RATING: 4 out of 5 Stars
DEATH AND THE CONJUROR (Joseph Spector Book #1) by Tom Mead is an entertaining throwback historical locked-door mystery set in 1930’s London and featuring a retired stage magician turned amateur sleuth.
Joseph Spector has retired from his job of mystifying audiences with his magical illusions, but still is available for consultation to his friend, Inspector George Flint from Scotland yard for assistance when the scene of a murder seems impossible. Psychiatrist Anselm Rees in found murdered in his home office by his daughter and one of his patients. The door and windows were locked and there was nowhere for escape, so Flint takes this impossible case to Spector for his assistance.
There are many suspects and a lot of misdirection in this locked-room mystery. When a second murder occurs, Spector must sort the truths from illusions for this murderer to be brought to justice.
This was an enjoyable read which reminded me of my love of the old style of murder mysteries especially Christies’ Poirot series. Spector was a wonderful character with his past profession being the perfect set-up to be of use to Inspector Flint. I also enjoyed when Spector explained how some of his illusions and slight-of-hand tricks were accomplished. All the suspects and secondary characters were well drawn to keep me guessing all the way to the end. The plot was well paced and full of red herrings and twists.
This is the first book in new this historical mystery series and I will be looking out for more stories featuring Spector in the future.
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Excerpt
Olive already had the phone in her hand. “Two three one, Dollis Hill,” she announced. “Dr. Anselm Rees has been murdered.”
While she provided a few scant details, she looked around the room and noticed something.
“The windows are locked,” she said as she hung up the phone.
“Mm?” Della sounded startled.
“The windows. They’re locked on the inside.” To prove this, she gripped one of the handles and rattled it. It would not move, and the key protruded from the lock.
“So?”
“Then how did the killer get away?”
“What do you mean?”
“He can’t have come out through the hall. I was there the whole time. And not five minutes ago—not five minutes—I can tell you that the doctor was alive and well in this room because I heard him talking on the telephone.”
Della thought about this. “It can’t be locked.” She reached out and tried the handle for herself. But the windows did not budge.
“It’s locked on the inside,” said Olive, “just like the door.”
Della turned and looked at the corpse. He had sunk down in the chair like an unmanned hand puppet.
In the far corner of the room lay the wooden trunk. Olive caught Della’s eye and nodded toward it. Della frowned incredulously. Olive shrugged, as if to say, Where else would he be?
The two women crept across the soft plush carpet toward the trunk. Olive looked at Della and held a finger to her lips. She seized the poker from the fireplace and raised it above her head. Then she gave Della a quick nod.
Della leaned forward and wrenched open the trunk.
Olive let fly a fierce war cry and swung the poker like a tennis racquet. But all she hit was empty air. The two women peered inside the trunk. It was perfectly empty.
Olive led the way to the kitchen—but not before pulling shut the study door behind her, sealing in the late Dr. Rees once again.
They both felt slightly better after a tot of brandy. No less horrified, but more prepared to deal with the practicalities of the situation.
“What I don’t understand,” Della said, “is where the killer could have gone.”
“Nowhere,” said Olive. “There was nowhere for him to go.”
***Excerpt from Death and the Conjuror by Tom Mead. Copyright 2022 by Tom Mead. Reproduced with permission from Tom Mead. All rights reserved.
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Author Bio
Tom Mead is a UK crime fiction author specialising in locked-room mysteries. He is a member of the Crime Writers’ Association, International Thriller Writers, and the Society of Authors. He is a prolific author of short fiction, and recently his story “Heatwave” was included in THE BEST MYSTERY STORIES OF THE YEAR 2021, edited by Lee Child. DEATH AND THE CONJUROR is his first novel.
