A TRACE OF POISON (A Phyllida Bright Mystery Book #2) by Colleen Cambridge is the second entertaining cozy mystery featuring Phyllida Bright, housekeeper and best friend to Agatha Christie at Mallowan Hall. While Agatha may write clever mysteries, Phyllida solves real life murders.
For the benefit of a local orphanage, the Village of Listleigh is sponsoring Murder Fete. Agatha invites the Detection Club which consists of other famous mystery authors to give lectures, sign and sell their books, meet with their fans, and judge an amateur mystery writing contest over a weekend. The Fete is giving a grand prize of not just a local, but an international writing contract.
The first evening’s cocktail party is going well until Father Tooley, the parish priest set to tabulate the scores for the contest, falls dead. Phyllida immediately begins to collect clues, but every person at the party is an expert in murder and how to get away with it.
I enjoyed this second book even more than the first. I felt a stronger connection to the characters in this mystery as they are becoming more fully fleshed and I have become more invested. I really liked the back and forth between Phyllida and Bradford. Bradford still has a mysterious past, but you get the impression there is much more to him than has yet been revealed and I am looking forward to discovering it in future books. The plot was well paced, had many red herrings, surprises, and a climactic twist that led to Phyllida being able to give an old-fashioned denouement.
I love Phyllida and cannot wait for more cozy mysteries with the cast of characters at Mallowan Hall.
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Author Bio
Colleen Cambridge is the pen name of an award-winning USA Today and New York Times bestselling author.
Under several pseudonyms, she has written more than 36 books in a variety of genres and is always plotting her next murder—er, book.
Today is my turn to share my Feature Post and Book Review for OPERATION LIGHTNING BOLT by Hilary Green on this Books ‘n’ All Promotions Blog Tour.
Below you will find a book description, my book review and the author’s bio and social media links. Enjoy!
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Book Description
A British secret agent must face her greatest nightmare to unravel a dangerous mystery — if she is to save her country from its worst enemies.
Hampshire, 1943.
Katherine Isobel ‘Kim’ Maxwell has been languishing in the ‘cooler’ up in Scotland in what she sees as punishment for getting caught — and tortured — by the Nazis, before being freed by Resistance fighters and smuggled back into England. Now she is sent for by the head of SOE. This is her chance to prove herself.
A fellow agent has been found murdered. The victim had a very special function in their training plan for secret agents, at the SOE finishing school, Palace House in Beaulieu. Her last ‘student’ was a nervous trainee called Lucien who was sent to France as a radio operator — and almost immediately captured by the Nazis.
Kim is ordered to run an internal investigation into Lilian’s murder. She soon discovers that there is every indication that Lilian heard something she shouldn’t have and that her murder was a warning: her ears were plugged with hot sealing wax before she died. Kim also spots a strange zigzag pattern on the wall above the bed where Lilian was found, which Lilian drew using her own blood as she lay dying.
Aided by Roland, aka the Red Fox, a new recruit with a shady past of his own, she begins to uncover a plot that extends far beyond the secretive world of SOE.
But in order to expose this dangerous web of deceit, Kim must go back into the heart of occupied France — and into the hands of the enemy . . .
OPERATION LIGHTNING BOLT OPERATION KINGFISHER TWICE ROYAL LADY APHRODITE’S ISLAND
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My Book Review
RATING: 4 out of 5 Stars
OPERATION LIGHTNING BOLT by Hilary Green is a WWII historical mystery set in both France and England featuring a dogged young female spy in a race to uncover a plot on English soil that could change the outcome of the war. This is a standalone mystery full of intrigue and mystery.
Lieutenant Katherine “Kim” Maxwell is a member of the SOE. She has been recuperating in Scotland since her retrieval by the French Resistance from her Nazis captors. When a friend and fellow agent is found murdered, Kim is sent by Brigadier Colin “M” Gubbins to investigate in the guise of a teacher at her old spy school.
Kim is aided by one of her students, Roland “Foxy” and they uncover a shadow group of Nazi sympathizers who are ready to attempt a change in the English government at the very top and the English position in the war.
This historical mystery has fully drawn main characters that were interesting, and I was sorry to see their storyline end. Kim is a smart and spirited main character who was just as able as any male spy in this book which I enjoyed. She did not wait for a rescue from her romantic interest. The mystery plot itself is well paced and has some twists, but it was also easy to anticipate many of the pivotal plot points. That said, it was a well-researched historical novel and a very enjoyable read with engaging characters that I am sorry to say goodbye to.
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Author Bio
Hilary trained for the stage at the Rose Bruford college but then decided to go into teaching. She spent many years teaching drama and theatre studies in a variety of schools, from a girl’s boarding school in Kent to Comprehensives in London and on the Wirral. It was there that she had the great pleasure of guiding Daniel Craig’s first steps towards stardom.
She also founded and ran a Youth Theatre Company in Epsom, Surrey. She has a B.Ed (First Class) from Liverpool University and an MA Writing from Liverpool John Moores. Since retiring from teaching to concentrate on writing she has published twenty historical novels and her first non-fiction book will be out next spring. She also writes under the name of Holly Green.
Today is my turn to share my Feature Post and Book Review for DEATH AT THE MANOR (A Lily Adler Mystery Book #3) by Katharine Schellman on this Partners In Crime Virtual Book Tour.
Below you will find a book description, my book review, an excerpt from the book, the author’s bio and social media links and a Kingsumo giveaway. Good luck and enjoy!
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Book Description
The tortured spirits of the dead haunt a Regency-era English manor—but the true danger lies in the land of the living in the third installment in the Lily Adler mysteries, perfect for fans of Deanna Raybourn.
Regency widow Lily Adler is looking forward to spending the autumn away from the social whirl of London. When she arrives in Hampshire with her friends, the Carroways, she doesn’t expect much more than a quiet country visit and the chance to spend time with her charming new acquaintance, Matthew Spencer.
But something odd is afoot in the small country village. A ghost has taken up residence in the Belleford manor, a lady in grey who wanders the halls at night, weeping and wailing. Half the servants have left in terror, but the family seems delighted with the notoriety that their ghost provides. Intrigued by this spectral guest, Lily and her party immediately make plans to visit Belleford.
They arrive at the manor the next morning ready to be entertained—only to find that tragedy has struck. The matriarch of the family has just been found killed in her bed.
The dead woman’s family is convinced that the ghost is responsible. Lily is determined to learn the truth before another victim turns up—but could she be next in line for the Great Beyond?
Genre: Historical Mystery Published by: Crooked Lane Books Publication Date: August 9th 2022 Number of Pages: 352 ISBN: 1639100784 (ISBN13: 9781639100781) Series: Lily Adler Mystery #3
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My Book Review
RATING: 4 out of 5 Stars
DEATH AT THE MANOR (A Lily Adler Mystery Book #3) is another entertaining historical cozy mystery in this series featuring Regency widow, Lily Adler and her close group of friends. This book is easily read as a standalone mystery but some of Lily’s close friends are carried over from the previous books in the series.
After dealing with two murder mysteries in the bustling swirl of London society, Lily Adler is happy to be retreating to the country home of her aunt and friend. Lord and Lady Carroway accompany her before they are to continue on to their country home. On their first night, they are invited to dinner by Matthew Spenser who made Lily’s acquaintance in London, and they learn of a tale of a ghost haunting the inhabitants of Belleford manor.
They are invited for a tour of the manor and are told the story of the “lady in gray” who wanders the halls weeping and wailing the halls at night. As they are being given the tour by the son of the manor, there is a scream from his sister who finds the matriarch of the manor dead in her bed. There seems to be no way to enter the room after she locks her door from in inside each night, so her death is blamed on the ghost.
Lily and her friends do not believe in ghosts, and she is determined to learn the truth of this death.
I enjoy this series and all the characters, especially Lily. I am always guessing what Lily will choose to do with her love life while she states she is not ready to move on from the death of her husband and yet she has two gentlemen very interested in her. I enjoy a locked room mystery and this addition to the series was well written one with plenty of suspects and red herrings and a surprise twist at the end. I did feel though there were a few places in this story that lagged a bit compared to the other mysteries in the series. All the secondary characters are well drawn especially Ophelia Carroway. The dress, customs, and activities are well researched and suitable to the time period.
I am always happy to read a Lily Adler historical cozy mystery.
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Excerpt
As they walked, Mr. Wright fell in step next to Ofelia. “Have you ever seen a ghost before, Lady Carroway?”
“I have not,” she replied, as polite as ever in spite of the hint of skepticism in her voice. “Pray, what does it look like?”
“Like a lady in white and gray,” he said, and Lily was surprised to see how serious his expression was. His frivolous, unctuous manner had dropped away, and he shivered a little as he gestured toward the windows. “No one has seen her face. The first time I saw her she was standing right there, bathed in moonlight, when I was returning from a late night in the village. And my sister saw her in the early morning only two days ago. Some nights, we have heard her wails echoing through the halls, even when she is nowhere to be seen.”
Lily exchanged a look with her aunt, who seemed surprised by the detail in Thomas Wright’s story and the quaver in his voice. Either he believed wholeheartedly in his ghost, or he was putting on a very convincing performance for his audience.
“And what does she do?” Ofelia asked, sounding a little more somber now, as they drew
to a halt in front of the windows. The small party looked around the corner of the hall. It was unremarkable enough, with several large paintings, and a tall, handsome curio cabinet standing in an alcove. An old-fashioned tapestry hung across one wall, though it was worn and faded enough that it was hard to tell exactly what picture it had originally presented.
“Nothing, so far,” Mr. Wright said, a sort of forced theatricality in his voice that left Lily puzzled.
She had expected, based on what Mr. Spencer had said the night before, to find an eager showman in Thomas Wright, ready to bask in the attention of curious neighbors, not a true believer in the supernatural. Glancing at Mr. Spencer out of the corner of her eye, she thought he looked equally puzzled.
“She stands and weeps, or floats around the hall and wails. Usually, if someone tries to draw close, she vanishes. But last month—” Mr. Wright’s voice dropped a little. He still glanced
uneasily toward the other end of the hall, as if momentarily distracted or looking for someone, before quickly returning his attention to his audience. “Last month she became angry when one of our housemaids came upon her unexpectedly. The lady in gray pursued her down the hall, wailing. Poor Etta was so scared that she fell down the stairs in her haste to get away. That
was when our servants started leaving.”
“I trust the housemaid has recovered?” Mr. Spencer asked, sounding genuinely concerned.
“She has,” Mr. Wright replied. “But no one has tried to approach the lady in gray again. We think she wishes to be left alone.”
“Well,” Lily said, attempting a return to lightness, “as far as ghosts go, that sounds reasonable enough. I confess I feel that way often enough myself, especially after too many busy nights in a row.”
Ofelia, who had been looking a little wide-eyed, giggled, and Mr. Spencer quickly covered a cough that might have been a chuckle.
Mr. Wright scowled, his expression halfway between unease and displeasure. “I take it you are not a woman who believes in ghosts, Mrs. Adler?”
“I have never had the opportunity to find out whether or not I am,” Lily replied. “The homes I have lived in have all been stubbornly unhaunted.”
“For your sake, madam, I hope they remain that way,” Mr. Wright said. There was an unexpected note of resignation in his voice as he added, “It is not a comfortable thing to live with.”
“I would have thought you to be fond of yours, sir,” Lily said. “If you dislike her so, why go to the trouble of showing visitors around and telling them the story?”
Mr. Wright smiled, some of the showman creeping back into his manner. “Because you are here, dear ladies. And how could I resist such a beautiful audience?”
“Tell me, has your family any idea who this lady in gray might be?” Lily’s aunt asked politely.
He nodded, his voice dropping even further, and they all reflexively drew closer to hear what he was saying. “We each have our own theory, of course,” he said. “I believe it is my father’s great-aunt, Tabitha, whose bedroom was just this way. If you would care to see the spot?” He held out his arm to Ofelia, who took it. Mr. Wright, engrossed in his story once more, turned to lead them down the closest passage. “Tabitha died there some fifty years ago, of a broken heart, they say, after news arrived of the death of her betrothed in the colonies—”
His story was suddenly cut off by screaming. Not a single shriek of surprise or dismay, but a cry that seemed to go on without ceasing. Thomas Wright froze, the genial smile dropping from his face in shock. “Selina?” he called.
The screaming continued, growing more hysterical. Dropping Ofelia’s arm, he ran toward the sound, which was coming from the far hallway, past the stairs. The others, stunned into stillness, stared at each other, unsure what to do.
“I think it’s Miss Wright,” Mr. Spencer said, all traces of merriment gone from his face. “Wait here—I shall see if they need any assistance.” He made to go after, but Thomas Wright was already returning, rushing down the hall next to another man, who was carrying the screaming woman.
“The parlor, just next to you, Spencer!” Mr. Wright called. “Open the door!”
Mr. Spencer, the closest to the door, flung it open, and the hysterical woman was carried in. She was laid on a chaise longue in the middle of the dim little room, Mr. Spencer stepping forward to help settle her as the man who had carried her stepped back. Lily, glancing
around as she and the other ladies crowded through the door, thought it looked like a space reserved for the family’s private use, which made sense on an upper floor. Thomas Wright knelt next to the hysterical woman for a moment, clasping her hands.
“Selina?” he said loudly. But she kept screaming, her eyes wide and darting about the room without seeing anything. Judging by the round cheeks and dark hair they both shared, Lily thought she must be his sister. Whether they had other features in common was hard to tell when Selina Wright was in the middle of hysterics.
“Miss Wright?” Matthew Spencer tried giving her shoulders a shake. “You must stop this at once!”
But she clearly could not hear either of them. Thomas Wright took a deep breath and looked grim as, with a surprising degree of practicality, he slapped her across the face.
The screams stopped abruptly, her blank expression resolving into one of terror before her eyes latched on her brother. Her face crumpled in misery. “Oh, Thomas!” she sobbed, gasping for breath.
He gave her shoulders a little shake. “Selina, stop this—you must tell me what happened.” But she only shook her head, clutching at his coat with desperate fists and dropping her head against his shoulder, her weeping shaking them both. Mr. Wright turned to the servant who had carried his sister. “Isaiah, what happened to her?”
Isaiah was a young Black man with very short, curly hair and broad shoulders. His plain, dark clothing marked him clearly as a servant, though it was nothing so formal as the livery that
would have been worn in a great house. His wide stance spoke of confidence, and the easy way that Thomas Wright addressed him indicated long service and familiarity.
But there was no confidence on the manservant’s face as he hesitated, gulping visibly and shaking his head. His eyes were wide, and he stumbled over his words as he tried to answer, either unsure how to respond or not wanting to. “It’s . . . it’s Mrs. Wright, sir. She didn’t open her door when we knocked, and Miss Wright . . . she asked me to open it, since no one has the key . . . and she was there, sir—Mrs. Wright. She was there but she wasn’t moving. There was nothing we could do, but there was no one else there what could have done it. She’s dead, sir,” he finished in a rush. “Mrs. Wright is dead. She was killed in the night.”
Beside her, Lily heard Ofelia gasp, though she didn’t turn to look at her friend. Mr. Spencer looked up, his dark eyes wide as he met Lily’s from across the room. She stared back at him, frozen in shock, unable to believe what she had just heard.
“Killed?” Thomas Wright demanded, his voice rising with his own disbelief and his arms tightening around his sister.
“It killed her, Thomas,” Selina Wright said, raising her head at last. Now that her hysterics had faded, her cheeks had gone ashen with fear. “There was no one else who could have entered that room. The lady in gray killed our mother.”
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Author Bio
Katharine Schellman is a former actor, one-time political consultant, and now the author of the Lily Adler Mysteries and the Nightingale Mysteries. Her debut novel, The Body in the Garden, was one of Suspense Magazine’s Best Books of 2020 and led to her being named one of BookPage’s 16 Women to Watch in 2020. Her second novel, Silence in the Library, was praised as “worthy of Agatha Christie or Rex Stout.” (Library Journal, starred review) Katharine lives and writes in the mountains of Virginia in the company of her husband, children, and the many houseplants she keeps accidentally murdering.
Today I am sharing my Feature Post and Book Review for DEATH AND THE CONJUROR (Joseph Spector Book #1) by Tom Mead on this Partners In Crime Virtual Blog Tour.
Below you will find a book description, my book review, an excerpt from the book, the author’s bio and social media links and a Rafflecopter giveaway. Enjoy!
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Book Description
A magician-turned-sleuth in pre-war London solves three impossible crimes
In 1930s London, celebrity psychiatrist Anselm Rees is discovered dead in his locked study, and there seems to be no way that a killer could have escaped unseen. There are no clues, no witnesses, and no evidence of the murder weapon. Stumped by the confounding scene, the Scotland Yard detective on the case calls on retired stage magician-turned-part-time sleuth Joseph Spector. For who better to make sense of the impossible than one who traffics in illusions?
Spector has a knack for explaining the inexplicable, but even he finds that there is more to this mystery than meets the eye. As he and the Inspector interview the colorful cast of suspects among the psychiatrist’s patients and household, they uncover no shortage of dark secrets―or motives for murder. When the investigation dovetails into that of an apparently-impossible theft, the detectives consider the possibility that the two transgressions are related. And when a second murder occurs, this time in an impenetrable elevator, they realize that the crime wave will become even more deadly unless they can catch the culprit soon.
A tribute to the classic golden-age whodunnit, when crime fiction was a battle of wits between writer and reader, Death and the Conjuror joins its macabre atmosphere, period detail, and vividly-drawn characters with a meticulously-constructed fair play puzzle. Its baffling plot will enthrall readers of mystery icons such as Agatha Christie and John Dickson Carr, modern masters like Anthony Horowitz and Elly Griffiths, or anyone who appreciates a good mystery.
Genre: Historical Mystery Published by: Mysterious Press Publication Date: July 12th 2022 Number of Pages: 254 ISBN: 1613163193 (ISBN13: 9781613163191) Series: Joseph Spector #1
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My Book Review
RATING: 4 out of 5 Stars
DEATH AND THE CONJUROR (Joseph Spector Book #1) by Tom Mead is an entertaining throwback historical locked-door mystery set in 1930’s London and featuring a retired stage magician turned amateur sleuth.
Joseph Spector has retired from his job of mystifying audiences with his magical illusions, but still is available for consultation to his friend, Inspector George Flint from Scotland yard for assistance when the scene of a murder seems impossible. Psychiatrist Anselm Rees in found murdered in his home office by his daughter and one of his patients. The door and windows were locked and there was nowhere for escape, so Flint takes this impossible case to Spector for his assistance.
There are many suspects and a lot of misdirection in this locked-room mystery. When a second murder occurs, Spector must sort the truths from illusions for this murderer to be brought to justice.
This was an enjoyable read which reminded me of my love of the old style of murder mysteries especially Christies’ Poirot series. Spector was a wonderful character with his past profession being the perfect set-up to be of use to Inspector Flint. I also enjoyed when Spector explained how some of his illusions and slight-of-hand tricks were accomplished. All the suspects and secondary characters were well drawn to keep me guessing all the way to the end. The plot was well paced and full of red herrings and twists.
This is the first book in new this historical mystery series and I will be looking out for more stories featuring Spector in the future.
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Excerpt
Olive already had the phone in her hand. “Two three one, Dollis Hill,” she announced. “Dr. Anselm Rees has been murdered.”
While she provided a few scant details, she looked around the room and noticed something.
“The windows are locked,” she said as she hung up the phone.
“Mm?” Della sounded startled.
“The windows. They’re locked on the inside.” To prove this, she gripped one of the handles and rattled it. It would not move, and the key protruded from the lock.
“So?”
“Then how did the killer get away?”
“What do you mean?”
“He can’t have come out through the hall. I was there the whole time. And not five minutes ago—not five minutes—I can tell you that the doctor was alive and well in this room because I heard him talking on the telephone.”
Della thought about this. “It can’t be locked.” She reached out and tried the handle for herself. But the windows did not budge.
“It’s locked on the inside,” said Olive, “just like the door.”
Della turned and looked at the corpse. He had sunk down in the chair like an unmanned hand puppet.
In the far corner of the room lay the wooden trunk. Olive caught Della’s eye and nodded toward it. Della frowned incredulously. Olive shrugged, as if to say, Where else would he be?
The two women crept across the soft plush carpet toward the trunk. Olive looked at Della and held a finger to her lips. She seized the poker from the fireplace and raised it above her head. Then she gave Della a quick nod.
Della leaned forward and wrenched open the trunk.
Olive let fly a fierce war cry and swung the poker like a tennis racquet. But all she hit was empty air. The two women peered inside the trunk. It was perfectly empty.
Olive led the way to the kitchen—but not before pulling shut the study door behind her, sealing in the late Dr. Rees once again.
They both felt slightly better after a tot of brandy. No less horrified, but more prepared to deal with the practicalities of the situation.
“What I don’t understand,” Della said, “is where the killer could have gone.”
“Nowhere,” said Olive. “There was nowhere for him to go.”
***Excerpt from Death and the Conjuror by Tom Mead. Copyright 2022 by Tom Mead. Reproduced with permission from Tom Mead. All rights reserved.
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Author Bio
Tom Mead is a UK crime fiction author specialising in locked-room mysteries. He is a member of the Crime Writers’ Association, International Thriller Writers, and the Society of Authors. He is a prolific author of short fiction, and recently his story “Heatwave” was included in THE BEST MYSTERY STORIES OF THE YEAR 2021, edited by Lee Child. DEATH AND THE CONJUROR is his first novel.
Olive Bright Pigeoneer andA Valiant Deceit by Stephanie Graves are the latest books in her new historical mystery series. It features Olive Bright, a spirited young pigeon fancier who finds herself working for a secret British intelligence agency, while in her spare time solving mysteries. These books are set in England during World War II where the reader gets a close look at life in a small English town.
The first book has twenty-two-year-old Olive Bright helping at her father’s veterinary practice and tending to her beloved racing pigeons. Desperate to do her bit, Olive hopes that the National Pigeon Service will enlist Bright Lofts’ expertise, and use their highly trained birds to deliver critical, coded messages for His Majesty’s Forces. But it was not the National Pigeon Service that recruits her but a secret intelligence organization, Baker Street. Captain Jameson Aldridge and his associate are tied to this covert British intelligence organization. If Olive wants her pigeons to help the war effort, she must do so in complete secrecy, which includes using the cover story of a fake romance with the captain as she prepares her birds to help with covert operations.
To protect the secrecy of their work Olive and Aldridge continue their ruse of being romantically involved, a task made difficult when both realize they have feelings for the other. Neither will admit their desires. Olive is intelligent, spunky, brave, at times reckless, and energetic. Aldridge is gruff, enigmatic, at times condescending, prickly, and brash.
The second book has Olive continuing her adventures in helping the war effort and solving mysteries. She is a FANY, First Aid Nursing Yeomanry, hoping she can step up her involvement in the war effort. Her pigeons are being conscripted to aid the Belgian resistance, and it’s up to Olive to choose the best birds for the mission, even looking for some in her dovecote that have Belgian heritage.
The first book is more of mystery where Olive must solve the killing of a community busybody Miss Husselbee in the small town of Pipley in Hertfordshire Bustles. She resolves to use the skills she’s learned from reading Agatha Christie novels to solve the crime.
The second book is more of a thriller after Lt. Jeremy Beckett, an instructor at Station XVII, the top-secret training school, housed at Brickendonbury Manor, is found dead. Even though the police determine his death to be an accident, Olive feels there are suspicious circumstances considering Beckett was carrying a coded message in his pocket and a map of Germany clutched in one hand. In both books she stops at nothing to find the truth, including risking her own life. Olive is becoming a very good investigator as she uses the tools of Hercule Poirot, her literary hero.
These books are great reads with the witty dialogue, responses, one-liners, and banter between the two characters. The mystery storyline had plenty of suspects, suspicious behavior, clues, and red herrings. A bonus were the fascinating tidbits about the role of the pigeons during World War II as part of the British spy operations. These books show why Graves did not have a sophomore jinx.
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Elise’s Author Interview
Elise Cooper: How did you get the idea for the series?
Stephanie Graves: A long time ago, when my kids were little, I took them to see “Valiant,” The Disney movie, loosely based on the contributions of pigeons during WWII. The blurb at the end of the movie captivated me. After writing romance novels, I decided to try writing historical fiction set in WWII. It was waiting in the wings at the back of my brain and took off from there. My research was very interesting and helped me develop the story.
EC: How would you describe Olive?
SG: A tomboy, optimistic, determined, impulsive, and helpful. She wants to do her bit for the war effort. She always wants to see justice done. She has a fighting spirit, resourceful, intuitive, at times argumentative.
EC: The role of the pigeons?
SG: I hope readers get a glimpse through the facts provided. Olive did name the pigeons after children’s literature characters, including Mary Poppins. They have a significant role in the book considering they are the reason Olive gets involved with the British intelligence organization. From her perspective the birds are doing the work while she selects them, trains them, and feeds them. The birds are the ones taking all the risks: getting killed by snipers or eaten by other animals. In book one it was a letdown for her. In book two it is a way to do more for the war effort to be in the thick of it all.
EC: How would you describe Captain Jamie Aldridge?
SG: A sort of by the book person. He is a bit resentful because of his injury and must be at a desk job. He is serious, cautious, at times disagreeable, condescending, and sarcastic. He is uncomfortable around cats.
EC: How about the relationship?
SG: At first Aldridge is resentful of Olive and does not appreciate her being so argumentative. He tries to reign her impulsiveness in because he is worried about her safety. They know how to push each other’s buttons. In book one it was very prickly where she did not like him at all, felt he had no need to interact with her, and was very irritated with her. He was grumpy and she was exasperated with him. At the end of book two they are coming to understand and respect each other with a connection. There is a subtle affection. He has a soft spot for her but does not want to acknowledge it, while she is frustrated.
EC: What about the role of WWII and the mystery?
SG: In the first book the mystery aspect is detached from what is going on in the war. It is more about the killing of a villager. In the second book, that murder is on the war side. I also explain in the second book how the Germans confiscated and killed pigeons, which played a role in the mystery. They were aware of how the Allies used pigeons. They trained Falcons to intercept as the pigeons were flying home across the channel.
EC: Please explain a FANY?
SG: FANY stands for First Aid Nursing Yeomanry. It started before the First World War. Originally, they were like combat medics working between the field hospitals and the front line. Into WWII they expanded a lot including mechanics, driving ambulances, and nursing. They really did everything. Some of them became actual secret agents themselves. Whatever was necessary the FANY would do it.
EC: In the first book Olive was acting like Miss Marple but in the second book acted like Poirot?
SG: Poirot was a character of Christie. Most of her books are Miss Marple or Poirot, Olive’s favorite. Poirot likes to make lists, asks questions, and feels the murderer must be found at all costs. She wanted to take a page from him.
EC: Next book?
SG: The working title is A Courage Undimmed and will be out in a year. It is another Olive book, still working as a FANY and unofficially training to be an agent. There is also a village mystery with a visit from the actual Ian Fleming.
THANK YOU!!
BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.
Heiress-turned-sleuth Prudence MacKenzie and ex-Pinkerton Geoffrey Hunter step out of the elite society of Gilded Age New York as they venture into the city’s crime ridden streets and most dangerous neighborhoods to search for two missing children . . .
THE DEAD CRY JUSTICE
May 1890: As NYU Law School finally agrees to admit female law students, Judge MacKenzie’s daughter Prudence weighs her choices carefully. Chief among her concerns is how her decision would affect the Hunter and MacKenzie Investigative Law agency and her professional and personal relationship with the partner who is currently recuperating from a near fatal shooting.
But an even more pressing issue presents itself in the form of a street urchin, whose act of petty theft inadvertently leads Prudence to a badly beaten girl he is protecting. Fearing for the girl’s life, Prudence rushes her to the Friends Refuge for the Sick Poor, run by the compassionate Charity Sloan. When the boy and girl slip out of their care and run away, Prudence suspects they are fleeing a dangerous predator and is desperate to find them.
Aided by the photographer and social reformer Jacob Riis and the famous journalist Nellie Bly, Prudence and Geoffrey scour the tenements and brothels of Five Points. Their only clue is a mysterious doll with an odd resemblance to the missing girl. But as the destitute orphans they encounter whisper the nickname of the killer who stalks them—Il diavolo—Prudence and Geoffrey must race against time to find the missing children before their merciless enemies do.
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Elise’s Thoughts
The Dead Cry Justice by Rosemary Simpson always involves a mystery, returning characters, and a social issue during the Gilded Age. This historical novel delves into a very tough and disturbing topic. But Simpson is such a gifted author and writes in a manner that does not go over the top. She realizes a line should not be crossed, leaving the subject matter up to the reader’s imagination.
The story opens with the main character, Prudence MacKenzie, heiress turned sleuth with her partner, Geoffrey Hunter, contemplating if she should accept the offer to attend NYU’s law school. It is now 1890 and women are making strides, but she is not sure how she will be accepted among the students and professors.
While weighing her decision a street urchin steals her sandwich. A chase ensues leading her to a badly beaten girl. The girl’s eyelashes and eyebrows have been replaced with tattoos, her skin is bleached artificially white, and she has been repeatedly raped. A Quaker refuge for the poor agrees to care for the boy and girl, both to traumatized to speak. Somehow, they slip out. Prudence, with the help of Geoffrey and some other contacts, are determined to find the children. They visit orphanages, brothels, a photographer, newspaper journalist, and a house of dolls. Their only clue is a mysterious porcelain doll that oddly resembles the missing girl. To their shock, they discover other young girls in the same situation. They now have a race against time to find the children and the perpetrators before it is too late.
This is an important issue to bring front and center since sex trafficking is still present today with very little coverage or outcry as it was in the 1890s. Readers will understand how Simpson brings to life the Gilded Age in New York City through detailed descriptions, real-life people such as Jay Gould, Jacob Riis, and Nellie Bly, and a riveting mystery.
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Elise’s Author Interview
Elise Cooper: How did you get the idea for the story?
Rosemary Simpson: Each one of my Gilded Age Mystery books has a social setting, murder, and the two main characters. In this book it was the social exploitation of girls and women. It was a topic that needed to be addressed. The deeper I got into my research I realized there are a lot of parallels of what is happening now. At the time of my research Jeffrey Epstein was in all the papers.
EC: What about the abuse?
RS: It was horrific back then. The girls felt homeless. It was emotional and physical. The girls were bleached, tattooed, made to take arsenic and lead, starved, drugged, and beaten. Parts of this are true today. There was a great deal of abuse. Usually, it was the women themselves who were blamed for the sexual exploitation. The clients were rarely blamed. I kept looking and looking for major outcries against this. No one wanted to admit that this horrible issue could exist. I wanted it to be believable and to be realistic in the historical context.
EC: Lead and arsenic taken?
RS: Yes. It was done for hundreds of years to whiten the skin. It was a lead paste. It also did damage to the brain and other parts of the body. The arsenic was a very small amount used in cremes.
EC: Another relevant issue today is your quote about criminals?
RS: You are referring to this one, “Criminals arrested should be detained, but walked free.” This book takes place before Theodore Roosevelt became the police commissioner. Before him, the NYC police department was tremendously corrupt. Until Roosevelt came along there were not many who wanted to clean up the corruptness. People could pay to walk away after they committed a crime. What is happening today, with criminals getting out, is a replay of what has already happened, many and many times.
EC: Some of this story reminded me of the movie, “Oliver?”
RS: There were a lot of orphanages in NYC. They meant well and many were reformers. There was something associated with being an orphan as if it were the child’s fault. In the absence of stern parental control there was organized institutional control. Children were not assumed to be innocent, but the thought pattern was they tried to get away with everything unless there was a tight hold on them. A lot of the orphanages existed because of the donations. They were very grim. As soon as the orphans got to be a certain age, they were shown the door.
EC: Role of the dolls?
RS: Young women were being traumatized and deprived of their basic humanity. They were turned into objects. The porcelain hand-painted bisque dolls are now antiques and even back then were very valuable. The best ones did come from France. They were so beautiful they were collector’s items and usually were not played with. When I was a child, about five, I got a gorgeous doll from my French aunt. It was in a huge red and gold box, wrapped in huge red ribbon. I was afraid to take it out of the box for fear I might drop it. After my aunt left, I took it out of the box. It was gorgeous.
EC: Did the All-American Doll Shop influence you?
RS: I bought some of these dolls. But the idea was to make the dolls lifelike. But I was reversing it. I was making the real girls look doll-like. I only remembered these dolls during the rewrites. In my story it was a way of depriving the exploited girls to be human. Just as today, with sex trafficking, these girls are treated as objects.
EC: Were women really admitted to law schools during the 1890s?
RS: Most of the women were working in a husband’s law firm or writing wills/trusts. They were not arguing in full court before a jury. My character Prudence wants to defend someone in a court. Society is beginning to open up to achieve some sort of equality.
EC: How would you describe the young brother Zander who tried to save his sister from exploitation?
RS: An Oliver Twist kind of character: Resilient, crafty, quick on his feet, smart, does not give up, and very loveable. He bonded with his dog Blossom. An unquestioning love and loyalty. He is also protective, caring, and kind. He realizes to save his sister he has to manipulate society.
EC: Next book?
RS: It will be out this time next year and is titled, Death at The Falls. It takes place at Niagara Falls. Prudence has passed the bar, but no one will hire her. She and her partner Geoffrey go to Niagara Falls to help her aunt’s friend who is accused of murder. The social aspect is the push pull between private exploitation of the Falls and the public effort to preserve the natural beauty of the falls.
THANK YOU!!
BIO: Elise Cooper has written book reviews and interviewed best-selling authors since 2009. Her reviews have covered several different genres, including thrillers, mysteries, women’s fiction, romance and cozy mysteries. An avid reader, she engages authors to discuss their works, and to focus on the descriptions of their characters and the plot. While not writing reviews, Elise loves to watch baseball and visit the ocean in Southern California, with her dog and husband.
